Article
Christmas culture
Creed
Music
5 min read

That mother mild

A cartoon and a shampoo might shed some light on a lazy rhyme.
A Christmas tree bauble depicts the Virgin and Child.
Robert Thiemann on Unsplash.

Some years I’ve already reached ‘peak Christmas Carol’ by now. I haven’t - yet - but I have sung enough - in a nursing home, some sheltered accommodation, schools and our own Carol Services this week - to be irked by some seemingly lazy rhymes. And to notice that a surprisingly high number of our most popular carols contain the word ‘mild’ - an adjective that doesn’t pop up in many songs or hymns as at other times of the year. 

This year it started for me with Cecil Frances Alexander’s ‘Once in Royal David’s city.’ It’s a very fine carol, reminding us of Bethlehem’s royal connections and launching a thousand carol services with candlelit children soloing timorously. One of the most infamous uses of ‘mild’ comes in the original, written in 1848: 

‘Christian children all must be 

mild, obedient, good as he.’ 

Cecil Alexander was predominantly a writer of children’s hymns (including ‘All things bright and beautiful’) but the hectoring tone seems out of place in a Festival of Carols. Where’s the lifestyle advice for Christian grown-ups? And as a parent and a pastor, I can think of a hundred better adjectives that I would cherish for Christian children. What’s the use of being mild? What about courageous? Or compassionate? Or contrary? Children of the 70’s like me have only one good use for the word ‘mild’ - it’s as a cover for an alter ego. Our hero was Hong Kong Fuey, who masqueraded as a ‘mild-mannered janitor’ under the glare of Sergeant Flint but was actually a ‘number one super guy’! 

Also revealed in ‘Once in Royal David’s City’ is the apparently lazy rhyme that may well explain the ubiquity of ‘milds’ in our best-loved carols: 

‘Mary was that mother mild, 

Jesus Christ, her little child.’ 

The list of English words that rhyme well with child is limited - eg. filed - piled - riled - smiled - styled - tiled - wild - whiled. You’d have to crack out the shoe horn to get some of those convincingly into a carol. 

Edward Caswall published ‘See amid the winter’s snow’ 10 years after ‘Once in Royal...’, in 1858. He couldn’t resist either: 

‘Teach, O teach us, Holy Child, 

by thy face so meek and mild.’ 

And Freeman Young, who translated the German of Joseph Mohr’s ‘Stille nacht’ also followed suit: 

‘Round yon virgin mother and child, 

Holy Infant so tender and … (you guessed it!) - mild’ 

So is this just a rhyme of convenience, a verbal stocking filler? The intent, admittedly sentimental, seems to be to describe the gentleness, the ordinariness of Jesus or Mary. The problem, for twenty-first century ears, is that we don’t really want a ‘mild’ anything - we want the proper winters of our youth, with snow days. We want a sedative that will knock us out and not keep us awake. And who wants a mild cheddar when you can have Extra Mature for your cheese on toast? ‘Mild’ is unadventurous, dull, pedestrian - we don’t want it for ourselves, and we can’t see why we’d celebrate it as a characteristic of God - even at the moment of Incarnation. 

I think there is some more light to be shed on this seasonal celebration of mildness. Three shafts of light from the past that might help us change our tune on the value of being mild. 

First, the originals of our English word ‘mild.’ The Old English ‘milde’ carried the meaning of someone who is gracious, someone who isn’t severe. Someone who forebears harsh judgement and responds graciously, compassionately. That’s more promising if we’re sketching out the love of God. 

The second comes from the eighteenth century. The prolific Charles Wesley wrote 6,500 hymns, including the majestic and characteristically full-blooded ‘Hark! The herald angels sing’ (written in 1739). Wesley includes two ‘milds’, the first of which, about mercy, rhymes with reconciled, rather than child (that’s another one to add to the list!) It’s the second one that’s really interesting - and my nomination for the best us of ‘mild’ in a Christmas carol: 

‘Mild, he lays his glory by’ 

This carries the older, less familiar sense of being gracious, of not being severe. The essence of God’s mildness is described as the putting aside of his majesty, the majesty of King and Creator. Laying it aside - in love - so that He can become visible, and tangible - to fallen, fragile human beings. This is a brilliant description of the Christmas story - we just wouldn’t now choose the word ‘mild’ to encapsulate this. 

