Essay
Culture
9 min read

The secret world of spiritual experiences

Amid prevailing cultural suspicions towards religion, exploring spiritual experiences reveals their profound significance to individuals and civilizations. Dan Kim calls for an open-minded investigation into the nature of reality.

Daniel is an advertising strategist turned vicar-in-training.

Spiritual Experiences in London
Image generated by Dan Kim using Midjourney

In the spring of 1945, Psychologist Genevieve Foster, a chartered member of the New York Analytical Psychology Club, awoke from a nap and experienced a visionary experience where she saw a luminous figure of a human. This shining person flooded the entire room with dazzling light. There were no words or names between Foster and this figure except the experience of “an interchange, a flood, flowing both ways, of love”.  

She had no idea what was happening to her.  

She was a psychologist, and fully committed to the scientific method. Religious experiences were easily explained away as hallucinations or weird brain hiccups. But she couldn’t shake the feeling that this was real! This vision lasted for five days. Five days. Afterwards, she tried to talk to her husband and one colleague about the experience. Both became very alarmed and dissuaded her from talking about it any further or even entertaining the possibility that this experience could have been real.  

It was only in 1985 that she began to speak publicly about it. She had kept what she describes as, “the most important thing that has ever happened to me”, a shameful secret for 40 years.  

These experiences are often the most important moments of a person’s life and can even form the foundations of entire cultures and civilisations. 

When it comes to unexplainable spiritual experiences, we are advised by sensible Western society to sweep them under the rug immediately and never talk about them. Except maybe at the pub after a pint or ten. The modern world has been taking part in the most elaborate mass self-censorship campaign to date.  

In the 1990s, a Swedish study interviewed 50 people who had lost spouses in the previous year. They were asked whether they had experienced any form of contact with their dead partner. Only one person, a spiritualist, enthusiastically admitted she had. However, when the interviewer informed them that this experience was a common part of the grieving process, that one became 25. That’s an astronomical leap from two per cent to 50 per cent of respondents as soon as they were given permission to speak out. Clearly, they were so fearful of being thrown into the loony bin. Dale Allison points out this widespread self-censorship in his 2022 book Encountering Mystery: Religious Experiences in a Secular Age where he notes that this phenomenon means that these experiences go under-reported, under-researched, and under-understood by most people in the West today.  

Spiritual experiences are a universal part of human life, taking various forms such as ecstatic bliss, out-of-body visions, awe-inspiring mystical unity, death-bed visions, near-death experiences, intense feelings of love, and encounters with sublime beauty. Indeed, they are often described as religious experiences. These encounters are often pivotal moments in a person's life, sometimes laying the foundation for entire cultures and civilizations. Historical accounts, including Moses’ encounter with the Burning Bush, Siddhartha Gautama's transcendent enlightenment, and Paul's Damascus Road vision, testify to the profound significance of these experiences as sources of spiritual knowledge and meaning. This is just as true today. I’m reminded of the famous atheist A.J. Ayer who “saw a divine being” during a near-death experience after which he said:  

“I am afraid I’m going to have to revise all my various books and opinions”.  

I certainly don’t think Ayer was the gullible type. 

You’d be better off being a conspiracy theorist than a sincere modern mystic. 

Yet, despite their profound importance, there has been a concerted cultural campaign to stigmatise, dismiss and reduce these experiences to purely internal, psychological events. Any claim that these experiences might, in any way, be real has been ridiculed and consigned to Glastonbury-like New Age festivals and niche subcultures that use words like ‘astral projection’. You’d be better off being a conspiracy theorist than a sincere modern mystic.  

We’ve created the societal conditions where the most important events of people’s lives are hidden like dirty little secrets by insisting on a tame, clinically sanitised, spiritually inert universe.  

However, it seems as though in the 21st Century, the tide is turning. Allison notes a remarkable statistic from Pew Research America. In 1962, only 22 per cent of pollsters said that they had had what they would describe as a religious experience. In 2009, that number was up to 49 per cent. Now, I really don’t think this is because there’s been an increase in divine intervention. That would be weird! Instead, the statistic is cultural evidence that shows that the zeitgeist is changing and is denting the widespread self-censorship. 

