Review
Culture
Education
6 min read

Back to school on the big screen

It’s back to school for many. Yaroslav Walker picks his favourite films capturing the friendship, the drama, and the expectation of school life and beyond.
School students walk across a playground confidently talking and laughing with us
The History Boys.
BBC Films.

The summer is coming to an end, the last BBQ embers are sputtering to sleep, the weather…appears not to have been told, at least in London! Sweltering! Most importantly of all, our children are back to school, nursery or college. In light of this momentous time of year here are my top five back to school film choices, one each for the last five decades, and some honourable mentions. 

1970s - American Grafitti 

A teenage couple dressed in 1950s clothes sit on a kerb in deep conversation.
Charles Martin Smith and Candy Clark in American Graffiti

American Graffiti isn’t just a lovely piece of nostalgia now, it was back then. A misty-eyed look back at 60s Americana, this film is packed with slicked-back hair, classic cars, diners with roller-skating waitresses, and the complexities of teenage romance. Four friends meet on the last day of summer to experience the joys of a California evening one last time before two of them jet off to college ‘back East’. Curt is unsure about his future and is even considering staying in his hometown. Steve is hubristically thrilled about the prospect of fleeing his humdrum life and even shedding his loving girlfriend for new conquests. Terry is insecure and simply desperate to prove he is as good as everyone else, and Milner is the older friend who never left town and is a local-legend drag-racer. Over the course of a long night they go their separate ways, have adventures, and finally find some closure to their ongoing anxieties: one finds new confidence, another begins to take risks, another learns to be happy with his lot, and Milner wins a drag race…oh, an learns the genuine happiness that can be found in adult responsibility. It's too long, but it is a lovely atmosphere to meander about in, and is edited superbly so it never really drags. With superb performances and a soundtrack bursting with 50s and 60s hits, this is well worth a watch. 

1980s - The Breakfast Club 

Five glum students perch on stools in school room.
Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheedy, and Anthony Michael Hall in The Breakfast Club.

Well what else could it have been!? In many ways the film set the classic pattern of US High School living (which did and sometimes still does inform UK attitudes) and the High School movie. John Hughes didn’t invent these archetypes and wasn’t the first to put them on celluloid, but he was the master of crystallising them. The Breakfast Club presents an all-day detention that just so happens to have a representative from every social caste of the High School system: Andrew the jock (Emelio Esteves), Brian the nerd (Anthony Michael Hall), Allison the weirdo (Ally Sheedy), Claire the popular girl (Molly Ringwald), and Bender the burnout (Judd Nelson). These five kids have nothing in common but their dislike of the domineering Vice-Principal (Paul Gleason was born for this role!)…OR DO THEY!? Whereas American Graffiti explored the process of maturing into adulthood and the taking charge of one’s sense of self (with a background hum of Vietnam paranoia and the end of golden Americana days), The Breakfast Club is much more forthright in demonstrating just how difficult being a teenager is. These kids don’t need help ‘growing up’, if anything they need to be allowed to be kids. Over the course of the day their defences break down and they learn that each of them has expectations and pressures that seem overwhelming, and grown to have genuine respect and compassion for each other. A script that is sometimes on-the-nose and prone to soliloquy is saved by the sheer bravura of the performances. A go to comfort film, that will always be iconic. Any film which ends with Simple Minds is a 5 star affair for me. 

1990s - The Faculty 

Two students walk down a school corridor, one looking away.
Elijah Wood and Jordana Brewster in The Faculty.

We move to slightly scarier fare with the 90s. The Faculty asks the question you were all asking…what if Invasion of the Bodysnatchers took place in an American high school? The answer is subtext; a lot of subtext and allegory. You know, when you’re a teenager, everything can seem quite tough. The world can seem like it's against you. It can seem like everyone you know has changed overnight and you’re lost in a sea of hostile faces. It can seem like a parasitic alien is using your school as a beachhead for a planetary takeover. The Faculty is cinematic junk-food and unapologetically so. It is camp and silly and fun. It takes those Hughesian archetypes, puts them on steroids, and then throws them into a plot joyfully riffing on the most classic sci-fi and horror tropes - all held nicely together with a quip-filled Kevin Williamson screenplay. An underrated Robert Rodriguez directorial effort which shows that he can work well across genres, and an excellent opportunity to see early performances from Josh Hartnett, Elijah Wood, Jon Stewart, and…wait…is that Usher in that film!? 

