Article
Character
Comment
Film & TV
5 min read

Traitors reflects an age of deceit and disappointment

Behind the game play, we're yearning for authenticity and connection.

Alex Stewart is a lawyer, trustee and photographer.  

A montage shows a Scottish castle, the host of the V show the Traitors and a dark scary scene.
BBC.

‘What a tangled web we weave when first we practise to deceive.’ 

Some people, it seems, are not cut out to be liars. I felt for Freddie, one of the last contestants to survive on The Traitors, who found out the hard way. A fumbled recounting of a fabricated conversation with fellow Traitor Minah was enough to seal his fate, and soon he too was banished from the castle. The sad irony was that until his last-minute recruitment as a Traitor, Freddy had in fact been a Faithful for most of the show, insistently proclaiming his innocence and now cruelly denied his chance of vindication. But that’s all part of the game: shifting identities and alliances mean nothing is at it seems, and trusting is fraught with risk.  

Part of the success of The Traitors is that it has very successfully tapped into a pervasive national mood: the feeling that we are constantly being deceived, misled, spun or manipulated. This is hardly surprising. Trust in politicians and institutions is at an all-time low, eroded by scandals, misinformation and truth dodging. From the Post Office and the contaminated blood scandals to the manipulation of unpalatable facts to the non-apologies of the guilty, the British public has become increasingly sceptical of those in power.  

The 2024 British Social Attitudes survey, conducted by the National Centre for Social Research, revealed that public trust in the UK's system of government has reached a record low, while a similar survey by the OECD reported that only 27 per cent of people in the UK reported high or moderately high trust in government, well below the OECD average of 39 per cent.   

But it’s not just politicians and institutions that we distrust. The new world of deep fakes, misinformation, and AI-generated content seems also to have had a corrosive effect on our ability to trust one another.  A recent CREST Insights report indicates that only 41 per cent  of respondents now trust their neighbours, while the Edelman Trust Barometer tells us that this distrust has, for some, moved from resignation to outright hostility, with one in two young adults approving of hostile activism as driver of change - including attacking people online and intentionally spreading disinformation.  

With this backdrop, it is hardly surprising that the contestants of The Traitors are susceptible to high levels of paranoia, and see Machiavellian deceit and betrayal as their only way to survive and have any chance of winning.   

But the human cost of betrayal is high and psychologically taxing. The constant need to fabricate stories, remember lies, and manage the stress of potential exposure requires huge cognitive and emotional effort. The effects are tangible as the contestants suffer variously from anxiety, paranoia, and emotional exhaustion.   

Meanwhile the building paranoia is stoked by regular invocations of the dark supernatural as cloaked figures and effigies shift the atmosphere from wink murder to The Wicker Man, and Claudia presides over proceedings with the authority of a pagan high priestess. Even the game operates within a quasi-religious framework of sin, confession, and punishment. Players who lie and deceive will eventually face judgment, from their fellow contestants and the millions watching at home

What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was.” 

Although everyone knows it’s just a game, the prolonged deception has real world repercussions that continue beyond the show's end.  Many of the contestants struggled to reintegrate into their daily lives, facing challenges in rebuilding trust with loved ones and grappling with their actions during the game. The vicar, Lisa, told of the discomfort of having to explain away her absence on the show as a ‘retreat’, while the winners, Jake and Leanne, both said how difficult it had been to adjust post-show, pointing to a lingering paranoia and the strain of having to keep their victory a secret. 

And yet, while betrayal and deceit define the show, it is often the genuine friendships and moments of trust that resonate most. Few will forget the ‘mother to mother’ pact made by Frankie and Leanne in the kitchen and the emotional final banquet when the suspicion and distrust were briefly lifted. Behind all the game playing, the yearning for authenticity and connection as an antidote to isolation could not be suppressed. 

There are also inspiring moments of hope, vulnerability and redemption. Alexander, the charming diplomat, tells his heartfelt story about his late brother, who had developmental disabilities, which prompted his fans to donate over £30,000 to Mencap. Jake, who suffers from cerebral palsy, overcomes great odds to become one of the winners, and Leanne and Charlotte open up about their struggles to conceive. Each contestant had a back story that humanised them. Even the aloof high priestess herself shed tears, albeit in unaired footage, over her contestants’ traumas.  

But it was Charlotte’s struggles that I found most inspiring. As the final Traitor, she seemed at first to relish her role with a very convincing series of lies, even turning on her fellow Traitor Minah. But it became apparent towards the end that, inside, she was in turmoil. What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was,” she said later. “I felt so cruel. How I had to be to stay in the game – it was an immense pressure.”   

Catharsis, when it came, was through forgiveness, especially from Frankie, the contestant who perhaps more than any other had reason to be hurt by Charlotte’s betrayal; they had after all been best friends within the confines of the castle. Charlotte later admitted to badly needing her forgiveness, which gracious Frankie was only too happy to give.  

In an age of deceit and disappointment, Charlotte’s honesty, vulnerability and willingness face up to her actions and be reconciled with her victims, rather than justify them or offer a hollow non-apology, and Frankie’s willingness to forgive - offer us the hope that there can be a way out of the doom loop of deceit and broken trust.   

