Article

Character

Culture

Sport

5 November 2025

4 min read

Rodrigues and Mullally: rewriting history with bat and mitre

A match-winning innings and the rise to Archbishop both speak of the quiet power of possibility

Henry Corbett

Henry Corbett, a vicar in Liverpool and chaplain to Everton Football Club.

Sarah Mullally and Jemimah Rodrigues.

It’s a World Cup cricket semi-final between India and Australia. Australia are the world champions. They are unbeaten in their last 15 matches, and have won all their group matches impressively. They are overwhelming favourites. India have lost three of their group matches and only just managed to qualify for the semi-finals.

The match is being played in Mumbai. The ground is packed and millions are watching on television. Australia win the toss and bat first. They make 338 runs in their 50 overs, an outstanding score. India are facing the highest run chase in World Cup history to win the match.

India’s innings gets underway and a wicket goes down in the second over.

Out walks Jemimah Rodrigues, 25 years young, nervous, in front of a full crowd of 45,000, in the city where she was born and grew up. Earlier in the competition she had been dropped from the team. Just over 3 hours later she is 127 not out, off of just 134 balls, and she has steered India to one of the greatest wins in Women’s World Cup history, and her innings has been described as one of the greatest World Cup innings of all time.

What does she have in common with Archbishop-elect Sarah Mullally? They are both Christians, sisters in the worldwide family of God’s Church, and when they were both young children neither knew that there was any possibility of their being where they are now.

Jemimah Rodrigues was born in September 2000 and as a child didn’t know women’s cricket existed. She played with her two older brothers, and hockey looked a more likely avenue for her sporting talents. When she went to play cricket, encouraged by her parents, she was the only girl among 500 boys. Playing in a women’s cricket World Cup final watched by a sell-out crowd? Not possible, surely.

Sarah Mullally was born in March 1962. A woman as Archbishop of Canterbury? It was 1994 before the first women became priests, and 2015 when the first woman was a Bishop.

Now Jemimah Rodrigues has inspired a nation with her sensational innings that led to the defeat of the previously all-conquering Australian women’s team, and India went on to win the final against a resilient South Africa side in front of another packed crowd in Mumbai. It was the first time India’s women’s cricket team had won the World Cup. The most famous Indian cricketer Sachin Tendulkar posted on his social media of the team: “They have inspired countless young girls across the country to pick up a bat and ball, take the field and believe that they too can lift that trophy one day”. The Indian men’s cricket team’s head coach Gautam Gambhir posted: “You have not just created history, you’ve created a legacy that will inspire generations of girls.” Sarah Mullally becoming Archbishop of Canterbury will similarly inspire generations of young girls in their hopes and aspirations.

But there is even more to Jemimah’s inspiring legacy than encouraging girls to use their sporting gifts and helping to change the culture so that can happen. She has also been very open and honest about her struggles, disappointments, anxieties and about her very genuine Christian faith. In interviews she has spoken about how as a very young girl she was in a swimming pool when her young cousin tragically drowned and how that brought on a deep anxiety in her. She couldn’t face being in a classroom, she needed her mother there. She has continued to be open about nerves, crying, mental health, anxiety and to express gratitude for her family, her friends, her teammates (most of whom are Hindus) and for her Christian faith for the support and help they have given her. The first words in her post match interview after her match-winning 127 were a thank you to Jesus and the next were to thank her family. Another mindset she mentions is her concern to bat not for herself, but for the team. “I wanted to see a win for India, not something about myself.” She has also referenced a conversation with the above-mentioned legend of the Indian game Sachin Tendulkar who asked her about playing international cricket: “Are you nervous?” “Yes” was Jemimah’s immediate, honest reply, to which Tendulkar said “You are nervous because that means you care about doing well. So just go out and do your best”.

Jemimah Rodrigues has shown an honesty, a concern for others, for the team not herself, and an openness. “I will be vulnerable because I know if someone is watching they might be going through the same thing. That’s my whole purpose in saying it. I was going through a lot of anxiety at the start of the World Cup tournament.” And yes she does get trolls on her social media, but she will continue to be herself as God wants her to be. “When I am weak, then I am strong” writes Saint Paul to the Christians in Corinth giving him a hard time, and “I will keep on doing what I am doing”.

Here’s to more great innings from Jemimah Rodrigues (though she knows God’s love for her does not depend on her cricketing performances), and to more opportunities for girls as well as boys to use and enjoy their sporting gifts. And may Archbishop Sarah, as well as having in common with Jemimah a Christian faith and a story of opening up opportunities, share that aim of honesty and openness and may she know great victories along the way, not for herself but for the worldwide team of God’s Church.

Review

Awe and wonder

Culture

Theatre

22 April 2025

5 min read

This Narnia play left me yearning to cheer on good

The Lion, The Witch and The Wardrobe is still relevant at 75.

