Explainer
Atonement
Creed
Easter
Morality
Suffering
5 min read

Christianity, suffering and the morality of the victim

Graham Tomlin explores the real reason why Christianity seems fixated on suffering.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A medieval painting of a suffering Christ surrounded by two angels looking concerned.
Andrea Mantegna, Christ as the Suffering Redeemer.
Richard Mortel, CC BY 2.0 , via Wikimedia Commons.

The Times caused a bit of a stir over the Easter weekend with an article entitled 'I’ll choose heroes rather than martyrs anyday.' The article linked Christianity’s fixation with suffering, climaxing with the crucifixion of Jesus, with the tendency in modern life to accord moral value to victimhood.  

The article’s author, Matthew Parris, is a wonderful writer, always interesting and provocative, and often talks a lot of sense. He is absolutely right to resist the urge to elevate an often self-claimed victimhood as in itself giving moral power and authority. Being a victim of bad treatment doesn’t in itself make your moral cause right or wrong. It might simply mean being in the wrong place at the wrong time.  

The problem with elevating victimhood, is that none of us are solely victims. Most of us can find some area of life where we have felt we have been badly treated, but if we’re honest, we can also find other parts where we have treated others badly too. Although it’s tempting to divide the world into villains and victims, oppressors and oppressed, it’s never quite as neat as that. Of course, some people, and some groups of people are definitely more sinned against than sinning; issues of real injustice matter and need urgent attention, but however true that is, none of us falls solely on one side or the other of that line. We are not all equally guilty or innocent. At the end of the day, we are all part villain and part victim. 

Parris is also right that Christian art and literature tends to focus on suffering to an extent that jars with our modern sensibilities. I just don’t think he understands why. Because the more I’ve thought about the article, the more it seems to me to miss something essential about Christianity. 

We Christians believe that the passion of Jesus – his death and resurrection – has saved the world. Yet, even though we often focus on the agony of Christ on the cross, or the sacrifices of the saints and martyrs, we don’t believe in the redemptive power of suffering in itself. Suffering was never part of the original plan. It is not suffering or victimhood that saves, but love. Divine love.  

 

It is not the victimhood that conveys moral worth, but the kind of divine love that is so strong that even suffering will not knock it off course.

When Divine Love entered a broken and fallen world, it was always going to be messy. The love of God for the human race meant suffering for Jesus, but only because we humans have become such twisted, confused and blind creatures, that we failed to see that in Jesus, God himself was coming to us and we tried to kill him. Love may or may not lead you to become a victim (more often than not it does in a broken world) but it is not the victimhood that conveys moral worth, but the kind of divine love that is so strong that even suffering will not knock it off course.  

Real, gritty, determined love, not the sentimental, starry-eyed kind we often think of, is so strong that it keeps going, even when there are real sacrifices to be made, losses to be endured, pain to be borne. That is divine love. That is the kind of love we saw on the cross of Jesus - the kind that compelled Jesus to take on the sin and suffering of the world to neutralise its power once and for all. It was love so strong that on the first Good Friday it stood alongside the victims of injustice and suffering, the countless, unknown people over the centuries who have been persecuted or executed unjustly. And yet it was also so scandalous that it could also reach out to the villains, the criminal on the cross next to Jesus, the soldiers who tortured him and say ‘Father forgive them, for they know not what they do.’ It is the kind of love that is so strong that not even death can stand in its way, as we saw on that first Easter Sunday. 

That is why we Christians value suffering, especially that which is voluntarily borne. Not because it conveys the spurious moral high ground of victimhood but because it is a sure sign of love. It is why we have always venerated our martyrs – because their love for God was so strong that they would even give up their lives for him. It is why the early Christians chose the cross as the central symbol of their faith – because it was the unmistakeable sign of how deep and strong was the love of God for the human race, despite our thoughtlessness, cruelty and self-centredness. Being a victim meant very little to the early Christians, and they never played that card, because what mattered to them was not victimhood but love.  

A recent story highlighted Catholic seminarians in Mexico who were willing to press ahead with getting ordained, even though 50 priests in the region have been murdered since 2006 for speaking out against the violence and damage done by the drug cartels which rule the roost in the local area. As a bishop, I have ordained many priests here in the UK. Not many of them will face that kind of danger, yet the calling is exactly the same – to love people in the name of Christ and to grow the community of people who follow him. Whether you end up getting killed or not, it is not the sacrifice, or the victimhood that gives value, it is the love that inspires the sacrifice. 

What our world needs is not so much martyrs or heroes, but people committed to deep, passionate, determined love.

Instead of martyrs, Parris wants heroes. He plumps for Nietzsche’s vision of the powerful assertiveness of the minority, and his despising of weakness, pity and victimhood. Yet be careful what you wish for. If moral authority and rightness become a matter of who has the power to assert their will more strongly than the rest, what we end up with is just the kind will to domination, the competitive, contentious public space, the desire for power and influence for its own sake, the silencing of others, just because social media means you can, that is the blight of so much modern life. 

What our world needs is not so much martyrs or heroes, but people committed to deep, passionate, determined love. Seeking the best and the good of your neighbour as much as yourself, whoever your neighbour happens to be, might mean you end up a hero, it might mean you end up a victim, but to love God and to love your neighbour – this is what lies at the heart of things.  

