Article

Christmas culture

Creed

Generosity

27 December 2023

4 min read

God owes us nothing

Reflect on gifts given and received at Christmas, and spot the key to a whole lot of wisdom.

Graham Tomlin

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A large stone house is wrapped in a red ribbon and bow.

Howard Dickins, CC BY 2.0, via Wikimedia Commons.

One of those difficult Christmas Day moments is opening a present from someone, only to realise you forgot to get them something. Or the reverse – expecting a present, but not getting it. It leaves you feeling awkward. Like you owe them something. Or they owe you.

The familiarity of the Christmas story also plays into this. We know how it goes. God gives us the baby Jesus. He does it every year. If he didn’t we’d feel short-changed. After all, life is hard sometimes, and, surely, God owes us something.

God Owes us Nothing. This is the title of a book by the philosopher Leszek Kolakowski. The book is actually about Blaise Pascal and the way the Catholic Church rejected the legacy of the great St Augustine when it rejected the Jansenist frame of mind in the seventeenth century, but that's by the by. What got me thinking again is the title: God Owes us Nothing. It's a powerful thought, maybe on first sight depressing, but the more I have thought about it, the key to a whole lot of wisdom.

If God owes me something and he doesn't provide it, I lose faith in God. Our natural cry 'it's not fair' when something bad happens to us reflects this same basic idea – that we somehow deserve fairness or justice.

Kolakowski's point is that this is essentially the insight at the heart of the Augustinian tradition in Christianity, something that runs through much mediaeval thought, to the Middle Ages, through Luther, Calvin and then on to Pascal and beyond.

If God owes me something – happiness, wealth, health or whatever, I will naturally feel short-changed if I don't get it. You regularly hear stories of people who believed in God, until a friend got ill, or died, or they encountered tragedy in the raw, or experienced the aftermath of an earthquake, a war or a tsunami, or encountered real suffering and 'lost their faith'.

I suspect this kind of thing happens because deep down we think that God owes us something, and if God doesn't give it, then the problem is with God – either that he is unkind, or simply doesn't exist. God should step in every time we make a bad choice, or someone else does, because, basically, he owes us. If God owes me something and he doesn't provide it, I lose faith in God. Our natural cry 'it's not fair' when something bad happens to us reflects this same basic idea – that we somehow deserve fairness or justice.

'Gifts' make us grateful, always delighted with the new things that come, and a bit more philosophical about the stuff we lose.

To begin however from the perspective that God owes us nothing – that we have no rights over him, no claim on him, means that everything we do get comes as a gift – as a sheer delight, something to be deeply grateful for. Every breath, friendship, act of kindness, chocolate, football, mistletoe, wintry walks on bright December days – all these are gifts not rights. It suddenly turns everything about my life from something I feel I have right to, and moan mercilessly about if I lose it, to something that is a true surprise.

To that extent the Dawkins atheist brigade have a point – we should not think the universe is made for us, or that we are any more than specks of life on a distant planet, and we should give up our delusions of deserving divine intervention when things go a bit wrong. The essence of Christian faith is the faith that although we should not expect to receive any divine favours, the surprise is that we do receive so much from the hands of God. Despite our insignificance, we have been privileged by God to play a key role on this planet of reflecting his image to the rest of creation, caring for it on his behalf. We do often enjoy gifts of health, laughter, sport, music, shelter etc., and these are neither random accidents of a faceless universe, nor things we have a right to expect because of our inherent deserving, but gratuitous, free gifts from the heart that beats behind it all. And most of all, we are given the gift of Christ as a brother, a friend and a rescuer.

It is so much better to view everything as unexpected and gratuitous gift than as a right. 'Rights' make us grasping, holding onto things and insisting on them – they centre life around me and what I deserve. 'Gifts' make us grateful, always delighted with the new things that come, and a bit more philosophical about the stuff we lose. In the Christian life, if I think God owes me something, then grace and mercy will not seem a miracle to me at all – after all, it's only what I deserve. If God owes us nothing, his grace, the gift of Jesus, the Holy Spirit, his provision of my needs are all miracles, things I don't deserve and thus to be given thanks for with a constant sense of wonder and amazement.

As you look around the living room post-Christmas at the gifts you have been given, whether wanted or not, try to think of them as given from people who owed you nothing, yet gave you something. And then think of everything you receive each day as pure, surprising, delightful gift. And then take that into the new year. It might lead to a truly thankful and (relatively) more carefree life. It is perhaps the key to happiness.

Review

Art

Character

Creed

Easter

Suffering

18 April 2025

5 min read

Why sculpt the face of Christ?

In Nic Fiddian Green’s work we feel pain, strength, fear and wisdom.

Jonathan Evens

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A man looks up a shaft of light that illuminates him and a crucifix higher up a wall.

I Accepted, 2025.

Richard Foster.

The seeds of faith were sown in the life of Nic Fiddian Green by his father. As he has explained recently, he “was shown a way and a faith, and an understanding around the faith of Christianity, in the way my father lived”.

