Explainer
Creed
Seven Deadly Sins
Sin
7 min read

Sloth’s languid lack of passion

In the appropriately last in a series on the Seven Deadly Sins, Graham Tomlin looks at what’s lost to life when sloth sets in.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

Illustration of unmade bed

Sloth is the most perplexing of the seven deadly sins, and the one that is hardest to define. Most people would probably think first of laziness when they think of sloth. On the other hand, sloth is often related to the older Latin idea of ‘accidie’, which is sometimes translated ‘spiritual weariness’ or ‘despair’. But these two definitions indicate the problem we have with sloth. If it is just sheer laziness, it might be considered as a slight moral failing, but most of us would hardly classify a little idleness as one of the great threats to human life. Sleeping in just a little longer in the morning hardly promises to bring western civilisation to its knees. On the other hand, if it is defined as ‘despair’, that sounds very close to ‘depression’, and we know that depression is usually an illness that afflicts some people without their choosing – it is not a freely chosen pattern of life, an act of disobedience to God or anyone else. By this understanding, sloth hardly counts as a sin either. Sloth is either too trivial to worry about, or too involuntary to blame.  

Clinical depression is an illness that can hit people for no apparent reason and for no fault of their own. The symptoms are similar, but it is important to distinguish depression from sloth. Depression can be caused by genetics, a traumatic event or the misuse of drugs. Sloth is not depression – it is another form of despair that starts with small things, a deliberately chosen shrug of the shoulders, a turning away from someone in need, a switching off of something in the heart. Sometimes it can be caused by disillusionment with life, but it sets in a pattern of allowing yourself to drift towards a languid ‘couldn’t be bothered’ approach that in time becomes a habit of life.  

Once sloth, or spiritual weariness, gets hold of you, it is hard to shake off, and it can lead to disaster. Sloth is essentially a giving up on life, and it leads to finding no pleasure in it, a dull, steady torpor that expects nothing new, nothing exciting, nothing worth getting out of bed for. Dorothy Sayers wrote of sloth:  

“It is not merely idleness of mind and laziness of body: it is that whole poisoning of the will which, beginning with indifference and an attitude of ‘I couldn’t care less’, extends to the deliberate refusal of joy and culminates in morbid introspection and despair.” 

When we lose the passion for life, goodness, laughter and joy, then it may be a sign that sloth has fixed its grip on us. 

Our culture is the most over-stimulated in history. Only a generation or two ago, children had to make do with a football, a doll, a game or two and a few friends. Then black-and-white computer ping-pong was born, closely followed by Space Invaders and we all thought the ultimate in entertainment had arrived. We were never to be bored again. Those games now look stone age. Yet with the arrival of unlimited information at the click of a mouse, games with graphics enabling you to fly the world, fight the Second World War and create your own civilisation, have we eradicated sloth or boredom? If anything we have increased it.  

Peter Kreeft comments:  

“how do we explain the irony that the very society which for the first time has conquered nature by technology and turned the world into a giant fun-and-games factory, a rich kids’ playroom, the very society which has the least reason to be bored, is the most bored?” 

The problem is that however intricate the technology, however scintillating the entertainment, it soon gets superseded by something else. Hence, it’s hardly surprising when we turn our noses up at the triumphs of yesterday, as we have something better today, and when we even get disillusioned with today’s wonders, knowing they will soon be consigned to history as well.  

But to dig a little deeper into the origins of sloth, Thomas Aquinas describes it as “sadness and abhorrence or boredom regarding a spiritual and divine good”. He refers to what happens when through numerous small choices and turning points, a person becomes incapable of being stimulated by anything good or beautiful or wise. Or worse, when goodness, beauty or wisdom evoke a response of disgust or a cynical smirk. When we lose the passion for life, goodness, laughter and joy, then it may be a sign that sloth has fixed its grip on us. It happens when there is nothing left, outside ourselves, to really believe in. 

