Article
Creed
Feminism
5 min read

The good, the bad and the Barbie

At the Barbie movie, Lauren Windle fraternises with her childhood enemy, and leaves pondering change and imperfection.

Lauren Windle is an author, journalist, presenter and public speaker.

Barbie stands between Ken and a rival with her hands raised.
Peacekeeper Barbie.
Warner Bros.

Barbie and I always had an unspoken understanding that our relationship would be mutually destructive. She made me feel inadequate; I was too short without a synched-in waist and pneumatic boobs. And I chewed her off her toes. One all. 

I have spent the better part of two decades not thinking about my adversary, until once again she reared her (not at all) ugly head. I always celebrate on July 21. It is, after all, my birthday. But this year, the date was eagerly anticipated by millions and not because they share my love of Colin the Caterpillar cake. Last Friday was ‘Barbie Day' and it was all anyone could talk about. 2 – 1 to Barbie. 

If you missed the news that there’s a Barbie movie now in the cinemas, clamber out from underneath that rock and let me tell you about it. The film, starring Margot Robbie and Ryan Gosling, caused quite a stir with, what I can only assume is, the biggest marketing budget since Nike release Air Jordans. Both Warner Bros and Barbie’s parent company Mattel have thrown money at making sure we all know about their candy-coated flick. The campaign has been so effective that production sparked a global shortage of fluorescent pink paint. 

The box office is now raking in cash as people flock to see the fuchsia film. When I attended a morning viewing this weekend, I was one of the few people who hadn’t come dressed head to toe in pink. Not a chance Barbie. 

On taking my end-of-row seat (to facilitate a quick getaway) I settled in for one hour and 54 minutes of fraternising with the enemy. I’ll level with you, Barbie had made some effort to change. The vibrant colours (mainly in a rosy hue) were still in place, along with the glossy hair and impossibly smooth legs. But there was a new self-awareness and self-deprecation that hadn’t featured in our childhood tea parties.  

Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. 

I had expected a vapid tale with fun flourishes. The story certainly delivered on both of those but with a lot more I hadn’t anticipated. From where I was sitting (popcorn in hand, legs stretched out into the aisle), it was a satirical story of feminism, patriarchy and the joy and anguish of fully embracing life on life’s terms. If you saw that coming, you probably have the gift of the prophetic, because it was certainly not on my radar.  

If you don’t think too much about the plot, the film is easy to enjoy. Helen Mirren offers a witty commentary which is like someone handing you a cup of tea with two sugars when you usually just take milk. It was a welcome surprise that you wouldn’t have asked for but were delighted to discover. It was a visual feast for the eyes with everything – especially the inhabitants of Barbieland – looking perfectly polished. There are also a number of very funny jokes – albeit with adult undertones.  

All good so far, but now let’s suppose that you, like me, will think about the plot. When the word is defined correctly, I am delighted to identify as a feminist. That does not mean that I support every feminism-associated declaration of the last 100 years, but it does mean that I passionately champion women and the correcting of previous (and some current) oppressions. This would make me a prime candidate for loving the Barbie movie. Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. Sometimes, in an attempt to show willing, we can allow the pendulum to swing a little too far in the wrong direction. 

Mattel’s campaign to rebrand Barbie from a ditsy blonde to an empowered achiever has been well documented. People didn’t want the lack of ambition that came with “shopping mall Barbie” or “beach Barbie” and they certainly didn’t want to have to live up to her unrealistic beauty standards. Apparently if a Barbie doll was to scale, she’d be 5ft 9 with size three feet, and only enough space in her waist for half a liver. 

Rather than continuing along these lines, portraying the company as inspiring for girls and women, they take the mick out of it. They highlight that Barbie has been a part of the problem. But in making their point, they outrageously infantilise men. Of course, this is satire, and comedy allows space for exaggeration, but it still didn’t quite sit right for me. Not one man offered a positive portrayal of masculinity (although Michael Cera’s Allan is a joy to watch). On the whole, men were either oblivious, obsessed with their own success, or childish and sometimes sit in board meetings wishing they could just tickle each other. 

The very brief summary – without revealing too much of the plot – is that Barbie is very happy in Barbieland, a perfect paradise where women do the lion share of the work and take all the leadership roles. But something starts to change, and the real world begins to seep in. After “causing a rupture” between the real world and Barbieland, “the patriarchy” is introduced into this female-led eutopia and the Barbies must banish it in order to restore the sorority-dominated lifestyle they previously enjoyed. Not a problem – when Ken found out patriarchy wasn’t about horses he lost interest anyway.  

In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

In a world where even Caitlin Moran is writing a book posing the question “What About Men?” I fear this film will age badly. The vast majority of people, including women, don’t want to propel women by doing men down. In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

Finally, let’s frame this with the ways the Bible has influenced the film. Oh yes, the biblical message hasn’t just underpinned Harry Potter and The Lion, the Witch and the Wardrobe, it’s apparent in the Barbie movie too. If we replace Barbieland with Eden we can see a stark comparison between the film and the creation story. In this utopia, Barbie is given authority over the land. She is given a helper in Ken. But their paradise is threatened by human fragility and quest for more knowledge. After it comes crashing down the inhabitants just want to get back to their previous state. 

