Explainer
Books
Creed
Weirdness
3 min read

Trusting her experience

Daring and passionate thought is not the province of modern writers alone. Jane William introduces Julian of Norwich, Britain’s first female author.

Jane Williams is the McDonald Professor in Christian Theology at St Mellitus College.

A statue of a Medieval women wearing a headscarf, and holding a book inscribed: revelation of divine love.o
Julian of Norwich, sculpted by David Holgate, Norwich Cathedral.
Poliphilo, CC0, via Wikimedia Commons.

Julian of Norwich doesn’t seem to tick many boxes as an ‘influencer’, but her (yes her!) quietly revolutionary theology has had an impact that would probably startle her considerably. For example, TS Eliot quotes her in Little Gidding as he explores the delicate and unexpected grounds of hope. Julian’s striking mixture of confidence and hiddenness lend themselves well to Eliot’s meditative poem. 

Her anonymity is part of what draws us to her now. She opens a window into a world where women were largely unheard and uncelebrated.

It’s unusual to claim authority for someone whose name we don’t even know. She is almost certainly named after the church of St Julian in Norwich, in which she spent years, walled up so that she could see into church, and talk to people through a little window, but never leave. But her anonymity is part of what draws us to her now. She opens a window into a world where women were largely unheard and uncelebrated. We hear so few women’s voices from the fourteenth and fifteenth centuries – or indeed, for several centuries before and after. Julian tells us that she was ‘uneducated’, by which she probably meant that she didn’t read or write Latin, which was the cultured language of the day. Instead, she wrote what is probably the first book by a woman in English.  

Her modesty about her educational background also gives her the freedom to write about God without having to worry about being theologically correct. She describes a series of visions that she received from God. She makes no claim for the doctrinal purity of what she understood, so she never got into trouble, despite the fact that she describes God’s attitude to us in ways that would not have met with approval by the Church authorities of her day. From what God showed her in her visions, although human sin and failure is real, it is not final, and God does not judge us for it, because it is already overcome through Jesus’ identification with us.  

‘Sin is necessary, but all shall be well and all things shall be well and all manner of things shall be well’,  

she writes. This is not blind optimism, but based on her experience of the character of God that she sees in Jesus. As far as Julian can see, Jesus doesn’t blame us for our sin.  She isn’t necessarily assuming that everyone will be saved, but she is sure that God doesn’t seek to judge us.  

She lived through the Black Death. Like so many of us now, she must have suffered bereavement; indeed, the visions she describes were shown to her while she lay on what everyone assumed was her own death bed. Some experts think she may have been widowed and lost children, because of the way in which she writes about Jesus’ maternal qualities. Her message of the invincible, trustworthy love of God is even more challenging against the background of fear, loss and death, and it springs from her encounter with the crucified Jesus. She tells us that as she lay dying, a priest held a crucifix before her eyes, and she saw the figure on the cross as real and in agony. But she also saw that Jesus hangs on the cross out of his own free will, so that no one can doubt the love of God. This act of suffering identification with us is the source of hope, Julian says, because both Jesus’ suffering and his victory over death are real. 

She spent the rest of her life pondering what she had experienced, interrogating it for meaning, going back to God to ask for further clarification.

Julian also has a lot to teach us about what to do with our experience of God. On first reading, it seems that she is wholly experiential in her approach, but then we discover that she spent the rest of her life pondering what she had experienced, interrogating it for meaning, going back to God to ask for further clarification. The longer version of her manuscript was probably written twenty years after she first received the visions. She trusted her experience, but she also thought she needed to work at it and be patient with it and dig more deeply into what it meant.  

What I really want to do now is quote all my favourite bits of her book, The Revelations of Divine Love, but that would be a spoiler. Read her for yourself, but don’t be lulled by her gentle, narrative voice into missing her theological daring and passion. 

Recommended further reading

You can read Revelations of Divine Love online.

Or buy the book from Oxford World’s Classics, OUP, 2015.

There are so many books about Julian, try:

Philip Sheldrake, Julian of Norwich – “In God’s Sight” – her theology in context (John Wiley and Sons Ltd, 2018).

Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011).

