Explainer
AI
Culture
9 min read

Transhumanism: eugenics for the digital age

Retracing the history of transhumanist thought, Oliver Dürr peels off the varnish off 'TESCREAL' to find the taint of eugenics.

Oliver Dürr is a theologian who explores the impact of technology on humanity and the contours of a hopeful vision for the future. He is an author, speaker, podcaster and features in several documentary films.

A montage shows skeletons with lamp shades instead if heads beside a fence-like division.
Image: Joshua Coleman on Unsplash.

This article is the second of a series exploring and critically assessing a conglomerate of futurist ideas and technological visions united in the acronym TESCREAL - Transhumanism, Extropianism, Singularitarianism, Cosmism, Rationalism, Effective Altruism and Longertmism. Read the first in the series: Challenging transhumanism’s quest to optimise our future.

Transhumanism is a movement dedicated to prolonging, improving, and enhancing life through science, medicine and technology. Its proponents want to free human beings from current limitations, upgrading our species, possibly even to enter a new phase of evolution. Sounds great – to many at least. The devil, however, is in the details: Who gets to decide on what’s favourable? How exactly are these goals achieved? Who will actually enjoy the upgraded version of life? And what happens to the rest?  

Such ideas – and the uneasiness they might cause those who think them through to the end – aren’t new. In fact, there is almost nothing new about transhumanism. As we will see upon closer inspection: Transhumanism is just eugenics in a new guise. This is a serious charge on people who clearly want to distance themselves from the horrors of the eugenic policies the Nazis so cruelly implemented in the 20th Century under the ideology of “racial hygiene”. To see why the charge still holds, we need a bit of historical background.  

A pedigree of improving the species 

In 1962, a group of scientists met in London to discuss the future impact of “biological research”, which, in their estimation, had the potential to enhance or destroy “every aspect of human life”. The meeting was unassumingly titled: “Man and His Future.” One of the key figures of the symposium was Julian Huxley – an evolutionary biologist, philosopher, and writer, who became an influential figure after being the first Director-General of UNESCO, a founding member of the “World Wildlife Fund” (WWF) as well as the first president of the “British Humanist Association”.  

That same Huxley was also an unwavering promoter of eugenics (still after World War II) and had even served as president of the “British Eugenics Society” from 1959-1962. Eugenics, in short, is the attempt to ‘improve’ the human species with an eye on the gene pool. Various means and strategies are supposed to ensure ‘favourable’ traits like ‘higher intelligence’, ‘better physical constitution’, ‘more sexual activity’, and ‘racial purity’ would prevail. (Note that all of these, except perhaps the last one, are still salient today).  

The general idea of improving humankind through selective breeding is old, but it gained traction after the publication of Charles Darwin’s The Origins of Species in 1859. Evolutionary theory provided a plausible mechanism for the evolution of life and quickly began to function like a worldview through which everything could be explained. This novel outlook suggested a continuous higher development of the human species if nature was left to its own devices. However, many also feared that these ‘natural’ mechanisms for improvement were stifled by human civilization. The consequence of which could be a “degeneration” of the human species. Against such “dysgenic” (that is, negatively affecting the gene pool) pressures, Darwin’s cousin, Francis Galton, devised methods and strategies for the active “cultivation” of the human species, to which he gave the name “eugenics” in 1883. This was a program, unabashedly intending to supplant “inefficient human stock” with “better strains”, which meant to “get rid” of “the undesirables” and to ensure the “desirables multiplied”. All for the grand purpose, to “further the ends of evolution more rapidly … than if events were left to their own course.” 

It’s obvious from reading Galton’s texts how the evolutionary bird’s eye view on the human species and its gene-pool conflicts with valuing the inalienable dignity, rights and freedoms of the individual person – eugenicists explicitly spoke against both Christian ethics and the Enlightenment “principle of equality”. Eugenics was based on the belief that everybody was not equal, and that for the good of humanity, we ought to do away with the “undesirables”. It is thus an important illustration of the ways in which science, values and politics intermingle. Darwin and Galton triggered an avalanche of what was now not only conceivable, but ‘scientifically’ backed up, and therefore also utterable in public. Soon these ideas would drive political agendas as well.  

