Article
Creed
Feminism
5 min read

The good, the bad and the Barbie

At the Barbie movie, Lauren Windle fraternises with her childhood enemy, and leaves pondering change and imperfection.

Lauren Windle is an author, journalist, presenter and public speaker.

Barbie stands between Ken and a rival with her hands raised.
Peacekeeper Barbie.
Warner Bros.

Barbie and I always had an unspoken understanding that our relationship would be mutually destructive. She made me feel inadequate; I was too short without a synched-in waist and pneumatic boobs. And I chewed her off her toes. One all. 

I have spent the better part of two decades not thinking about my adversary, until once again she reared her (not at all) ugly head. I always celebrate on July 21. It is, after all, my birthday. But this year, the date was eagerly anticipated by millions and not because they share my love of Colin the Caterpillar cake. Last Friday was ‘Barbie Day' and it was all anyone could talk about. 2 – 1 to Barbie. 

If you missed the news that there’s a Barbie movie now in the cinemas, clamber out from underneath that rock and let me tell you about it. The film, starring Margot Robbie and Ryan Gosling, caused quite a stir with, what I can only assume is, the biggest marketing budget since Nike release Air Jordans. Both Warner Bros and Barbie’s parent company Mattel have thrown money at making sure we all know about their candy-coated flick. The campaign has been so effective that production sparked a global shortage of fluorescent pink paint. 

The box office is now raking in cash as people flock to see the fuchsia film. When I attended a morning viewing this weekend, I was one of the few people who hadn’t come dressed head to toe in pink. Not a chance Barbie. 

On taking my end-of-row seat (to facilitate a quick getaway) I settled in for one hour and 54 minutes of fraternising with the enemy. I’ll level with you, Barbie had made some effort to change. The vibrant colours (mainly in a rosy hue) were still in place, along with the glossy hair and impossibly smooth legs. But there was a new self-awareness and self-deprecation that hadn’t featured in our childhood tea parties.  

Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. 

I had expected a vapid tale with fun flourishes. The story certainly delivered on both of those but with a lot more I hadn’t anticipated. From where I was sitting (popcorn in hand, legs stretched out into the aisle), it was a satirical story of feminism, patriarchy and the joy and anguish of fully embracing life on life’s terms. If you saw that coming, you probably have the gift of the prophetic, because it was certainly not on my radar.  

If you don’t think too much about the plot, the film is easy to enjoy. Helen Mirren offers a witty commentary which is like someone handing you a cup of tea with two sugars when you usually just take milk. It was a welcome surprise that you wouldn’t have asked for but were delighted to discover. It was a visual feast for the eyes with everything – especially the inhabitants of Barbieland – looking perfectly polished. There are also a number of very funny jokes – albeit with adult undertones.  

All good so far, but now let’s suppose that you, like me, will think about the plot. When the word is defined correctly, I am delighted to identify as a feminist. That does not mean that I support every feminism-associated declaration of the last 100 years, but it does mean that I passionately champion women and the correcting of previous (and some current) oppressions. This would make me a prime candidate for loving the Barbie movie. Finally, my arch nemesis is on the right side of history, right? I’m not sure that’s the case. Sometimes, in an attempt to show willing, we can allow the pendulum to swing a little too far in the wrong direction. 

Mattel’s campaign to rebrand Barbie from a ditsy blonde to an empowered achiever has been well documented. People didn’t want the lack of ambition that came with “shopping mall Barbie” or “beach Barbie” and they certainly didn’t want to have to live up to her unrealistic beauty standards. Apparently if a Barbie doll was to scale, she’d be 5ft 9 with size three feet, and only enough space in her waist for half a liver. 

Rather than continuing along these lines, portraying the company as inspiring for girls and women, they take the mick out of it. They highlight that Barbie has been a part of the problem. But in making their point, they outrageously infantilise men. Of course, this is satire, and comedy allows space for exaggeration, but it still didn’t quite sit right for me. Not one man offered a positive portrayal of masculinity (although Michael Cera’s Allan is a joy to watch). On the whole, men were either oblivious, obsessed with their own success, or childish and sometimes sit in board meetings wishing they could just tickle each other. 

The very brief summary – without revealing too much of the plot – is that Barbie is very happy in Barbieland, a perfect paradise where women do the lion share of the work and take all the leadership roles. But something starts to change, and the real world begins to seep in. After “causing a rupture” between the real world and Barbieland, “the patriarchy” is introduced into this female-led eutopia and the Barbies must banish it in order to restore the sorority-dominated lifestyle they previously enjoyed. Not a problem – when Ken found out patriarchy wasn’t about horses he lost interest anyway.  

In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

In a world where even Caitlin Moran is writing a book posing the question “What About Men?” I fear this film will age badly. The vast majority of people, including women, don’t want to propel women by doing men down. In ten years, I think many of the critics who have lauded this film as a classic will cringe at their enthusiasm. 

Finally, let’s frame this with the ways the Bible has influenced the film. Oh yes, the biblical message hasn’t just underpinned Harry Potter and The Lion, the Witch and the Wardrobe, it’s apparent in the Barbie movie too. If we replace Barbieland with Eden we can see a stark comparison between the film and the creation story. In this utopia, Barbie is given authority over the land. She is given a helper in Ken. But their paradise is threatened by human fragility and quest for more knowledge. After it comes crashing down the inhabitants just want to get back to their previous state. 

The film demonstrates the desperation to 'return to Eden', in the face of an imperfect and broken world. But it also highlights the beauty that can be found in allowing yourself to experience life on life’s terms; to cry, feel pain and embrace the ache associated with change. For that, I respect its efforts. Although I think Disney’s Inside Out manages to achieve the same without belittling men. 

