Article
Christmas culture
4 min read

Why a cultural Christmas sometimes struggles to celebrate

In the build-up to Christmas there's contrasting rhythms of ancient and modern ways to celebrate.

Alistair Reid is studying theology at Oxford University as part of training for Church of England ministry.

Looking down a red shiny christmas tree in the centre of a department store gallery.
Christmas at Galeries Lafayette department store, Paris.
Bing Hao on Unsplash.

Our lives dance to the rhythm of anticipation and fulfilment. The food in our fridge, the concert in our calendar, the holiday on the horizon. From daily pleasures to longer-term goals, we inhabit the familiar routine of journeying and arriving.  

The build-up to Christmas offers such a rhythm on a much wider scale, moving beyond the personal to a culture-wide experience. We receive our early warning alert in September as the mince pies hit the supermarkets. But by November preparations are in full swing. Retailer John Lewis has coined ‘the 45 days of Christmas.’ Their biggest day of sales for Christmas decorations is on November 10th. By December, the Christmas ads, Christmas lights and Christmas music become relentless. We make plans, buy presents, prepare food in a bid to deliver the promised Christmas cheer. And, finally, the big day comes – with turkey and trimmings. The length, breadth and depth of anticipation channeled into a single day.  

And then it’s Boxing Day. 

Boxing Day can have its own pleasures, but there’s also a sense of nostalgia, and even sadness. The wrapping paper left scrumpled on the floor from the night before, the leftovers in the fridge, the home emptied of guests, whether welcome or not. At best, we have the sad realization that the next Christmas is as far away as it could possibly be. But more likely, the realization that it wasn’t quite as good as we’d hoped, anyway. As Sylvia Plath memorably wrote in The Bell Jar:  

 “I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.” 

And so the cycle goes on. At least there’s New Year’s Eve to look forward to. Or Easter, as the supermarkets swap mince pies for hot cross buns. 

Our cultural Christmas struggles to wait. The joys of Christmas extend ever earlier, with searches for Christmas trees surging from immediately after the summer holidays. 

Our modern Christmas rhythm is, in many ways, parasitic upon an ancient Christian one. In Christian tradition, the four weeks building up to Christmas is known as Advent. The word means ‘coming,’ for Advent is a period of expectant waiting both for the birth of Christ at Christmas, and also the hope that Jesus will return to put all things right. As such, it is a time of preparation, self-examination and fasting, as Christians ready themselves to stand before the judgement seat of God. Advent is followed by Christmas, celebrated for twelve whole days (as in the famous carol), which is why Christmas decorations went up on Christmas Eve, and came down on January 6th, twelfth night. 

In many ways, the ancient pattern is similar to the modern pattern. Both are liturgical rhythms that mark and measure our years, as we inhabit cultural, familial and personal routines. Both involve anticipation and fulfilment, build-up and joy.  

And yet the differences are also stark. Our cultural Christmas struggles to wait. The joys of Christmas extend ever earlier, with searches for Christmas trees surging from immediately after the summer holidays. But, more surprisingly, our cultural Christmas struggles to celebrate. That might seem strange given the quantity of food, wrapping paper and presents that we get through. But rather than twelve days of Christmas, we barely make it through one.  

By contrast, the Christian tradition emphasizes the discipline of waiting. But not as an ascetic end in itself, as if joy is bad. Rather, the denial of waiting is replaced by the sustained joy of celebration. Twelve days of Christmas celebration is almost impossible for us to imagine – wouldn’t we get bored? Given our longing for joy, it’s somewhat surprising just how hard it is to sustain.  

More deeply, these two contrasting Christmases place their weight in very different places. Our modern Christmas expects Christmas to deliver what we’re looking for: through friends, family, food and fun. But while we catch glimpses of joy, we’re often disappointed: the turkey is overcooked, the presents are not what we wanted, the kids are bickering. It’s no wonder that sometimes Christmas can struggle to bear the weight put upon it. It’s no wonder that Christmas Day can descend into disappointment, self-pity, even acrimony. 

But the ancient Advent-Christmas rhythm, while incorporating these joys, deliberately seeks to place them within a larger story. The baby born at Christmas brings salvation from sin and death, turning Advent meditation on our future judgement from fearful cowering into confident expectation and present joy. This is hope and joy that does not depend on the perfect lunch, or the most sparkling of conversation. Instead, the greatest gift of Christmas is, well, Christ. And he can generate twelve days of celebration. In fact, he can generate joy for eternity. Rightly, C.S. Lewis described joy as ‘the serious business of heaven.’  

This is not to condemn our cultural Christmas. Who wouldn’t enjoy a cheeky mince pie in October? But what if it isn’t capable of delivering what we all want? Perhaps our capacity for joy is larger – and rooted deeper – than we thought. In this world of disappointment, sadness and suffering, perhaps the route to such sustained joy is through rhythming our lives to a larger story. 

 

Article
Advent
Christmas culture
Joy
Poetry
6 min read

The Advent poets who can’t wait until the world is sane

Tennyson to Eliot, Rossetti to L’Engle, find despair doesn’t preclude joy.

Beatrice writes on literature, religion, the arts, and the family. Her published work can be found here

Beyond a misty and raindrop streaked window, a colourful triangle shape emerges.
Ricardo Gomez Angel on Unsplash.

