Column
America
Comment
Politics
4 min read

Is Trump a fascist?

Fascism is fashionable again, what sort of vigilance is needed to guard against it?

George is a visiting fellow at the London School of Economics and an Anglican priest.

A protester holds placards up in both hands. One reads: Trump is a fascist. The other: Repair the broken world
A protester outside a Trump rally.
dnyuz.com.

I was once called a fascist for saying that the only authority I recognised was God’s. Actually, it had the usual alliterative, adjectival expletive attached to “fascist” that was customary for those of us who received a leftist political education in the 1970s. Very Dave Spart

Fascism is popular – or possibly populist – as an insult again. The epithet has been applied to Donald Trump in the final stages of the US presidential race. His former White House chief of staff, John Kelly, revealed that Trump had some emollient things to say about Adolf Hitler and retired US general Mark Milley has branded Trump “fascist to the core”.  

Democrat presidential rival Kamala Harris endorsed their use of the F-word for Trump, in what must count as one of her more daring statements of the campaign.  

And it’s not just evidence of Trump’s admiration for Hitler, historically the go-to evil icon for every anti-fascist. Trump likes tough-guy dictators and rulers. Vladimir Putin, North Korea’s Kim Jong Un, President Erdogan of Turkey, China’s Xi Jinping have all received the Trump seal of approval. 

That’s quite a list. What’s most worrying is that Trump has so many role models to choose from. Fascism seems fashionable again. Apart from trying to be nice and kind and not cruel to everybody in a Pollyanna kind of way, those of us of a non-combative religious faith are obliged to state quite why we do find this so worrying.  

We’re in the territory here of the cruelty and savagery of the incompetent empty vessel.

Part of the answer to that is pragmatic. Fascist leaders are generally not supportive of their domestic religions, as they endeavour to build their own religious cults around themselves, though it has to be said that Hitler’s relationship with the Catholic Church was at best ambiguous, while Trump is quite reliant on the Christian Right in the US. 

Another part of the answer attaches to my response to earthly authority as described at the top of this. It sounds like a cop-out and, in part, I accept that. It’s actually an opt-out, in that the Christian story doesn’t recognise worldly authority unless it serves its standards, rather than the other way around. 

That’s why we’re feared by authoritarian political leaders – call them fascist if you will. By extension, the Christian faith isn’t politically populist, though it might be described as a popular movement. Our leadership model is among the people it serves, rather than from the front of them. That’s not a model that Trump or anyone he admires is likely to emulate any time soon. 

It is what so confounded and ultimately threatened the political establishment in which it was founded. An itinerant preacher and miracle-worker emerges from the backwoods of a far-flung province of the Roman Empire – a fascist enterprise if ever there was one – to tell both it and its puppet state Judea that his and his insurgent followers’ authority comes not from this world. And the triumph of that claim is recorded in the subsequent two millennia of human history. 

That’s not power to the people, nor really a power of the people, but a power of every person in a corporate unity. It is, if you like, the exact obverse of the Roman coin, the antithesis of the emperor and the antidote to every fascist leader that has ever followed and been followed. 

I’m not at all sure that Trump is a fascist, as claimed. There’s a school of thought that he’s not bright enough, is too plain dumb, to join that rogues’ gallery. The most dangerous fascists of history, like Hitler, have a pitch-dark ideology that they pursue at all human cost to others and themselves. Trump has no apparent ideology other than the serving of his own vanities and insecurities. 

That doesn’t make him undangerous, but it makes him a different kind of authoritarian from a true fascist. We’re in the territory here of the cruelty and savagery of the incompetent empty vessel. And we need to apply a different kind of vigilance from that of the authentic fascist. Because Trump is essentially a buffoon.

Idiotic or truly evil, ultimately the answer may not be to find electoral alternatives, but to measure them against what is transcendent and immutable in human nature. 

The buffoonish authoritarian is a handmaid to fascism, but not the real thing. Perhaps every bit as destructive and oppressive of their people, but as an enabler of fascism rather than a principal. Like Benito Mussolini in Italy in the 1930s and Second World War, these are preening clowns, though of course not in the least bit funny. 

It’s hardly on a par with the Reichstag fire in 1933, which Hitler manipulated for absolute power in Germany, but let’s not forget that Boris Johnson as prime minister attempted illicitly to prorogue parliament to get his way with Brexit in 2019. Like Trump, contempt for democracy and the “great man of history” personality cult tick a couple of boxes for fascism, but it doesn’t make them any less stupid. 

Idiotic or truly evil, ultimately the answer may not be to find electoral alternatives, but to measure them against what is transcendent and immutable in human nature. And that brings me back to the first line of this piece.  

Article
Character
Comment
Film & TV
5 min read

Traitors reflects an age of deceit and disappointment

Behind the game play, we're yearning for authenticity and connection.

Alex Stewart is a lawyer, trustee and photographer.  

