Article
Culture
Re-enchanting
4 min read

The falcon’s call

Awed by an encounter with a bird of prey high above a Texas river, Anthony Baker ponders both the place and his place.

Anthony is a theology professor at Seminary of the Southwest in Austin, Texas.

A view of a lightly misted valley to mountains in a desert area.
The view from the South Rim of the Big Bend National Park.
National Park Service Digital Image Archives, Public domain, via Wikimedia Commons.

Seeing God in Big Bend

The scream from the sky shattered the quiet calm of my cliffside campsite. I'd never heard such a sound—it was like a large crow had decided to try and quack. I rushed out of my tent, where I'd collapsed after making the seven mile trek up the mountain, to find the source of this alarming noise.

I was up on the rim of Big Bend National Park in southwestern Texas, where I'd come on a solitary backpacking retreat. The "big bend" is the abrupt L-turn of the Rio Grande river, as it changes course from southeast to northeast. At the heart of the park rise the stark and severe Chisos Mountains, and the crown jewel of the Chisos is surely the South Rim. A thousand feet beneath me, a sheer drop from where I've staked my tent, there is a whole other mountain range. And ten miles away to the southeast I could see gorgeously striped limestone ridges across the river in northern Mexico.

It's a place that puts you in the presence of the sublime.  Everett Townsend, the pathfinder responsible for bringing the region under the protection of Franklin Roosevelt's government, was particularly awed by this view. As a biographer put it, the view from the South Rim allowed him to

"see God as he had never seen Him before and so overpoweringly impressed him that he made note of its awesomeness…"

What does it mean, though, to see God in a place? Do I need to be up high and far away, staring into sublime depths? The South Rim gives me the impression that I'm hovering like an eagle over the earth, not standing on it like a human. Why are these the places that we think we sense the divine? 

I'd like to think that seeing God in a place can be just as much about close and near attention as it is about sublime distances. What does God look and sound like here, if I stand on the ground and pay as much attention as I can to what I see and hear around me?

The Falcon's cry

I had no Internet connection on the Rim, so when I heard that bird cry out over my head I tried to burn the sound into a mental audio file. Jumping from my tent, I saw a large predator bird shooting directly above me and out over the cliff's edge. The size and shape—a large flying crossbow—told me that I'd been hailed by a peregrine falcon. A sign near my site told me that the section of the ledge where I was camping—where the South and East Rims meet—is in fact a protected nesting ground for the birds, closing to human trekkers each spring.

The peregrine is the world's fastest animal of any kind. They can dive at 200 miles per hour. That means they can only hunt birds in flight, since if they attacked anything on the ground at that speed they would both wind up, as my Granny would put it, "nothing but a greasy spot on the pavement."

A display down at the park's visitors' center had already filled me in on the near demise of the remarkable bird. DDT, a killing-machine of a pesticide that Rachel Carson called out in her book The Silent Spring in the 60s, triggers an immuno-response in female birds who have ingested it into their bodies. This response limits the calcium they can supply to their eggshells. As a result, the eggs were too vulnerable to predators or simply weather, and the embryos were not surviving.

We gave the Nobel Prize to the scientist who discovered how to use DDT to kill insects. It made so much sense, after World War II, to find ways to kill the pests who were spreading disease among the wounded soldiers and other victims of the war. But we were not yet thinking, in those days, about what else we might be killing. Now we're at least thinking, even while we're still killing.

Sin and redemption on the mountain 

What does the falcon, soaring off the Rim, reveal to me about God? Consider, for instance, the doctrine of sin. Taken as an abstraction, sin is what theologians call the manifold ways that humans can turn from their holy God.  But what if we fill that doctrine in with attentiveness to the story the falcon tells us? Here on the Rim, sin looks like failing to be awed enough by this remarkable life form to notice, until almost too late, that we are killing it. 

Similarly, redemption, in the Christian telling of things, refers to the way that God overcomes sin and restores holy relationship. Here on the rim, redemption looks like a shared grief over the damage we've done. It looks also like the effort to protect this space as a bird sanctuary—literally a "holy place." It looks like a hope that falcon and human, like the bird and its own prey, can find a balance of mutual respect and coexistence.