 

Article
Creed
Politics
5 min read

In praise of nuance

Life is complicated. The early Christians had a much better way than a dramatic headline

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A typewriter holds a piece or paper reading 'truth'
Markus Winkler on Unsplash.

Seventeen hundred years ago this year, the early Christians inched their way towards a landmark statement. The Nicene Creed was the result of 300 years of wrestling with a question at the heart of this new movement: if the Jesus they worshipped was in some sense the ‘Son of God’, what did that mean? Was he a human prophet, better than most, but fundamentally just like the rest of us? Was he God in human disguise? Or a kind of half-breed, like a centaur - half human and half divine? Bishops and theologians spilt blood, sweat and tears (literally) over these questions. Simplistic answers were put forward and found wanting. Treatises were written, synods met, opponents were castigated and excommunicated. Even riots broke out as the debates waxed fiercely across the Roman world. 

Eventually, in 325 AD, the Council of Nicaea issued a carefully worded and hard-won statement. It said that Jesus was ‘God from God, light from light, true God from true God, begotten not made, of one being with the Father.' Every word was carefully chosen and the fruit of long debate, deep prayer and thought. It didn’t solve all the problems, but it has stood the test of time, and is still recited in churches across the world today.  

I have been pondering all this during the summer as our political debates have raged.  

Take the issue of immigration. On one side, there are the ‘refugees welcome’ banners, the suspicion that fixing a flag of St George on a lamp post is a sign of incipient fascism, and that claiming we have a problem with immigration is inherently racist.  

On the other side, it is ‘stop the boats’, calls for mass deportations, protests outside hostels for frightened immigrants, the implication that all immigrants are scroungers, destroying the soul of Britain (or the USA) and the need to rapidly close our borders.  

But it’s complicated. There are significant differences between the claims of legal migrants, asylum seekers and illegal immigrants. Most would probably agree that offering welcome to people escaping warfare, persecution and famine in their homelands is right, proper, and in line with a long tradition of wealthy countries offering a refuge for others in need. People will always be on the move, and to close all borders is unrealistic and unjust. The moderate, fertile British climate, our historic economic and political stability, our well-regulated legal system, the Christian faith which shaped our culture, even the relative tidiness of our streets and countryside, are gifts we inherit from the past and should be generous with them.  

Yet these are blessings that can’t be taken for granted. They need protecting, not just for our sakes but for those with a legitimate claim to make a home here.

So, most would also agree that illegal immigration is a scourge, with the ruthless villains enticing desperate migrants to climb on their flimsy boats across the channel deserving little else but criminal sentences. Yet even mass ‘legal’ migration will change the character of the nation. In 1990, net migration was around 20,000 a year. In 2024 it was 430,000. When 40% of primary age children have at least one foreign-born parent, and for one in five, English is not their first language, that can't fail to have an impact on the character of the nation, especially in areas where housing is cheaper and newcomers to the country find it easier to find accommodation. 

But this complexity gets lost in the need for a punchy headline. Neither ‘send them home’ or ‘all migrants welcome’ capture the dilemma. It needs nuance. It needs careful, patient working towards the right balance between differing claims – compassion towards the stranger and the preservation of the very things that draw the refugees and the restless here. 

The same is true of Israel and Gaza. For the pro-Israel lobby, just to draw attention to the suffering in Gaza is to be anti-Semitic. To urge restraint on Israel’s determination to destroy Hamas, even if it means destroying Gaza and much of its population in the meantime is to echo the death camps and to bring down Zionist wrath. Yet for Palestine Action and its supporters, Israel’s legitimate need to live in peace without a neighbouring state dedicated to its destruction seems to count for nothing. How can it be expected to live alongside a regime that brutally murdered 1,400 of its citizens in one day?  

Even assisted dying – on which I and others on Seen & Unseen take the strong view that it is a bad idea – is not simple. The cries of those facing a long and painful death need hearing and people like me, who argue against assisted dying, need to promote solutions that will alleviate such suffering without crossing the red line of encouraging a culture of death.  

The truth and the resolution of our dilemmas – on immigration, or Gaza, or even assisted dying, are seldom simple. They require nuance. They need forbearance.

It’s complicated. Most important things are. Anyone who has tried to lead a large organisation will know that it’s often a delicate matter of trying to chart a path forward while keeping competing interests and perspectives on board. You lose some people along the way, but you can’t afford to lose everyone, especially if both sides of the argument have some legitimacy.  

The early church’s long struggle to define orthodoxy took time, patience, careful thought and restraint – even though at times it wasn’t very good at doing it. The result was a nuanced statement that steered between one pole – that Jesus was simply a very good human being – and the other – that he was God dressed up in human clothes. The truth eventually glimpsed and embraced was not at one extreme or the other, nor even a limp compromise, but the carefully crafted, unlikely and counter-intuitive idea that held together the best insights of both sides - that he was not ‘only human’ or ‘only divine’, or 50% of each, like semi-skimmed milk, but 100% human and 100% divine, and that this (for reasons too involved to go into here) was not a contradiction in terms.  

The truth and the resolution of our dilemmas – on immigration, or Gaza, or even assisted dying, are seldom simple. They require nuance. They need forbearance. They need careful attention and listening to the people you instinctively disagree with to arrive at the truth. Yet our longing for a dramatic headline, our hunger for simple solutions, our algorithms that promote the most extreme opinions, all militate against this kind of patient, watchful political and social culture that would help us arrive at better solutions.  

Life is complicated. People are complicated. Solutions to vexed questions are rarely simple. We need nuance.

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