Snippet
Art
Change
Doubt
Spiritual formation
3 min read

Gallery-going has lessons if you're hesitant to cross a church’s threshold

Both welcome those seeking ideas or restoration.

Jamie is Vicar of St Michael's Chester Square, London.

Gallery-goers mingle around large paintings on a wall
The National Gallery/

People have been evangelical about the van Gogh exhibition at the National Gallery. Demand was high, with people sharing membership cards, and the gallery keeping its doors open all night on its final weekend. So off we went, except with a toddler and a baby (not for the late night session). 

Along with the disapproving looks at the noise generated, and the security guard telling me I couldn’t have my son on my shoulders, was also the kind lady in her 60s with her large print guide expressing sympathy and empathy. We stayed for about half the time I would have wanted, and even that time was divided attention to put it generously, but it was glorious. Our kids were utterly, blissfully ignorant and had no concentration span for such a high concentration masterpieces. I was also grateful that our baby didn’t join a protest by throwing her purée at the Sunflowers. 

It was less of an immersive experience than I might have had in another stage, and I wasn’t following the implicit and explicit rules of a very particular subculture. As a priest it pains me that this is so often the message transmitted by the church and how visitors can feel. 

David Cameron wrote in his memoirs about how his first encounter with the late Queen was as a schoolboy reading at a carol service, with the monarch in the front row. When he finished the reading, he walked off, before realising he hadn’t said the right words - 'thanks be to God' and then he panicked and swore. This can often reflect our impression of church: you’ve got to be neat, make sure you say the right thing, don’t say the wrong thing - with this authority and power figure there near you watching with a keen eye that you do everything just so. And that's before you consider how weird it can be to participate in a public meeting in a church in a format called a service. 

A church is not a gallery with perfect pictures. Lucian Freud said of the National Gallery: 'I use the gallery as if it were a doctor. I come for ideas and help.' Church should be a place where we are inspired, to have our 'hearts lifted' in the words of Thomas Cranmer, but also we would do well to think of it it more like a hospital. Where our right of entry is our weakness and need for help. Van Gogh himself said that 'Art is to console those who are broken by life.' Church should be a place where more than observing a master's work from a safe distance, we are in the presence of a master who made us and wants to restore us, all the while finding our company amusing and enjoyable. 

It mightn't feel like the hottest ticket in town, but I regularly hear people finding courses like Alpha a refreshing way to taste the essence of what church can be: where it is made explicit that no questions or thoughts are off limits, and you don't have to worry about standing up or sitting down at the right time. Belonging isn't performance art. 

And if we have the courage to come close to the colour and the texture - we find the possibility of understanding a little bit more about the artist behind it all. 

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Snippet
Change
Community
Fun & play
3 min read

How London’s little festivals opened the door to my community

Helping an elderly Elvis to his gig gave me a glimpse into a new way of city living

Thomas is a writer exploring the intersection of faith, politics, and social justice.

An elderly Elvis impersonator sits on a stage wearing a gold suit.
Dave Elvis.

Finding community in the middle of a city is a strange experience. I have lived in London for six years, in six different flats, and have rarely known the names of any of my neighbours. The starkness of my experience is made all the more glaring when I visit my parents. They live in a small town, close to the countryside. They know all of their neighbours, even the new ones. There are WhatsApp groups where people request eggs or leaf blowers or an extra garden chair from one another.  

My parents’ town has two things that London doesn’t: an acceptance that neighbours should depend on one another, and enough physical space for meaningful interactions to take place.  

Where I live, we are self-sufficient. The idea of asking a neighbour for anything is uncomfortable. I discovered this a few months ago when I went to ask a neighbour if I could borrow a can opener, seriously fighting the urge to walk to the shops and purchase a new one as I knocked on her door.  

In London, we have no space. Rather than seeing my neighbour over the fence in our back gardens, I see her on the stairwell. We’re both already moving to other places, so a nod is all that is exchanged. 

But over the summer, I attended two community festivals. And there, I saw a glimpse of something different; the fruits of a circumstance where people depended on one another and finally had some space.  

Back in July, my wife and I went to the Cally Festival on the Caledonian Road. We were both heavily overdressed, having just come from a wedding. From Pentonville prison to the Marathon Ethiopian restaurant, the road smelt of Jamaican food and locally baked goods. We were surrounded by stalls on every side, the gravel beneath us overtaken by a dance floor and children’s chalk drawings. Our ears rang with the words of a local poet, which jarringly transitioned to a local rap artist as we strolled along the road. Here, in the middle of our city, there was finally enough space for community.  

We were at the festival because a local celebrity wanted to sing. Dave was an Elvis impersonator who had lived on the Bemerton estate for many years. He and his flat had aged together, and he was now wheelchair bound without lift access. This would be his first outing since Christmas. Someone from our church had asked if we could come and help carry him down the stairs. The Cally Festival was forcing us to depend on one another. 

I was captivated by the festival, and the way it transformed a small part of the city. So, the very next weekend, I ventured a few streets west to Somerstown Festival. Just a hundred meters off the Euston Road, I experienced the very same phenomenon. A closed road, lined with smells, stalls, and sounds, with enough space for community. A group of people actively serving one another with a level of dependence that was creating community before my eyes. I looked left, and a young man was lifting a table onto the pavement for an elderly stall owner. I looked right, and a Catholic nun was handing out inspirational quotes about the environment. 

Community festivals can’t happen every day and cities will always lack space, but the two I visited taught me something significant about building community within my concrete home. Our neighbourhoods require opportunities to serve one another. Whilst I'm unlikely to need a leaf blower or garden chairs in my London flat, I may need a can opener or support at a community event. Small confessions of need like that could represent the mustard seed of deeper urban communities. 

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