Essay
AI - Artificial Intelligence
Comment
11 min read

The summit of humanity: decoding AI's affectations

An AI summit’s prophecies need to be placed in the right philosophical register, argues Simon Cross. Because being human in an AI age still means the same thing it has for millennia.

Simon Cross researches ethical aspects of technology and advises on the Church’s of England's policy and legislative activity in these areas.

An AI generated image of robot skulls with bulging eyes on a shelf receding diagonally to the left.
Alessio Ferretti on Unsplash.

The UK’s global artificial intelligence (AI) conference is nearly upon us. If the UK had a ‘prophecy office’ it would have issued a yellow or even amber warning for the first days of November by now. Prophecy used to be a dangerous business, the ancient text of Deuteronomy sanctioned death for false prophets, equating its force with a leading away from God as the ultimate ground of truth. But risks duly acknowledged, here is a prophecy about the prophecies to come. The global AI conference will loudly proclaim three core prophecies about AI. 

  1. This time it’s different. Yes, we said that before but this time it really is different. 
  2. Yes, we need global regulation but, you know, it’s complicated so only the kind of regulation we advise is going to work.  
  3. Look, if we don’t do this someone else will. So, you should get out of our way as much as you possibly can. We are the good guys and if you slow us down the bad guys will win. 

I feel confident about this prediction not because I wish to claim the office of prophet but because just like Big Tobacco and Big Oil, Big Tech’s lobbyists will redeploy a tried and tested playbook. And here are the three plays at the heart of it. 

Tech exceptionalism. (We deserve to be treated differently under the law.) 

Regulatory capture. (We got lucky, last time, with the distinction between platform and publisher that permitted self-regulation of social media, the harvesting of personal data and manipulative design for attention, but the costs of defeating Uber in California and now defending rearguard anti-trust lawsuits means lesson learned, we need to go straight for regulatory capture this time). 

Tech determinism. (If we don’t do it, someone else will. We are the Oppenheimers here.) 

Speaking of Pandora 

What should we make of these claims? We need to start by exploring an underlying premise. One that typically goes like this “AI is calling into question what it means to be human”. 

This premise has become common currency, but it is flawed because it is too totalising. AI emphatically is calling into question a culturally dominant version of human anthropology – one specific ‘science of humanity’. But not all anthropologies. Not the Christian anthropology.  

A further, unspoken, premise driving this claim becomes clearer when we survey the range of responses to the question “what does the advent of what the government is now calling ‘frontier’ AI portend?”  

Either, it means we have finally prized open Pandora’s box; the last thing humans will ever create. AI is our Darwinian evolutionary heir, soon to make us homo sapiens redundant, extinct, even. Which could happen in two very different ways. For some, AI is the vehicle to a new post-human eternal life of ease, roaming the farthest reaches of the universe in disembodied digital repose. To others, AI is now on the very cusp of becoming abruptly and infinitely cleverer than us. To yet others, we are too stupid to avoid blowing ourselves up on the way to inventing so-called artificial general intelligence.  

Cue main global summit speaking points… 

Or, 

AI is just a branch of computing. 

Which of these two starkly contrasting options you choose will depend on your underlying beliefs about ‘what it means to be human’. 

Universal machines and meat machines 

Then again, what does it mean to be artificially intelligent? Standard histories of AI always point to two seminal events. First, Alan Turing published a paper in the 1930s in which he proposed a device called a Universal Turing Machine.  

Turing’s genius was to see a way of writing a type of programme to control a computer’s underlying binary on/off in ways that could vary depending on the task required and yet perform any task a computer can do. The reason your computer is not just a calculator but an excel spreadsheet and a word processor and a video player as well is because it is a kind of Universal Turing Machine. A UTM can compute anything that can be computed. If it has the right programme.  

The second major event in AI folklore was a conference at Dartmouth College in the USA in the early 1950s bringing together the so-called ‘godfathers of AI’.

 This conference set the philosophical and practical approaches from which AI has developed ever since. That this happened in America is important because of the strong link between universities, government, the defence and intelligence industry and the Big Tech Unicorns that have emerged from Silicon Valley to conquer the world. That link is anthropological; it is political, social, and economic and not just technical. 

Let’s take this underlying question of ‘what does it mean to be human?’ and recast it in a binary form as befits a computational approach; ‘Is a human being a machine or is a human being an organism?’ 

