Article
Creed
Wisdom
7 min read

Forgotten wisdom

In all the shifting sands of time and culture, Graham Tomlin draws attention to a source of wisdom that served our ancestors in the past and might do again in the future.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A stone church and tower emerge from the hillside with the sea in the distance.
St Enodoc's Church emerges from the ground.
Malcolm Etherington, Geograph, via Wikimedia Commons.

Most summers we go on holiday to Cornwall in the west of England. One of our favourite walks is across a rather smart seaside golf course, with manicured greens, tidy fairways and well-dressed golfers. Just behind the 11th tee is something you don’t usually expect to find on a golf course: a church. It’s a tiny place, with a small crooked spire and a low slate roof, built of ancient stones weathered by centuries of wind and saltwater. The inside smells of damp hymnbooks and a faint whiff of candle wax, a few memorials to villagers who drowned in the seas nearby, and usually, some flowers carefully placed to give the building a sense of life and colour. Its origins go back 1500 years, supposedly built on the site of a cave where an early Christian hermit called Enodoc used to live and pray.

 

Built near a beach, over the years, wind-driven sand has built up banks around the church which give it the appearance of sitting in a large hole. In fact between the 1500s and the 1800s, the church was virtually buried under sand dunes. During those years, the vicar and the parishioners could only enter the church through a gap in the roof. In 1864, the church was dug out and restored, and it still holds services to this day, as golfers wend their way past, cursing after another missed putt. 

'The buildings kept standing through winter storms, mounting sand dunes, reformations, civil wars and revolutions.'

Year after year for fifteen centuries, people have gathered in that building to pour out their hopes, fears and dreams to God in prayer; husbands and wives made life vows to each other, baptised their children around the small worn font; people took bread and drank wine at the rickety wooden altar and buried their dead in the graveyard surrounding the building. Some of those people had the fierce, intense, focused faith of the hermit who originally prayed on the site. Others had a more uncertain faith that flickered rather than burned brightly, but still was a guiding light for their life.  Meanwhile, the buildings kept standing through winter storms, mounting sand dunes, reformations, civil wars and revolutions, and provided a continuity that held together the changing fortunes and moods of that local community for a millennia and a half. 

 

Walking past this minor architectural miracle, I’ve often asked myself the question why people bothered to build a church in such a remote and awkward place, and why such efforts have been made to maintain this tiny structure, which can only seat around 40 people even when jam-packed full.  

'This building stood, and stands, for a way of life, and a view of the world that sustained people.'

The answer is that this building stood, and stands, for a way of life, and a view of the world that sustained people in small communities like this, and countless larger ones – towns and cities - for around 2000 years. And it’s not just here. Wherever you go in Europe, when you enter a town or village, somewhere in the heart of that community will be a church. Some are grand, opulent affairs, built by some local grandee eager to show off their devotion, or sometimes, let’s be honest, their wealth. Others, like the one in the golf course, are small, humble, ramshackle structures, lacking in any great architectural merit, but whose stones  breathe the love and devotion of the generations for whom that building was the anchor of their lives, the place where life began and ended, and where most significant events were commemorated in between.   

 

These days, many of these churches are struggling to stay open. Regular churchgoing has dropped off in many parts of Europe, and many of these village churches in particular are slowly decaying. It’s partly a result of the general decline in community activities - political party membership has declined significantly, many local pubs and cinemas have closed, and people don’t join things as much as they used to.  But at the same time, many people no longer believe what their ancestors did, and so church seems a strange blend of general niceness with some religious mumbo-jumbo that doesn’t really make much sense anymore. Yet many people still celebrate significant life events in churches. Despite the decline in regular church attendance, most people still want weddings in churches, many get their babies baptised, and ask the local vicar to conduct the funerals of their loved ones.  There is still something - a sense that these places, and the connection with transcendence that they offer - are places you go to at moments of extreme joy or sadness. 

 

Those people in the past were not stupid. Christian faith held together communities and whole nations across Europe for centuries, not because nobody thought hard about it, but because it gave a framework for living that made sense to people, and enabled them to manage and make sense of their lives. It met the needs of the simplest villagers and the most sophisticated and intelligent philosophers. Of course today we are much more technologically advanced and scientifically knowledgeable than they were. However we still look into a dark night sky and marvel at our smallness in a vast universe just as they did; we still cry agonising tears when we lose our friends and family, or when a relationship breaks up, just as they did; we too ask questions about the meaning of life, freedom, suffering, just as they did. The science may have changed, but human nature does not change that much. The questions we ask are remarkably similar to the ones that our ancestors struggled with in the past. 

 

To get a sense of the sheer power of the Christian story, and the way in which it shaped the lives of millions, just walk into any art gallery, and look at just about any section before the 18th century.  Many of the paintings and sculptures will be direct references to the stories of the Bible, and even the ones that aren’t often have all kinds of subtle references to Christian  belief hidden deep within. Or take time to wander around one of the many mediaeval cathedrals that are dotted around biggish cities across the continent, and ask yourself why people designed structures that they knew they would never see because they took more than a lifetime to build. 

 

We have laid aside this heritage in a comparatively short period of time. People in the west often look to eastern traditions, mainly Buddhist, whether of the full-on type, or the gentler forms of mindfulness, because they seem to offer a pathway to peace and tranquillity as well as a faint whiff of the exotic and tantalising. And yet right under our noses lies a deep well of wisdom that inspired our greatest architecture, our finest works of art, and our most soaring and spine-tingling music, and, to those who have discovered it, still claims to offer peace of heart, a sense of fulfilment and meaning, and an unshakeable underlying note of joy to life.  

 

The problem is that we haven’t really found anything to replace it. As Julian Barnes wrote,  in the first line of his book on death, Nothing to be Frightened of:

“I don’t believe in God, but I miss him.” 

Our world has changed a great deal - in fact it doesn’t just change, but changes more quickly as each decade succeeds another. However in quite properly leaving behind some of the things our ancestors took for granted, such as slavery or the inferiority of women, we have at the same time lost hold of the central story that gave meaning to the lives of countless people who went before us, and which could still make sense of our lives today.  Like the proverbial baby and bathwater, in moving on from the old, we have left behind something immensely valuable which could make all the difference to our lives today.

The well-known author C.S. Lewis once said:

“I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”

Christianity, like any other creed, makes sense, not just on its own terms, but if it makes sense of everything else. Christianity offers a kind of counter-cultural wisdom to many of the things we take for granted in our world, things which if we carry on living that way, will destroy us and this precious planet which is our home. It offers a way of life that is much richer, fuller, more disturbing, costly yet utterly worth living – a life where, like that ancient Cornish saint, and those who worshipped in the building named after him, we learn the most fundamental skills about how to live together in a world we did not make.  

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

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