It’s hard to underestimate the cultural influence, intellectual salience and political impact eugenics had globally. The movement’s motto: “eugenics is the self-direction of human evolution” has found its way into many policies and political programs around the world. It is important to note, that though eugenics and state power converged in the Third Reich in unprecedented ways, that convergence was not confined to it. After World War II eugenic policies were simply renamed and continued in many places. The United States is a sobering illustration of this: In fact, some American states, like Oregon, repealed their “sterilization laws” as late as 1983. California, which has repealed its law in 1979, had sterilized more than 20,000 people, deemed to be “feeble minded” – as has recently been discovered

The same Huxley was not only an ardent eugenicist, but he must also be regarded as the intellectual father of transhumanism 

The movement was still in full force when Julian Huxley presented his contribution at the 1962 symposium: “Our present civilization is becoming dysgenic”, he declared. “To reverse this grave trend, we must use our genetical knowledge to the full, and develop new techniques of human reproduction.”  

The same Huxley was not only an ardent eugenicist, but he must also be regarded as the intellectual father of transhumanism. First of all, he coined the term ‘transhumanism’ in 1951 (not 1957), which for him captured the “idea of humanity attempting to overcome its limitations and to arrive at fuller fruition.” Huxley was convinced that humanity was to use all the scientific and technological means available to actively transcend the current species and achieve the next stage of evolution.  

In his contribution to the 1962 symposium, he excitedly described humanity as “spearhead”, “torch bearer” and “trustee” of what he understood to be “self-conscious evolution”.  It was in light of this vision, Huxley became convinced that there can be no real objections to a eugenic policy, “when the subject is looked at in the embracing perspective of evolution, instead of the limited perspective of population genetics or the short-term perspective of existing sociopolitical organization.” The task at hand was larger than any nation state, culture, or even religious sensibility. Humanity was to achieve the next step of evolution – obstructing this, Huxley was convinced, was outright “immoral”.  

More on more 

Though he is not credited by self-professed founder of the “philosophy of transhumanism” Max More (perhaps for strategic reasons) it is nevertheless fair to say, that Huxley pre-empted all the major concerns of the transhumanist movement today. More merely reiterates Huxley’s – and for that matter basic eugenic – ideas, when he writes that we are the “vanguard of evolution”, must now “consciously take charge of ourselves” to “accelerate our progress”, move “beyond mere humanism” to “focus on our evolutionary future” and that science and technology are the means to achieve this. What is different today is just the extended set of scientific and technological tools available. When transhumanist philosopher Nick Bostrom [who recently was at pains to clear his record of a racist email he wrote in the 1990s] writes about “dysgenic pressures” on humanity, he plainly reproduces eugenic arguments:

“Currently it seems that there is a negative correlation in some places between intellectual achievement and fertility. If such selection were to operate over a long period of time, we might evolve into a less brainy but more fertile species.”

Such a strain on human intelligence, for Bostrom, amounts to an “existential risk”, given the challenges humanity is facing today – not least: figuring out how to deal with an artificial superintelligence that might destroy humanity, no less.  

If transhumanists deal with their eugenic pedigree at all, this consists mainly in reassuring everybody that: transhumanism isn’t eugenics. In doing so, they prematurely identify eugenics with state-sponsored coercion, against which they promote a “liberal eugenics”. Bostrom writes:

“The last century’s government-sponsored coercive eugenics programs … have been thoroughly discredited. Because people are likely to differ profoundly in their attitudes toward human enhancement technologies, it is crucial that no one solution be imposed on everyone from above, but that individuals get to consult their own consciences as to what is right for themselves and their families.”  

At first glance, this looks fair enough. The problem, however, is that the ‘freedom’ in such matters is not a binary between either ‘state coercion’ or ‘individual choice’. Liberty is much more enmeshed with a cultural imagination, social expectations, and widely shared attitudes in a civil society – also educational, economic or even religious factors play a role here. Such soft factors can exert considerable pressure on individuals, even if they consider themselves to be, and legally may well be, ‘free’. There are good reasons to consider ‘liberal eugenics’ a self-defeating idea.