Looking at the other sins, we might be forgiven for thinking that they are a long list of restrictions, a denial of some of the fun things in life, a restriction on our pleasure-seeking, a dampener on passion. It is the inclusion of sloth on the list that gives the lie to this once and for all. Sloth is precisely a lack of passion, a settled laziness that for whatever reason fails to get worked up about poverty or cruelty or the threat to life on earth through climate emergency. It is a dullness that fails to wonder at green rolling hills, brooding mountains, an act of sheer unexpected kindness, the birth of a baby, Botticelli, Mozart or Taylor Swift (take your pick from the last three, or add more – beauty is naturally subject to taste). It is the spirit that reacts to cruelty, injustice and pain by shrugging the shoulders and switching the channel. Christianity encourages a passion for life and all that is good and beautiful. That is why it is fundamentally opposed to sloth, and puts it firmly on the list of habits to be shunned at all costs.  

According to the Christian account of life, we are beings created with a capacity for immense joy, passion, wonder, inquisitiveness and emotion. The world was created as an arena for all this enchantment. It was made so that we might regularly sit back in amazement at the fact that we get to live this life, this physical/spiritual life on this planet that is our home, a place of sheer beauty, the majesty of a lion, the speed of a hummingbird, the taste of pure water. We were intended to take delight in such things, to explore them and enjoy them, yet most of all we were intended to delight in their Creator, the author of all this goodness, the one from whom they (and we) all come, the most beautiful and desirable one of all. 

In his great autobiographical reflection entitled ‘Confessions’, St Augustine says of the human race: “they choose to look for happiness not in you, but in what you have created.” Now Augustine himself was never quite sure whether taking pleasure in created things was a good idea or not, however, he did at least make this one point supremely well: that our ultimate joy was to be found in God. The joy we find in sunsets, friends and apple tart are tasters, anticipations, to give us a taste for the very best, which is God himself. And conversely, when we lose our taste for God, we are likely sooner or later, to lose our taste for other good things, or even to develop a taste for things that are bad for us, like hallucinogenic drugs or the thrill of theft or even cruelty, that try to imitate the ecstasy of a close connection with God.  

I remember my first taste of Guinness.  The dark, swirling Irish drink had always had a fascination for me growing up, and I remember the first time I plucked up courage to look older than my age, and bought a can in the local store to give it a try. It was foul. I hated it – it tasted sour, bitter and unpleasant. It didn’t help that it was a hot summer’s day and the beer was warm, but that didn’t matter – it was the kind of experience that might have made me never touch the stuff again. It wasn’t until later on, a few years older, after a bit of perseverance that I began to appreciate the hidden flavours, the rich, full wheaty taste. I learnt that just because it didn’t taste like lemonade did not necessarily mean that it was bad. As I learnt to appreciate and enjoy it, Guinness soon became a favourite drink, something I would choose above all others.  

If it doesn’t sound too irreverent, for many people it is a bit like that with God. The idea of enjoying God is about as appealing as that sip of Guinness was for me aged 16. Yet in time, we can learn to appreciate things that have a deeper richness, a more profound taste. Guinness is a trivial example, but the same can be true of God – an acquired taste can take a while to come, but when it comes, it is the richest of all.  

The great past masters of the Christian way advise us that the surest way to combat sloth, the turning away from all that gives life, is to cultivate not just a zest for life, but an unlikely but deeply satisfying desire for the one who gave the gift of life in the first place. 

Article
Creed
Romance
Wildness
4 min read

St Valentine and the great mystery of romance

Saints were martyrs for more than love.
A cupid statue fires an arrow of love.
Volodymyr Tokar on Unsplash.

Valentine’s Day is the great Western celebration of ‘romance’. On the day restaurants are filled with couples – new and nervously trying to be constantly adoring in their gaze, or longstanding, staring out of the window, comfortable in the silence which can only truly be inhabited by those who really know each other. On this day garage flowers become a precious commodity. It is undoubtedly kitsch and forced and performative…but most great and important festivals are. 

But who’s day is this?  