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Article
Comment
Politics
Sport
5 min read

Bad blood is damaging both football and politics

Are we all in the stands baying for blood?
A view from a football stand over heads to the pitch.
Steven Collomb-Clerc on Unsplash.

Am I going mad? It definitely feels like I’m going mad. Let me tell you two tales, one about an ugly football match, the other about the early release of a ‘political’ prisoner’. It feels as if society, not just the fans in the stands, are baying for blood. I’m mad about it. Here's why. 

There’s been little love lost between my team Liverpool and their recent opponents Newcastle United. 

Liverpool’s crime? Wanting to buy Newcastle’s striker, Alexander Isak. How dare they! 

If reports are to be believed – and everything should be viewed with raised eyebrows when it comes to football transfers – Isak informed Newcastle of his desire leave at the end of last season and was given assurances he would be able to. Liverpool, with no recognised striker following Diogo Jota’s death placed a bid of around £110 million.  

A British transfer record fee. As an opening bid. A fee subsequently described as “disrespectful.” I feel like I’m going mad. If anyone would like to ‘disrespect’ me with £110,000,000, please let me know and I’ll send you my bank details.  

The game’s turning point is a tackle by Newcastle’s Anthony Gordon on Virgil Van Dijk, Liverpool’s captain, just before half-time. 

Gordon comes flying in, studs up, raking the back of Van Dijk’s leg. It is a deeply unprofessional tackle from Gordon. A cynical attempt to hurt a colleague with no discernible attempt to win the ball. It’s a tackle that’s beneath him, frankly.  

By the time Anthony Gordon lunges in, the tone of the match is clear: we’re here to cause harm to anyone in a red shirt. (And the Newcastle fans are still in the stands cheering them on). 

At the end of the day, I’m just glad Liverpool won. But I am genuinely baffled and alarmed by the amount of normally level-headed people who became intent on causing harm because of a (potential) transfer. Bad blood is flowing, indeed rushing to the head of many of them. 

Most of all, I’m glad Liverpool won because, when I say what I’m about to say, you know it’s not coming from a place of bitterness that my football team lost a match. Because another story this week has left me feeling like I’m going mad: the release of Lucy Connolly from prison

In July 2024, three young girls were stabbed to death at a dance class in Southport. In the aftermath, amid (false) reports that the killer was an asylum seeker, riots broke out across the country as people targeted mosques, asylum seeker accommodation, and even libraries.  

In the midst of this, Lucy Connolly – whose husband was, at the time, a Conservative county councillor – tweeted: 

“Mass deportation now, set fire to all the [f***ing] hotels full of the [b***ards] for all I care, while you’re at it take the treacherous government & politicians with them. I feel physically sick knowing what these families will now have to endure. If that makes me racist, so be it.” 

Having left prison, Connolly told The Telegraph that she was a “political prisoner” and that Keir Starmer “needs to look at what people's human rights are, what freedom of speech means and what the laws are in this country.”  

The irony of her saying this in an interview with a national newspaper was apparently lost on her. 

Am I going mad? It definitely feels like I’m going mad.  

Lucy Connolly encouraged people to burn down hotels with people inside. To spill blood. She pleaded guilty to inciting racial hatred by publishing and distributing ‘threatening or abusive’ written material on X. She literally admitted to doing this in a court of law.  

But she is now being hailed in some quarters as a political martyr and champion of free speech. Let’s have it right: you are free to say what you want, but you are not free from the consequences of your speech. Whether you like it or not, migrants and asylum seekers are made in the image of God, as we all are, and are beloved by the creator of the universe. None of us has the right to end their lives. Incitement of violence towards them is rightly a crime.  

She deserves to be in prison.  

The people who rioted last year are ultimately responsible for their actions. But Lucy Connolly – and everyone else who incited violence in the aftermath of the Southport attacks – is also partly to blame for cultivating a society in which thugs feel as though that is an acceptable course of action. Now she is released from prison, every media outlet, every interviewer, every politician who repeats her reality-defying nonsense without challenge is as culpable as she is for fostering this climate of violence. This is before we even begin to talk about the record numbers of asylum seekers who have already died in our care.  

It was ultimately Anthony Gordon’s stupid decision to go in studs-up on Van Dijk. But referee Simon Hooper and the Newcastle fans should reflect on their part in fostering a climate of violence in which Gordon’s felt his decision was reasonable, too. 

We are all Simon Hooper. We are all the referee. When we allow rhetoric to become calls for violence, this has real-world consequences. People get hurt and killed. Blood is spilled. We are all responsible for the society in which we live, and the rhetoric of the debate that occurs therein.  

It’s not just febrile Newcastle fans that are losing their grip on reality: there seems to be a society-wide willingness simply to bypass the concrete facts of reality to further personal ideologies. The more people like Lucy Connolly are rehabilitated by media whitewashing, the more statements like “set fire to all the [f***ing] hotels full of the [b***ards] … if that makes me racist, so be it” become acceptable, the less safe the most vulnerable in society become and the more likely they are to be killed.  

That’s the nub of it. Lucy Connolly should be in prison because what she said leads to people being killed. No-one should have been surprised when Anthony Gordon went in on Van Dijk that night. No-one should feign surprise when migrants and asylum seekers are eventually killed on the basis of rumour and misinformation. Because they will be. And because we will all have been cheering on from the stands. 

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