Cognitive scientist Daniel Dennett was recently interviewed in the New York Times. For Dennett our minds and bodies are a “consortia of tiny robots”. Dennett is an evolutionary biologist and a powerful voice for a particular form of atheism and its answer to the question ‘what does it mean to be human?’ Dennett regards consciousness as ephemera, a by-product of brain activity. Another godfather of AI, Marvin Minsky, famously described human beings as ‘meat machines.’

By contrast, Joseph Weizenbaum was also one of the early computer pioneers in the 1960s and 1970s. Weizenbaum created one of the first ever chatbots, ELIZA– and was utterly horrified at the results. His test subjects could not stop treating ELIZA as a real person. At one point his own secretary sat down at the terminal to speak to ELIZA and then turned to him and asked him to leave the room so she could have some privacy. Weizenbaum spent the latter part of his professional life arguing passionately that there are things we ought not to get computers to do even if they can, in principle, perform them in a humanlike manner. To Joseph Weizenbaum computers were/are fundamentally different to human beings in ways that matter ineluctably, anthropologically. And it certainly seems as if the full dimensionality of human being cannot yet be reduced to binary on/off internal states without jettisoning free will, consciousness and transcendence. Prominent voices like Dennett and Yuval Noah Harari are willing to take this intellectual step. Their computer says ‘no’. By their own logic it could not say otherwise. In which case here’s a third way of asking that seemingly urgent and pressing question about human being;  

“Are we just warm, wet, computers?” 

The immanent frame 

A way to make sense of this, for many people, influential and intuitively attractive meaning of human being is to understand how the notion of artificial intelligence fits a particular worldview that has come to dominate recent decades and, indeed, centuries. 

In 2007 Charles Taylor wrote A Secular Age. In it he tracks the changing view of what it means to be human as the Western Enlightenment unfolds. Taylor detects a series of what he calls ‘subtraction stories’ that gradually explain away the central human experience of transcendence until society is left with what he calls an ‘immanent frame’. Now we are individual ‘buffered selves’ insulated by rational mind so that belief in any transcendent reality, let alone God, is just one possible choice among personal belief systems. But, says Taylor, this fracturing of a shared overarching answer to the question ‘What does it mean to be human’ over the past, say, 500 years doesn’t actually answer the question or resolve the ambiguities. Rather, society is now subject to what Taylor calls ‘cross pressures’ and a lack of societal consensus about the answers to the biggest questions of human meaning and purpose. 

In this much broader context, it becomes easier to see why as well as how it can be the case that AI is either a profound anthropological threat or just a branch of computing – depending on who you talk to… 

The way we describe AI profoundly influences our understanding of it. When Dennett talks about a ‘consortia of tiny robots’ is he speaking univocally or metaphorically? What about when we say that AI “creates”, or “decides” or “discovers” or ‘seeks to maximise its own reward function’. How are we using those words? If we mean words like ‘consortia’ or ‘choose’ and ‘reward’ in as close to the human sense as makes no difference, then of course the difference between us and our machines becomes paper-thin. But are human beings really a kind of UTM? Are UTMs really universal? Are you a warm wet computational meat-machine?  

Or is AI just the latest and greatest subtraction story?

To say AI is just a branch of computing is not to say the harms of outsourcing key features of human being to machines are trivial. Quite the opposite. 

How then should we judge prophecies about AI emanating from this global conference or in the weeks and months to follow?  I suggest two responses. The first follows from my view of AI, the other from my view of human being.  

Our view of current AI should be clear eyed, albeit open to revision should future development(s) so dictate. I am firmly on the side of those who, without foreclosing the possibility, see no philosophical breakthrough in the current crop of tools and techniques. These are murky philosophical waters but clocks don’t really have human hands now do they, and a collapsed metaphor can’t validate itself however endemic the reference to the computational theory of mind has become.  

Google’s large language model, Bard, for example, has no sense of what time it is where ‘he’ is, let alone can freely choose to love you or not, or to forgive you if you hurl an insult at ‘him’. But all kinds of anthropological harms already flow from the unconscious consequences of re-tuning human being according to the methodological image of our machines. To say AI is just a branch of computing is not to say the harms of outsourcing key features of human being to machines are trivial. Quite the opposite. 

Which brings me to the second response. When you hear the now stock claim that AI is calling into question what it means to be human, don’t buy it. Push back. Point out the totalising lack of nuance. The latest tools and techniques of AI are calling a culturally regnant but philosophically reductive anthropology into question. That much is definitely true. But that is all. 