It is only relatively recently that we’ve started to catalogue and analyse religious experiences from around the world. The most extensive archive, The Alister Hardy Religious Experience Research Centre, was only founded in 1969 and has, to date, collected 6,000 first-hand spiritual experiences which is ever-increasing. We’ve only just begun to tap into this rich data let alone archive even a fraction of these experiences.  

How reliable are these first-hand accounts, you might ask? Couldn’t you take each individual case and find materialist explanations for every one of them? Perhaps, but as William James wrote over 100 years ago, “Weak sticks make strong bundles”. It appears people of all ages, cultures, and creeds experience an ‘unseen realm’ and sincerely believe them to be genuine and true. These experiences have a material impact on their lives and even on whole civilisations. So, we should at the very least be careful in suggesting that humans have been experiencing mass corporate delusions from the dawn of time itself. In fact, that would be a pretty bleak conclusion with even bleaker implications. As Allison puts it, if all spiritual experiences turn out to be purely psychological illusions:  

“We would be forced to conclude that a widespread, cross-cultural human experience, one that commonly moves people to use the word ‘God’ and regularly prods them to become more loving and less selfish, an experience that far more often than not feels wholly real and indeed self-authenticating, and experience than even children of two or three years old have reported is, at bottom, illusory.” 

This wouldn’t just affect how we view spiritual experiences but every experience that we have. If our experience of the world is so unreliable, then how are we to trust even our rational minds and the conclusions we come to? How can we trust our vision and our sense of touch? So, the stakes are pretty high about what we make of all this.  

Behind the question of spiritual experiences is the more profound question about the nature of reality itself. Is there a spiritual realm? Do we have souls? Can there be a God or gods? These questions are so critically important that we shouldn’t just take on cultural assumptions wholesale.  

It is only in the last 30 years that we’ve discovered that 95% of our universe is made up of dark matter and dark energy, which are just sci-fi-sounding names given to the totally invisible, unmeasurable, unobservable ‘stuff’ that govern the structure of the universe. If we were to somehow map the entire universe with the most advanced technologies from the smallest atom to the largest galactic superstructures, we would still only have access to 5% of the universe. That’s staggering! Spiritual experiences and dark matter have that in common. While we can’t see dark matter with any of our scientific instruments, we can see their effects on the visible universe like their gravitational impact on the universe, and the expansion of the universe. That’s how we can speculate about its existence.  

In a similar way, spiritual experiences compose a significant chunk of the mystery that is the human experience, and we can see their effects on people and on human cultures. And the crucial question becomes, what causes them? Is it a pure psychological illusion, or is there something real but unobservable causing them? Materialism has never been ‘proved’ but it has been culturally assumed, and in fairness, not without some good reason. Scientific instruments and discoveries have shown that many things that were once considered supernatural or spiritual are in fact explainable by totally natural causes. A healthy scepticism is always welcome, but somewhere along the line, a huge leap was made that said:  

‘Because we can attribute some spiritual events to natural causes, we can assume that all of reality consists of natural causes only’.  

That’s a dogmatic statement, not an evidential one. That’s a bit like insisting that only 5% of the universe really exists because it’s the only 5% we can accurately measure. You might still not be convinced, but my call is simply for open-mindedness. Whether or not there is a spiritual dimension to reality is by no means a closed case. It begs continual investigation and genuine wrestling.  

I could hear the waves of the sea, but it was as if I was one with it; the stars above me seemed to shine with a supernatural brightness. 

When I was 15 years old, I had my first spiritual experience. I was sitting on a beach, late one night, with three friends talking about life, faith, and meaning. (Yes, 15-year-old boys do have moments of sincerity…) At some point, one of them suggested that we try praying to God and see what happens. We were all vaguely Christians. We said some faltering teenage prayers asking God to turn up. At In that moment, I felt an awesome, physical weight on my shoulders. It wasn’t painful or scary, but it was overwhelming. There was a tender warmth and a sense of presence; an infinite love that accompanied the weight. I could hear the waves of the sea, but it was as if I was one with it; the stars above me seemed to shine with a supernatural brightness. Words can’t describe the experience except for “I met God”. What was striking was that we all had this similar experience together.  