After his conversion to Anglo-Catholicism in 1927, critics began to notice a change in T. S. Eliot’s poetry. Some thought this was for the worse, that Eliot’s newfound faith dimmed his literary powers, making his usually impenetrable style more conventional. But there is a less cynical view. I think, instead, that his conversion brought a sense of clarity and purpose to his poetry. I think what really happened is that, like many Christian converts before and after him, he found a sense of joy.  

Nowhere better can we find that distinctly Christian sense of joy than in Eliot’s ‘The Journey of the Magi’, an Advent poem recounting Jesus’s birth from the point of view of the magi travelling to meet him. Like many of my favourite Advent poems, ‘Journey of the Magi’ is not straightforwardly cheerful, instead dwelling on the idea of alienation. The last stanza of the poem in particular is devoted to the magi’s confusion at returning to their old life after witnessing the miracle of Christ’s birth: 

All this was a long time ago, I remember, 
And I would do it again, but set down 
This set down 
This: were we led all that way for 
Birth or Death? There was a birth, certainly, 
We had evidence and no doubt. I had seen birth and death, 
But had thought they were different; this Birth was 
Hard and bitter agony for us, like Death, our death. 
We returned to our places, these Kingdoms, 
But no longer at ease here, in the old dispensation, 
With an alien people clutching their gods. 
I should be glad of another death. 

It’s hard not to read these lines and imagine that Eliot himself might have experienced a feeling of alienation, as a new convert, when looking back on his old life. And yet, the magi’s sense of being ‘no longer at ease’ in their old home, of being among ‘an alien people’, is not something that only converts experience. All of us, whether we are converts or reverts, whether we were brought up in the Christian faith or are still contemplating it with uncertainty, have a moment when we realise that believing in Christ’s birth, death, and resurrection radically changes the way we look at the world. 

And conversion isn’t something that just happens once. Every year, during Advent, we are asked to meet despair with joy. For those of us living in the northern hemisphere, we’re specifically asked to do this in the darkest and coldest time of the year, when nature looks so gloomy and unwelcoming. As Christina Rossetti puts it in one of our country’s most beloved Christmas hymns, Jesus comes not at a time of flourishing nature, but rather ‘in the bleak midwinter’, when the earth is ‘hard as iron’ and water frozen ‘like a stone’. Just as we persevere in our yearly hope that spring will come again, so too we are called to renew our conversion of heart each Advent, waiting in hope for Christ’s birth.  

But hope doesn’t have to mean blind optimism. The older I’ve become, the more I’ve come to think that rejoicing during Advent doesn’t have to involve unadulterated cheerfulness. Grief has its place within joy, as counterintuitive as that may seem. In fact, Advent is an opportunity to cultivate the virtue of hope in spite of grief, and in spite of the evils that we see in the world. ‘Were we led all that way for / Birth or Death?’, ask the magi. The answer is both. Each year Christ’s birth reminds us that faith requires us to die to our old selves. For some, this means having uncomfortable conversations with family or friends who don’t understand their conversion to the faith. For others, it means facing illness or death of a loved one or other kinds of trauma without giving in to despair.  

None of this is easy, of course. Clinging to hope in dark times can truly feel like ‘bitter agony’, as Eliot writes. And yet, as one of the magi says in the final line of Eliot’s poem, ‘I should be glad of another death’. When we die to our selves, we also experience a new birth in Christ. Even as we celebrate his birth, we are reminded of his death on the cross for us, of the fact that he so loved us that he was willing to bear unbearable pain for our sake.  

That kind of love, although it doesn’t remove all the sources of suffering in our daily life, does call for rejoicing. Another wonderful Advent poem, Madeleine L’Engle’s ‘First Coming’, emphasises the necessity of joyfulness in the face of a corrupted world. L’Engle begins by reminding us, stanza after stanza, that Jesus didn’t wait for humanity to become perfect before coming to us: ‘He did not wait till the world was ready’, she begins, before adding, ‘He did not wait for the perfect time’, ‘He did not wait till hearts were pure’. Rather, Christ came ‘in joy’, to ‘a tarnished world of sin and doubt’, right ‘when the need was deep and great’.  

L’Engle ends ‘First Coming’ by encouraging us to imitate Christ not just in his patience, but also in accepting joy now, not when we world finally stops being rife with sin and pain: 

We cannot wait till the world is sane 
to raise our songs with joyful voice, 
for to share our grief, to touch our pain, 
He came with Love: Rejoice! Rejoice! 

We can’t wait until ‘the world is sane’ to be joyful. Joy is remembering that Christ really did come ‘to share our grief’, no matter how seemingly unbearable it may be. Lord Tennyson expresses a similar sentiment in his poem In Memoriam, an elegy written after the loss of his dear friend Arthur Hallam. He admits that the pain at his friend’s death is so intense that, as Christmas is drawing near, he almost wishes ‘no more to wake’, and for his ‘hold on life’ to ‘break’. Then, he hears the sounds of bells: 

But they my troubled spirit rule, 
For they controll'd me when a boy; 
They bring me sorrow touch’d with joy, 
The merry merry bells of Yule. 

Happy memories of Christmas bells from childhood are mixed with pain for Tennyson, bringing him ‘sorrow touch’d with joy’. That’s what all the best Advent poems, from Tennyson to Eliot, From Rossetti to L’Engle, show us: that sorrow doesn’t preclude joy. In the weeks leading up to Christ’s birth, it’s normal to dwell on both birth and death; Advent can be a season for both somberness and merrymaking. Most of all, Advent is a time for prayer, that our hearts may be filled with the knowledge that Christ loves us even in our sorrow, and that the very knowledge of Christ’s love may in turn fill our hearts with joy.  

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