And it is important to resist this totalising claim because if we don’t, an increasingly common and urgent debate about the fullness of human being and the limitations of UTMs will struggle from the start. One of the biggest mistakes I think public theology made twenty-some years ago was to cede a normative use of language that distinguished between people of faith and people of no faith. There is no such thing as being human without faith commitments of one kind or another. If you have any doubt about this, I commend No One Sees God: The Dark Night of Atheists and Believers by Michael Novak. But the problem with accepting the false distinction between ‘having faith’ and having ‘no faith’ is that it has allowed the Dennetts and Hararis of this world to insist that atheism is on a stronger philosophical footing than theism. After which all subsequent debate had, first, to establish the legitimacy of faith per se before getting to the particular truth claims in, say, Christianity.  

What it means to be human 

I see a potentially similar misstep for anthropology – the science of human being – in this new and contemporary context of AI. Everywhere at the moment, and I mean but everywhere, a totalising claim is being declared ever more loudly and urgently: that the tools and techniques of AI are calling into question the very essence of human identity. The risk in ceding this claim is that we get stuck in an arid debate about content instead of significance; a debate about ‘what it means to be human’ instead of a debate about ‘what it means to be human.’  

This global AI summit’s proclamations and prophecies need to be placed in the right philosophical register, because to be human in an age of AI still means the same thing it has for millennia.  

Universals like wonder, love, justice, the need for mutually meaningful relationships and a sense of purpose, and so too personal idiosyncrasies like a soft spot for the moose are central features of what it means to be this human being.  

Suchlike are the essential ingredients of the ‘me’ that is reading this article. They are not tertiary. Perhaps they can be computationally mimicked but that does not mean they are, in themselves, ephemeral or mere artifice. In which case their superficial mimicry carries substantial risks, just as Joseph Weizenbaum prophesied in Computer Power and Human Reason in the 1970s.  

Of course, you may disagree. You may even disagree in good faith, for there are no knockdown arguments in metaphysics. And in my worldview, you are free to do so. But fair warning. If the human-determinism of Dennett or the latest prophecies of Harari are right, no credit follows. You, and they, are right only because by arbitrary alignment of the metaphysical stars, you, and they, have never been free to be wrong. It was all decided long ago. No need for prophecies. We are all just UTMs with the soul of a marionette  

But when you hear the three Global summit prophecies I predicted earlier, consider these three alternatives; 

This time is not different, it is not true that AI is calling into question all anthropologies. AI is (only) calling into question a false and reductive Enlightenment prophecy about ‘what it means to be human.’  

The perennial systematic and doctrinal anthropology of Christianity understands human being as free-willed, conscious, unified body soul and spirit.  It offers credible answers to the urgent questions and cross-pressures society is now wrestling with. It also offers an ethical framework for answering the question ‘what ought computers to be used for and what ought computers not to be used for – even if they appear able to be used for anything and everything? 

This Christian philosophical perspective on the twin underlying metaphysical questions of human being and purpose are not being called into question, either at this global summit or by any developments in AI today or the foreseeable future. They can, however, increasingly be called into service to answer those questions – at least for those with ears to hear.  

Essay
AI - Artificial Intelligence
Culture
14 min read

Dethroning creativity: why does AI art make us feel so icky inside?

Creative Artificial Intelligence generates a disquiet within. Daniel Kim explores why it confronts our humanity.

Daniel is an advertising strategist turned vicar-in-training.

An AI-created painting of a scene comprising a lap top user holding their face, with candles in the foreground
AI confronts the creative.
Daniel Kim.

Some of you are going to hate this article.  

I want to start off by saying that a human wrote this article.  

That’s an important caveat nowadays because every month there’s yet another AI churning out music, images, videos, and essays that could go toe-to-toe with most humans in quality and originality. Making the news in the last few months has been the remarkable Chat GPT3 from OpenAI. A chatbot on steroids, Chat GPT3 is trained to produce conversational and competent language. You can ask it to write a children’s story, a trigonometry lesson plan, a 2-year strategy for a startup or even an inspiring Christmas sermon written in the style of a World War II speech. Here’s the thing… it won’t just do a ‘passable’ job, but it will do a pretty damn good job. 

