Article
Comment
Digital
Politics
5 min read

The five reasons I go on GB News

Engaging is not endorsing, joining the dialogue prepares ways to peace.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A TV news show panel discussion.
Krish Kandiah, right, debates the news.

GB News is no stranger to controversy. Since its launch in 2021, the channel—claiming to be the UK’s fastest-growing digital news outlet—has seen its live viewing figures rival those of Sky News. Yet, it has faced significant criticism. GB News has been accused of poisoning public discourse with its unapologetically anti-woke, and, many would argue, anti-immigrant editorial stance. Ofcom has investigated the channel for numerous impartiality breaches, issuing fines totalling £100,000 last year. Additional backlash has arisen over serving MPs, such as Jacob Rees-Mogg (before he lost his seat), and Nigel Farage of the Reform Party being paid to host programmes. The firing of Laurence Fox after his obscene and misogynistic on-air comments further fuelled public outrage—ironically also boosting the channel’s viewership. 

For the past year, I have regularly appeared on GB News, often to provide alternative perspectives on issues ranging from immigration to child welfare to slavery reparations. Some accuse me of selling out, of being unnecessarily political, or of lending credibility to a platform that often contradicts my Christian values. Yet I continue to accept these invitations, and here’s why.

Build bridges, not walls 

Peacemaking—the work I believe all Christians are called to by Jesus —is not passive. It requires engagement, courage, and humility. Being a peacemaker means stepping into uncomfortable spaces to foster dialogue, not retreating to the safety of ideological agreement. My faith compels me to bridge divides, treating even my most vocal opponents with respect, seeking common ground where possible, and disagreeing graciously when it isn’t. 

After one particularly heated debate on immigration, an opponent approached me off-air, saying, “We might disagree on almost everything, but I do appreciate your tone. If I had to hear devastating news, I’d want it to come from you.” Moments like these remind me that tone matters as much as content. Civility can be disarming, and small gestures of respect—even in disagreement—can create openings for deeper understanding. By showing up and articulating my views with, I hope, humility, I aim to challenge stereotypes, broaden perspectives, and build bridges toward peace. 

Break down ideological silos 

In an increasingly polarized world, echo chambers dominate. Thanks to AI algorithms that amplify our biases, many of us are surrounded by voices that mirror our own, while opposing views are dismissed or demonized. Appearing on GB News is one way I seek to counteract this dynamic. If I can present a thoughtful counterargument, even if it doesn’t immediately change minds, I hope to foster a culture where differing perspectives are heard rather than ignored. 

The Apostle Paul provides me with a compelling model for engaging in controversial spaces. Often facing hostility in synagogues where he was hoping for a receptive audience, Paul, at great personal cost and to much criticism, took his message to marketplaces, rural villages, and intellectual hubs like the Areopagus. His example reminds me that Jesus’ teachings are meant for everyone, not just those predisposed to agree.  

Model constructive politics 

For me, public debates are an opportunity to demonstrate that politics can be constructive. Too often, political discourse devolves into shouting matches, with each side entrenched in their positions. This approach benefits no one. I aim to model a different kind of engagement—one where disagreements are expressed respectfully, and common ground is sought. It’s not always easy, I have had many an encounter where I was shouted at, sworn out or dismissed, with one lady who was particularly aggressive and patronising. It is frustrating, to say the least, however these opponents help, I believe, in demonstrating the importance and value of being calm, measured and respectful.  

At its best, politics should be about collaboration for the benefit of the marginalized, not division at their expense. If, by God’s grace, I can contribute even a small measure of this spirit to public life, I consider it meaningful.  

Speak for those who can’t 

One of the main reasons I accept invitations to speak on GB News is to amplify the voices of those who might otherwise be overlooked. When I speak on issues such as immigration or child welfare, I do so not to simply promote my own perspective but to represent those whose stories are often ignored or distorted. The view of immigration espoused often on GB News is one which believes migrants to be a drain on our society. There is another viewpoint – they can enrich and benefit our society now as they have done in the past. Not only that, we all benefit when we live in a country marked by justice, generosity, respect, tolerance, liberty and compassion. 

Learn the language of engagement 

Appearing on platforms like GB News is a bit like learning a new language. Just as time spent in a foreign country deepens cultural understanding and fosters more meaningful conversation, so engaging with different media platforms, for me, broadens my perspective and sharpens my ability to articulate my faith, message and values in ways that resonate. Whether I am addressing audiences in Westminster, or through GB News, or in churches, or via Seen & Unseen, I aim to offer my opinions, values and expertise humbly, with integrity and relevance, recognising that I am on a learning journey.

A work in progress 

I don’t always get it right. Sometimes I fail to speak clearly enough. Other times, I fall short of speaking kindly enough. Balancing passion and grace, reaction and response, and raising my voice while also giving others a voice is a constant challenge.  