Later, his wife-to-be, Henrietta Hutley, asked him to help create Stations of the Cross for the Wintershall Estate in Surrey where, today, The Nativity and the Life of Christ are regularly performed. Henrietta’s father, Peter, wrote and brought The Passion of Jesus to Trafalgar Square, while her mother, Anne, had the vision for the Stations of the Cross project after a life-changing visit to Medjugorje.

Fiddian Green says that “The Face of Christ has been with me for over 40 years” and that he has “searched for His face through my art as part of my spiritual journey, and also in the work of many others – especially Renaissance artists like Giotto, Piero della Francesca and Michelangelo”.

Fiddian Green, who is internationally celebrated for his monumental equine sculptures, has created a deeply personal and spiritually resonant exhibition entitled The Face of Christ. The exhibition features 20 new sculptures including works in bronze, copper, lead, marble, plaster, and silver, together with a series of drawings. The exhibition ranges from the Nativity to the Resurrection but focuses primarily on the crucifixion.

The exhibition is deeply personal for Fiddian Green because it is informed by the harrowing encounters he had with an array of life-threatening illnesses a few years ago. These caused an obvious and honest creative re-assessment and it is from these experiences that a stronger, deeper and more contemplative vision has emerged. One that permeates the new work via modes of stillness and reflection.

The Face of Christ offers a profoundly meditative engagement with the image of Christ, capturing a sense of serenity, resilience, and transcendence in bronze and stone. In these works, he shows us how his spirit and his faith help him triumph over the physical as he explores the enduring power of faith, suffering and redemption. In the eyes of his work, we feel pain, strength, fear, wisdom and more as he asks questions of the viewer that leave a powerful and spiritual resonance.

Fiddian Green says: “These works are a reflection of my journey of faith. I have come to find that His power to elevate us underpins everything I strive to do and The Face of Christ is an attempt for me to convey in my work all that He conveys in my heart. Christ gives me the key, but will I open the door…?”

A sketch shows the hanging head of Christ wearing a crown of thorns.

This Storm Will Pass, 2024. Slademore Gallery.

A crucifix hands on a round-topped slab.

I Paid, 1993. Slademore Gallery.

Crown of Thorns, 2025. Nic Fiddian Green.

While the exhibition focuses on the crucifixion and the face of the crucified Christ, the expression on Christ’s face is generally one of peace, rather than pain. In part, this is because many of the heads of Christ included are images of Christ resting in death prior to the resurrection. The brokenness that the crucifixion brought is shown in these images through damage to the body of Christ, as opposed to the expressions on his face. This is most powerfully the case with ‘Broken for You’, a bronze crucifixion sculpture where Christ’s torso, as well as being scarred by a long spear-like fissure, has also been fractured with the two parts fused together using brace brackets. Similar fissures appear on other of the crucifixion sculptures but ‘Broken for You’ goes furthest in graphically showing the pain Christ endured on our behalf.

It seems to me that Fiddian Green could go further in revealing the horrors that Christ endured and that his love of Renaissance art with its focus on beauty and balance might hold him back in this regard. Another artist to have regularly depicted the Crucifixion in images shown in mainstream galleries in recent years is Peter Howson, whose images of the crucifixion are much more expressionist graphically capturing the depth of pain that Christ endured. Fiddian Green’s drawings, more than his sculptures, tap into the sense of pain endured, particularly ‘This Storm will Pass’, a partial image of the face of the crucified Christ which in its frenetic pencil-marks and incomplete state speaks particularly powerfully.

Fiddian Green, by contrast, primarily gives us a sense of the peace that he receives from Christ on the face of Christ. ‘I Forgive’, a bronze head of the crucified Christ depicts the love with which Christ looks on us as he endures the cross. ‘Christ is Laid to Rest’ is a huge head encircled by a crown of massive spikey thorns with green verdigris overtones suggesting the sweat and blood of anguish which has led to the completion of purpose that Christ finds in death. ‘Peace’, a plaster sculpture of Christ’s head, is also redolent of the supreme achievement of the cross; ‘It is finished’, meaning that all his work is complete and done, enabling him to rest and enabling us to enter rest.

In these images, Fiddian Green is reading back into the events of the crucifixion the outcomes that it gains for us and showing, in his Christ figures, the peace that he personally finds in the love and forgiveness which overflows from the crucified Christ to each and every human being throughout time and history.

Fiddian Green writes of having “been given materials to use by the God of heaven and earth” – those materials of the earth that he uses in his sculptures – and says that “it is my hope that some of these pieces may rest and resonate with those who see it; that they may find a deep connection by gazing on the works which takes the eye, the heart and the soul to the One who helped me create them”.

While Lent, Holy Week and Easter are often times when art is offered to enable us to walk in the footsteps of Christ it is not common for commercial galleries to specifically invite meditation on these events, so don’t miss the opportunity for contemplation that the Sladmore Gallery is providing through this exhibition.

The Face of Christ, 10th April – 2nd May 2025, Sladmore Gallery, London.

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