A montage shows a Scottish castle, the host of the V show the Traitors and a dark scary scene.
BBC.

‘What a tangled web we weave when first we practise to deceive.’ 

Some people, it seems, are not cut out to be liars. I felt for Freddie, one of the last contestants to survive on The Traitors, who found out the hard way. A fumbled recounting of a fabricated conversation with fellow Traitor Minah was enough to seal his fate, and soon he too was banished from the castle. The sad irony was that until his last-minute recruitment as a Traitor, Freddy had in fact been a Faithful for most of the show, insistently proclaiming his innocence and now cruelly denied his chance of vindication. But that’s all part of the game: shifting identities and alliances mean nothing is at it seems, and trusting is fraught with risk.  

Part of the success of The Traitors is that it has very successfully tapped into a pervasive national mood: the feeling that we are constantly being deceived, misled, spun or manipulated. This is hardly surprising. Trust in politicians and institutions is at an all-time low, eroded by scandals, misinformation and truth dodging. From the Post Office and the contaminated blood scandals to the manipulation of unpalatable facts to the non-apologies of the guilty, the British public has become increasingly sceptical of those in power.  

The 2024 British Social Attitudes survey, conducted by the National Centre for Social Research, revealed that public trust in the UK's system of government has reached a record low, while a similar survey by the OECD reported that only 27 per cent of people in the UK reported high or moderately high trust in government, well below the OECD average of 39 per cent.   

But it’s not just politicians and institutions that we distrust. The new world of deep fakes, misinformation, and AI-generated content seems also to have had a corrosive effect on our ability to trust one another.  A recent CREST Insights report indicates that only 41 per cent  of respondents now trust their neighbours, while the Edelman Trust Barometer tells us that this distrust has, for some, moved from resignation to outright hostility, with one in two young adults approving of hostile activism as driver of change - including attacking people online and intentionally spreading disinformation.  

With this backdrop, it is hardly surprising that the contestants of The Traitors are susceptible to high levels of paranoia, and see Machiavellian deceit and betrayal as their only way to survive and have any chance of winning.   

But the human cost of betrayal is high and psychologically taxing. The constant need to fabricate stories, remember lies, and manage the stress of potential exposure requires huge cognitive and emotional effort. The effects are tangible as the contestants suffer variously from anxiety, paranoia, and emotional exhaustion.   

Meanwhile the building paranoia is stoked by regular invocations of the dark supernatural as cloaked figures and effigies shift the atmosphere from wink murder to The Wicker Man, and Claudia presides over proceedings with the authority of a pagan high priestess. Even the game operates within a quasi-religious framework of sin, confession, and punishment. Players who lie and deceive will eventually face judgment, from their fellow contestants and the millions watching at home

What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was.” 

Although everyone knows it’s just a game, the prolonged deception has real world repercussions that continue beyond the show's end.  Many of the contestants struggled to reintegrate into their daily lives, facing challenges in rebuilding trust with loved ones and grappling with their actions during the game. The vicar, Lisa, told of the discomfort of having to explain away her absence on the show as a ‘retreat’, while the winners, Jake and Leanne, both said how difficult it had been to adjust post-show, pointing to a lingering paranoia and the strain of having to keep their victory a secret. 

And yet, while betrayal and deceit define the show, it is often the genuine friendships and moments of trust that resonate most. Few will forget the ‘mother to mother’ pact made by Frankie and Leanne in the kitchen and the emotional final banquet when the suspicion and distrust were briefly lifted. Behind all the game playing, the yearning for authenticity and connection as an antidote to isolation could not be suppressed. 

There are also inspiring moments of hope, vulnerability and redemption. Alexander, the charming diplomat, tells his heartfelt story about his late brother, who had developmental disabilities, which prompted his fans to donate over £30,000 to Mencap. Jake, who suffers from cerebral palsy, overcomes great odds to become one of the winners, and Leanne and Charlotte open up about their struggles to conceive. Each contestant had a back story that humanised them. Even the aloof high priestess herself shed tears, albeit in unaired footage, over her contestants’ traumas.  

But it was Charlotte’s struggles that I found most inspiring. As the final Traitor, she seemed at first to relish her role with a very convincing series of lies, even turning on her fellow Traitor Minah. But it became apparent towards the end that, inside, she was in turmoil. What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was,” she said later. “I felt so cruel. How I had to be to stay in the game – it was an immense pressure.”   

Catharsis, when it came, was through forgiveness, especially from Frankie, the contestant who perhaps more than any other had reason to be hurt by Charlotte’s betrayal; they had after all been best friends within the confines of the castle. Charlotte later admitted to badly needing her forgiveness, which gracious Frankie was only too happy to give.  

In an age of deceit and disappointment, Charlotte’s honesty, vulnerability and willingness face up to her actions and be reconciled with her victims, rather than justify them or offer a hollow non-apology, and Frankie’s willingness to forgive - offer us the hope that there can be a way out of the doom loop of deceit and broken trust.   

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