That experience lasted maybe two minutes, but those two minutes shifted the trajectory of my life. I am now a Christian with all the bells and whistles like miracles, resurrection, afterlife... And look, I’m not gullible. Maybe I was primed, perhaps it was placebo wish-fulfilment, maybe it was something in the water or just a run-of-the-mill hallucination. Despite this, I am fully and rationally convinced that my experience was real; not just in a subjective in-my-head reality, but a genuine something-outside-the-material-realm-met-me kind of reality. So obviously, this is also a very personal question. The stakes are high. But it’s not just for me but for many, if not most, people in our lives.  

If it turns out that only a fraction of spiritual experiences are real... the universe becomes wilder and infinitely more exciting and untamed than the 20th Century would have us believe 

I can tell you now that I can probably explain away most of the stories I have heard from friends and strangers about spiritual experiences to coincidence, enthusiasm, lack of sleep, and mushrooms.

But not all… and that’s crucial.

Even if 99 per cent of them are total illusions, that one per cent has the potential to change everything. If it turns out that only a fraction of spiritual experiences are real, that they are actually moments when a human being encounters something beyond the material world, everything changes. The universe becomes wilder and infinitely more exciting and untamed than the 20th Century would have us believe. No longer an inert mass of stardust, our world becomes ablaze with spiritual fire. Things that we find most valuable in human existence then start to have the potential to be real. Actually real. Love can be real. Beauty can be real. Our sense of self-worth and infinite dignity can be real. God can also be real which raises complicated emotions.  

Your spiritual experiences don’t make you crazy. They make you human. The question is, what are you going to do about it? You could ignore them and explain them away, continuing with the materialist dogma of today. That’s safe, but you could also risk missing out on the most important experiences and insights of your entire life. I often wonder how different Genevieve Foster’s life may have been had she been able to openly talk about and explore the implications of her experience. Or, you could pay attention to them and see where they lead. They don’t come often, and they don’t last very long but when they come, they are like unexpected gifts that have the potential to change your life forever. 

 

Review
Art
Culture
5 min read

Paradise cottage: Milton reimagin’d

Artist Richard Kenton Webb converses with the blind poet in his former home.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A black and white illustration shows a man holding a walk stick standing among tomb-like structures.
The blind poet. Charcoal and white chalk on paper, 2022.
Richard Kenton Webb.

‘Waiting to Speak to Milton’ shows the artist Richard Kenton Webb on a rain-swept night waiting in a valley for a car whose headlights can just be seen at the crest of the hill. For this image he has imagined himself waiting for a lift from John Milton to discuss the poems Paradise Regain’d and Samson Agonistes. As the opening image to Webb’s exhibition at Milton’s Cottage in Chalfont St Giles it is appropriately positioned in the porch by which visitors enter the cottage. 

This image of light appearing in the dark night of the soul symbolises the beginning of Webb’s journey with Milton and his late poems Paradise Lost, Paradise Regain’d and Samson Agonistes. This has been a 10-year journey that Webb began following a conversation with his son in front of John Martin’s mezzotints for Paradise Lost at the Tate. Following on from his son’s encouragement to begin work, over that period, Webb says Milton has been a companion like Virgil to Dante guiding him through the narrative of his own life including the dark nights of redundancy and lockdown. The result has been 128 drawings, 40 paintings and 12 relief prints forming A Conversation with Milton’s Paradise Lost, a commission of 12 drawings in response to Milton’s pastoral elegy, Lycidas, for the Milton Society of America, and the 13 drawings forming this exhibition, A Conversation with Paradise Regain’d & Samson Agonistes

Milton proved an effective companion because he, too, had passed through his own dark night of the soul. He arrived in Chalfont St Giles to escape the Great Plague of 1665 after the Republican cause to which he had dedicated more than a decade of his life - being Oliver Cromwell’s unofficial spin doctor - had collapsed around him with the Restoration of the Monarchy in 1660. He had been lucky to escape with his life following imprisonment and the banning of his books. In addition, he had lost his sight, his beloved second wife, much of his money and all of his influence.   

