Review
Christmas culture
Culture
Film & TV
6 min read

The twelve days of Christmas TV

What to watch across the festive season.
At a Christmas party, friend smile, laugh, and collapse in a heap on a sofa.
This is occurin'.

Christmas approaches! We are soon to begin the twelve-day marathon of celebrating the birth of Christ through food, drink, and…collapsing in front of the telly! It is a season of great joy and gladness, but also one of physical and mental exhaustion. To make it all a little easier I have finely combed through the Christmas edition of the Radio Times to present to you the one can’t miss televisual offering for each of the twelve days. Consider this my gift to all the readers of Seen & Unseen; hopefully a little more practical than a partridge in a pear tree. 

 

On the first day of Christmas my telly gave to me…  

Gavin & Stacey: The Finale 

Christmas Day, BBC 1, 9pm 

The first G&S Christmas Special is an annual tradition in my household. My wife and I are guaranteed to watch it at least once in the run-up to Christmas. It is an example of a truly perfect piece of television: masterfully combining the necessarily contrived and mawkish sentimentality of Christmas telly, and the absurdist/realist/deadpan comedy that endeared the series to so many. The comeback Christmas Special in 2019 was a let-down on the night (I had such high expectations) but has grown on me over the years: nowhere near as good as the original, too self-referential and mannered for its own good, but still darn-funny, and acting as a rather sweet meditation on aging and parenthood. Christmas Day is all about family – be it our own family, or the Holy Family of Bethlehem – so why not see the day out in the warm glow of the Shipman-West family. 

On the second day of Christmas my telly gave to me…  

Zulu 

Boxing Day, Channel 4, 3.50pm 

This one is personal for me. This is one of the first films I remember watching with my father, around the Christmas season. Glorious cinematography, a pacey plot, an electrifying final set-piece (which, 60 years later, is still more engaging than most of the bigger budget CGI shlock you can see today), a smattering of Welsh patriotism, and Michael Caine doing a posh accent. This is a classic for a reason: the remarkable story of the Battle of Rorke’s Drift combined with a searing and sympathetic exploration of the British class system, ending with a meditation on both the unifying and horrifying nature of war. If you’re suffering from over-indulgence on Boxing Day I can’t think of a better tonic. 

On the third day of Christmas my telly gave to me…  

Pitch Perfect 

27 December, ITV 2, 9pm 

The sequels very much delivered diminishing returns, but the original is such a wholesome piece of film-making. A celebration of music, growing-up, sisterhood and girl-power…it is feel-good fare from beginning to end. Anna Kendrick shines with raw singing-star-power, while Rebel Wilson provides just the right amount of comic relief. After the high of Christmas Day, and the slow come-down of Boxing Day, this film is like a warm bath of feel-good aca-enjoyment. 

On the fourth day of Christmas my telly gave to me…  

Maggie Smith at the BBC 

28 December, BBC 2, 7pm 

A celebration of the career of Maggie Smith on what would have been her 90th birthday. If that precis doesn’t hook you, then we can’t be friends. 

On the fifth day of Christmas my telly gave to me…  

The Fugitive 

29 December, Channel 5, 4.35pm 

I can’t think of many thrillers better than this. From the very first scene this film has you on the edge of your seat asking the most terrifying of existential questions… 

WHY DOES HARRISON FORD HAVE A BEARD!?!?!?  

The tension only ratchets up from there! Harrison Ford plays the character he was born to play: a slightly gruff man, down on his luck, full of ingenuity, trying to prove that he didn’t murder his wife. Tommy Lee-Jones is similarly expertly cast as the long-suffering law-man who doesn’t follow procedure…no, he feels the case in his bones! The film rips along as such a rollicking pace that you’ll feel like it’s just started by the time it has finished. 

On the sixth day of Christmas my telly gave to me…  

Rocketman 

30 December, Channel 4, 9pm 

The music of Elton John is indestructible.  

On the seventh day of Christmas my telly gave to me…  

Jools’ Annual Hootenanny  

New Year’s Eve, BBC 2, 11.30pm 

By now this is has become a cross between a National Treasure and a National Institution, and I cannot comprehend people who see the New Year in with anything else on their telly. 

On the eighth day of Christmas my telly gave to me…  

Airplane! 

