Review
Change
Community
Joy
Music
6 min read

Sing it out with James Partridge’s joyous assembly

Bad days gets better when we sing together.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A pianist sits at a keyboard singing on a stage.

For the first time, in a long time, I can honestly say that last Friday night, I gave it large. I was at a singalong show at the Cheltenham Playhouse, with hundreds of other people belting out the words to some well-known and well-loved songs. 

As an actor-turned-vicar, I am one of life’s unusual people for whom singing is a normal and expected part of life. Yet still, I was taken by surprise by what a truly fabulous evening I had, singing gustily along with hundreds of people I didn’t know. 

Seen & Unseen’s Belle Tindall wrote an article some time ago about the power of Jacob Collier’s concerts to make strangers feel a sense of belonging. I’ve not been to one, but I feel like I went to a lower brow version of that on Friday night. 

I went to James B. Partridge’s Primary School Assembly Bangers Live Show. Which is almost certainly more mainstream and on trend than you think. He arrived on many of our radars when he took Glastonbury by storm last year, but he’s also performed at the Edinburgh Fringe 2024, Latitude, and The Big Feastival. He has been featured on BBC’s The One Show, and ITV’s Loose Women. He featured live on ITV News and on BBC Radio 1 and BBC Radio 2. His online videos have been written about in The Times, The Independent, Buzzfeed and featured in a number of podcasts. And now he’s even got a mention on Seen & Unseen… 

For those of you who still have no idea what I’m talking about, let me take you back to Lockdown. Which may be triggering for some, and for that I apologise. Mr Partridge is a primary school music teacher and during Lockdown, he was trying to bring some joy into the lives of the children that he was still trying to teach online. And indeed, into the lives of their parents. He put some “Assembly Bangers” on YouTube, and the videos went viral; they just made people feel better by singing along. And so, it began. 

Partridge is a great musician and all-round showman – he knew exactly how to play his audience – who were, by the way, really up for it. Some had even come prepared with fruit shakers and triangles to play. I kid you not. Although the bulk of his playlist were indeed Assembly Bangers, the nostalgic singalong extended beyond the Assembly Hall. He played a couple of bars of the intro and the entire theatre burst into the theme song of 90s Australian soap opera Home and Away. He delighted us with a medley of Alan Menkin’s Disney classics from The Little Mermaid through to Tangled. I even got involved in the SClub7 mash up. Get me. 

Partridge told lots of great stories and anecdotes in between songs and one stuck in the mind. He’d recently received a message on Instagram from a woman who had had an accident in her early 20s and, because of brain damage, had lost all memory of her childhood. Until she listened to some of his Assembly Bangers. Through reconnecting with some of the songs she had sung at Primary School, memories attached to those songs started to come back. Amazing. Beautiful.  

This is a widely known phenomenon. Music – and specifically singing – is increasingly becoming a feature of dementia care because, in trials, it has proved powerful in sparking memories, often long after other forms of communication have diminished.  

There’s also research proving that singing releases endorphins – serotonin and dopamine – the ‘happy’ chemicals that boost your mood and make you feel good about yourself. Singing in the shower or with a hairbrush/microphone is, apparently, genuinely good for you.  

At the same time, we all know that, if you can get over your self-consciousness, singing is a fantastic communal activity. Just go to a football match or a karaoke bar to find the proof. And the good news is, it doesn’t matter whether you think you can sing in tune or not: apparently the health benefits will still be the same. Although possibly not for those standing next to you. 

With all this in mind, it’s interesting to note that much of the greatest classical music ever written (for choirs and orchestras) was composed in worship of the Christian God. Handel, Mozart, Bach, Brahms, Hayden all churned out the bangers of their time. In the same tradition, John Newton, Charles Wesley, Matt Redmond, Chris Tomlin and Stuart Townend – all have written songs that have helped us, over many generations, to lift our eyes and our souls in song. 

The saying, "the one who sings, prays twice," attributed to St. Augustine, helps us understand something about the spiritual power of singing and how it takes our words to the next level. There is something “more” happening when we sing; our whole being is connected, somehow; it’s physical, mental and spiritual all at once. 

