Article
Culture
Film & TV
4 min read

Shardlake: the Disneyfication of the Monasteries

What works, and doesn’t, translating from page to screen.

James is a writer of sit coms for TV and radio.

Two men in Tudor clothing converse in a street
Shardlake, left, played by Arthur Hughes.

Have you ever had that sense of dread on discovering your favourite novel is going to be a movie or a TV series? Fans of CJ Sansom’s books have been divided on the adaptation of their favourite historical novels about a hunchbacked lawyer during the Dissolution of the Monasteries. Some have been delighted by what they’ve seen, and felt the four episodes of Shardlake on Disney+ were true to the original books. Others were appalled. 

The originals books are greatly loved. On The Rest is Entertainment podcast, Richard Osman read out comments from his own mother about how and why she loved CJ Sansom’s book so much. I was not so captivated. I read the first book, Dissolution, some years ago and liked it. But I didn’t like it enough to read more. 

So when the TV adaptation landed on Disney+ I was curious. My own reaction was relief that CJ Sansom had passed away only days before his first novel arrived in our living rooms. Sansom was committed to historical accuracy and authenticity. The TV Series? Not so much. 

But Shardlake is entertainment for the masses, not the bookish. Why shouldn’t sixteenth century monks have incredible teeth? Why shouldn’t they burn candles by the dozen in every room of the monastery, day and night, despite the fact that candles were eye-wateringly expensive back then? And yes, these monks should be going to church at least nine times a day, and spend hours in prayer and private study. But who really wants to watch that? This isn’t Wolf Hall on BBC2. This is mainstream global streaming TV: the Disneyfication of the Monasteries.

Given the differences in the media, why are both versions of Shardlake so successful? The secret sauce is the hunchback himself, Shardlake. 

As a screenwriter myself, I know all too well that the dynamics of twenty-first century television – aka ‘content’ – and novels are very different. (My failed novels have reinforced this lesson for me). Shardlake has to appeal to an international audience who have not read, and will never read, CJ Sansom’s books. They won’t even listen to Tom Holland and Dominic Sandbrook talk about the Dissolution of the Monasteries on The Rest is History podcast. 

Novels are fairly cheap to print. TV is expensive, burning money faster than the monks of St Donatus can burn candles. Shardlake is international TV, financed internationally and filmed internationally. Consequently, you are not looking at the Kent countryside. You are looking at Hungary, Austria and Romania for a mixture of reasons. Mostly these would be tax breaks, cheaper crews and financial incentives. 

St Donatus’s monastery is a mash up of the medieval Kreuzenstein Castle near Vienna and the gothic Hunedoara Castle in Transylvania. It looks brilliant. It just does not in any way resemble a medieval monastery – which were surprisingly uniform through Europe. The chapel at the monastery is comically small, whereas there would, in real life, be a hilariously large abbey. 

The New Stateman said, “This is not Merrye Englande. It is the Grand Anywhere we’ve come to know all too well in the age of streaming, and it bores me to death, my eyes unable to stick to it,” which seems a little over dramatic. Most of the reviewers were unconcerned by this lack of historical accuracy. The Guardian called it ‘magnificent’, others ambivalent. It scored about 80% on Rotten Tomatoes with both the critics and the audience. Overall, Shardlake has been a hit. 

Given the differences in the media, why are both versions of Shardlake so successful? The secret sauce is the hunchback himself, Shardlake. He is the sleuth, trying to solve the murder of a fellow commissioner in the service of the King’s ruthless right-hand man, Thomas Cromwell. The recipe for the Shardlake sauce is made up of two key ingredients. 

Shardlake bears his cross with fortitude, not bitterness. 

The first is his goodness. It seems like a bland attribute, but it’s rather refreshing, especially in a world divided both then and now. Shardlake is not complex character with inner demons. (At least that’s not how he’s presented in the first book or this adaptation.) When I read the book, my abiding memory is that Shardlake was one of the good guys. This was surprising at the time as normally Protestants were seen Philistines and cultural vandals who cynically changed their theology to strip the church of its wealth, before passing the churches on to their descendants who smashed the statues, whitewashed the walls and, eventually, cancelled Christmas. Shardlake may be in the service of Thomas Cromwell, but he knows in his heart of hearts that Anne Bolyen was innocent of the crimes for which she was beheaded. And in some small way, he makes amends for this. 

But Shardlake’s goodness is only half of the recipe. The other half is his hunched back. In the sixteenth century, this makes him an object of ridicule and shame. It is not flipped around to become a strength. It is an affliction with which he has to cope. Given Shardlake’s world steeped in religion, we are reminded of the ministry of Jesus, who attracted the sick, the crippled, the lepers and the blind. They were, of course, healed and Shardlake is not so fortunate. 

Shardlake bears his cross with fortitude, not bitterness. Likewise, Jesus Christ himself bore his cross as a victim of injustice on trumped up charges, beaten and executed as one cursed alongside criminals, saying ‘Father forgive’. Shardlake, like Christ in the gospels, is a suffering servant. And now Disney may see the Gospel According to Shardlake spreading all over the world.