The film demonstrates the desperation to 'return to Eden', in the face of an imperfect and broken world. But it also highlights the beauty that can be found in allowing yourself to experience life on life’s terms; to cry, feel pain and embrace the ache associated with change. For that, I respect its efforts. Although I think Disney’s Inside Out manages to achieve the same without belittling men. 

 

Article
Creed
Identity
Nationalism
5 min read

Flags on lampposts are a cry from long-neglected communities

As banners fly, they whisper of pride and pain
A St George's Cross flag flutters on a tower.
St Helen's Church, Welton, Yorkshire.
Different Resonance on Unsplash.

A flag meant to symbolise unity within a nation. Yet over the summer, flags in the UK became less a source of togetherness and more a flashpoint for division.

In towns and cities across the nation, flags of St George and Union Flags have appeared on bridges, on lamp posts and on buildings. The motivations of those hoisting the flags are often unclear, but the way in which different sets of people perceive these flags carries an alarming message about the widening gulf that now exists within our nation.

For one set of people, the flags are sinister and carry a deep sense of threat. For many people of global majority heritage, the flags bear an intimidating message that those with racist motives are claiming the nation 'back' from them, leaving them stateless and with nowhere to belong. Meanwhile for those on the centre or left of the political spectrum, the flags feel like a straightforward claim to power by the far right and a sign of the growing popularity of their policies and rhetoric. The Church of England has mostly placed itself on this side of the divide and many church leaders have spoken of the flag flying phenomenon with anxiety and distaste.

But there is another narrative at play. As the flags continue to flutter in the autumn breeze, something which is a symbol of fear for one set of people is for another a welcome sign of hope.

This was powerfully brought home to me during a meeting with a leading Orthodox rabbi following the synagogue attack in Manchester. In the course of a lengthy conversation, I asked him how he understood the flags and his comments were striking. 'When I returned from my holiday and saw the flags flying in Salford,' he told me, 'I felt the most tremendous sense of relief.'

So for that rabbi, the flags are claiming back a distinctive and confident British identity, lost by a failed experiment in multiculturalism that has left his own community deeply fearful. And he is far from alone.

One of the strengths of the Church of England is that we place well-trained, professional clergy and lay leaders in every neighbourhood in the country. That means that, in a culture of echo chambers and algorithms, we are uniquely placed to understand every side of a conflict.

When I contacted a group of church leaders from flag-flying communities in Lancashire, the results were intriguing. Of course they were aware of the darker side of this phenomenon. But they also understood the needs and fears of the people for whom the flags are welcome.

One priest told me of a volunteer in her church who assists with projects for the vulnerable and is good friends with asylum seekers in her congregation and yet she is still flying a flag because she feels that immigration has now 'gone too far.'

Another priest spoke of the flags as an outlet for the intense frustration of local people who feel left behind and ignored. Another spoke of them communicating a chronic disillusionment with a political system that has failed them.

For others there is frustration that their institutions seem willing to fly many different flags – the Ukraine flag or the LGBTQI+ flag – but perceive those same institutions to be embarrassed by the flag of their own nation.

Indeed, a chance to demonstrate a love for country was the most often cited reason. Many people take genuine pride in the flags flying over their communities as it gives them a chance to express pride in a nation that often seems to them to be overly apologetic about its past and embarrassed by patriotism.

Perhaps the most poignant reflection was a from a priest who has stood up to Tommy Robinson marchers on his estate and yet wrote, 'I think for some of those people who put up flags it was a desperate cry for their nation to take better care of them, like a neglected child trying to remind everyone that they're a part of the family too.

For many working-class communities, the globalisation and transnationalism that is viewed by those who hold power as the path to greater prosperity has been bad news. It has outsourced jobs, it has forced down wages so that many in-work people are still benefits-dependent and it has resulted in major demographic changes to communities over which local residents have no had no say.

Combined with years of grinding austerity and a political class that is quick to promise and slow to deliver, there is a powerful and intense anger in many parts of working-class Britain for which the flags have become a lightning conductor.

It seems now that one flag now symbolises two nations. And what is so alarming is that one side barely understands the other.

So how should Christians respond? A divided nation wants the established Church to take sides and indeed sees us as weak and vacillating if we do not. But the task of the Christian is not to take on one side or the other in every binary debate. It is to be on the Lord's side. And in this context, I think that means a twin response.

First it means attentively listening to everyone. We should hear the fears of those for whom flags are a sign of growing intolerance and so condemn racism and hatred. But equally importantly, even when we don't agree, we should understand and give voice to the anger of working-class communities who fear that the nation they love is being taken away from them. If that voice is not heard and attended to, then the far right will be all too happy to fill the vacuum that is left behind. In a divided nation, part of the vocation of the Church is to help one side to understand the other.

And second, it means speaking into the place of conflict words of Gospel peace. The Union Flag is more than a symbol of nation. It carries three crosses, each one pointing us to the saving work of Jesus Christ through which we are reconciled to the Father and so to each other. We listen, we understand, but above all we hold the cross high, for in that symbol is the only true and lasting source of unity.

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