Explainer
Books
Creed
Weirdness
3 min read

Trusting her experience

Daring and passionate thought is not the province of modern writers alone. Jane William introduces Julian of Norwich, Britain’s first female author.

Jane Williams is the McDonald Professor in Christian Theology at St Mellitus College.

A statue of a Medieval women wearing a headscarf, and holding a book inscribed: revelation of divine love.o
Julian of Norwich, sculpted by David Holgate, Norwich Cathedral.
Poliphilo, CC0, via Wikimedia Commons.

Julian of Norwich doesn’t seem to tick many boxes as an ‘influencer’, but her (yes her!) quietly revolutionary theology has had an impact that would probably startle her considerably. For example, TS Eliot quotes her in Little Gidding as he explores the delicate and unexpected grounds of hope. Julian’s striking mixture of confidence and hiddenness lend themselves well to Eliot’s meditative poem. 

Her anonymity is part of what draws us to her now. She opens a window into a world where women were largely unheard and uncelebrated.

It’s unusual to claim authority for someone whose name we don’t even know. She is almost certainly named after the church of St Julian in Norwich, in which she spent years, walled up so that she could see into church, and talk to people through a little window, but never leave. But her anonymity is part of what draws us to her now. She opens a window into a world where women were largely unheard and uncelebrated. We hear so few women’s voices from the fourteenth and fifteenth centuries – or indeed, for several centuries before and after. Julian tells us that she was ‘uneducated’, by which she probably meant that she didn’t read or write Latin, which was the cultured language of the day. Instead, she wrote what is probably the first book by a woman in English.  

Her modesty about her educational background also gives her the freedom to write about God without having to worry about being theologically correct. She describes a series of visions that she received from God. She makes no claim for the doctrinal purity of what she understood, so she never got into trouble, despite the fact that she describes God’s attitude to us in ways that would not have met with approval by the Church authorities of her day. From what God showed her in her visions, although human sin and failure is real, it is not final, and God does not judge us for it, because it is already overcome through Jesus’ identification with us.  

‘Sin is necessary, but all shall be well and all things shall be well and all manner of things shall be well’,  

she writes. This is not blind optimism, but based on her experience of the character of God that she sees in Jesus. As far as Julian can see, Jesus doesn’t blame us for our sin.  She isn’t necessarily assuming that everyone will be saved, but she is sure that God doesn’t seek to judge us.  

She lived through the Black Death. Like so many of us now, she must have suffered bereavement; indeed, the visions she describes were shown to her while she lay on what everyone assumed was her own death bed. Some experts think she may have been widowed and lost children, because of the way in which she writes about Jesus’ maternal qualities. Her message of the invincible, trustworthy love of God is even more challenging against the background of fear, loss and death, and it springs from her encounter with the crucified Jesus. She tells us that as she lay dying, a priest held a crucifix before her eyes, and she saw the figure on the cross as real and in agony. But she also saw that Jesus hangs on the cross out of his own free will, so that no one can doubt the love of God. This act of suffering identification with us is the source of hope, Julian says, because both Jesus’ suffering and his victory over death are real. 

She spent the rest of her life pondering what she had experienced, interrogating it for meaning, going back to God to ask for further clarification.

Julian also has a lot to teach us about what to do with our experience of God. On first reading, it seems that she is wholly experiential in her approach, but then we discover that she spent the rest of her life pondering what she had experienced, interrogating it for meaning, going back to God to ask for further clarification. The longer version of her manuscript was probably written twenty years after she first received the visions. She trusted her experience, but she also thought she needed to work at it and be patient with it and dig more deeply into what it meant.  

What I really want to do now is quote all my favourite bits of her book, The Revelations of Divine Love, but that would be a spoiler. Read her for yourself, but don’t be lulled by her gentle, narrative voice into missing her theological daring and passion. 

Recommended further reading

You can read Revelations of Divine Love online.

Or buy the book from Oxford World’s Classics, OUP, 2015.

There are so many books about Julian, try:

Philip Sheldrake, Julian of Norwich – “In God’s Sight” – her theology in context (John Wiley and Sons Ltd, 2018).

Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011).

Explainer
Creed
Death & life
Monsters
Paganism
5 min read

Will the owner of ‘Halloween’ please come and collect it?

A mutant festival of saints, spirits, and supermarket costumes resists belonging to anyone
A witch, a priest and a druid stand in a store and look quizzically towards a halloween pumpkin
Nick Jones, Midjourney.ai

The trouble with modern Halloween is that it’s hard to say who it really belongs to. Our contemporary public holiday – 31 October, when people dress up as skeletons, light jack-o-lanterns, and go ‘trick-or-treating’ – has a few prospective owners.  

Perhaps Christians could claim it. The term “Halloween” is a shortening of ‘All Hallow’s Eve’, which is the day before All Saint’s Day (1 November) in the Church calendar.  