The Bible is full of songs and exhortations to God’s people to sing in praise of their God – because it’s good for us. As with so much cutting-edge psychological research, we are only catching up with what has been found in the Bible for thousands of years.  

Sunday by Sunday in churches around the world, Christians sing songs. Songs that teach or remind us about who God is, songs that lift our souls and minds away from the cares and trials of our lives and the state of the world. Songs that take our eyes off ourselves and transport us into a place of worship. Songs that connect our memories of the past with God’s promises for the future. We sing to join together; we sing to join with the choir of Heaven and experience something of the Kingdom of God that we can all too easily miss otherwise. This is powerful stuff. 

Singing along with James Partridge, the Assembly Bangers ranged from the obvious Morning has Broken and All Things Bright and Beautiful to songs steeped more deeply in Christian-ness, such as Give me Oil in my Lamp and Colours of Day (Open the door/let Jesus return[…] Tell the people of Jesus, let his love show).  

For the big finale, Partridge took a vote, and the clear winner was Graham Kendrick’s beloved banger, Shine Jesus Shine. Funnily enough, the Sunday morning before this Friday night, I had thought of Graham Kendrick. As I pressed play on a CD player in a tiny medieval church in a tiny Cotswold village, I thought how Kendrick probably wouldn’t have anticipated Shine Jesus Shine to lift such ancient rafters. But he almost certainly wouldn’t have expected it to be sung by hundreds of theatre-going people who probably haven’t been anywhere near a church in years, if ever. 

By the end of James B. Partridge’s Primary School Assembly Bangers Live Show, I have to say I felt brilliant. I had had a bad day and somehow the joy of singing had made me feel better. The joy of singing with other people and making a shared noise, singing words of prayer and praise as loudly and as freely as my lungs could support, just made me feel better. If you can get tickets, I heartily recommend catching the tail end of his sell out tour so you can experience it for yourself. It’s a bizarre event, a glorious mish mash of secular and sacred but one that the church can learn from and which I can’t help thinking makes God smile. 

By way of Epilogue, as we all poured out of the theatre, and towards our cars, I heard a gaggle of strangers-become-friends skipping across the car park singing,  

Flow, river, flow 

Flood the nations with grace and mercy,  

Send forth Your word,  

Lord, and let there be light.  

To which I say a happy and hearty Amen… 

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Review
Change
Re-enchanting
5 min read

Our top 10 Re-Enchanting conversations

Podcast co-host Tindall picks her favourite episodes.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A man wearing a hat sits at a table talking and raises both hands in front of himself to gesture

Disenchantment, that was the prediction. Well, it was ‘demagification’ (‘entmagisierung’), if we’re being specific. The idea - coined by German sociologist, Max Weber, and largely popularised by Canadian philosopher, Charles Taylor – is that we’d lose our appreciation of the mystical things, the sacred things, and the transcendent things. We’d simply stop trusting them. Instead, we’d have our eyes glued to all that is rational, measurable, and material. The stuff that we make would be the stuff that awes us and meaning would become something that only our minds are given permission to conjure up. We’d be at the top of the pyramid; nothing beyond us, nothing above us, nothing more clever or able than us. This would be us - subject to the process of disenchantment. Thoroughly de-magic-ed. 

That was the prediction.   

And, one could argue that it’s happened - we’re there, just as we were predicted to be. We’ve arrived at disenchantment station with no need for all of that pre-modern baggage.  

Or so it seems.  

I’m increasingly sceptical that we really have scrubbed ourselves clean of the residue of pre-modernity, I’m dubious at the suggestion that there isn’t a hint of enchantment left on us. I wonder if we’re just pretending that’s the case – I also wonder if we’re getting worse and worse at it. I sometimes think that we doth protest too much. That’s my hunch, anyway. Either way, whether this disenchantment we’re living in was inevitable or has become some kind of self-fulfilling prophesy, its presence begs the question: are we happy about it? Or are we longing for re-enchantment? And, if we are craving such, where are we going to find it? Where can we go?   