The most unlikely but illustrative modern echo of the Old English original and Wesleyan mild is Unilever’s Timotei shampoo. It exploded on to the UK market in the 80’s with its promise to be ‘so mild you can wash your hair as often as you like’. For starters, marketing genius - I can safely wash my hair every day (and use lots more shampoo)! But also a restatement of the value of gentleness or not being stringent or severe. This shampoo (actually removed from UK markets in 2017 but still popular in Europe) isn’t going to damage your scalp and hair - it’s going to nourish it instead. 

I can see why the nagging ‘Christian children must be mild’ is often left out of twenty-first century Carol Services. I can tolerate the number of child-mild rhymes, given the lack of other options (though I do feel ‘styled’ could be great in the hands of a Gen Z composer). But it’s Wesley’s ‘mild, he lays his glory by’ that will keep me celebrating the forebearance, the humility of Jesus this Christmas. Who knows, I may not reach ‘peak carol’ till 12.30 pm on Christmas Day (when we close up the church and jump in the car for festive lunch with the family.) The forecast for Winchester is, after all …. MILD! 

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Explainer
Christmas culture
Creed
3 min read

The earth-shaking consequences of Christmas

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. Explore the notion of the author entering his or her own creation.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A nativity scene in bold colours in an illumination style.
The Nativity, Mesrop of Khizan, Armenia, 1615.
Public Domain, The Getty Museum.

The radical uniqueness of the Christmas story can be easily lost in a culture over-familiar with carols, nativity scenes, and Christmas cards. The birth of Jesus is not, for Christians, merely the birth of the founder of their religion, comparable to Muhammad, the Buddha, Guru Nanak, or Moses. The heart of the Christian claim is that in the Incarnation, the Almighty Creator of all things has irrevocably identified himself with the human race, standing in solidarity with every person who ever existed and ever will exist.  

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. The mind-bending notion of the author entering his or her own creation is far closer to the Christian idea of Jesus than any comparison between him and other great figures of history. For Christians, he was not just a moral teacher, not just an inspiring example – not even an object of adoration and love without further qualification. He was and is all these things of course. But all those things are put in the shade by something else, totally unique and unrepeatable: Immanuel, God-among-us.  

The implications of this are staggering. Dorothy Sayers puts it this way (quote slightly adapted): 

For whatever reason God chose to make human beings as we are – limited and suffering and subject to sorrows and death – he had the honesty and the courage to take his own medicine. Whatever game he is playing with his creation, he has kept his own rules and played fair. He can exact nothing from us that he has not exacted from himself. He has himself gone through the whole of human experience, from the trivial irritations of family life and the cramping restrictions of hard work and lack of money to the worst horrors of pain and humiliation, defeat, despair, and death. He was born in poverty and died in disgrace and thought it well worthwhile. 

The Christian God is a God who plays fair, who keeps the rules he commands us to keep, who suffered the same pain, anxiety, and daily struggle that we all suffer in the world he created. 

How is this possible? Only if we hold together two things that look like a contradiction at first sight: that Jesus is both fully God and fully human, at the same time, without confusion or separation. This is how Christian dogma has been enshrined in our creeds.  

The early centuries of Christianity were a delicate balancing act. Theory after theory was tried and abandoned because it failed to hold the necessary tension between ‘fully God’ and ‘fully man’. The long councils with hundreds of bishops arguing over the precise wording of the creed may seem very remote to our daily concerns, but they were trying to protect something vital to the life of the Church. One word wrong could have upset the whole balance, and Christianity would have become simply another mystical apparition or set of moral guidelines along hundreds of others in the ancient world.  

If we let go of the ‘fully God’ part, then we are left with a religious teacher who may inspire devotion, offer moral guidance, or even speak with the voice of God. But we do not have the Creator himself entering his creation to experience it as we do.  

If we let go of the ‘fully human’ part, then we are left with a supernatural appearance of the one who made us. He might command us to live a certain way and punish us when we fail. He might leave detailed instructions about the right way to worship him. But he did not share our condition. He did not get sunburnt, jostled in the street, woken up, pinched, teased at school, or sold a dud. 

The magic is in that combination of the two, almost impossible to grasp, that puts the source of all power, truth and beauty in a collision course with the deepest fears, sufferings, joys, hopes and longings of every member of the human race. The one who made us is not unaware of what it is like to live in this world. Whatever his mysterious purposes may be for his creation, they involve humanity in a prominent position. And whatever God destines for our race is a destiny he shares. As G.K. Chesterton writes of the Incarnation:  

‘Since that day it has never been quite enough to say that God is in his heaven and all is right with the world, since the rumour that God had left his heavens to set it right.’