Now, I am painfully aware that ‘AI vs human creativity’ is a topic more worn out than a marathon runner’s shorts - I certainly don’t want to unnecessarily add to the 117 million search results for ‘AI and creativity’. It’s the  sensation of our decade with equally sensational headlines, like Elon Musk saying that the use of AI is like “summoning a demon”. There are quite literally tens of thousands of articles about whether AI will surpass and replace us or whether they are simply another tool in our techno-creative arsenal. And rightly so! There are important discussions to be had about the economic implications in the creative industry as it increasingly looks as though junior copywriter and art director jobs could be fully automated. There are also pertinent legal questions being asked by the artists whose blood, sweat and carpel-tunnel syndrome have been scraped from massive public image databases to train these AI, rendering their hard-won technical skill into an effortless toy for the masses with no recognition or recompense. People far more qualified and more intelligent than me have written on these topics

'There’s a moment of confrontation that challenges our notion of human superiority over the machines.'

However, there’s one particular feeling that I don’t think has been addressed as much. It’s the feeling of ‘uncomfortable ickiness or angst many of us experience when confronted by these AI. Almost every person I’ve shown Chat GPT3 to have gawped at it - almost as if they couldn’t believe how good it really was. There’s a moment of confrontation that challenges our notion of human superiority over the machines. I certainly felt this even as the techno-optimist that I am. Playing with Chat GPT3 did something to me as a writer. My first reaction was, “Flip… I need to up my game”. My second reaction was the disquiet realisation that everything I thought was unique to human creative writing - rhetoric, rhyme and rhythm - were in fact sophisticated patterns that could be reproduced and even re-imagined by a soulless computer.  

What’s interesting about this reaction is that we’re generally fine with computers being better than us. Computer vs Human is not a new debate. After the world chess champion Kasparov “lost his fighting spirit” in 1997 against IBM’s’s Deep Blue Chess computer, it’s become an uncontested fact that humans will never beat a computer at chess. A quarter of a century later, it’s not uncommon to hear professional players or commentators saying ‘run it through the engine’, when they want to analyse the latest world-championship game. Despite this status quo, very few of us feel profoundly threatened by this. Nothing about the fact that a computer can do mass-calculations and pattern recognition better than humans feels threatening. That’s just what a computer is - a brute-force machine.

'Rarely have new technologies caused existential anxiety about our human value.' 

But when it comes to poetry, music, creative writing, design, imagery, composition, originality; nothing can replace that unique human spark! We desperately fight to maintain human superiority. Artist Steven Zapata critiques AI tools like Chat GPT3 saying that their creative offerings are ‘bland and mediocre’ devoid of originality and zest. That may be true, but if we’re really honest with ourselves, and spend enough time scrolling Instagram, most of our human offerings turn out to be bland and mediocre devoid of originality and zest. New technologies have always created anxiety about job security and unforeseen negative social consequences. Rarely have new technologies caused existential anxiety about our human value. 

For many of us, we intuitively feel that creativity and artistic expression are some of the most unique and sacred of human faculties. We probably couldn’t give a rational reason for it, but we feel it to be true. Here’s the thing though, there’s a reason why we feel this way. Our convictions about what makes humanity unique and valuable are not universal intuitions. They are shaped by our social and historic location. 

Throughout history, we’ve always tried to identify what makes us so special as humans, and in that pursuit, we’ve held different traits as sacrosanct. For a long time, it was the capacity to Reason - our rational mind. That’s Socrates, Plato, Aristotle, and Aquinas for you - the bedrock thinkers of the classical and medieval Western world. In his Summa Theological, Aquinas wrote that ‘the human species is distinguished from all others by the fact that man alone has reason’. This reign of Reason continued as the status quo reaching its pinnacle in the 18th century with the so-called Enlightenment. This was when Descartes identified our ‘thinking’ as the core our humanity existence - “I think therefore I am”. The elevation of Reason even got slightly out of hand. Following the French Revolution in 1789, the revolutionary government even set up the ‘cult of Reason’ and converted churches into temples where the teenage daughters of rich patricians were worshipped as goddesses of Reason. The 1790s were a weird time in France.  

'2023’s sensibilities are not with the Enlightenment Rationalists, instead, I’d argue that we are more in line with the Romantics.'

We look back at this period of hyper-Reason and scoff. Silly us forever thinking that our Reason gave us ultimate value. What an archaic idea! We certainly don’t think or feel that problem-solving, logic, and reasoning is integral to our humanity. In fact, we can farm those out to computers now and really get to work in expressing our humanity in more meaningful ways. We no longer live in the Age of Reason, and we haven’t done for quite some time. In fact, 2023’s sensibilities are not with the Enlightenment Rationalists, instead, I’d argue that we are more in line with the Romantics.  

