Article
Creed
Romance
Wildness
4 min read

St Valentine and the great mystery of romance

Saints were martyrs for more than love.
A cupid statue fires an arrow of love.
Volodymyr Tokar on Unsplash.

Valentine’s Day is the great Western celebration of ‘romance’. On the day restaurants are filled with couples – new and nervously trying to be constantly adoring in their gaze, or longstanding, staring out of the window, comfortable in the silence which can only truly be inhabited by those who really know each other. On this day garage flowers become a precious commodity. It is undoubtedly kitsch and forced and performative…but most great and important festivals are. 

But who’s day is this?  

Valentine, or Valentinus, was a third century martyr. Some legends claim that his faith was put to the test by a local judge, who brought his blind daughter before Valentine, and demanded he heal her. He did. The judge and his entire household renounced pagan idols and were baptised. This scandalous incident, and further bothersome evangelism, led to the Emperor Claudius commanding that Valentine be executed. Another legend claims him as a Roman priest who defied imperial orders and secretly married Roman soldiers in the Christian rite, allowing the soldiers to escape further conscription. I assume it is this latter legend which led to Valentine being adopted as the patron saint of heart-shaped chocolates – that and the mediaeval folklore that the birds would couple in mid-February. Whatever the case, I’m not interested in the legends of Valentine, entertaining as they are. It doesn’t matter to me if he married couples in secret, or healed the blind, or was an early avian dating app. He is a martyr.  

Martyrdom is not a concept we are much familiar with in this country anymore. Yes, it is still a word in common parlance. We call people a ‘real martyr’ when they punish themselves doing work no is expecting or wanting them to do. We call someone a ‘martyr for the cause’ when they glue themselves to a set of railings, or get arrested vandalising a painting with soup. This isn’t martyrdom. True martyrdom is an act of romantic desire. True martyrdom is an act of love! 

One of the earliest accounts of Christian martyrdom come from St Ignatius, the Bishop of Antioch. At some point in the middle of the second century he was condemned to death and was transported to Rome under guard. As he travelled, he wrote letters to different Christian communities, including one to the Church in Rome. The account of martyrdom in this letter is both astoundingly beautiful, and the key to understanding martyrdom. He is writing, in part, to beg the Christians of Rome not to try and save him from his fate, either by violence of bribery.  

He wishes his martyrdom and explains why. He writes that in this suffering he is “…beginning to be a disciple.” He compares his unfortunate situation to ‘birth pains’ now coming upon him and then makes a remarkable claim: he is not about to die, but is about to truly live!  

“Grant this to me brothers: do not keep me from living; do not wish me to die…Allow me to receive the pure light; when I have arrived there, I will be a human.” 

It has been suggested by some who can only see the dreadful, painful, grabby nature of martyrdom – and it is a blessing we live in an age and a land where we do not kill each other on account of our faith – that Ignatius was either a showman or a madman. I disagree. Ignatius does not want to be martyred because he wants to make a name for himself, but because he understands that in martyrdom he is becoming a type of the one true martyr: Jesus Christ. Perhaps he was mad…madly in love with Christ! He desired to be united with Christ, he desired to be as close to Jesus Christ as possible: “I desire the bread of God, which is the flesh of Jesus Christ…and for drink I desire his blood, which is imperishable love.” He desired Jesus above all other goods, even his own life. 

In our little way, when we embark upon the great mystery of ‘romance’ we are seeking to be martyrs ourselves – martyrs for the one we love. 

Martyrdom, seen in this manner, is a truly ‘romantic’ act – an act of the one who is so desirous of, so truly, madly, deeply in love with Jesus, that they will give everything for Jesus’ sake. Martyrs show us the real pattern of love: the sacrifice, of ourselves for the sake of another. This is the lesson Jesus taught his disciples: “Greater love hath no man than this, that a man lay down his life for his friends.” In the life and death of the martyr we see this real love made manifest, and it is not unrequited but is entirely reciprocated. Jesus desires us and dies for us, and the martyr desires Jesus and dies for him. As Ignatius writes to the Romans: “Desire it, that you may also be desired.” 

This is the lesson that every couple, as they grow in their life and their love together, slowly learn. If we seek romance and love, we seek not to change, or control, or extract pleasure from the other person as an object; we seek to give ourselves to them freely and completely, in the joy of service and sacrifice. In our little way, when we embark upon the great mystery of ‘romance’ we are seeking to be martyrs ourselves – martyrs for the one we love.  

St Valentine was a man of genuine love, for he was a martyr. There is no greater reason to be a patron of passion, of matters of the heart, of romantic love. 

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Article
Advent
Christmas culture
Joy
Poetry
6 min read

The Advent poets who can’t wait until the world is sane

Tennyson to Eliot, Rossetti to L’Engle, find despair doesn’t preclude joy.

Beatrice writes on literature, religion, the arts, and the family. Her published work can be found here

Beyond a misty and raindrop streaked window, a colourful triangle shape emerges.
Ricardo Gomez Angel on Unsplash.

After his conversion to Anglo-Catholicism in 1927, critics began to notice a change in T. S. Eliot’s poetry. Some thought this was for the worse, that Eliot’s newfound faith dimmed his literary powers, making his usually impenetrable style more conventional. But there is a less cynical view. I think, instead, that his conversion brought a sense of clarity and purpose to his poetry. I think what really happened is that, like many Christian converts before and after him, he found a sense of joy.  