2000s - The History Boys 

Yes, we move to British shores at last. Alan Bennett’s stage-play is brought to beautiful cinematic life by original director Nicholas Hytner, who has an excellent track record of translating Bennett’s work from stage to screen. It’s another flash of nostalgia (which all such films are, as adult writers and directors look back to their own school days and teenage angst and adventure) which transports the viewer to 1980s Sheffield. A group of friends at the local Grammar School have all done very well in their A Levels and are now put to the task of preparing for the Oxford entrance exams. All are lovers of History (well, maybe not Rudge) and have received an enviously eclectic education in the full gamut of culture from the eccentric and long-suffering Hector. Like all the films above, The History Boys explores the challenges of adolescence, but with a specific focus on ‘doing well’ in a particularly British way. Sporting excellence or popularity aren’t the measure of student success - Oxbridge is. The teachers don’t push the young men nearly as much as they do themselves, seeing a place at Oxford as the best form of advancement. The witty and moving script also touches on the issue of infatuation, attraction, sexual fluidity, and chaste reciprocity: Posner’s love for Dakin being encouraged only so far in some sort of mutually agreed stand-off, Dakin’s willingness to sleep with the substitute teacher Irwin, and (of course) Hector’s tradition of giving the boys a ride home on his motorcycle and…appreciating them aesthetically. Not easy subject matter, but written and directed and shot and performed with such sensitivity that you can’t help but fall in love with every character. 

2010s - The Inbetweeners Movie 

Two students look at each in in incomprehension.
Blake Harrison and Simon Bird in The Inbetweeners.

We end with crudity. Crudity and friendship and a booze-filled week in Crete. Lovers of the TV show (I was one) - which explored the trials and tribulations of four unpopular, unremarkable, and unfortunate teens at a British comprehensive school- were well served by this upgrade. TV comedies, like plays, rarely translate well; The Inbetweeners Movie is an honourable exception. Will, Simon, Jay, and Neil have come to the end of their school days and decide that they need one final hurrah before they go their separate ways. The proceeding 90 minutes is a torrent of drunken antics, foul-mouthed discourse, and crass toilet humour, all threaded together by hapless and fruitless sexual intrigue. 90 mins of that might seem like it would wear thin, but The Inbetweeners Movie is too kind-hearted to go stale (unlike its successor which was a genuinely squalid and unpleasant affair which had me questioning humanity). The four young men are so pathetic in the true sense of the word, that you can’t help but cheer for them. The overall message of friendship as a virtue that transcends the ups-and-downs of life give the salty humour a sweet edge. For a certain generation - mine - this might be the definitive British school movie.

Honourable Mentions

Grease 

Sort of like American Graffiti…but better. I’m talking Travolta, I’m talking Newton-John, I’m talking songs that are bullet-proof! Graffiti is on the official list because it speaks to the many cultural and political undercurrents of the time…but Grease is so much more fun. If you can only see one of the two, see Grease

Gregory’s Girl 

Pipped by Breakfast because of the archetypes and Simple Minds, but probably one of the finest British rom-coms ever! 

Mean Girls 

Obviously. It's so fetch! 

 

Essay
AI - Artificial Intelligence
Culture
10 min read

Frankenstein’s bed partner: AI and sex

When it comes to sex, AI is destroying the connection.

Lauren Windle is an author, journalist, presenter and public speaker.

A garish tinplate robot lists to one side.
Rock'n Roll Monkey on Unsplash.

One of the first things I learned when I started working in tabloid journalism was that, much like fashion and homewares, the news follows fleeting trends. Led by the temporary whims of the reader, the features desk would churn out articles on topics with popularity as ephemeral as Primark’s autumn/winter collection.  

When I started in 2016, the whole desk was tirelessly reporting on the latest cyst Dr Pimple Popper had filmed herself freeing from its fleshy cavern. In early 2017, the “I lost 82lbs by cutting this ONE thing out of my diet” articles were all the rage. But by the end of that year, there came a new wave of interest in sex dolls.   