But this doesn’t fit with a few things. Don’t Christians dislike all that dressing up as evil spirits, and summoning up misrule and revelry? Instead, the case is made for a pagan ownership of Halloween: it was all due to a Celtic festival called Samhain (pronounced ‘sow-in’). This was a day for appeasing evil spirits, contacting the dead, and acts of mischief – all better fits for modern Halloween, surely? 

Sadly, we just don’t know enough about Samhain to say. We only have evidence about it from centuries after the Christian era, and in limited scraps like: “Samhain, when the summer goes to its rest”. It is unlikely the Christians invented this, to be sure – but none of the data tells us how it was celebrated.  

In fact, there is no evidence at all that All Saints Day was a churchy attempt to ‘take over’ a pre-existing pagan festival. From the get-go, Christians commemorated their dead on the basis that they were still alive in heaven, and able to bring prayers to God. A quick peek at the Book of Revelation (the final book of the Bible) gives a behind-the-curtain look: “and the smoke of the incense, with the prayers of the saints, rose before God from the hand of the angel”.  

Over time, it became more official which ‘holy ones’, or saints, should be honoured at which times. This was not about making dead Christians into gods, though. A famous theologian called St Augustine explains the proper view of the early Christians as they kept hold of bones and clothing from their dead: “We do not build temples, and ordain priests, rites, and sacrifices for these same martyrs; for they are not our gods, but their God is our God”.  

Gradually, a date was set to celebrate all those great men and women in heaven – from this came All Saints, or All Hallows Day. A tradition in northern Europe set this on the 1 November: “As a jewel worn on the brow sparkles time and again, so November at its beginning is resplendent with the praise given to all the saints” reports an English calendar from around 800AD.  

It is all well and good celebrating those who have made it to heaven. But what about the majority of Christians? Those who had died unrepentant and lukewarm – what on earth could be done for them? Here came another separate development: offering prayers and worship on behalf of those who had died as forgiven sinners, but who were still, if you like, serving their time for their bad choices.  

It gradually became the norm to tack that practice onto the pre-existing All Saints Day, so that the souls of regular Joes could have powerful heavenly intercessors close by. And so, All Souls Day became an established part of the Church’s year too, falling on 2 November.  

 

But here’s the twist. This season of ‘Hallowtide’ (All Saints and All Souls together) carried on for centuries, until England suddenly and violently abandoned it all in the sixteenth century. Seemingly overnight, the Reformations of the Tudor monarchs ended All Souls Day by scrapping all mention of a purgatory for the dead, and attempts to pray for them there. All Saints Day limped on in the new Established Religion as a remembrance of Christian exemplars – but they were not to be thought of as in radio contact from heaven anymore.  

Some people tried to carry on as usual, in illicit gatherings on hilltops, where they would burn straw, and gather to ask for help from great saints and pray for loved ones. But the majority followed the new religious settlement and tried to forge new communal rituals as best they could. The night still had a ‘supernatural’ afterglow thanks to centuries of the now-absent All Saints and All Souls. 

Then, in the nineteenth century, there was a comeback. Irish immigration to the USA and Great Britain plonked a fully formed Hallowtide into English-speaking culture again. It took like a duck to water. Perhaps this was to be expected. Here was a civilisation which had been rapidly deprived of its ordinary way of expressing connection to their deceased loved ones, as well as a sense of protection from heavenly guardians. They were clearly starving for some way to communicate feelings about ‘the beyond’, and to find hope in the darkening, colder days.  

‘Halloween’, really a modern döppleganger of All Hallow’s Eve, quickly became a popular national custom – a world custom, indeed, due to US influence. It took from Christianity that otherwordly atmosphere – but it did not jettison any of the customs that had arisen since the Reformation, and which were themselves continuations of folky responses to the coming of Winter; Samhain is almost certainly a part of that background here, even if it is not a direct connection, as we have seen. 

This Halloween mystery has a twist, then. Here is really a mutant of a festival that belongs to no one in particular - and that is the point. One could really call it one of modern pluralistic society’s great achievements. It has taken over management of this eerie season from the church, and arguably made a successful shared custom out of it. On the other hand, it is arguably consumeristic, tacky and frequently immoral: it was only a few years ago that supermarket costumes allowing people to dress as ‘mentally ill’ showcased this shallowness. 

So, as a Christian, I have some regrets that Christianity does not really ‘own’ modern Halloween, anymore. Because the original All Hallows, as well as All Souls, seem to me to be a historic high point of confidence about our human fate. Here was a whole civilisation that seemed to announce to itself, every November, that death, human wickedness, and the Devil, were not in charge here – those who had died in Christ were now more fully alive; that no one is so beyond hope that they are not worth praying for. The darkening nights and colder air must have seemed less daunting to them.  

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