The warning call of God

When I came down the mountain, I got on the Wi-Fi at the lodge outside the park and went searching for bird calls. I found a match for the sound that I'd heard - that caw-quack of a scream. It was the warning call of a peregrine falcon who has found predators in its nesting grounds. The bird was talking about me! Maybe somewhere in her DNA she recognized me as one of the DDT users that ruined her ancestors' eggshells. Hearing that call, as the bird flew off into sublime depths and distances, I suspect I was hearing about the mystery of life, the damage of sin, and the beauty of redemption. In other words, I was hearing the voice of God.

Review
Books
Culture
Re-enchanting
6 min read

Re-enchanting… reading lists

As a Re-enchanting series ends, here's our guests and staff book picks.

Tom Rippon is Assistant Editor at Roots for Churches, an ecumenical charity.

A pile of books on a bedside table.
Jodie Cook on Unsplash.

Inside a book, we find ‘a world that reflects our own, but isn’t this world’, at least that’s what David Bennett had to say when he appeared on our Re-enchanting podcast earlier this year, and given the power of books to transport us beyond the everyday, what better way to start each episode than with the question, ‘what are you reading?’ 

Many of our guests are self-confessed bookworms and admit to having several books on the go at once, dipping in and out according to their mood and the time of day, and a sizeable number profess a love of audiobooks.  So, after a blitz of the Seen & Unseen back-catalogue – accompanied by many sidetracks into our guests’ ponderings with Belle Tindall and Justin Brierley – here’s what’s on the Re-enchanting reading list. 

Chapter one: by way of introduction 

At first glance, it would seem that our guests are a serious bunch, because the Re-enchanting book list is dominated by non-fiction. Works on the intersection of science, religion and society are clear front-runners, ranging from R.H. Tawney’s Religion and the Rise of Capitalism (Francis Spufford’s pick) to Charles Foster’s The Selfless Gene (Paul Kingsnorth), but more general works also abound. An interest in re-enchantment clearly involves careful study of the everyday from cradle – Jonathan Haidt’s The Anxious Generation (Sarah Irving-Stonebreaker) – to grave, for example, Stephen and Cynthia Covey’s father-daughter collaboration, Live Life in Crescendo, Your Most Important Work is Always Ahead of You (Michael Hastings). Some encouraging words at a time when questions about ageing and illness are on the national agenda. 

Chapter two: heading (east) into deeper waters 

As a podcast that invites its guests onto the roof of Lambeth Palace Library, it will come as no surprise that our guests’ picks also feature a selection of books on theology and spirituality. Nick Spencer recommends Prophecy and Discernment by Walter Moberly, whilst Brooklyn pastor Rasool Berry brings us back down to earth with Sam Alberry’s What God Has to Say About Our Bodies: Why the Gospel is Good News for Our Physical Selves.   

Many guests, however, seem to be directing our attention eastwards towards the spirituality of Orthodox Christianity; their picks include classics such as Michael Kozlov and Arsenius Troyepolsky’s The Way of the Pilgrim (Martin Shaw); and The Art of Prayer by Hegumen Khariton (Molly Worthen); as well as a newer work by the twentieth-century saint, Porphyrios of Kafsokalyvia, Wounded by Love (Paul Kingsnorth). But this road of literary spirituality doesn’t stop in Eastern Europe, it keeps going until our arrival in Nepal via the memoirs and meditations of Tenzin Palmo in Cave in the Snow: A Western Woman’s Quest for Enlightenment (Sabina Alkira). Stories of global faith for a globalised world indeed.  

Chapter three: story of my life 

It is said that the best stories are the real ones and our guests apparently agree: biographies and memoirs pop up repeatedly throughout their picks. Sticking with the theme of spiritual journeys, our guests are reading works which recount journeys away from faith communities, such as Megan Phelps-Roper’s Unfollow (Glen Scrivener), as well as ones deeper into faith. One of the most striking of these is James Pennington’s nineteenth-century abolitionist pamphlet Two Years Absence (Esau McCaulley). Pennington was a self-taught pastor who left his church community following his re-enfranchisement to study theology at Princeton. His pamphlet was adapted from a sermon given to prepare his congregation for the journey which would take him deeper into his faith, but away from the community in which he lived it out. Many stories begin with a ‘setting out’ only to ‘return home’ in the closing pages, and perhaps this structure bears a closer resemblance to real life than it may initially appear? 