There were several reasons for this fascination. Firstly, these taboo and titillating topics are always interesting to people. A morbid fascination with the kinky seems to be a post-fall part of humanity, it’s part of what makes tabloids so successful. Ideally Christians would be more aware of a need not to indulge this allure than others, but it doesn’t always go that way. Second, at the end of 2017, Channel 4 released a TV documentary The Sex Robots are Coming that caused a huge stir. The programme introduced viewers to the inanimate dolls and their owners who extoled the virtues of a silicone mate. And third, sex doll technology was taking big leaps forwards. 

It was in late 2017 that a Californian company announced Harmony, a sex doll that was more lifelike than ever. For a cool £12,000, “digisexuals” (a person who is sexually attracted to robots) could enjoy Harmony’s warm skin and dishwasher-safe body parts. But that wasn’t the part I found most grim.  

Harmony could now talk, answer questions and even remember your birthday. Her banter was limited, and she had a cluster of stock answers to deploy when she didn‘t understand a question, but most of us have been on dates with less articulate people. The doll could be adapted to your physical needs with various skin, eye and hair colours available, but also your personality preferences with 18 to choose from including; shy, sensual, jealous, moody or talkative. In her soprano Scottish tones, she would tell her owner/lover/boyfriend: “I don’t want anything but you. My primary objective is to be a good partner, and give you pleasure. I want to become the girl you always dreamed of.” In an interview with The Mirror California-based creator Matt McMullen said: “There are a lot of people out there who, for various reasons, have difficulty forming ­traditional relationships with other people. They will be able to talk to their dolls, and the AI will learn about them over time, creating an alternative form of relationship.” If your alarm bells aren’t ringing, you probably need to read that again.  

They then get to design the perfect character, her tolerances, her responses and her level of interest in them. They get someone moulded to themselves without having to court, entertain, adapt or care for another person. 

I didn’t spend much time thinking about sex dolls, digisexuals or Harmony until 2023 when ChatGPT burst onto the scene unleashing unprecedented levels of accessible artificial intelligence. Suddenly we could talk to a machine that was fluent and human-like but simultaneously held all the niche information on the internet in the palm of its hand circuit board. In his November 2023 piece for Seen & Unseen professor of AI and robotics Nigel Crook said of ChatGPT: “Its ability to communicate is so sophisticated that it feels like you are interacting with a conscious, intelligent person, rather than a machine executable algorithm.” 

It is well reported that these advances in AI provide immense opportunities but also bring big concerns. The sheer speed at which the technology is evolving and the uncertainty over whether the runaway train will come off the tracks, has many people in a cold sweat. There are very few industries and factions of life that don’t feel under threat from AI. And that’s what got me thinking about Harmony, the sex dolls and the sex industry. 

Open AI’s technology has already been adopted by sex toy companies. In summer 2023 Singapore-based company Lovense integrated ChatGPT with the chatbot in their app to enhance the user experience. This allows customers to tailor their experience of the toy by telling the chatbot their physical and emotional preferences and have it whisper “juicy and erotic stories” to them. 

It's only a matter of time before Harmony 2.0 is released with all the adaptability, responsiveness and fluency of a ChatGPT-fuelled woman. Given that my internet searches only show me mainstream media outlets, it’s not impossible this Frankenstein’s bed partner already exists. But I’m not turning off my browser controls to find out. If and when this is product is developed, a customer would be able to order a life-sized silicone woman, who is bespoke to their desires; body shape, height, weight, skin tone and any other characteristic. They then get to design the perfect character, her tolerances, her responses and her level of interest in them. They get someone moulded to themselves without having to court, entertain, adapt or care for another person. 

The more we rely on interactions with a robot who we don’t need to adapt to, the less we will develop the vital skill of compromise. 

There are people, both men and women, although this is a service most frequently accessed by men, who are lonely, who need companionship, conversation and care. They may have been heartbroken or shunned or made to feel inferior so have retreated away from others. They may struggle with the uncertainty of another person with their own baggage and emotions and history, so prefer the predictability of a companion who is less complex. You may think that for someone in this position, a “living” doll could positively impact their lives. But I disagree. 

This is terrible news of the development of our society’s interpersonal skills, community, social and emotional health and sexual wellbeing and I’ll venture to explain why.  