Valentine, or Valentinus, was a third century martyr. Some legends claim that his faith was put to the test by a local judge, who brought his blind daughter before Valentine, and demanded he heal her. He did. The judge and his entire household renounced pagan idols and were baptised. This scandalous incident, and further bothersome evangelism, led to the Emperor Claudius commanding that Valentine be executed. Another legend claims him as a Roman priest who defied imperial orders and secretly married Roman soldiers in the Christian rite, allowing the soldiers to escape further conscription. I assume it is this latter legend which led to Valentine being adopted as the patron saint of heart-shaped chocolates – that and the mediaeval folklore that the birds would couple in mid-February. Whatever the case, I’m not interested in the legends of Valentine, entertaining as they are. It doesn’t matter to me if he married couples in secret, or healed the blind, or was an early avian dating app. He is a martyr.  

Martyrdom is not a concept we are much familiar with in this country anymore. Yes, it is still a word in common parlance. We call people a ‘real martyr’ when they punish themselves doing work no is expecting or wanting them to do. We call someone a ‘martyr for the cause’ when they glue themselves to a set of railings, or get arrested vandalising a painting with soup. This isn’t martyrdom. True martyrdom is an act of romantic desire. True martyrdom is an act of love! 

One of the earliest accounts of Christian martyrdom come from St Ignatius, the Bishop of Antioch. At some point in the middle of the second century he was condemned to death and was transported to Rome under guard. As he travelled, he wrote letters to different Christian communities, including one to the Church in Rome. The account of martyrdom in this letter is both astoundingly beautiful, and the key to understanding martyrdom. He is writing, in part, to beg the Christians of Rome not to try and save him from his fate, either by violence of bribery.  

He wishes his martyrdom and explains why. He writes that in this suffering he is “…beginning to be a disciple.” He compares his unfortunate situation to ‘birth pains’ now coming upon him and then makes a remarkable claim: he is not about to die, but is about to truly live!  

“Grant this to me brothers: do not keep me from living; do not wish me to die…Allow me to receive the pure light; when I have arrived there, I will be a human.” 

It has been suggested by some who can only see the dreadful, painful, grabby nature of martyrdom – and it is a blessing we live in an age and a land where we do not kill each other on account of our faith – that Ignatius was either a showman or a madman. I disagree. Ignatius does not want to be martyred because he wants to make a name for himself, but because he understands that in martyrdom he is becoming a type of the one true martyr: Jesus Christ. Perhaps he was mad…madly in love with Christ! He desired to be united with Christ, he desired to be as close to Jesus Christ as possible: “I desire the bread of God, which is the flesh of Jesus Christ…and for drink I desire his blood, which is imperishable love.” He desired Jesus above all other goods, even his own life. 

In our little way, when we embark upon the great mystery of ‘romance’ we are seeking to be martyrs ourselves – martyrs for the one we love. 

Martyrdom, seen in this manner, is a truly ‘romantic’ act – an act of the one who is so desirous of, so truly, madly, deeply in love with Jesus, that they will give everything for Jesus’ sake. Martyrs show us the real pattern of love: the sacrifice, of ourselves for the sake of another. This is the lesson Jesus taught his disciples: “Greater love hath no man than this, that a man lay down his life for his friends.” In the life and death of the martyr we see this real love made manifest, and it is not unrequited but is entirely reciprocated. Jesus desires us and dies for us, and the martyr desires Jesus and dies for him. As Ignatius writes to the Romans: “Desire it, that you may also be desired.” 

This is the lesson that every couple, as they grow in their life and their love together, slowly learn. If we seek romance and love, we seek not to change, or control, or extract pleasure from the other person as an object; we seek to give ourselves to them freely and completely, in the joy of service and sacrifice. In our little way, when we embark upon the great mystery of ‘romance’ we are seeking to be martyrs ourselves – martyrs for the one we love.  

St Valentine was a man of genuine love, for he was a martyr. There is no greater reason to be a patron of passion, of matters of the heart, of romantic love. 

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