I strive to follow the example of Jesus—both gentle and firm. He was patient and gracious with his often-misunderstanding disciples, yet unafraid to show righteous anger when necessary, such as when he drove the money-spinners from the temple. In prayer, I lean on Jesus in prayer, recognising that I cannot change hearts and minds on my own.  

For me, engaging with GB News is not about endorsement; it’s about dialogue. It’s not about proselytizing, or politics, it’s about preparing a way for peace. It’s about building bridges, offering hope, and fostering understanding across divides. I hope that others will join me in this vital task so that together we can sing a song of hope, not just to the choir, but to everyone else who needs to hear it too. 

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Review
Culture
Digital
Film & TV
Work
5 min read

Heaven can wait: the gig economy can’t

Good Fortune skewers modern work culture with a celestial twist

Giles is a writer and creative who hosts the God in Film podcast.

A film character talks to an angel in the street who has wings on the back of his coat.
Aziz Ansari and Keanu Reeves star.
Lionsgate.

Good Fortune sees a well-meaning but rather inept angel named Gabriel meddle in the lives of a struggling gig worker and a wealthy venture capitalist, with unpredictable results.  

The film follows Arj (Aziz Ansari), a frustrated documentary editor who is unable to get any steady employment and has been relegated to working in the gig economy, bowing and scraping to all app users for fear that they’ll give him a one-star review. Arj has resulted to sleeping in his car and is only one step away from being completely destitute. After a short trial period working as a personal assistant for bumbling millionaire Jeff (Seth Rogen) that ends badly, Arj reaches the end of his tether. Out of the blue, an angel named Gabriel (Keanu Reeves) appears to Arj, trying to show him that his life has meaning. In order to convince him, he swaps Arj’s life of poverty for Jeff’s of luxury in an attempt to show him that having money won't solve all his problems. But unfortunately for Gabriel, it does solve most of his problems, and Arj does not want to swap back.                                                    

Aziz Ansari writes and directs Good Fortune, making his directorial debut. Unfortunately, while this film may promise a lot, it sadly fails to deliver. The social commentary is on point, but the laughs are spaced very far apart. It manages to accurately diagnose the problems that society faces, namely that the gig economy created by big tech has taken us back to Victorian levels of economic uncertainty for many people. But the prognosis somehow seems to lack any punch when it’s finally delivered. Good Fortune feels like a mix of Trading Places, a cynical version of It’s a Wonderful Life, with a touch of the sitcom Superstore thrown in for good measure. It wears its influences on its sleeve, but never really coalesces into its own thing. The one area it does flex its muscles is the performances.  

Ansari’s Arj voices the frustration of a generation when he says, "I did everything I was supposed to do and nothing's working out”. It is quite enjoyable when Gabriel asks him if he has learned that being rich and privileged isn’t all it’s cracked up to be, and Arj vehemently disagrees. Rather than learning any particular moral lesson, Arj has simply learned that it’s much nicer to be depressed in a mansion than in a hovel.  

Seth Rogen has the hapless privileged idiot down to a science at this point; there’s something cathartic about him seeing how difficult it is for people trapped in the gig economy. “This is too hard,” he despairs, “How do people do this, without just being miserable and angry, all the time?”  

Perhaps predictably, the stand-out performance is Keanu Reeves as Gabriel. Far from being a serenely wise archangel in this iteration, Gabriel is, by his own admission, a bit of a “dumb-dumb”. The film opens with Gabriel feeling frustrated in his current role, stopping people from texting and driving at the last possible moment. Gabriel feels desperate to change the course of someone’s life for the better. Gabriel’s meddling in Arj and Jeff’s lives is not looked on fondly by Martha, his superior (played by Sandra Oh). She makes Gabriel human as a punishment, sending him on a journey of self-discovery.  

After the weighty self-importance of the John Wick franchise, it is thoroughly enjoyable to see Keanu shifting into comedy mode. His Gabriel has a touch of his Bill & Ted performance, making him a naïve idiot who lights up the screen every time he’s on it. Seeing him enjoy tacos, milkshakes and ‘chicken nuggies’, simple pleasures that are so easily taken for granted, brings some much-needed levity to a script that doesn’t always manage to rise.  

In a sense, Good Fortune writes itself into a corner and can’t quite figure out how to get out of it. It feels like there’s a lot of time floundering around for an answer, which is frustrating, even at a brisk run time of 98 minutes. If there is any area that feels under-served it’s the sub-plot with Elena (played by singer and actress Keke Palmer). Serving as the love-interest for Arj, Elena seems to be the only one clear-eyed enough to see that systemic oppression requires an organised response, and is in the halting process of forming a union. Elena is the only one able to talk any sense into Arj when she says: “I’d rather be back down there, trying to help more of us get up here”.  

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