Review
Culture
Film & TV
Zombies
5 min read

To boldly hope: how Star Trek dares us to be better

Amid dystopian dramas, Paula Duncan analyses the attraction of the Star Trek franchise.

Paula Duncan is a PhD candidate at the University of Aberdeen, researching OCD and faith.

Spock and Kirk stand on the bridge of a spacecraft.
The young Spock and Kirk, in 2009's Star Trek.

It’s something of a running joke that the popular animated series The Simpsons can predict the future – so much so that this was addressed by Time magazine. It is far from the only show that has a take on our pending fate. There is no shortage of dystopian futures available to us – nuclear war, rising sea levels, zombie apocalypse, super-contagious virus… Some of these no longer feel quite as fictional or remote a possibility as we might like. Such storytelling allows us to consider what it might mean for us to live through such scenarios and, perhaps, think more carefully about how we might prevent them.  

I’m sure there are movies, games, books, or TV shows that spring to mind for each of us when we think about this. For me, it is the Hunger Games and the Divergent book series by Suzanne Collins and Veronica Roth, respectively. Even when these stories offer us a hopeful possibility of redemption, they do so in the wake of disasters that humanity has failed to prevent. We are invited to dwell in the worst parts of humanity and human nature. In some stories we destroy ourselves. In others, we find ourselves simply destroyed. I find it all too easy to become preoccupied by the potential horrors in our near or distant future. 

This is why I’m so drawn to the vision of the future that the Star Trek franchise offers. There’s a hopeful message at the heart of the series that makes our continued existence seem plausible but doesn’t discount the changes we need to collectively make to achieve this. I am slowly making my way through Star Trek: Deep Space 9, having now completed The Original Series (TOS) and The Next Generation, and I’m always struck by this ultimately hopeful view for our future. It’s a not-quite utopian view of the future. We don’t achieve perfection in any way but we do learn to survive and thrive despite the challenges presented to us.  

What do we pass on to our literal next generation? What morals, what values? What hope for a future in which we both survive and thrive? This, I think, is the crucial point. 

It's certainly not perfect. There are definitely things that are uncomfortable on the show – the portrayal of women, for one thing, often misses the mark in TOS. But I do think it represents a beginning, a promise that things can get better. I’m reluctant to write any line that begins “for its time”, but I think there is something in that here. I also defer to the judgement of someone who was actually there, contributing to the formation of the Star Trek universe: Nichelle Nichols, who played Lt. Uhura. She wrote compellingly about the importance of diverse representation in the cast and what it meant to viewers in her autobiography Beyond Uhura. She reflected there:  

Like all of Gene’s characters, Uhura embodied humankind’s highest values and lived according to principles that he was certain would one day guide all human endeavor. In Star Trek Gene created a work of fiction through which he communicated a timely, yet timeless message about humankind’s power to shape its future. But most important, he gave that vision to the world: to writers, to enlarge upon; to directors, to dramatize; to actors, to personify and make real; and to audiences, to enjoy, cherish, and incorporate into their own hopes for the future and for humanity. 

For all its flaws, TOS set up a universe where we could see a better and fairer future for ourselves. In this early series, there are certainly problematic elements that would be written differently today. But there is, at least, hope.  

What speaks most clearly to me is the idea of stewardship. For those unfamiliar with the franchise, it began when TOS originally aired in 1966 and follows the crew of the star ship Enterprise on a five-year exploratory mission through space. On the bridge, Captain James T. Kirk is accompanied by some of the best crew Starfleet has to offer. We follow them through the stars, visiting new people(s) and places and getting into an uncanny number of scrapes.  

Airing in 1987, The Next Generation shows us the new and improved Enterprise is now captained by Jean-Luc Picard and a whole new crew with new skills and talents but the principles are the same – a crew that looks out for one another and their ship, caring for their home away from home. The Enterprise changes and different people take the helm, but the common goals remain. 

Perhaps if we contemplate our world to be something like this: if we consider that we might each be given a collective opportunity to hold the fate of our planet, how should we act to make sure that we hand over the best possible future to those that come next? What do we pass on to our literal next generation? What morals, what values? What hope for a future in which we both survive and thrive? This, I think, is the crucial point 

There are some key messages that we can draw from Star Trek’s view of our future. Captain Kirk frequently talks fondly of an Earth that has eradicated poverty and many unjust power structures. What might need to change for us to get to a position where we hold the same values? Where might we need to sacrifice personal gain in order to create a more sustainable world? I cannot help but think that we are not acting on this as quickly as we should be. The BBC recently published an article focusing on the episode of Star Trek: Deep Space Nine in which 2024 is shown to be a year of riots and unrest on Earth. Even in our sci-fi not-quite-utopian future, our progress is slow.  

I’d like to conclude with a reference to the 2009 movie reboot of Star Trek. Captain Pike says to a young Jim Kirk:

“your father was Captain of a star ship for twelve minutes. He saved eight hundred lives, including your mother's. And yours. I dare you to do better.”  