Nowhere better can we find that distinctly Christian sense of joy than in Eliot’s ‘The Journey of the Magi’, an Advent poem recounting Jesus’s birth from the point of view of the magi travelling to meet him. Like many of my favourite Advent poems, ‘Journey of the Magi’ is not straightforwardly cheerful, instead dwelling on the idea of alienation. The last stanza of the poem in particular is devoted to the magi’s confusion at returning to their old life after witnessing the miracle of Christ’s birth: 

All this was a long time ago, I remember, 
And I would do it again, but set down 
This set down 
This: were we led all that way for 
Birth or Death? There was a birth, certainly, 
We had evidence and no doubt. I had seen birth and death, 
But had thought they were different; this Birth was 
Hard and bitter agony for us, like Death, our death. 
We returned to our places, these Kingdoms, 
But no longer at ease here, in the old dispensation, 
With an alien people clutching their gods. 
I should be glad of another death. 

It’s hard not to read these lines and imagine that Eliot himself might have experienced a feeling of alienation, as a new convert, when looking back on his old life. And yet, the magi’s sense of being ‘no longer at ease’ in their old home, of being among ‘an alien people’, is not something that only converts experience. All of us, whether we are converts or reverts, whether we were brought up in the Christian faith or are still contemplating it with uncertainty, have a moment when we realise that believing in Christ’s birth, death, and resurrection radically changes the way we look at the world. 

And conversion isn’t something that just happens once. Every year, during Advent, we are asked to meet despair with joy. For those of us living in the northern hemisphere, we’re specifically asked to do this in the darkest and coldest time of the year, when nature looks so gloomy and unwelcoming. As Christina Rossetti puts it in one of our country’s most beloved Christmas hymns, Jesus comes not at a time of flourishing nature, but rather ‘in the bleak midwinter’, when the earth is ‘hard as iron’ and water frozen ‘like a stone’. Just as we persevere in our yearly hope that spring will come again, so too we are called to renew our conversion of heart each Advent, waiting in hope for Christ’s birth.  

But hope doesn’t have to mean blind optimism. The older I’ve become, the more I’ve come to think that rejoicing during Advent doesn’t have to involve unadulterated cheerfulness. Grief has its place within joy, as counterintuitive as that may seem. In fact, Advent is an opportunity to cultivate the virtue of hope in spite of grief, and in spite of the evils that we see in the world. ‘Were we led all that way for / Birth or Death?’, ask the magi. The answer is both. Each year Christ’s birth reminds us that faith requires us to die to our old selves. For some, this means having uncomfortable conversations with family or friends who don’t understand their conversion to the faith. For others, it means facing illness or death of a loved one or other kinds of trauma without giving in to despair.  

None of this is easy, of course. Clinging to hope in dark times can truly feel like ‘bitter agony’, as Eliot writes. And yet, as one of the magi says in the final line of Eliot’s poem, ‘I should be glad of another death’. When we die to our selves, we also experience a new birth in Christ. Even as we celebrate his birth, we are reminded of his death on the cross for us, of the fact that he so loved us that he was willing to bear unbearable pain for our sake.  

That kind of love, although it doesn’t remove all the sources of suffering in our daily life, does call for rejoicing. Another wonderful Advent poem, Madeleine L’Engle’s ‘First Coming’, emphasises the necessity of joyfulness in the face of a corrupted world. L’Engle begins by reminding us, stanza after stanza, that Jesus didn’t wait for humanity to become perfect before coming to us: ‘He did not wait till the world was ready’, she begins, before adding, ‘He did not wait for the perfect time’, ‘He did not wait till hearts were pure’. Rather, Christ came ‘in joy’, to ‘a tarnished world of sin and doubt’, right ‘when the need was deep and great’.  

L’Engle ends ‘First Coming’ by encouraging us to imitate Christ not just in his patience, but also in accepting joy now, not when we world finally stops being rife with sin and pain: 

We cannot wait till the world is sane 
to raise our songs with joyful voice, 
for to share our grief, to touch our pain, 
He came with Love: Rejoice! Rejoice! 

We can’t wait until ‘the world is sane’ to be joyful. Joy is remembering that Christ really did come ‘to share our grief’, no matter how seemingly unbearable it may be. Lord Tennyson expresses a similar sentiment in his poem In Memoriam, an elegy written after the loss of his dear friend Arthur Hallam. He admits that the pain at his friend’s death is so intense that, as Christmas is drawing near, he almost wishes ‘no more to wake’, and for his ‘hold on life’ to ‘break’. Then, he hears the sounds of bells: 

But they my troubled spirit rule, 
For they controll'd me when a boy; 
They bring me sorrow touch’d with joy, 
The merry merry bells of Yule. 

Happy memories of Christmas bells from childhood are mixed with pain for Tennyson, bringing him ‘sorrow touch’d with joy’. That’s what all the best Advent poems, from Tennyson to Eliot, From Rossetti to L’Engle, show us: that sorrow doesn’t preclude joy. In the weeks leading up to Christ’s birth, it’s normal to dwell on both birth and death; Advent can be a season for both somberness and merrymaking. Most of all, Advent is a time for prayer, that our hearts may be filled with the knowledge that Christ loves us even in our sorrow, and that the very knowledge of Christ’s love may in turn fill our hearts with joy.  

Join with us - Behind the Seen

Seen & Unseen is free for everyone and is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Alongside other benefits (book discounts etc.), you’ll receive an extra fortnightly email from me sharing what I’m reading and my reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief