The earth-shaking consequences of Christmas

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. Explore the notion of the author entering his or her own creation.

Barnabas Aspray

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A nativity scene in bold colours in an illumination style.

The Nativity, Mesrop of Khizan, Armenia, 1615.

Public Domain, The Getty Museum.

The radical uniqueness of the Christmas story can be easily lost in a culture over-familiar with carols, nativity scenes, and Christmas cards. The birth of Jesus is not, for Christians, merely the birth of the founder of their religion, comparable to Muhammad, the Buddha, Guru Nanak, or Moses. The heart of the Christian claim is that in the Incarnation, the Almighty Creator of all things has irrevocably identified himself with the human race, standing in solidarity with every person who ever existed and ever will exist.

Imagine Tolkien being born as a hobbit in the Shire, or J.K. Rowling going to school at Hogwarts. The mind-bending notion of the author entering his or her own creation is far closer to the Christian idea of Jesus than any comparison between him and other great figures of history. For Christians, he was not just a moral teacher, not just an inspiring example – not even an object of adoration and love without further qualification. He was and is all these things of course. But all those things are put in the shade by something else, totally unique and unrepeatable: Immanuel, God-among-us.

The implications of this are staggering. Dorothy Sayers puts it this way (quote slightly adapted):

For whatever reason God chose to make human beings as we are – limited and suffering and subject to sorrows and death – he had the honesty and the courage to take his own medicine. Whatever game he is playing with his creation, he has kept his own rules and played fair. He can exact nothing from us that he has not exacted from himself. He has himself gone through the whole of human experience, from the trivial irritations of family life and the cramping restrictions of hard work and lack of money to the worst horrors of pain and humiliation, defeat, despair, and death. He was born in poverty and died in disgrace and thought it well worthwhile.

The Christian God is a God who plays fair, who keeps the rules he commands us to keep, who suffered the same pain, anxiety, and daily struggle that we all suffer in the world he created.

How is this possible? Only if we hold together two things that look like a contradiction at first sight: that Jesus is both fully God and fully human, at the same time, without confusion or separation. This is how Christian dogma has been enshrined in our creeds.

The early centuries of Christianity were a delicate balancing act. Theory after theory was tried and abandoned because it failed to hold the necessary tension between ‘fully God’ and ‘fully man’. The long councils with hundreds of bishops arguing over the precise wording of the creed may seem very remote to our daily concerns, but they were trying to protect something vital to the life of the Church. One word wrong could have upset the whole balance, and Christianity would have become simply another mystical apparition or set of moral guidelines along hundreds of others in the ancient world.

If we let go of the ‘fully God’ part, then we are left with a religious teacher who may inspire devotion, offer moral guidance, or even speak with the voice of God. But we do not have the Creator himself entering his creation to experience it as we do.

If we let go of the ‘fully human’ part, then we are left with a supernatural appearance of the one who made us. He might command us to live a certain way and punish us when we fail. He might leave detailed instructions about the right way to worship him. But he did not share our condition. He did not get sunburnt, jostled in the street, woken up, pinched, teased at school, or sold a dud.

The magic is in that combination of the two, almost impossible to grasp, that puts the source of all power, truth and beauty in a collision course with the deepest fears, sufferings, joys, hopes and longings of every member of the human race. The one who made us is not unaware of what it is like to live in this world. Whatever his mysterious purposes may be for his creation, they involve humanity in a prominent position. And whatever God destines for our race is a destiny he shares. As G.K. Chesterton writes of the Incarnation:

‘Since that day it has never been quite enough to say that God is in his heaven and all is right with the world, since the rumour that God had left his heavens to set it right.’

Article

Advent

Christmas culture

Joy

Poetry

20 December 2024

6 min read

The Advent poets who can’t wait until the world is sane

Tennyson to Eliot, Rossetti to L’Engle, find despair doesn’t preclude joy.

Beatrice Scudeler

Beatrice writes on literature, religion, the arts, and the family. Her published work can be found here.

Beyond a misty and raindrop streaked window, a colourful triangle shape emerges.

Ricardo Gomez Angel on Unsplash.

After his conversion to Anglo-Catholicism in 1927, critics began to notice a change in T. S. Eliot’s poetry. Some thought this was for the worse, that Eliot’s newfound faith dimmed his literary powers, making his usually impenetrable style more conventional. But there is a less cynical view. I think, instead, that his conversion brought a sense of clarity and purpose to his poetry. I think what really happened is that, like many Christian converts before and after him, he found a sense of joy.

Nowhere better can we find that distinctly Christian sense of joy than in Eliot’s ‘The Journey of the Magi’, an Advent poem recounting Jesus’s birth from the point of view of the magi travelling to meet him. Like many of my favourite Advent poems, ‘Journey of the Magi’ is not straightforwardly cheerful, instead dwelling on the idea of alienation. The last stanza of the poem in particular is devoted to the magi’s confusion at returning to their old life after witnessing the miracle of Christ’s birth:

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

It’s hard not to read these lines and imagine that Eliot himself might have experienced a feeling of alienation, as a new convert, when looking back on his old life. And yet, the magi’s sense of being ‘no longer at ease’ in their old home, of being among ‘an alien people’, is not something that only converts experience. All of us, whether we are converts or reverts, whether we were brought up in the Christian faith or are still contemplating it with uncertainty, have a moment when we realise that believing in Christ’s birth, death, and resurrection radically changes the way we look at the world.

And conversion isn’t something that just happens once. Every year, during Advent, we are asked to meet despair with joy. For those of us living in the northern hemisphere, we’re specifically asked to do this in the darkest and coldest time of the year, when nature looks so gloomy and unwelcoming. As Christina Rossetti puts it in one of our country’s most beloved Christmas hymns, Jesus comes not at a time of flourishing nature, but rather ‘in the bleak midwinter’, when the earth is ‘hard as iron’ and water frozen ‘like a stone’. Just as we persevere in our yearly hope that spring will come again, so too we are called to renew our conversion of heart each Advent, waiting in hope for Christ’s birth.

But hope doesn’t have to mean blind optimism. The older I’ve become, the more I’ve come to think that rejoicing during Advent doesn’t have to involve unadulterated cheerfulness. Grief has its place within joy, as counterintuitive as that may seem. In fact, Advent is an opportunity to cultivate the virtue of hope in spite of grief, and in spite of the evils that we see in the world. ‘Were we led all that way for / Birth or Death?’, ask the magi. The answer is both. Each year Christ’s birth reminds us that faith requires us to die to our old selves. For some, this means having uncomfortable conversations with family or friends who don’t understand their conversion to the faith. For others, it means facing illness or death of a loved one or other kinds of trauma without giving in to despair.

None of this is easy, of course. Clinging to hope in dark times can truly feel like ‘bitter agony’, as Eliot writes. And yet, as one of the magi says in the final line of Eliot’s poem, ‘I should be glad of another death’. When we die to our selves, we also experience a new birth in Christ. Even as we celebrate his birth, we are reminded of his death on the cross for us, of the fact that he so loved us that he was willing to bear unbearable pain for our sake.

That kind of love, although it doesn’t remove all the sources of suffering in our daily life, does call for rejoicing. Another wonderful Advent poem, Madeleine L’Engle’s ‘First Coming’, emphasises the necessity of joyfulness in the face of a corrupted world. L’Engle begins by reminding us, stanza after stanza, that Jesus didn’t wait for humanity to become perfect before coming to us: ‘He did not wait till the world was ready’, she begins, before adding, ‘He did not wait for the perfect time’, ‘He did not wait till hearts were pure’. Rather, Christ came ‘in joy’, to ‘a tarnished world of sin and doubt’, right ‘when the need was deep and great’.

L’Engle ends ‘First Coming’ by encouraging us to imitate Christ not just in his patience, but also in accepting joy now, not when we world finally stops being rife with sin and pain:

We cannot wait till the world is sane
to raise our songs with joyful voice,
for to share our grief, to touch our pain,
He came with Love: Rejoice! Rejoice!

We can’t wait until ‘the world is sane’ to be joyful. Joy is remembering that Christ really did come ‘to share our grief’, no matter how seemingly unbearable it may be. Lord Tennyson expresses a similar sentiment in his poem In Memoriam, an elegy written after the loss of his dear friend Arthur Hallam. He admits that the pain at his friend’s death is so intense that, as Christmas is drawing near, he almost wishes ‘no more to wake’, and for his ‘hold on life’ to ‘break’. Then, he hears the sounds of bells:

But they my troubled spirit rule,
For they controll'd me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.

Happy memories of Christmas bells from childhood are mixed with pain for Tennyson, bringing him ‘sorrow touch’d with joy’. That’s what all the best Advent poems, from Tennyson to Eliot, From Rossetti to L’Engle, show us: that sorrow doesn’t preclude joy. In the weeks leading up to Christ’s birth, it’s normal to dwell on both birth and death; Advent can be a season for both somberness and merrymaking. Most of all, Advent is a time for prayer, that our hearts may be filled with the knowledge that Christ loves us even in our sorrow, and that the very knowledge of Christ’s love may in turn fill our hearts with joy.

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