In the 19th century, whilst the Age of Reason was still trundling on, there was a community of thinkers reacting against the spirit of the age - these were the Romantics. The Romantics looked at the Modern world and were disgusted by the banal capitalist industrialism of it all. They lamented the loss of beauty in the world and a sense of spiritual unity. The Romantics described the people of their time as being ‘triply divided’ by ‘three alienations’. The first was within the individual between our thinking and our feeling being at odds with each other. Second was between the individual and other people due to the decline of traditional communities and the rise of the capitalist marketplace. Third was between the individual and Nature due to the rise of modern technology turning the natural world into something to be mastered rather than something we are a part of. We had lost who we were and needed to go on a journey to discover who we truly are. Sound familiar?  

The Romantics understood that the one thing that had previously remedied these alienations was the Christian religion and its God. A benevolent creator who provided morality, meaning, and value to the individual and her society. But ultimately, the Romantics were still people of their time and assumed that religion was on its way out and was an ancient superstitious system that needed to be done away with.  And so the Romantics had to find something else to hang everything on, a new centre of ultimate meaning. Religion is out, Reason was too narrow. What we need is a way for the individual to integrate and express the whole of their identity. Set the stage for the enthronement of Creativity.  

The sociologist Charles Taylor calls this the birth of the ‘Age of Authenticity’, where the most important task for the individual is to discover and express her most authentic self. In this way, artistic creation became an integral way in which a person could come to define themselves. So Schlegel, a 18th century Romantic, was fond of saying that the individual should make ‘his life into a novel, a beautiful whole’ aiming for 'the ideal of self-realisation and beauty’. This vision was so compelling that it spread outside Romantic circles. So 100 years later, the not-so-Romantic Nietzsche said that the most important task of the individual was to ‘give style to one’s character’. To make sense of all the incoherent combination of loves, desires, hatreds, and motives in our heart and make something beautiful out of it.  

Since then, we’ve continued to elevate the role of Creative expression as an essential part of our human identity. Taylor made this observation: 'The artist [has become] the paradigm case of the human being, as an agent of original self-definition. Since about 1800, there has been a tendency to heroise the artist, to see his or her life as the essence of the human condition, and to venerate him or her as a seer, the creator of cultural values.'  

'There is a magic to creative self-expression - it’s joyful, it’s play, it’s thrilling.'

He’s absolutely right. The heroes of our time are not kings or queens, nor war generals or religious messiahs. The heroes of our time are the Bob Dylans, the Virginia Woolfs, the Picassos, Beyoncés, the Jacob Colliers - the Artists. Our heroes reveal our aspirations. Today, the artist has become for us the “very paragon of humanity” and has taken on a pseudo-messianic role in Western culture. People who show us what we could be. They are the luminaries who have expressed the whole of their authentic self in a way that is beautiful and understood by other people. Those people who stood against cookie-cutter convention and carved a unique way of being themselves in a disenchanted world. Don’t we also want this? Isn’t this the longing of our hearts as 21st century individuals? Don’t we want to be understood and to create something with our lives? Don’t we want to self-actualise? It’s certainly a sticky idea and there’s good reason for it. There is a magic to creative self-expression - it’s joyful, it’s play, it’s thrilling when you make something out of nothing, and that thrill is even more electrifying when you take the terrifying step of sharing it with someone and they understand it. You feel known in a way that’s different to someone reading your CV or even having a conversation. 'I create therefore I am’ is the new dogma of the day.  

This is why I think we find Chat GPT3, or other art generating AI like Dall-E or Midjourney, so icky and disconcerting.  It’s hard to shake a deep conviction that has been encoded into us through 200 years of cultural indoctrination. We’re okay with AI and computers encroaching on technical tasks and labour efficiencies. We can even just about live with the fact that technology might make huge swathes of people jobless. But God forbid that the machines devalue or take away the ability of creative self-expression! That’s ours, we need it, it’s our source of ultimate meaning and human joy. I just don’t want to face the fact that a soulless, unloving, unsuffering machine can spit out something more compelling, emotive, and eloquent than most of us ever could. This is felt keenly by the creative community. Amidst the very serious economic and legal questions about being made redundant, or their work being sucked into the algorithm, there is an angst that taps into a deep belief about what makes our humanity beautiful and valuable.  

Here’s Zapata again.

“This is art making, for God’s sake, not some agitating manual process people hate. This is one of the things people enjoy doing… We should reserve art making for those who stand to gain something from it, for whom it can bring joy and reward, rather than dumbly bestow it on an unfeeling non-being”  

A YouTube comment under a video about the hopelessness many creatives feel in the face of these AI express it thus.

