Article
Ageing
Creed
Politics
Providence
5 min read

Did God tell Joe Biden to stand down?

His story teaches us to listen a little more intently to what comes our way.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

President Biden, at his desk after announcing his decision.
Biden reflects after announcing his decision.
The White House.

Joe Biden has finally quit. After weeks of resistance to the clamour of Republican voices telling him to withdraw from the race to be re-elected, he finally gave in and pulled out. A tweet was followed by a press conference where a stiff and weary looking Biden told the world that his campaign for a second term was over.  

Just a few weeks ago, when asked if he would step down, he had said that “If the Lord Almighty comes down and tells me that, I might do it." Joe Biden is a man of faith. And so, it was a strange kind of prayer - perhaps just a throwaway line intended to reassert his determination to stand - but it raises an intriguing question. Did the Lord Almighty do just that? 

I'm not sure what President Biden had in mind when he raised this possibility. Perhaps he envisaged some disembodied voice from the clouds, like Moses on Mount Sinai, booming out a personal message that it was time to step back? A vivid dream where God appeared to him? Maybe he was looking for mysterious handwriting on the wall, as happened to the Babylonian King Belshazzar? Was Joe waiting for something similar on the wall of the Oval Office as he drank his morning coffee? 

As far as we know, none of those things took place. What did happen was more mundane. Struck down with COVID, holed away with his family and key advisors he was presented with evidence that there is no way he could beat Donald Trump and so he decided to pull out. 

God normally speaks to us through ordinary human Interaction, through commonplace events that might happen to everyone. 

Perhaps when most people think of God speaking, they have in mind a kind of Monty Python booming voice from the clouds, a message that is inescapably and undoubtedly divine. Yet the evidence of Christian history and the testimony of numerous Christians throughout the world and previous centuries suggest that that kind of communication is vanishingly rare. God usually delivers his message through more ordinary methods – so ordinary that it is very easy to miss it. In fact, the most definitive time God spoke to the human race, it wasn't in a booming voice from the skies, but in the words of a scruffy looking Jewish rabbi who looked as human as the rest of us. 

Despite the mediaeval imagery, Jesus did not walk around with a golden halo around his head that served as a sign saying, ‘this is the Son of God!’ It was quite possible to meet Jesus, listen to him speak, even shake his hand, and entirely miss the fact that you were speaking to God.  

As the early Christians thought through their Christology, in other words their understanding of how God and humanity came together in the person of Jesus, the main conclusion was that Christ’s divine nature did its work through, rather than apart from his human nature. It is not that some of his actions and words were divine (for example miracles, inspired teaching etc.) and some human (eating, sleeping and asking for directions) but rather that both human and divine natures were involved in all that he did - the human nature passively allowing itself to be the vehicle through which God did his work. So that when you met Jesus you could see God working perfectly through a human being in the way that we were always meant to.  

For those who had the eyes to see it and the ears to hear it, although he looked and spoke just like an ordinary human, Jesus was far more than that - he was the one through which God definitively spoke to the human race. 

All that suggests a very different way of God speaking to us. God normally speaks to us through ordinary human interaction and through commonplace events that might happen to everyone.  

Joe's story perhaps teaches the rest of us to listen a little more intently to what comes our way. 

So, when Joe Biden started to listen to the voice of his family and friends rather than stubbornly persisting with his doomed attempt to be re-elected, perhaps his secret prayer was being answered? Perhaps the Lord Almighty was telling him to step down, through the very ordinary voices of his friends and advisers. How do we know it was God? As I've argued elsewhere, in the question of whether God saved Trump from an early death, we can only definitively tell when God has intervened while looking backwards. Looking back on the past few weeks and months, might this be a case where we can begin to say with some confidence that Joe Biden was listening to the one voice that could have told him to step back? 

It sounds like he obeyed unwillingly. In his speech from the Oval Office, he continued to claim that he deserved a second term (does any leader in a democracy deserve election? Is it not always a gift and a privilege?) He continued to proclaim a rather fantasy-laced vision of the USA: “we are the United States of America and there is nothing beyond our capacity”, claiming the limitless power of his nation at a time when he should have been more aware of his own limits and finitude. 

But maybe we all do that from time to time. Let us give credit where credit is due. He did finally, reluctantly, perhaps grudgingly, listen to the voice of the Lord Almighty telling him to quit.  

Listening for the voice of God is an art and not a science. Wisdom comes to us usually through very ordinary human means and it takes a lifetime of listening, reading of Scripture, discerning the difference between the kind of thing God would say - which is the kind of thing Jesus would say - and the things that he wouldn't. Joe's story perhaps teaches the rest of us to listen a little more intently to what comes our way, to hear when God might actually be speaking to us - through the ordinary events and voices that surround us every day. 

Review
Ambition
Culture
Film & TV
Politics
6 min read

Why we’re fascinated with power behind closed doors

Conclave captures the powerful chemistry between heaven and earth.

Roger is a Baptist minister, author and Senior Research Fellow at Spurgeon’s College in London. 

A cardinal glances to the side as he stands amid a gather of clergy,
Cardinal Thomas Lawrence played by Ralph Fiennes.
Film Nation.

An ecclesiastical election, conducted behind closed doors, by a group of old men hardly seems a subject for a riveting thriller. Yet, back in 2016, Berkshire-based novelist Robert Harris thought otherwise. Conclave became an international best-seller. 

Now it’s been turned into a movie. And, according to the cognoscenti, a rather good one at that. British Vogue lauded it with great enthusiasm: 

“It’s a treat in every sense – visually, sonically, dramaturgically – and, as we hurtle into this bleakest of winters, exactly the kind of galvanising, pulse-racing shot in the arm we all need.” 