Column
Creed
Death & life
Suffering
4 min read

Dressing up in the dark: what Halloween reveals about our uneasy age

Why Halloween feels darker this year

George is a visiting fellow at the London School of Economics and an Anglican priest.

Skeleton figurines clothed in Victoria outfits.
Wallace Henry on Unsplash.

Something bothers me about the approach of this years’ All Hallows’ Eve on 31 October and its accompanying night-time Halloween parties, like an irksome background unease at an encroaching darkness behind the childlike cosplay of the event itself. 

God knows, there have been infinitely darker years, some of them within living memory. Two world wars, one of them containing the Holocaust and it doesn’t get darker than that. Genocides, such as Rwanda’s, and famines, from China to Russia to Ethiopia. Terrorist atrocities: Munich, Lockerbie, Madrid, 9/11.  

Mass murders of children: Dunblane, Peshawar, Sandy Hook, Southport, to name a few in such a grim litany. Harder to imagine, because they’re further away culturally in either time or place, are the great plagues, conflagrations and disasters of history: The Black Death, Indian Ocean tsunami, Hiroshima.  

So one wonders if it’s impertinent to feel uneasy about Halloween this year. I suspect it’s the discomfort of something bubbling under and as yet unseen, like unexploded magma or the unbearable tension of a faultline threatening to give way. 

To name it is to call out a most fragile world peace – the pretence of a peace in the Middle East that cannot hold; a peace process that hasn’t even started between Russia and neighbouring Ukraine. Both presided over by an American president who at best isn’t up to securing either and, at worst, has zip interest in democratic process and is only in it for himself. 

Then there’s apparently unstoppable mass migration, driven by climate change, to western economies already going to hell in policy-free handcarts. The creeping re-growth of nationalism and antisemitism, social media fuelled hatred of refugees, the collapse of trust in institutions of state in the UK’s unwritten constitution, such as the royal family, parliament, the police and the Church. Grooming gangs and trafficked sex-slaves; we’re not in the gloaming of dusk – it sometimes feels like night has fallen. 

At what price, then, do we dress our children (and ourselves) as ghouls and witches and demons and make jack o’lanterns to celebrate the dark side at Halloween? It’s the question at the heart of a debate that customarily divides between those of us who say it’s just a bit of fun and we shouldn’t be spoil-sports, against others who warn censoriously about conjuring up the devil, who once abroad will play havoc with those who so foolishly summoned him. 

That’s a fairly pointless argument, as the positions just get repeated and that doesn’t get us anywhere. More fruitful may be to examine what the dark side is, what it is we’re conjuring, if anything, and whether it plays any role in what we fear we may be facing, which ranges from the breakdown of the world order, to great wars and, not to put too fine a point on it, an apocalypse. 

Stumbling about in the dark, we’re bound to trip over what’s called theodicy – the theological study of how a supposedly all-loving God can tolerate human evil. One of the more recent and most accessible contributions to this school comes from the US journalist and academic Brandon Ambrosino, who imagines the pursuit of theodicy not to be climbing stairs of knowledge, but the descent to a dark basement: “If the living room is where we ask how exactly God moved Trump’s head out of the way of the shooter’s bullet, the basement is where we ask if God caused the bullet to end up in a fire-fighter’s body.” 

One of Amrosino’s conclusions is that “evil is not properly a thing… Evil is nothing, literally [his italics]. It is a void in the fabric of God’s creation.” This concept of evil – the dark, as any parent would comfort a child – as empty is appealing. In the dark of that basement, there is nothing there but hope.  

This idea of evil as a void, or moral vacuum, is told in the story of a student (not young Albert Einstein, as widely claimed) who demurs when taught that the problem of evil proves the non-existence of God. “Does cold exist?” asks the student. Of course, replies the teacher. But cold is only the absence of energy, which creates heat. Likewise, does darkness exist? Yes, but it has no wavelength, so it is only the absence of light. 

What brings the energy of light and heat, like why there is something rather than nothing, is too big a question for now. But it may go some way to addressing the darknesses listed in the first half of this column.  

And perhaps it’s a thought to carry into this Halloween. Children dressed as undead phantasms, with Mum’s lipstick tracing blood trickles from their mouths, aren’t joining the dark, but filling what is empty with laughter. And, in doing so, they’re mocking it, which must offer some sort of hope for the future.   

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