That is the kind of love we celebrate every Easter in the story of Good Friday, leading through to Easter Sunday. It is that that lies at the heart of the Christian story, not victimhood. And that is why we need more true, deep Christian faith in our societies, not less. 

Review
Awe and wonder
Creed
Easter
Film & TV
5 min read

Heading Home: a pilgrimage that breaks out beauty along the way

We can learn a new language together as we travel.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A shaft of light from an opening in a dome lights a cross on a pedestal.
Church of the Holy Sepulchre.
Kieran Dodds.

This film, this pilgrimage, this story begins in Jerusalem in the rotunda of the Church of the Holy Sepulchre with its Aedicule, a small chapel, containing the tomb from which Jesus rose.  

Jesus' resurrection was revolutionary because it is the first fruits of a wider resurrection into a new heaven and a new earth, the new Jerusalem, where all that is harmful on earth is transformed into eternal glory and beauty. 

The Church of the Holy Sepulchre holds that vision within its walls, a vision that was then transported throughout the world through pilgrimage and creatively replicated in other locations so that all who entered their local church or cathedral would be transported through art and architecture to the New Jerusalem.  

US philanthropist and author Roberta Ahmanson thinks that American Protestants, in particular, have neglected this story because of the Reformation's preference for word over image. As a result, in 2022, she gathered an eclectic group of Christian college presidents, church pastors, and Christian creatives taking them on a pilgrimage from Jerusalem to London via Italy and Aachen while filming their responses to the visual history of the New Jerusalem as found in the churches they visit. In their two-week journey, the group cover almost 2,000 years of church art and architecture. 

Ahmanson explains that this search for the reality of the Kingdom of God as it is to be realised in the New Jerusalem at the end of time did not mean that pilgrims were to abandon the world. On the contrary, she says, "their job was to serve this world to make it more like the heavenly home where their ultimate citizenship lay." That remains the aim of this art and architecture as:  

“By studying the nature of that promised place, as artists and architects and writers of the past have sought to express it, we are schooled to live lives of wholeness and beauty right here on earth. The longing for beauty is ultimately a longing to be Home, to be in the place where we are whole.” 

The beauty of the churches visited on this pilgrimage provided a vision of the New Jerusalem to those who entered in order that they took that vision into their everyday lives when they left. Along the way, the pilgrims on this trip learnt how artists, architects and theologians worked in parallel for many centuries – from Saint Augustine’s vision of a New Jerusalem to Dante’s admonitions about the Last Judgment. 

The film combines scenes of beautiful interiors with explanations of their significance from Ahmanson and others, plus it shows the reactions of various of the pilgrims as they allow their sense of wonder and understanding of Church history to be expanded. David and Joy Bailey, founders of Arrabon which cultivates Christian communities to pursue healing and reconciliation in a racially divided world, are two of those to have spoken about the impact the trip had on the group of pilgrims.   

Joy said: “Everybody was very literate coming from these strong traditions of faith being either oral or written but to see it so visually impacting, it was breaking us all open and trying to find language for that took the entire trip.” David suggested that: “What the trip was helping you to see was this deeper rootedness, this long tradition that, I think, could actually be very helpful for us today because some of the things that were there were the understanding of humanity as plain on the outside and beauty on the inside, the glory that comes with the inward journey that reflects on Heaven as it is on Earth.”  

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience 

As we travel further from Jerusalem in the film, we are surprised to find that the template of the Holy Sepulchre continues to inspire and shape the experience of pilgrims. Ahmanson explains that: “In churches across the old Roman Empire, from Africa and Palestine to the furthest reaches of Britain, liturgy was created to tell the story and to bring the spaces alive in the telling. Pilgrimages to Jerusalem and later to Rome and then to the tomb of Saint James in Spain became a kind of geographic liturgy. When the trip became too long or … too dangerous, believers found alternative destinations. Across the continent, from Magdeburg in Germany and Constance in Switzerland, to Bologna and Pisa in Italy and London and Cambridge in England, round churches or smaller models replicating the Church of the Holy Sepulchre became pilgrim destinations.” 

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience, particularly during Lent and Holy Week. Walking labyrinths, Palm Sunday processions and Passion dramas, praying the Stations of the Cross, washing feet on Maundy Thursday, sharing a Passover meal, the Good Friday three-hour devotional, and the Dawn Eucharist on Easter Day are among the many ways Christians continue to follow in the footsteps of Jesus while remaining where they are during this most special season.  

Many of these practices provide the opportunity to go on pilgrimage while remaining at home. Just as with images of the New Jerusalem brought from Jerusalem to the churches of Europe, so with, for example, the practice of praying the Stations of the Cross which originated in medieval Europe when pilgrims were unable to visit the Holy Land, so instead “visited” the Holy places through prayer.  

The film, and other creative off-shoots including exhibitions of photographs from the pilgrimage taken by Kieran Dodds and performances by spoken word poet Street Hymns (one of the pilgrims), with his fellow poets Hanna Watson, Jasmine Sims, and Lo Alaman, in response to images of the New Jerusalem, provide viewers with a similar opportunity to experience, reflect and pray. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. 

 

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