Contemporary transhumanism has not really reckoned with its history and thus, devotedly repeats both the ideas and mistakes of its eugenic antecedents. 

At the same time, we have seen above, that eugenics cannot so easily be written off, by identifying it with state coercion. Recounting the entwined history of eugenic and transhumanist ideas, historian Alison Bashford correctly observes that “Eugenics functioned as often through liberal governmentalities, as it did through authoritarian coercion, arguably more so, depending of course on national context.”  

Again, Julian Huxley is a good example: He would have emphatically agreed with the transhumanist critique of Nazi Germany, was an outspoken anti-racist. Being as he was ‘liberal’ in many regards – like, for that matter, many exponents of classical eugenics – he was opposed to any form of authoritarian, totalitarian or politically coercive measures, even in his wildest dreams about the evolutionary future. Rather, he believed that most people would find the working out of an “effective and acceptable eugenic policy” not only “urgent” but “an inspiring task.” Transhumanists like Max More and Nick Bostrom seem to prove his point. 

There simply is no clear distinction between transhumanism and eugenics. The reason for this being, that contemporary transhumanism has not really reckoned with its history and thus, devotedly repeats both the ideas and mistakes of its eugenic antecedents. The problem with any form of eugenics (liberal or other) is that it is profoundly incompatible with the basic tenet of a liberal democracy, namely, to accept, unconditionally, the dignity, autonomy and rights of each and every human being in it.  

Consider, as an alternative, a Christian perspective on the dignity of human beings. Christianity sees every individual, and precisely how it is now, as an image of God. Of course, Christians believe that one can live up to this or live in denial. In whatever patchy way we live out this endowment, we are, nevertheless, dignified as creatures in the image and likeness of God, of which we see the fullest picture in Jesus Christ, who is explicitly described in the New Testament as ‘the image of the invisible God’. From that point of view our current form, though finite and frail, is quite good enough. Technological innovations can be celebrated, but they do not have the burden of creating a 'dignified' life in the first place. 

In the strictly evolutionist framework of transhumanism, however, there is just no basis for such things. The unceasing drive to ‘improve’ the quality of life runs the risk of measuring (according to whose standards?) the ‘worth’ or ‘worthlessness’ of human lives in objectifiable terms. Despite any transhumanist protestation, the fact remains that their entire outlook is profoundly immoral, incapable of accepting our fundamental equality. It is prone to spawn injustice – as history has shown time and time again. For transhumanists, ultimately, humanity is just a meaningless by-product of greater evolutionary processes. As a consequence, we are merely the steppingstone for what is to come (or at least the smart ones amongst us are). Whenever scientific and technical innovation converge with an evolutionist outlook, political activism and, for good measure, a tad of entitlement, eugenic ideas emerge. Transhumanism is just another case in point. So, before you sign up to transhumanism, I suggest you read the fine print of the T&Cs. 

Article
Culture
Film & TV
5 min read

The death of Hollywood

Out of the ashes, new stories will rise

Theodore is author of the historical fiction series The Wanderer Chronicles.

Studio executive's react.
Seth Rogan's The Studio, a Hollywood satire.
Apple TV.

There is no more obvious sign of the ailing of the Hollywood behemoth (if not to say, its actual death) than the utter failure of Disney’s latest live-action re-release of Snow White

According to Forbes, Disney’s total investment in the movie, including production and marketing, likely exceeded $350mn. To break even, it would have needed to take around $500mn gross at the box office, after distribution and movie theatre cuts. To date it has made just under $200million. 

If nothing else, that is a tremendous waste of money. But the essential problem seems to have been that the movie’s creators were trying to bend themselves (and the story) into pretzel-shaped contortions to satisfy the various demanding (and contradictory) ideological axioms of LalaLand. The result? Not only do they fail on their own terms: a movie about a young princess finding her inner girl power and leading an oppressed people to overthrow a tyrannical autocrat ends by setting up a new regime under one unchallengeable and all powerful ruler: a system of “Snow-White Supremacy”. It also fails on the archetypal axioms of story. There’s a reason why parents still read to their children the traditional version of Snow White, which scholars believe to be so long-living and so “true” that its roots seem traceable as far back as Ancient Greece. Modern storytellers mess with that long lineage of audience appeal at their peril; as no doubt several Disney executives have now found to their cost. 