“I feel like we forget that expression, emotion is what makes us uniquely human, and when we deprive ourselves [of them] we’re just hollow… . I’m more or less saying that if there are no outlets that enable expression, then things WILL likely get darker within ourselves”  

Finally, here's Hayao Miyazaki, one of the most inspired and celebrated filmmakers in the last century with his work at Studio Ghibli. In a 2016 documentary he unequivocally called AI art an “insult to life itself” saying:

“I feel like we nearing the end of the times. We humans are losing faith in ourselves”.   

If you resonate with these statements, you’re probably a 21st Century Romantic. I certainly feel like one. We have elevated Creativity and artistic self-expression to a high pinnacle on which our hopes and fulfillments hang on. We have enthroned Creativity as the thing what constitutes the most essential and important part of our humanity. We thought it was the one thing that couldn’t be taken from us. Perhaps these AIs are forcing us to face the music that our dependence on Creativity as a source of ultimate value may be just as fragile as our dependence on Reason.

'Maybe it’s no bad thing for humans to lose faith in ourselves once in a while.'

Here’s a controversial and very unpopular statement - maybe it’s no bad thing for humans to lose faith in ourselves once in a while. It can be helpful for us to be confronted by our weakness and experience a sense of lack. It shows us that perhaps the foundations we’ve been standing on are not as solid as we presumed them to be and motivates us to go on a journey to discover something more solid. When push comes to shove, I would certainly rather have someone to point out to me that I’m standing on shaky ground than live in blissful ignorance. 

Reason was thoroughly dethroned as the centre of human experience. That has been a very good thing because it meant that we now take the heart more seriously. It’s also revealed the ways in which we have devalued and marginalised those with lower cognitive ability. By dethroning Reason, we’ve become more reflective about what makes us special and valuable. We put Reason in its proper place, as an important, beautiful, yet ultimately non-essential part of living a fulfilled life on planet Earth. We came to a better, fuller, and more inclusive understanding of human value.  

For the same reasons, maybe it’s high time Creativity needs a good dethroning. Your fulfilment and value does not lie in what you have written, sung, painted, or drawn. Your authentic and unique self is not intrinsically tied to how well you can express yourself. Your creative hobby does not need to be the thing that makes your life feel worthwhile. Artists, like scientists, are beautiful gifts to our society. They reveal insights about our universe and our psyche, providing beauty and meaning to what can feel like a very banal existence. But let’s not fall into the trap of elevating them as pseudo-messianic figures - dangerous things can happen when we hang our hopes and dreams on a certain class of humans.  

I don’t think this will have a thawing effect on our creative industry. Dethroning Reason certainly didn’t slow scientific research, I certainly don’t think putting Creativity in its proper place will slow down our innate desire to create and express ourselves. 

The idea of ‘dethroning Creativity’ will sound utterly impossible or even immoral to some. I get that. Ultimately, we are products of our times, and it might be the case that we can no sooner dethrone Creativity than imagine a world without electricity. We can’t imagine a sense of self without putting this premium on Creative self-expression. We can’t un-essentialise it. However, I certainly think that being aware of the historic forces that led us to become the people we are is a useful step towards a better understanding of ourselves.  

In Christian Theology, the ultimate source of human value is the concept of Imago Dei - The idea that every human is created in the ‘Image of God’. There have been times in history when Theologians have also made the mistake of trying to tie certain traits like Reason and Creativity to the ‘Imago Dei’ - making our value contingent on things that we do. That was a mistake because the most beautiful thing about the concept of Imago Dei is that there is nothing we can do or be or become that will diminish our value before God. Our level of Reason or Creativity cannot add or take away anything from our worth to God or make us any less ourselves. That’s something that I’d be more willing to hang everything on.  

I promised a human wrote this article. Well, let me end with a sonnet written by Chat GPT3. 

 

Prompt: Write me a sonnet about dethroning creativity and the need for the 21st century to find a better foundation for human value. 

In this age of technology and speed,
Creativity’s throne is overthrown, it seems.
For value, we no longer plant a seed
But rather chase the fleeting and extreme.

We worship at the altar of the new
And scorn the wisdom of the ages past, 
Forgetting that it is roots that make us true
and not the leaves that fade and never last.

But as the world keeps changing and evolving,
Perhaps its time to find a firmer ground
To build upon and find a way of solving, 
the problems that today’s world has found. 

For though creativity has its place, 
It cannot be the only source of grace.