New Year’s Day, ITV 4, 9pm 

This is the funniest film ever made. That is an indisputable fact, whether your metric is quantity or quality. The jokes come at a machine-gun rattle, and every single one hits their target! Absurdism, slapstick, wordplay, and the straight-face of Leslie Nielsen…THE FUNNIEST FILM EVER MADE! 

On the ninth day of Christmas my telly gave to me…  

Master & Commander: The Far Side of the World 

2 January, BBC 2, 10pm 

Russel Crowe deserved to have this film be the start of a worldwide phenomenal franchise; especially as Patrick O'Brian left us with twenty novels to work from. Crowe embodies Captain Jack Aubrey perfectly – oaken and noble and solid. Teaming him up with Paul Bettany for the second time is a masterstroke, as they bicker and play-off each other like old friends. There is action, emotion, intrigue, drama, and naval tactics. What isn’t to like? 

On the tenth day of Christmas my telly gave to me…  

The Silence of the Lambs 

3 January, ITV 1, 10.45pm 

Anthony Hopkins serves us up plenty of leftover Christmas ham with his performance. His Hannibal Lecter is intelligent, sophisticated…and essentially and pantomime villain. His Hannibal is hammy with a capital H! Please don’t misunderstand me, I enjoy the performance and the film, but it isn’t a patch on Brian Cox’s bone-chillingly subtle, understated performance in Manhunter. Anyway, this is a terrifying film in the best way possible. Putting Hopkins aside, the performances are all spot on: Jodie Foster gives us an ingénue who’s vulnerability is both a weakness and her greatest strength, and Ted Levine is indescribably creepy as serial-killer Buffalo Bill. After ten days of Christmas lulling you into a soporific stupor, this flick is the icy wake-up you need! 

On the eleventh day of Christmas my telly gave to me…  

The Graduate/Rain Man 

4 January, BBC 4, 9pm/11.20pm 

Early-career Dustin Hoffman or mid-career Dustin Hoffman: take your pick. The is no wrong answer. 

On the twelfth day of Christmas my telly gave to me…  

Aliens 

5 January, ITV 4, 9pm 

The rarest of creatures: a sequel which surpasses the original. Sigourney Weaver is iconic, and is the prototype for all future female action heroes. James Cameron takes Ridley Scott’s original claustrophobic horror masterpiece, and morphs it into a war-movie to rival ‘Saving Private Ryan’. It is a superb adrenaline-rush of a film. At the end of twelve days we can all echo Bill Paxton’s immortal words: Game over, man! Game over! 

MERRY CHRISTMAS! 

BONUS GIFT… 

Carols from King’s 

Christmas Eve, BBC 2, 6pm 

One of the finest examples of Anglican liturgy, perfectly combining atmosphere, music, and scripture. I’ve written a little article explaining why the service of Nine Lessons and Carols is a treasure we must not lose.

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Article
Culture
Education
Politics
6 min read

Does Gen Z crave the dictator?

If young Brits are turning away from democracy, here’s how to stop it.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A cat with a small black moustache marking snarls while sitting in front of a tablet.
Kanashi on Unsplash

I knew something was seriously wrong when I hosted a live interactive online assembly for a couple of thousand sixth formers last year. Given a range of emojis the one that was chosen most to represent how they felt about politics wasn’t a thumbs up, or sleeping face, - it was the pile of poo emoji. The vast majority also expressed a deep distrust in government believing they neither listened to nor cared about them. It was then that I realised democracy was in trouble—and not just on the global stage. Here in the UK, a deeply worrying trend is emerging: more than half of Generation Z (those aged 13-27) believe the country would be better off under a dictator. 

Recent controversial polling from Craft, commissioned by Channel 4, reveals that 52 per cent of Gen Z believe the UK should be run by a strong leader who does not have to bother with parliament or elections. Even more alarmingly, 33 per cent think the country would be better off if the army were in charge. If that doesn’t make us sit up and take notice, consider this: nearly half (47 per cent) of Gen Z believe our society must be radically changed through revolution. 

These numbers are staggering. For those of us who have grown up with a strong commitment to democracy, it is unthinkable that the generation raised with the most freedom, the most access to information, and the greatest digital connectivity could be so willing to give up their right to vote, protest, and hold leaders accountable. But before we rush to condemn, we need to ask the hard question: why do so many young people apparently feel this way? 