Essay
Aliens
Belief
Creed
Film & TV
10 min read

Who do you think Doctor Who is?

Why the Doctor is (and isn’t) like Jesus

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

Doctor Who and River Song converse
Doctor Who and River Song ponder metaphysics.

After two series with Ncuti Gatwa as the Doctor, the future of Doctor Who is uncertain. It may be time for the world’s longest-running sci-fi show, with 892 episodes to date, to come to an end. Or it may not.  

Doctor Who is one of the few sci-fi shows with an appeal that reaches beyond typical sci-fi fans. It ranges across every conceivable genre – romance, horror, period drama, epic – to name but a few. The Doctor’s time-travels may take you to Elizabethan England or the year 400,000 C.E. on a planet made of diamond – you won’t know until you start watching. The secret to the show’s longevity is the Doctor’s ability to ‘regenerate’ whenever he (or she) dies, reappearing with a new body and personality. Gatwa was the fifteenth actor to play the Doctor since William Hartnell’s inaugural performance on 23rd November 1963. (However, I secretly suspect that C.S. Lewis was the ‘zeroth’ Doctor, since he died the day before the first episode was aired. Coincidence?) 

Science fiction has the unique capacity to do thought-experiments without limits. What if you could go back in time and kill Hitler before he rises to power? What if we could transfer our brains into machines that would enable us to live forever? What if one small act of violence was the only way to save the human race from destruction?  

This article draws attention to just one of the numerous metaphysical and ethical lessons that can be drawn from the show’s stories. I do not discuss the compatibility of its moral ideology with Christian morality, or the place it gives to religion in a world with a scientific explanation for everything. My focus is on a single feature: how the Doctor’s immeasurable power places him in a position like that of Jesus according to the Christian tradition. I shall point to three ways the Doctor reminds us of Jesus, and one way in which the Doctor does not look like Jesus, going down a path that Jesus was tempted to take, but refused. 

A bloke who puts everything right 

In ‘Twice Upon a Time’, Bill Potts asks the first Doctor why he first left his home planet, Gallifrey, to embark on his many adventures. After a few false starts, the Doctor responds like this:  

Doctor: “There is good and there is evil. I left Gallifrey to answer a question of my own. By any analysis evil should always win. Good is not a practical survival strategy. It requires loyalty, self-sacrifice, and love. And so why does good prevail? What keeps the balance between good and evil in this appalling universe? Is there some kind of logic, some mysterious force?” 

Bill Potts: “Perhaps there’s just a bloke.” 

Doctor: “A bloke?” 

Bill Potts: “Yeah. Perhaps there's just some bloke wandering around, putting everything right when it goes wrong.” 

Why does evil never get the upper hand? That is the Doctor’s fundamental question. Is there some logic, some mysterious force, or is there just a ‘bloke’ who keeps putting things right? All three, from a Christian point of view.  

The ultimate triumph of good over evil, according to the Christian story, is thanks to a ‘bloke’ named Jesus who conquered death and rose again so that we might rise again with him at the end of all time. But for Christians, Jesus is not only a ‘bloke’. The Gospel of John equates Jesus with the Logos, a Greek word (where the English word ‘logic’ comes from) to name the rational principle that orders and upholds the universe. The Apostle Paul, in the letter to the Corinthians, also describes Jesus as one ‘by whom all things were created’ and ‘in whom all things hold together’. A ‘mysterious force’ indeed! 

To answer the Doctor’s question, then: there is only one thing that stops evil from getting the upper hand. It can be called a logic, and it can be called a mysterious force. But the logic and the force are not impersonal. They are other names for a bloke named Jesus who wanders around putting everything right.  

A better way of living your life 

After an encounter with the Doctor, nobody is ever the same again. It is not primarily the thrill of adventure or the sight of things more wonderful than can be imagined that changes the Doctor’s companions. It is the example of someone who has devoted their life to save, to heal, to confront evil, and to sacrifice for others. 

These features are brought into sharp focus in a moment when Rose Tyler, one of the Doctor’s companions, believes she’s lost the Doctor forever. Her mother tries to comfort her, and this leads her to reflect on what had been so amazing about her time with him: 

 “It was a better life. And I don’t mean all the travelling and… seeing aliens and spaceships and things… that don’t matter. The Doctor showed me a better way of living your life. That you don’t just give up. You don’t just let things happen. You make a stand. You say no. You have the guts to do what’s right when everyone else just runs away.” 

Like his other companions, Rose saw something in the Doctor which challenged her to live up to a higher moral standard, a standard of courage, compassion, and self-sacrifice.  

Being with the Doctor puts you in extreme situations where your character is tested and refined. You are forced to face your fears and make crucial decisions about what kind of person you are going to be. Those extreme adventures are rarely the end, however. When his companions return to their lives on earth, they have to decide how to handle normality. Will they wistfully pine after the thrills of the past, seeing normal life as dull and boring, or will they use the wisdom and virtue gained from their adventures to bring peace and justice into the world amidst daily life. 