Despite these traumas, Milton was able to express his love for his Creator wonderfully in Paradise Lost, which was completed at the cottage in Chalfont St Giles, and Paradise Regain’d, which was inspired whilst there. In both Paradise Regain’d and Samson Agonistes Milton deploys his rich verses and visions of spirituality and the forces of good and evil to reflect on the Restoration of the Monarchy and the loss of the English republic, doing so by means of Biblical stories concerning Jesus and Samson.  

In Webb’s view, “Paradise Regain’d is about overcoming impossible situations” while, in Samson Agonistes, Milton’s Redeemer shows “Samson, the blind and foolish man”, “that we can always find hope in our living God even when society does not”. These poems moved Webb out of despair to discover hope because he knew they were heading towards redemption. As a result, he sees Milton as “a great English poet who gives hope, which in itself is a creative act for these difficult times”. 

Although the story of Samson pre-dates that of Jesus being tempted in the wilderness, Webb’s painting series begins with images inspired by Paradise Regain’d, just as Samson Agonistes followed Paradise Regain’d when both were jointly published in 1671, because Jesus’ resistance of temptation ultimately redeems those, like Samson and Adam and Eve, who were unable to resist.    

These are images set against a dark background with the exception of the final Paradise Regain’d image with its white sky depicting a paradise within as Jesus has overcome temptation, is in full communion with God and is about to begin his ministry by calling his first disciples. The images move from the trauma and test of temptation – whether involving hunger, greed, lust, threat, pride or ambition – to a calmness of mind that is equipoise and liberation and which also enables the destruction of false temples. 

They are images in which movement is arrested in still moments which form theatrical tableaux. These, like medieval and early Tudor morality plays, involve the viewer in an epic struggle between good and evil, involving temptation, fall and redemption. Webb’s use of charcoal and white chalk on paper emphasises the binary nature of this struggle. Being formed of charcoal and chalk, despite his use of contemporary equivalents for the temptations, the look and feel of Webb’s images also accords well with their exhibition setting, in rooms of low ceilings, uneven white walls, dark beams and furniture.  

Webb’s works and exhibition also universalise Milton’s own experience of the dark night of the soul by merging that story with Webb’s own.

As Paradise Lost was the first illustrated poem in the English language, Milton’s poetry has, as Kelly O’Reilly, Director of Milton’s Cottage, has noted “inspired many of our greatest artists, from Blake to Turner, Dore to Dali”. Webb, who consciously works in the continuing tradition of Blake’s visionary art, is extending the tradition of illustrating Milton’s poems. It is appropriate, then, that, by exhibiting these drawings in Milton’s Cottage, they are placed alongside examples of illustrated editions of the poems, plus other paintings and prints relating to Milton.   

Milton’s works are not only a repository of rich verse, which also gifted over 600 new words to the English language, but are also a conversation with scripture, its stories and their interpretation, plus the social and political ramifications of the Reformation in the British Isles. Webb’s works and exhibition also universalise Milton’s own experience of the dark night of the soul by merging that story with Webb’s own and linking those powerfully to the themes of Milton’s poems.  

The key image, in this regard, is the first in the Paradise Regain’d series (‘Modes of Apprehension’), which sees Jesus in the wilderness turning up the corner of the wilderness backdrop, as in a theatre, to reveal another dimension or reality to existence and experience behind it. Hope is discovered in the midst of desolation, resilience found in the face of temptation. In these ways, Webb achieves his own hope for these works, that, “by responding to Milton’s universal themes of creation, destruction, temptation, love and loss”, he “can help new audiences find fresh ways to engage in Milton’s legacy”.     

 

A Conversation with Paradise Regain’d & Samson Agonistes, Milton’s Cottage, 3 July – 8 September 2024.