Last month the veteran Hollywood screenwriter and novelist Andrew Klavan concluded, after watching the last annual offering of glamour-slick virtue signalling that is the Oscars, that Hollywood is indeed a dying beast. He argued that the collective movie-making culture has become so captive to a certain ideological mindset that it has prioritised that over the more basic and primary objective of telling stories. When ideology overrides the essence of storytelling - delivering stories reflective of life as it actually is and as we find it - then the art suffers and audiences instinctively turn away.  

Why? Because we all come to stories to find truth (even if it is dressed up in the “lie” of fiction). The problem with the ideological mindset approach to storytelling is not that it does not start with good intentions (let’s say a value like “compassion”); but that it drives towards and ends with outcomes very far from life as we know it to be. So, for example, compassion for allowing female-identifying men into women’s sport ends up with Olympic crowds applauding a man punching various women in the face to earn himself a gold medal. Or well-intentioned young people marching throughout the cities of Europe in support of terror groups who behead babies. There is a cognitive dissonance between the makers of movies imbibing and propagating this sort of mindset and their audience of millions. 

No wonder those audiences are tuning out. Because the central thing that people want from art are good stories. Good stories make us nod and say: yep, life is like that - however far-fetched the premise or the setting may be. Bad stories make us feel like someone has tried to sell us a lie. They are “phoney” - and at a gut level, we know it. 

So, if Hollywood’s time in the limelight (and the pay dirt) may be running out, where should we look for a new resurgence (dare we say, resurrection?) in the art of storytelling? 

“Two are better than one because they have a good reward for their toil.” Collaboration seems to produce the goods.

It would be foolhardy to come down too hard on an answer to that question, since ultimately stories can and have come from anywhere. But if I had to lay down money on the kind of environment out of which any resurgence in the storytelling industry (whether of the moving image or the written word) will come, I would be betting on some sort of life-affirming, collaborative, creative network or community based around the foundational values of truth, goodness and beauty, and motivated by a shared desire to see the renewal and revitalisation of  Western culture everywhere.  

Such networks have been springing up with the ubiquity and rapidity of mushroom colonies all over the West, particularly in the US and across Europe. 

 Angel Studios has emerged as one of the more front-footed of these. This is a US-based media company that produces and distributes films and TV series with inspirational and faith-based themes: projects like The Chosen - the globe-conquering pay-it-forward re-telling of the Four Gospels - and Sound of Freedom, the latter grossing over $250million worldwide. (Disney take note.) 

While Angel’s content may have arisen out of niche audience demand (it was founded as a successor to the VidAngel app that sourced child- and faith-friendly content), other collaborative networks exist with a broader mission for cultural renewal. The Everything Network is one such example. A UK-based Christian network of leaders across multiple fields of society, it operates from the principle that, for centuries, society has benefitted from the way Christianity has contributed to the whole of life: from the art we create, to the laws we make, and the way we care for those in need. If God cares about everything, then the invitation persists for us to work towards the renewal of all things. 

This includes the stories we tell. Hence, under one aegis, authors, poets, or screenwriters are connected with financial backers, producers, directors, animators, marketeers and so on. Implicit within the network’s mission is a recognition that stories have the power not just to entertain, but to change the world. For good and for bad.  

Just look at the Bible. 

At a more modest level, creative networks are coming together all over the West: in churches, across the broader arts and entertainment landscape and so on, in part as support communities for people working in those industries, but also as incubators for collaborative output. Some are more ambitious than others. And many are proving the truth of the proverb: “Two are better than one because they have a good reward for their toil.” Collaboration seems to produce the goods. 

So, if truth, beauty and goodness are the weapons on the battlefield of imagination, and the soul of the world is the prize, perhaps these emerging creative networks are the divisions, the battalions, the platoons deployed along the front line. Time will tell which are most effective. 

What is certain is that, long after Hollywood’s spell over us all is broken, humans are still going to want to hear good stories. Stories that tell us something meaningful and true about life as it appears before us.  

I’ll have my bucket of popcorn ready just in case.

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