Podcast
Comedy
Culture
Poetry
S&U interviews
4 min read

My conversation with... Frank Skinner

Re-Enchanting... Comedy. Frank Skinner is only interested in the weird. In the un-graspable. In the outrageous. Belle Tindall gets a lesson in "super poetry" from Frank.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Around a table with microphones, three people record a podcast, one leans in talking and gesturing with a hand while the others listen.
Recording Re-Enchanting... Comedy.

In David Baddiel’s (admittedly excellent) book The God Desire, he has a section on his long-time friend Frank Skinner entitled ‘In a Car with Frank Skinner and his Sins’ (not that Frank would know; he’s refused to read it). After my conversation with Frank Skinner for the Re-Enchanting Podcast, I’d like to similarly entitle this piece ‘On A Rooftop with Frank Skinner and his Doubts’.  

Frank Skinner; a comedian, broadcaster and author who has entertained millions through TV shows such as Fantasy Football League, The Frank Skinner Show, Baddiel and Skinner Unplanned and Room 101, as well as many sell-out stand-up comedy tours. His penmanship is also a force to be reckoned with, having crafted the undeniably iconic Three Lions football anthem (which he penned with the afore mentioned Baddiel) as well as my favourite piece of his work, A Comedian’s Prayer Book. He’s always been open about his Catholic faith, determined to ‘keep his hand up’ as a (very often the) Christian in any given room. Frank’s faith has been, and still is, shot through everything he does – even his ‘sinning’.  

This conversation was always going to be interesting.  

And as such, there are many things one could take away from this conversation with Frank. Perhaps the value he places on doubt as a tool of refinement and source of growth, or his comparing of Richard Dawkins and Christopher Hitchens to bullies at a Christian disco, or even his efforts in ‘responsible sinning’. It’s a fascinating conversation from beginning to end, as I rather embarrassingly told him to his face, I enjoyed "every moment of it."  

However, there was one salient question that was left lingering in my mind days after our conversation ended – are we (by ‘we’, I mean Christians) interesting?  

There’s been a theme that’s run through Re-Enchanting thus far, prevalent in our conversations with Jennifer Wiseman, Paul Kingsnorth, Francis Spufford, and now Frank Skinner. And that theme is this: in the context of our 21st Century cultural moment, Christianity is profoundly weird, and that weirdness is the very basis of its power. It cannot, and should not, be blended into the so-called secular moment we find ourselves in. This is confronting for me, someone who has admittedly spent her life watering down the ‘oddest’ parts of Christianity (only in public, I should state) in an attempt to make it more palatable to my secular peers. As a result, I’ve ashamedly become the type of Christian that Tom Holland would tell to ‘grow up’. Well, if one finds themselves somewhat disillusioned with such a boring ‘no-man’s-land’ of compromised belief, this episode is certainly the perfect antidote. In fact, this entire series is.  

Frank is only interested in the weird. In the un-graspable. In the outrageous. The way he speaks of interactions with his (beloved) atheist friends made it seem as though atheism is one of the most obvious things one could claim to be, meaning that there’s nothing particularly interesting about it:  

“There’s something I find a bit confusing about people in the 21st century saying “this is how daring I am – I’m going to come out as an atheist”… atheism given over as if it’s a brave stance. I’ll show them a brave stance, and it’s not atheism.” 

Speaking , in comparison, of sitting in Mass in his local church, looking on as his priest holds up a piece of wafer declaring that it is the Saviour of the world, Franks says,  

“in the 21st Century, the idea that there’s a God, that he’s got a lamb, a representative that came to earth, that he takes away the sins, and that here he is in this bit of wafer… it’s outrageous. I don’t like the idea that we have to go to them (atheists). It’s made it (Christianity) a dull half-way house." 

Hence this lingering question: are Christians actually the more interesting ones? My conversation with Frank made me think that we may just be.  

Even though, as I have mentioned, the entire conversation was one to remember, it was the final five minutes that that truly ticked the ‘re-enchanting’ box for me. Justin and I, along with our guests, have often discussed Christianity as ‘the greatest story every told’, but Frank introduces us to Christianity as a  

“living poem, super poetry, poetry that’s physical, poetry made flesh, poetry that actually exists.” 

And not only that, but 

“we are a part of that poem, we just need to step into it. There is a blank line waiting for us…” 

How beautiful. It’s clear that, to Frank Skinner, Christianity is not only very interesting, it’s profoundly enchanting. Listen to the first episode of Re-Enchanting Season 2 enjoy Frank’s disconcerting ability to make you simultaneously laugh lightly and ponder deeply. 

Article
Belief
Community
Culture
Music
1 min read

Oasis: it's all gone a bit biblical at this summer’s musical moments

We’re reaching for some ancient vocab to describe our experiences together

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A silhouette of a musician holding up shakers.
'Cast no shadow'.
x.com/oasis

A biblical narrative keeps whirring around my mind.  