Steve Dew-Jones

Steve is news director of Article 18, a human rights organisation documenting Christian persecution in Iran.

A play set shows a witch and lion on stage.

EMG Entertainment.

This article contains spoilers.

It’s been 75 years since C.S. Lewis’s The Lion, The Witch and The Wardrobe was first published, and the story is still captivating audiences and even sparking fresh controversy.

If you hadn’t heard the news, the role of the lion, Aslan, is rumoured to have been offered to Meryl Streep, a woman, for Greta Gerwig’s upcoming film, set to be released in time for Thanksgiving next year.

I recently saw another adaption of the famous book - Adam Peck’s play - in a theatre in Torquay, as part of a 75th anniversary tour of the UK.

And having previously read the book and watched two different film versions, I still found myself considering elements of the story I hadn’t previously, hidden depths I hadn’t noticed - even if these didn’t include Aslan’s gender.

For those not familiar with the tale, it follows the journey of four children through the doors of a magic wardrobe, which transports them into a fantastical kingdom in which a lion reigns but a witch has held dominion for 100 years.

Under the White Witch’s spell, there has been only winter for a century - “always winter and never Christmas”, as one famous line from the story goes.

But now, thrust into this story in the fulfilment of a prophecy long foretold, four “sons of Adam and daughters of Eve” - boys and girls, to you and me - come as the lion king returns, and a new day dawns.

The winter begins to thaw, Spring is in the air, and Father Christmas even shows up to shower the children with gifts.

But the return of Aslan - and even Santa Claus - doesn’t signal the end of the story. There is still a battle to be fought; the witch still has power and even ensnares one of the children, Edmund, with the promise of all the Turkish delight he could wish for, and the title of a prince.

It is at this moment - still early in the tale - that the battle between good and evil is clearly laid out, and the forces of light and darkness clash thenceforth.

In the play, those enslaved by the witch are clad in black to emphasise the distinction, while much is made of the meaning of the name of the youngest child, Lucy: “bringer of light”.

The imagery is abundantly clear, as it has ever been in Lewis’ Chronicles of Narnia, of which the The Lion, The Witch and The Wardrobe is the first and most famous of seven books.

And the author, renowned for being an atheist who later became a Christian, leans heavily upon his newfound faith throughout the Narnian tales, and not least in the character of Aslan.

Yet while you and I may frustratingly regularly let ourselves down, there is also something within us - is there not? - that ever yearns to cheer on the forces of good.

At Easter, it is especially hard not to see in Aslan’s death and resurrection a striking similarity with the figure at the centre of the Christian faith.

Indeed, it was this moment of greatest sacrifice - for the “traitor”, Edmund - that most struck me this time around, even though I already knew the story so well.

At church the following day, as I took Communion, I was still reflecting on Aslan’s sacrifice and wondering whether Edmund more closely resembles the average Christian - myself included - than the older, nobler brother, Peter, in whom most of us would prefer to see our likeness.

My mind returned to a moment in the theatre that had humbled me, when the lady sitting in front of us handed me £20 to treat my children for being “so good”, having at the interval made me bristle by asking them to sit quietly and stop kicking her chair.

“Fair enough?” I hear you suggest. Well, perhaps, but I didn’t think it until that humbling moment after the curtain had closed.

My son later told me he hadn’t thought the lady had been unkind, which again got me thinking about my own imperfections and need to be more childlike.

Yet while you and I may frustratingly regularly let ourselves down, there is also something within us - is there not? - that ever yearns to cheer on the forces of good.

I doubt many audience members were rooting for the witch, while I suspect most can also understand the need to “beware the witch”, as one song from the play puts it

Another biblical parallel is the fulfilment of a prophecy long foretold, while both the Bible and The Lion, The Witch and The Wardrobe highlight the special significance of someone innocent dying to save the guilty.

There is even a clear reference at the very start of the book and play to one of Lewis’ most famous pieces of theology, when the professor in whose wardrobe the children later get lost asks them a question as they consider whether or not to believe Lucy about the magical kingdom that she first glimpsed.

She’s either lying, mad or telling the truth, the professor says, in much the same way that Lewis says of Jesus Christ’s own central claim: he’s either “mad, bad or God”.

As for the success of the play, as someone who no longer lives in London, I was certainly impressed by this West End product.

The scene changes are creative, aided by music, dance and possibly even a trapdoor - my children and I had different opinions on how the magical disappearances of certain characters were achieved. Maybe it truly was magic.

There’s also the nice touch of the play starting even before it officially begins, through the twinkling of a soldier’s fingers upon the keys of a piano while the audience take their seats - perhaps to help us turn our minds from a sunny day in the English Riviera to dreary London at the time of the Blitz.

So, do go and see the play if you get the opportunity - it’ll do you good and make you think, whether or not you choose to consider if the lion is male or female.