Explainer
Creed
Time
4 min read

The unutterable preciousness of an ordinary day

A strangely named season of the Church calendar, Ordinary Time, is anything but that. Julie Canlis explores how it can point to wonder in the moments.

Julie connects Christian spirituality with ordinary life in Wenatchee, Washington State, where she teaches and writes.

A father sits on a bed and fixes the hair of his daughter standing in front of him
OPPO Find X5 Pro on Unsplash.

One of the strangest (and longest) seasons in the Church Calendar is called Ordinary Time. It feels caught like a fish out of water between the high pageantry of Easter and the thrill of Christmas. Ordinary Time – when school is out, and warm summer days are glorious – is there some mistake? Any kid with a high love of summer would know that the church had yet again missed the whole point. 

You’d be forgiven for thinking that Ordinary Time, despite its obvious insinuations for anglophones, means “boring” or even “not important.” It is not, after all, when the church gets a well-earned break from the supernatural, and things can be normal for a while. Nor is it when Jesus goes on vacation, alongside the rest of us. Despite the “terminological abomination” that is Ordinary Time (George Wiegel), Ordinary Time is when the church leans into the fact that all of life is sacred. All of life has meaning. Why? For Christians, it is because God decided to become human in every ordinary way, to bless and remind us that life is not so ordinary after all. 

Because of this, no day can be a “time out” from the supernatural. Every day is now holy. And this is the riot of Ordinary Time. 

The fact that God decided to walk our history in our shoes means that God’s life is available in all alleyways, everywhere, every minute. This means that every child whose knee has been scraped, and has been comforted, is in God’s territory. Every joy of friendship, and even rejection, has been experienced by the God-man. Every pubescent crush is understood. Every badly crafted project in our dad’s workshop or mom’s flour bin has also been in Mary’s kitchen or hanging on her wall. When Christians worship this God, they know that they worship someone who experienced everything that they are experiencing – every joy, every terror, and even the humdrum in between.  

Because of this, no day can be a “time out” from the supernatural. Every day is now holy. And this is the riot of Ordinary Time, which has no holy-days but is itself one long holyday-holiday. And so, the church calendar is attempting to do precisely the opposite of carving up life into sacred and secular, a false division if there ever was one. The Church calendar integrates all things into the life of God who was also human, and so can testify to the goodness of jam and the horror of loneliness. This calendar, far from an attempt to lift people out of ordinary life, was an attempt to root them in the One who makes all things extraordinary. It’s no wonder that the chosen color for this season is green – that of new life, vibrant in its small seed-like ways, growing imperceptibly but persistently.  

And this is why, when Christians have been vigilantes against things that prioritize the supernatural over the natural, the church has flourished for all classes. Even the good old stodgy Reformation forefathers (with their frilly collars) championed ordinary life as God’s sphere, against those who held it as lower on spiritual scale. Or again, there were Victorian priests like M. F. Sadler who intuited the dangers of church elitism and railed against “mischievous” theology cut-off from ordinary life. Or what of George MacDonald, Scottish pastor and fantasy writer, who says that Jesus’ miracles only seem like miracles because we take everyday life for granted. “How many more have the marvel of vision than those blind whom the Lord has healed.” He calls God the “divine alchemist,” turning every meal into a eucharist, not just the bread and wine on the high altar.  

Today is the stillpoint from which all the days since our birth have been stretching forward. And today is the point from which all days rush toward our end 

“Ordinary Time” in the Church Calendar is the season of the sacred ordinary. Or the ordinary extraordinary. Fifty days after Easter is “Whitsun” or Pentecost when, according to the history of the early church by Luke the doctor, the Holy Spirit came upon all people – young, old, men, women, Greek, African, slaves. The Spirit (and love) of Jesus was handed over to these ordinary people to continue what Jesus started. And that day the church was born. And here we are, 2,000 years later, as the same ordinary church, invited to hallow something as ordinary as time itself. How differently would we live, if we were able to recognize the unutterable preciousness of today? To be aware that we will never be given this particular day again? Today is the stillpoint from which all the days since our birth have been stretching forward. And today is the point from which all days rush toward our end. Without knowing this, and finding ways to honor it, can we be living at all? This is the invitation of Ordinary Time. 

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

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