That’s the premise of Seen and Unseen’s Re-Enchanting podcast, the question written into the rock of each and every episode. We speak with a myriad of guests – those who are influential in all kinds of corners of culture - and wonder whether the Christian story is where re-enchantment might be found. Is it a place we can go when we’re yearning for a story that isn’t so secular? When we’re pondering the meaning of things beyond what we decide the meaning is?  

I’m one of the hosts of this podcast (alongside Justin Brierley), and I really mean it when I say this – these conversations are special. They have so often infused my mind, settled my heart, piqued my curiosity, and shifted my perspective on… well… pretty much everything. They’ve done what they set out to do, they have enchanted me.  

This year, we hit fifty episodes. To celebrate, I’d like to break down my top ten most re-enchanting conversations from 2024.  

 

Joshua Luke Smith is at number ten. This conversation - with the poet, songwriter, storyteller, podcaster – reminded me of the art of noticing. It reminded me of the importance in seeing my life, as over-familiar as I am with it, as the backdrop to some truly miraculous things. I’ll never again kid myself into thinking that the mundane isn’t a mighty space.  

Go to episode

 

In at number nine is the creative force of nature, Jessica Oyelowo. As a singer, songwriter, actor, producer and documentary maker, Jessica had a lot to say on what it’s like to believe in a God who wishes to get his work done through you.  

Go to episode

 

I’ve always admired Krish Kandiah, so to get him onto Re-Enchanting was a little bit of an honour. His thing is hospitality – dedicating his life to hosting vulnerable children, asylum seekers, and people he vehemently disagrees with. This conversation is a culture wars antidote.  

Go to episode.

 

I had an odd experience with this episode. As I was actually recording this episode, I was already looking forward to listening to it. Which I have, multiple times. Professor Iain McGilchrist is a psychologist and philosopher and well worth an hour (or seven, if you listen to it as much as I have) of your time.  

Go to episode.

 

Ah, Elizabeth Oldfield. Mockingbird recently called her ‘your spiritual but not religious college roommate who keeps pushing Sally Rooney books on you and won’t get the hint.’ And if that doesn’t sell this episode to you, I don’t know what will. I’m not sure how to sum up this conversation, other than to say that it felt like medicine.  

Go to episode

 

I cried while recording this episode. It was so moving it made me cry in front of the world-renowned mega-big-deal scientist, Francis Collins. It’s not my finest moment, professionally speaking. But who can blame me? This was one of the most profound conversations I’ve ever had.  

Go to episode

 

Once or twice, I’ve left an episode recording audibly thanking God for making the person with whom I had just spoken. This was one of those times, Lisa Fields is thank-the-actual-Lord-worthy.  

Go to episode.

 

And we’re in the top three. Up in third place is the notorious Rory Stewart: centrists rejoice! This episode actually didn’t involve me; I was sitting behind the camera, watching on in awe. Rory speaks with rev. Jonathan Aitken about their experiences with prisons (one as the Prisons Minister and one as a prisoner – Jonathan’s line), the current state of Westminster, and the role of faith in politics.  

Go to episode.

 

In second place, but holding a particularly special place in my heart, is Claire Gilbert. Claire points us to the wonder of medieval mystic, Julian of Norwich. Who, in turn, points us to the wonder of God. The result was falling deeper in love with all three of them. Claire, and her beloved Julian, are a balm to the weary soul.  

Go to episode.

 

This had to be number one. There was no question. Not a hint of deliberation. This conversation had me glowing for days, it was that good. Martin Shaw, renowned mythologist, wilderness devotee, lover of ‘the Galilean druid’, and, I think, the most extraordinary man I’ve ever met. This conversation – his stories and his thoughts – had me mesmerised. And, considering the amount of people who have spoken to me about this episode since, I don’t think I’m the only one.  

Go to episode.

 

I defy you to listen to any one of these conversation and not consider yourself re-enchanted. Go on, I dare you.  

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If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Alongside other benefits (book discounts etc.), you’ll receive an extra fortnightly email from me sharing what I’m reading and my reflections on the ideas that are shaping our times.

Graham Tomlin

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