A lost faith in politics 

What if it isn’t so much that Gen Z has turned against democracy, but that they feel democracy has turned against them? Think about it. Their schools are crumbling. Their teachers are stressed. If they need mental health support or special needs support, they have either a long wait or a hard fight on their hands and probably both. If they want to go to university, they have to take on a debt that will last longer than the time they have been alive. And pity help them if they want to buy a house - statistics suggest they will probably have to wait until they are 33 years old to even think about getting onto the property ladder.  

You might think that these struggles would force Gen Z to become more politically active. But this generation remains the least politically engaged group in the UK. Whilst it is true that currently many are too young to vote, there is also a large proportion who is too disconnected to see the relevance of formal politics. Voter turnout for young people has been abysmal in the last three UK general elections: 

  • 2015: 43 per cent 
  • 2017: 54 per cent (a temporary spike due to Jeremy Corbyn’s appeal) 
  • 2019: 47 per cent 

Compare that to the 70 per cent plus turnout for over-65s, and the message is clear: young people aren’t voting, and in return, politicians aren’t speaking to them. Which only exacerbates the problem. Despite the Labour Party manifesto promise that they would introduce voting at 16, they seem to be in no hurry to introduce the reform.  

While Gen Z engagement with traditional politics is low, their political leanings have shifted. Over the past two decades, Gen Z has moved slightly to the centre-left, while older generations tend to lean centre-right. Today, age is a stronger predictor of voting behaviour than social class, which is a dramatic shift from previous decades. Though Gen Z is more liberal overall, they are also more radical in their discontent—and that’s where the real danger lies. 

When young people feel unheard, they don’t just disengage—they seek alternatives. Their frustration has left them susceptible to radical ideas and strongman narratives. While previous generations turned to grassroots activism, protests, and community engagement, Gen Z is more likely to be influenced by leaders they can follow online -  like Andrew Tate, Jordan Peterson, and Nigel Farage, who offer clear, confident, and often extreme critiques of the system. 

The result? Despite strong examples in the positive activism of Greta Thunberg, Marcus Rashford and Malala who have used democratic means to make a positive difference, there is a growing number of young people who see democracy as weak and ineffective, and dictatorship as strong and decisive.   

A wake-up call 

But there is hope. By engaging young people directly there is an opportunity to change the trajectory. That’s what we discovered at our online interactive event for sixth formers.  One of the most powerful voices at the event was Sophia, a recently turned 18-year-old Ukrainian refugee, who spoke about her experience fleeing war. She told her story of being separated from her father who was in Ukraine fighting for democracy. She shared how Ukrainians are fighting—not just with weapons, but with their lives—for the very democracy that young Brits are so ready to discard. Her message to British students was simple: “You don’t know how lucky you are.” She challenged them to see democracy not as a broken system, but as one that requires their participation to work. 

It was a powerful moment. And it proved something vital: when young people hear real stories, from real people, they begin to see the consequences of the choices they are flirting with. As a result of that event, thousands of young people signed up to vote at the electoral commission.  

Rebuilding trust in democracy 

So what can be done? Here are three crucial steps. 

Make politics relevant to Gen Z. Young people do care about issues like climate change, mental health, and social justice. But they are turned off democratic political solutions by the bureaucracy, mud-flinging and dragging timescales. By taking time to explain to them the processes, to involve them in the campaigns and to improve accessibility to politics and highlight the difference they can make, we may find that our most disconnected demographic could become democracy’s greatest asset.  

Rebuild Gen Z’s trust in leadership. Scandals and dishonesty have left Gen Z cynical. We need leaders who are transparent, accountable, and willing to listen. We need parties who will do what they said they would do in their manifestos and on the doorsteps. We need Members of Parliament who are committed to spending time with the young people they are supposed to represent so that relationships of trust can be deemed possible again. 

Empower Gen Z. There are initiatives out there—like our interactive live assembly and the G-EPIC project—that prove a simple truth: when young people feel heard, they engage. When they are inspired, they engage. When they are empowered to participate in the political process, they engage. Perhaps if we create more spaces for them to speak, lead, and act, they will step forward to shape the future.   

History shows that democracy is never guaranteed—it must be fought for and protected by every generation. It also requires constant effort to ensure it serves all communities without scapegoating, persecuting, or marginalizing. And history warns us that without democracy, most dictators quickly become tyrants.   

The challenge before us is urgent: we must help Generation Z recognize the power they hold to shape their world—before they surrender it to leaders who would take that power away from all of us. 

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