What if we looked at our stewardship of our planet in the same way? We briefly, collectively, have a chance to make a difference. We have a chance to do better. We need, therefore, to boldly go.  

Podcast
Culture
S&U interviews
4 min read

My conversation with... Paul Kingsnorth

Re-enchanting... Nature. Belle TIndall reflects on an infectious conversation with Paul Kingsnorth, the celebrated author, poet and environmentalist. Finding him a particularly enjoyable guide through the daunting landscapes of belief, environmentalism and AI.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

A sitting man speaks into a microphone will gesturing with one hand

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What would you get if you were to combine a weighty appreciation for the beauty and power of nature with an unexpected conversion to Orthodox Christianity, topped off with an unwavering aversion to smartphones?  

Well, you would get something resembling a Paul Kingsnorth.  

Paul is an award-winning poet and a best-selling author of both fiction (including the Buckmaster Trilogy: Wake, Beast and Alexandria) and non-fiction (including Real England, Confessions of a Recovering Environmentalist and his ongoing Sub-Stack series: Abbey of Misrule). He is, and always has been, an advocate for treating the natural world as if it were far more than a machine to be used or a resource to be obtained. Such behaviour is, according to Paul, nothing short of sacrilegious. As well as an enchantment with what he can see and sense in the natural world, he also has a long-standing fascination with all things mystical. He is, much to my own delight, somewhat of a real-life Gandalf the Gray. If it were not for his London accent, he could easily belong in the pages of Tolkien’s literary world.  

And just one final thing to note about Paul Kingsnorth, since 2021 he has been horrified to find himself a Christian.  

‘…in the end I just thought oh, maybe I’m a Christian. Damn.’ 

Well, actually, that’s unfair of me to say. It’s obvious when talking to Paul that the horror quickly dissolved, and wonder and awe became its swift replacements. But nevertheless, initially he could have rivalled C.S Lewis for the title of ‘the most reluctant convert in all of England.’ As tempted as I am, Paul tells his own story so powerfully (both in his writing and in our conversation for the Re-Enchanting Podcast), that I shan’t even attempt to tell it for him here.  

But what I will say, is that we need people like Paul: the eccentrics, the contemplatives, the fearful, the awe-filled, the critics, the mystics. They're essential. 

The actress Jennifer Coolidge, in her Golden Globes acceptance speech for her (unforgettable) performance in the show White Lotus, paid tribute to its creator, Mike White. It was an oddly insightful tribute. She said,

‘if you don’t know about Mike White, this is what you should know – he’s worried about the world. He’s worried about people. He’s worried about friends that aren’t doing well. He’s worried about animals…’

and she continued gushing in this vein while the camera panned to Mike weeping in the audience.  

As I was recording this particular episode of Re-Enchanting and listening to Paul talk, Jennifer’s speech kept playing in my mind. After approximately one hour in his company, I can’t claim to know Paul Kingsnorth well, but what I do know of him makes me want to pay a similar tribute:

‘if you don’t know about Paul Kingsnorth, this is what you should know – he’s worried about the world…’

And, just as Jennifer Coolidge seemed to be towards Mike White, I found myself profoundly thankful that he is.  

There was nothing nonchalant about our conversation with Paul, deep fascination seems to be his signature disposition towards most things, and perhaps therein lies the source of so much worry. When one is deeply fascinated or emotionally invested, assured of meaning, or perhaps even continually in awe of something; how can worry for its welfare not also be present? To worry about something is to care, it is to render it worthy of your worry, and Paul seems to render us all worthy of his. Why? Well, in his words, because

‘if God is an artist, which I think he is, then nature is his artwork. And we’re a part of it too, incidentally. We’re natural too.’

Therefore, the fact that we seem to have lost sight of this, and subsequently fractured our relationships with each other, with the natural world, and with God, is a crisis of the most spiritual proportions. And Paul cares. 

I feel it is at this point that I must offer a disclaimer: my conversation with Paul Kingsnorth was a delight. It was, to borrow a familiar phrase, re-enchanting and I enjoyed it to no end.  

While it is true that he leads us into some weighty topics (the terrors of AI, the disaster of being so divorced from the natural world, the problems woven into the very make-up of our society), he is a particularly enjoyable guide through what can be daunting landscapes. He may have an eye for detecting doom, but he seems to do so with a personable lightness. Like I say, he’s Gandalf, just without the staff.  

 It also helps that alongside a diagnosis, he so enthusiastically offers up what he believes to be a cure,  

‘The more you have to answer these questions: what is a human? What is nature? What is the world? The more people will be ready for actual, serious, Christianity again. Full-strength Christianity. Not the weak version, the real thing. And I think that’s starting to happen, I can feel it.’  

Paul’s episode of Re-Enchanting is well worth an hour of your time, his infectious fascination with all things nature is worth infinitely more.