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Creed
Eating
2 min read

Fremans and foretelling

Dune's world can help us understand messiahship.

Jessica is a Formation Tutor at St Mellitus College, and completing a PhD in Pauline anthropology, 

A bearded older man looks up to a younger man looking into the distance
Timothée Chalamet plays Paul Atreides and Josh Brolin his mentor Gurney Halleck.

As I entered Holy Week, I entered the cinema to watch Dune 2. A less conventional pilgrimage to begin Holy Week. Sci-fi as a genre doesn’t tend to grab my attention, but the interest in this film captivated me. When I saw Dune’s first episode, to my shame, I fell asleep. So, I was hoping for more from the second, and it did not disappoint.  

I sat watching the film on 70mm IMAX, with the direction by Denis Villeneuve and the accompanying score by Hans Zimmer. I was overwhelmed by their music, visuals, and storytelling. The story of Dune, based on a novel by Frank Herbert, follows the protagonist Paul Atreides, a messianic figure on the desert planet of Arrakis. A phrase repeated throughout the film stood out to me: “as it was written". In Dune *spoiler alert*, the protagonist, Paul, is depicted as a Messiah, although sometimes it is unclear whether he believes that himself. He is aware of the prophecy surrounding this foretold figure: “Lisan al Gaib” and plays into them to win the favour of those in the Fremen community following him. The Freman, the people of Arrakis, are in despair and desperate for a saviour to fulfil their abandoned hope. When they see Paul work wonders and fulfil the prophecy, they repeat the phrase “as it was written”, sometimes in quite comedic fashion. In the film, we often see Paul manipulate these foretellings so people will see him as their messiah, even if he is not. 

As it is Holy Week, this got me thinking about how we can know that Jesus is the true Messiah, not just one who knew of the Prophecies to become it. I’ve always found C. S. Lewis's framework helpful in understanding who Jesus is: was he a lunatic, liar or Lord? Was Jesus a crazy figure or simply a liar who fooled people into thinking he was God? Or was he who he said he was? Lord. As I pondered this in Holy Week, one confession from the Gospel of Mark offers helpful framing as to how we know that Jesus is God and the true Prophet who fulfils the meaning of “as it was written”.  

The confession of the Roman Centurion in the Gospel of Mark depicts the proclamation of who Jesus was as he sees Jesus dying on a cross and says, “Surely this man was the Son of God”. The Roman Centurion was an outsider, not one who would have been familiar with the ways Israel, or the prophecies of the Messiah foretold. It was not the disciples of Jesus who were first to confess, but a Roman guard, the last person you’d think would be ready to acknowledge that Jesus was God – and yet, he is the first to understand who Christ is. The Son of God.  

In Dune, only those within the Freman community were able to identify a Messiah. But in the Gospels, we have a confession of one who stands outside the community—an outsider, a hardened soldier. This disclosure witnesses to who God is—not as a made-up figure or pseudo-messiah but as the one foretold—the one who comes to turn despair into hope, mourning into joy, and death into life–as it was written

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Awe and wonder
Christmas culture
Creed
Music
4 min read

Nine Lessons and Carols needs to be long

The carol service that take time to pull at the golden thread of Christmas.
Choristers stand and sing in choir stalls in a church
BBC.

I have decided that I will make it an annual ritual to grumpily defend a Christmas tradition that I love. Last year it was the traditional Nativity Play. This year it is the traditional carol service. For over a hundred years, at King’s College Chapel at least, the traditional Festival of Nine Lessons and Carols has borne witness to the very best of Anglican liturgy. The service combines candlelight, communal and choir carol singing, and lessons from Holy Scripture in a beautifully evocative manner. I adore the service, and it is very much a highlight of my Advent contemplation.

I am thrilled to say that carol services seem to be as popular as ever! I can hardly name a church that won’t be putting one on, either solo or uniting with other parishes. This warms my heart…and yet a shard of ice remains. A small, but very important gripe: editing. I notice that many services don’t follow the traditional pattern of nine lessons. Some have six. Some five. Some only a few, focusing as much as possible on the carol singing. I have a few clergy friends who enjoy giving me a gentle ribbing when I tell them my plans: “Oh you’re not doing ALL NINE are you!? Oh dear! It’ll be so long!” 

Brevity can be a virtue, and the Church hasn’t always cultivated it. I understand people have busy lives, and that very few of us want to be out late on a cold, wintry evening. I know that mince pies and mulled wine are as close to an irresistible temptation as there could be. I know that 30 to 45 minutes of hymn singing with a bit of Bible seems so lovely and compact. I understand all of this. 

However, I want to argue in favour of keeping all nine lessons: the length is the point! 

We end with a meditation on primordial concepts that cannot be truly comprehended by any mortal, and can only be put to paper in poetry. 

Some of the lessons are long (I’m looking at you Genesis!), and some a wonderfully pithy. It starts at the very beginning of the Bible and spends a good deal of time – nearly half of the readings – meditating on Genesis and Isaiah before we even begin to get to the baby Jesus, and the manger, and the shepherds, and the wise men. We seem to take ages not actually reading about the Story of Christmas…and this is VITAL! 

The traditional carol service concludes with the Prologue of John, that masterful exposition of the theology of the Incarnation, the perfect encapsulation of what a Christian believes is the truth, and the light, and the meaning of Jesus being born in a stable in Bethlehem. The service concludes with mention of the Word, of pre-existence, of Creation, of light defeating darkness, of salvation wrought through spirit and not flesh. We end with a meditation on primordial concepts that cannot be truly comprehended by any mortal, and can only be put to paper in poetry…and yet this is the true meaning of Christmas, and the true meaning of the Scriptures. Everything from Genesis 1.1 has been leading up to this, and everything written in Scripture only makes sense in light of these remarkable verses by John (or so Christians believe). 

When defending the traditional Nativity, I wrote about narrative and story and how they are fundamental to understanding our place in the world and the very meaning of our lives. The same can be said about the full nine lessons. Starting at the Fall of Mankind in the Garden of Eden, stopping to ponder the mercy and promise of God to Abraham and Isaac, being confronted with the wonderful Prophecies of Isaiah (the promise of peace and joy in the Kingdom of God), and then charting the story of the miraculous Birth of Christ, we see the underlying narrative thread of all Scripture: God loves His creation, God makes a promise to His creation, God keeps His promise and brings salvation and reconciliation to His creation. The Christmas story is wonderful and joyous, but it is an act in a larger drama, and we cannot truly understand it (or how it relates to the Prologue of John) if we don’t allow ourselves to encounter the whole story. 

Perhaps I’m putting too much emphasis and expectation on a single service in the year. Carol Services are celebratory, and anything that makes them accessible to as many people as possible is not something I want to malign…but…I pray that the full sweep of Scripture, the full and precious golden thread of the narrative of Scripture, is not lost. It is the meaning of Christmas, and it is the meaning of life, and it fills me with joy when it is celebrated with fellowship, singing, and worship. 

Anyway, grump over. I’m going to eat a mince pie.

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