In the first century, Paul – planter of churches, writer of letters, spreader of the way of Jesus – finds himself in Athens, the Graeco-Roman city where meaning is made. He wanders around this city, soaking up its culture, noticing its priorities, watching its habits. But he doesn’t do so silently. Paul pulls out his usual party trick; yelling about Jesus here, there, and pretty much everywhere, eventually catching the attention of the local philosophers. They want to hear more, and Paul finds himself thrown in front of the Areopagus, the meaning-making council at the heart of the meaning-making city. The cultural epicentre of the Graeco-Roman world, one could argue.  

Never one to miss an opportunity, Paul gets to his feet and unleashes a monologue for the ages, kicking off with this line: ‘People of Athens! I see that in every way you are very religious…’ 

Quite the opener, isn’t it? 

It’s that opening line that my imagination seems to have gotten snagged on.  

There is so much going on around me – right here and right now, in 2025 - that makes me want to find a place into which I can scream the exact same thing. There and then, here and now, I can see that in every way we are very bloomin’ religious.  

What Paul and I don’t mean by such an assertion is that everyone our contexts are signed up – hook, line, and sinker - to an organised religion. Such an assertion would be silly, considering the data tells a different story. What I’m pretty sure Paul meant, and what I know I mean is this – in every kind of way, people are searching for that which is bigger, deeper, truer than ourselves. We are directing our attention, our energy, our worship in certain directions. We are seeking ritual and practice, wrapping ourselves in stories that give meaning to our day-in-day-out experiences, stories that tie our lived reality into something that transcends it. We’re grasping for a world that is more full of beauty, truth, and sense than we imagined; pledging allegiance to our inkling that there is something more. Yup. In every way, we, the good old human race, are very religious.  

Paul said it with his chest then, I think he’d say it with his chest now. 

There are a hundred different places that I could go in order to pluck some ripe evidence for my theory – but for now, my evidence of choice is the language being used to describe the long-awaited Oasis reunion.  

‘Biblical’ 

That’s the word being used – in national headlines and personal Instagram captions alike, ‘biblical’ is the adjective of choice.  

Isn’t that strange?  

I don’t really know what people mean by it, to be honest. According to my research, they’re taking their cue from Liam Gallagher himself, who was the first to describe the band as such. Stay humble, Liam.   

Is using ‘biblical’ as the descriptor of choice a reference to the reconciliation of warring brothers? That’s certainly a biblical motif, which I guess is being played out in real-time, witnessed by those who could afford the £400 ticket (no, I’m not bitter). Is it implying that this event is so monumental, it should be canonised somehow? Written about? Memorialised? Poured over for millennia to come? Or is it a reference to the fact that what we are witnessing is the fulfilment of rumours, prophecies, hopes and expectations?  

Maybe it’s all of the above, maybe it’s none of the above. It doesn’t really matter. What matters, at least to me, is that people are wanting to express that these gigs are more than the sum of their parts; there’s something transcendent about them, something awe-inspiring, wonder-infusing. Something that feels, dare I say it, religious about them.  

It gets even more interesting, because such sentiments aren’t reserved for the reunification of the Mancunian brothers.  

I’m still stunned, curious to the point of distraction, about the fact that we – in a secular, materialist, rational culture – cannot help but stretch toward spiritual language. 

In a podcast episode recorded in the days leading up to this year’s Glastonbury festival, the DJ and broadcaster, Annie Mac, described the event as ‘communion’, explaining that ‘when you don’t go to church, you need to get that somewhere.’ On the flip side, in the days following the festival, another DJ and broadcaster, Miquita Oliver, teased the endless Glastonbury posts that were filling up her social media feeds – she jokingly stated that ‘it all gets a little churchy after Glastonbury… like “it’s heaven on earth”… can we all relax?’  

So, here we have it again – people reaching for religious language to describe significant musical events. Be it the Oasis reunion or Glastonbury – I’m fascinated by the fact that we’re not content with stating that these gigs are merely talented people doing what they do well, and in so doing, giving us an enjoyable time. Such language may be factually accurate, but it doesn’t feel true enough to us. Rather, we’re grappling with the feeling that these events feel like something we were made to experience somehow, they they’re tapping into the deepest parts of us, perhaps?  

In the past, I’ve wondered whether this is down to the sense of profound togetherness that these events provide – how they have the ability to remind us that we’re bound to each other, only if for a night. They’re a direct afront to individualism, the biggest and sturdiest lie of our age. I’ve also reflected on the fact that they instil as sense of awe within us: raw awe. An elusive emotion that can be hard to come by, but that we were made to feel. I still think all of that comes into play. 

I’ve pondered this a thousand times and yet I’m still stunned, curious to the point of distraction, about the fact that we – in a secular, materialist, rational culture – cannot help but stretch toward spiritual language. Nothing else quite hits the spot; nothing else feels quite deep enough, big enough, true enough. Religious references and language, we’re determined to keep them in our repertoire, aren’t we? Our reliance upon them betrays us. Indeed, I’ve come to see our unceasing usage of them as a crack in the façade of disenchantment. 

Oh, people of 2025 and beyond, I can see that in every way you are very religious.  

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