Really? 

Well, following its UK premiere at the London Film Festival in October, the BBC were quick to report a potential flurry of Oscar nominations and even that it was ‘thought to be a strong contender for the best picture award’. 

So, what’s going on? How has this dangerously dull and turgid subject turned into a narrative that tames the critics and converts the sceptics?  

A late night showing on the day of its release at the end of November beckoned me to find out. So off I went with my wife, after she had finished Gospel Choir practice. 

Directed by award winning film-maker Edward Berger (All Quiet on the Western Front), it stars Ralph Fiennes, Stanley Tucci, John Lithgow and Isabella Rossellini.  

The premise is simple. The Pope is dead, and the Cardinals of the Catholic Church convene from around the world to choose his successor. But this, of course, is only the beginning. 

Sequestered in the Vatican the prelates are cut off from outside influence as the secret process of electing a new pontiff is enacted. But this does not stop events, past and present, from impacting and shaping their deliberations.  

Overseen by Cardinal Thomas Lawrence (Fiennes), the British Dean of the College of Cardinals, the story unfolds as he negotiates these successive revelations and happenings. Along the way he is also wrestling in his own faith for spiritual reality and personal integrity. 

As they gather, the not-so-friendly fraternal rivalry of the cardinals and the manoeuvring of the leading contenders sets up a presenting series of tensions for the Conclave: 

  • Cardinal Bellini (Tucci) is the Vatican’s theologically progressive, yet diffident, Secretary of State 
  • Cardinal Tremblay (Lithgow) is a slippery and ambitious, self-promoting Canadian conservative 
  • Cardinal Tedesco (Sergio Castellitto) is the forthright and reactionary traditionalist Patriarch of Venice  
  • Cardinal Adeyemi (Lucian Msamati) is a theologically conservative and populist Nigerian who offers the possibility of making history as the first Black pope.  

Then, at the last minute, into the mix enters a cardinal that no one knew of. Cardinal Benitez (Carlos Diehz) is a Mexican who arrives claiming the late pope appointed him Archbishop of Kabul in pectore (in secret) prior to his death.  

Shuttling between their living quarters in the Domus Sanctae Marthae and the Sistine Chapel, the venue for their voting process, the story unfolds. A complex interplay of ecclesiastical politics, theology and spirituality intermingle with issues of identity, character and choice to make for a heady mix. At stake, or is that on offer, is the power of the Papacy. 

Reflecting the church at large the Conclave is a community of conservatives and liberals, traditionalists and progressives, populists and academics, activists and administrators.  

Like the world at large, all human life is here. Men with hidden secrets, driven by ignoble motives that often dress themselves in more noble apparel. Ambition, greed, ego and privilege rub shoulders with graciousness, sincerity and self-sacrificial service. Sometimes even in the same person. The human condition is a complicated one. It seems that power retains its age-old allure and ability to corrupt. 

And maybe that’s it. For all the secrecy and mystery that surrounds a papal election, right down to the colour of the smoke, it is a human concoction. Human fingerprints are all over it, just like they are all over the church.  

The church aspires to be better. To be shaped by a higher ideal. To properly be ‘the body of Christ’ and represent the imago dei in the world. To so inhabit the love and grace of God that through its life and witness God might touch and transform the world for the better. Yet, as one of the Italian cardinals correctly, if too easily, argues, “We are mortal men; we serve an ideal. We cannot always be ideal.” 

Indeed, the great apostle St. Paul had to confess, “Not that I have already obtained all this, or have already been made perfect …”, but he is committed to go further, “… [yet] I press on to take hold of that for which Christ Jesus took hold of me.” There is an ideal to pursue. 

As the cardinals progress through successive rounds of voting the field of candidates narrows and the required two-thirds majority comes within reach. Yet the prospects of the main characters rise and fall through the twists and turns of the plot as it heads to its inevitable climax.  

Then one final, unexpected and flabbergasting reveal hits the audience from out of left field. It is a masterful denouement to the tale. 

Speaking about how it all came together Harris revealed: 

“I approached this not as a Catholic and not as an expert in the Church. So my preparation began by reading the gospels, which are revolutionary. And the contrast between that and this great edifice of ritual and pomp and power and wealth of the Church is striking … There's also this question of can you freeze anything at a point nearly 2000 years ago? Haven't the world and humanity evolved?” 

As we drove home at gone midnight I found it hard to disagree with Vogue.  

The visual spectacle created by cinematographer Stéphane Fontaine plays wonderfully with the renaissance setting of the Vatican. It is a beautiful and luscious feast for the eyes.  

Volker Bertelmann’s teasing creativity with the score made the drama come alive and heightened what has been an unforgettable experience. 

But for me, most of all, it was the drama. The story that was told. The unfolding of events and the interplay with people and their motives, their relationships and their vested interests. It is layered and nuanced and complex, just like real life.  

It has left me pondering once again the chemistry between heaven and earth. Between our freewill and agency as individuals and the mystery of the divine presence and the fruit of prayer.  

As the cardinals prepare for the final vote a waft of air blows gently through a broken window in the Sistine Chapel and rustles their voting papers. Is Berger tipping his hat to the presence of the Spirit of God, present and active in human affairs? 

Perhaps the last word should go to Robert Harris. 

“With temporal power, or indeed spiritual power, it is very difficult to avoid factions, scheming, the lesser of two evils—all the compromises that go into running any huge organization and trying to keep, not just hundreds, but thousands of people onside … I have a lot of time for politicians, just as I have a lot of time for these cardinals, because they are grappling with almost insoluble problems. But someone has to do it. Someone has to run a society. And I've tried to write about them with a degree of sympathy.” 

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