In a similar way, Jesus called his disciples to a higher moral standard, one that prioritises humble, loving service and self-sacrifice. Life with Jesus can be an exhilarating adventure, such as when he calls someone to move and live in a foreign land or to embrace poverty as a lifestyle. But many Christians feel called to follow Jesus in ordinary ways that do not draw attention, and to put his teaching to practice in ordinary everyday life in a way that slowly transforms the world.  

The ultimate sacrifice for the least important 

The Doctor not only calls his companions to live this way – he leads by example. When Wilfred, the grandfather of one of the Doctor’s companions, gets trapped in a control room about to be flooded by radiation, the Doctor realises that there is only one way to save him. He must replace Wilfred in the control room and be exposed to the radiation instead. Wilfred protests that the Doctor should let him die instead of sacrificing himself to save him, and the Doctor responds with frustration:  

Wilfred: “No really, just leave me. I’m an old man, Doctor. I've had my time.” 

Doctor: “Well, exactly. Look at you. Not remotely important. But me? I could do so much more. So much more!” 

Wilfred is not a national President, a scientist about to make a breakthrough in cancer research, or a famous artist whose paintings will enchant the world. The Doctor complains that Wilfred is not worth saving – not by a logic that looks at the worldly ‘importance’ of an individual. Why, then, should his life be spared, especially in exchange for the life of someone far more powerful and ‘important’? 

The Doctor’s frustrated words reveal the moral battle within him. But it does not last long. He knows his duty: to give his life for anyone, no matter how small or unimportant. Every life is worth saving simply because it is a life. He enters the control booth, enabling Wilfred to go free. 

This story combines two features central to Christianity. First, it shows the principle that every human life has equal value. God does not measure people by their ‘importance’, their ‘potential’, or their ‘talent’. There is only one measure for a life: the fact that it is created in God’s image and is therefore loved by God. Every life matters, from the greatest down to the very least.  

Secondly, this story shows the Doctor giving his life in exchange for another. Christians believe that this is what Jesus did for every human being on the cross. Many wise Christians over the centuries have said that Jesus died for each of us as if there were only one of us. As the Doctor did for Wilfred, so Jesus made the ultimate sacrifice on our behalf. 

The temptations of unlimited power 

Doctor Who often raises the question ‘how should good people wield power?’ The Doctor’s time machine gives him the ability to prevent all catastrophe and evil from ever occurring, yet often he refrains from doing so. At times his companions get angry with him for not using his almost limitless power to save, cure and free everyone throughout history. Once, a companion tries to coerce him into going back in time to prevent the death of her boyfriend. He frequently tries to explain that “some things have to happen this way.” There are fixed points in time that cannot be changed. 

That may sound like a cheap explanation – an escape clause for the script writers. But sometimes the show goes deeper, and then we find out what happens when the Doctor gives in to the temptation to fix everything by force. In one episode, compelled by the desperate need of his closest friends, the Doctor for the first time engages in warfare. After a violent and bloody battle, he saves his friends, but it becomes clear that he has done so at the price of his innocence. When River Song arrives at the end, she accuses him of compromising his moral values to save his friends. He responds defensively: 

Doctor: You think I wanted this? I didn’t do this. This… this wasn’t me! 

River: This was exactly you. All of it. You make them so afraid. When you began, all those years ago, sailing off to see the universe, did you ever think you’d become this? The man who can turn an army around at the mention of his name? Doctor? The word for healer and wise man, throughout the universe. We get that word from you, you know. But if you carry on the way you are, what might that word come to mean? To the people of the Gamma Forests, the word “Doctor” means mighty warrior. How far you’ve come! 

This powerful speech reveals two important things. First, using violence against evil is a path that leads to ever-increasing violence. Eventually the once innocent, pacifist Doctor has become a tyrant, imposing his will on the universe. In a similar way, the Gospel of Matthew describes how Jesus, after fasting for forty days in the desert, was visited by the Devil who tempted to use coercive power to establish his kingdom of justice and righteousness: 

The devil took Jesus to a very high mountain and showed him all the kingdoms of the world and their splendour; and he said to him, ‘All these I will give you, if you will fall down and worship me.’  

Where the Doctor gave in to temptation, Jesus resisted. He refused to impose his kingdom of peace by violence, because to do this is ultimately to worship a principle and force in direct opposition to God’s will and his ways. Instead of raising an army and conquering the world to save those he loves, Jesus chose the way of the cross. The path of self-sacrifice is painful and slow. But it is the only way to bring about an everlasting kingdom built, not on coercion, but on free and loving submission. 

Secondly, River Song’s speech shows that the Doctor’s actions change the very meaning of his name. Will that name come to mean ‘mighty warrior’ instead of ‘healer’ or ‘wise teacher’? Likewise, those who bear the name ‘Christian’ have the power to determine what that name means to the world. The actions of Christians shape the meaning of the name ‘Christ’ to those around them. Christians do not always live in such a way as to make the name of Jesus mean what Jesus would have wanted. What does Jesus want his name to mean? 

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