Venturing away from the spiritual, but remaining in the political vein, perhaps the most frequently mentioned book so far has to be Rory Stewart’s memoir Politics on the Edge, himself a Re-enchanting guest way back in series 2. Alternatively, readers who have had their fill of politics may wish to try the memoirs of polar explorer Robert Bartlett, as recommended by Molly Worthen, or, to take a leaf from Milton Jones, the equally fascinating and no-less-hair-raising Windswept and Interesting: My Autobiography by Billy Connolly. 

So far, fiction has not featured much amongst our guests’ recommendations, but tentative favourite would be the Pulitzer prize-winning novel by Barbara Kingsolver, Demon Copperhead.  Set in present-day Appalachia and inspired by Charles Dickens’ David Copperfield, Demon Copperhead touches on the poverty and struggles of America’s left-behind communities, who today find themselves worlds away from the glitz of global politics, yet wielding a political influence that extends far beyond their own borders. 

Chapter four: A whole new world or the world reimagined? 

In the instances when fiction has appeared in our guests’ bed stands, it seems that they have a taste for fantasy and science fiction.  The favourite by far here is C. S. Lewis, with several guests reminiscing of their experience of reading Narnia, but for Jack Palmer-Wright the experience of rereading The Lion, the Witch and the Wardrobe took special significance this year as he introduced it to his five-year-old for the first time. Adult readers looking to relive the experience of discovering Lewis for the first time should check out Lewis’ lesser-known Space Trilogy, particularly That Hideous Strength: A Modern Fairytale for Grown-Ups, recommended by Holly Ordway as a prophetic tale for today’s world.  

Other stalwarts of the fantasy genre also made an appearance, such as J. R. R. Tolkien and J. K. Rowling, but perhaps the most surprising recommendation to come out of Re-enchanting would be Margaret Cavendish’s The Blazing World (Frank Skinner). Published in 1666 and considered to be perhaps the first science-fiction novel, The Blazing World is set in a parallel world with fantastical technologies reached via the North Pole. The characters, including Cavendish herself, criss-cross between worlds as the novel moves through its three sections, ‘Romancical’, ‘Philosophical’ and ‘Fantastical’, exploring questions of social organisation, governance, and whether it is really possible to create a new religion complete with a fully fledged religious literature. Given the ongoing conversations about the place of religion in the twenty-first century, perhaps it’s time for Cavendish to make a comeback. 

Chapter five: what next? 

Stories are made of words but they are also made of silences, and these narrative gaps are just as key to getting a story to take flight as the most well-chosen, well-balanced phrase.  The biggest gap in our Re-enchanting reading list is poetry.  Books about poets – the Romantics, Seamus Heaney, to name a couple - have made an appearance, but we have yet to receive a straightforward poetry recommendation from any of our guests.  So, should you feel the need to fill this gap, here’s a few from us for anyone looking for something to dip into over the coming year. 

  • Sara Teasdale  
  • Mary Oliver 
  • Gerard Manley Hopkins  
  • Jackie Kay 
  • Jalāl al-Dīn Muhammad Rūmī 
  • Victor Hugo 

Happy reading and see you in 2025 for more Re-enchanting. 

2024 staff picks

And here’s the picks from the rest of the Seen & Unseen editorial team. 

Graham Tomlin, editor-in-chief 

  • Sally Rooney: Normal People
  • Jessie Childs: The Siege of Loyalty House: A New History of the English Civil War

Belle Tindall, staff writer 

  • Selina Stone: Tarry Awhile .
  • Sally Rooney: Intermezzo.  
    Frank C. Laubach: Letters from a Modern Mystic.   

Nick Jones, senior editor 

  • Jon Fosse: A Shining
  • Mary Millar: Jane Haining – A Life of Love and Courage
  • Peter Ross: Steeple Chasing

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