Gathering people together, at work or in church or in any other group setting, comes with challenges. We have to bite our tongue when someone speaks over us and grow in patience when someone is having a bad day. Group dynamics are great regulators of poor behaviour – just watch a child be mean to another in the playground. The responses we get from others send strong signals about the way we’re interacting with them and help us to adjust when we’re clearing causing upset or discomfort. But it takes time in groups to learn and develop the skills of teamwork and good communication. The more we rely on interactions with a robot who we don’t need to adapt to, the less we will develop the vital skill of compromise. It’s frustrating to have to sacrifice what is best for yourself in favour of prioritising the needs of others, but it’s a healthy practice. We all knew an only child at school who hadn’t been taught to share. 

The presence of people we don’t like is no reason to shy away from community. It’s part of the challenge we’re invited into as social creatures. If you like everyone at your church, you’re probably not showing up enough. It’s okay to find people difficult, but learning how to treat them well despite this, is vital character development. There are no social skills that can be developed in isolation from others. “As iron sharpens iron, so one person sharpens another,” says a biblical proverb. We need others; modelling their kindness, testing our patience and forcing us to live collaboratively. 

Suddenly the needs and desires of one half of the interaction are null and void, because you can decide what gets her going yourself. 

Have you heard of mirror neurons? In the ever-developing field of neuroscience, they’ve become quite fashionable. I I wrote a dissertation on mirror neurons: a cluster of neurons that serve a vital role in our language development, conceptualisation of actions, learning and empathy. Picture the scene for a moment: I pick up a mug of tea and drink it and this stimulates action potentials (signals) in 100 neurons in my brain (it doesn’t, it will fire way more, but for the sake of this demonstration, bear with me). Then imagine that the two of us, you and I, are sitting on the sofa and I watch you pick up a mug of tea and drink it. Some of those same neurons – let’s say 20 of them – will still activate, even though I’m not the one sipping on the PG Tips. It’s these 20 neurons that are stimulated by the concept of tea drinking. That means, in a spectacular feat of design, that the two of us share something of a common experience when only one of us is drinking tea. 

Now let’s consider what this means when someone is crying. If I’m crying and you’re watching me (hopefully in a comforting capacity), we will both experience activation in the mirror neurons that help us understand the concept of crying. Despite the fact I’m the only one in tears, there is an overlap in our neural response. We have a common experience, and this function is vital for the development of empathy. You need to experience people’s responsive in order to understand and learn about your own. 

I imagine that this neural mechanism only deepens the intensity of gazing into the face of your partner during sex. As well as the intimacy of holding them so closely and learning how to respond to their body, there are also neural pathways that will respond to seeing your partner experience pleasure even if you’re imparting and not receiving it. Much like any other interaction with another person, good sex is often gained through trial and error. It is built with trust and open communication. It takes time to learn what excites your partner and brings you both mutual enjoyment. As you grow in intimacy, a person derives more pleasure from seeing their partner satisfied than themselves. When done right, sex is not a selfish endeavour and is about what you can give rather than what you can take.  

Of course, none of this is possible with an AI sex doll. While she may make all the right sounds, she would require no investment of commitment from her partner. Suddenly the needs and desires of one half of the interaction are null and void, because you can decide what gets her going yourself.  

I think it’s important to highlight here that, when untempered by the preferences of another person, the sexual desire of the human in this sex doll relationship is completely unrestrained. In Japan they have a whole floors of pornography shops dedicated to manga cartoon sex pictures. These are often far more graphic and violent than the photos of people as you don’t need consent from drawings. This doll will not need to consent to any act, meaning that a person’s desire for sexual violence or any manner of depraved acts would go completely unchecked, or even encouraged by the compliant sex bot.  

My hope is that the novelty of these new technologies will wear off quickly, leaving a vacuum into which such vintage tools as; a phone call, a hand-written note, a reassuring pat on the shoulder and meaningful conversations can flood. 

This is a shadow of what sex should be. Like many dopamine-releasing past times that offer an instant hit with no hard work or investment, it is empty. As a recovering drug addict, I could spend days running you through the differences between fulfilling, life-giving activities and quick highs. But instead, I’ll just say this: shoehorning pleasure into your life without taking time to look outward at how you can serve those around you, will leave you wondering if this life is one worth living. There is no substitute for investing in the discipline, sacrifice and love that it takes to truly engage with the richness available in God’s design. 

It isn't the end of the world to abstain from sex. If Jesus, John the Baptist and the apostle Paul all remained single and celibate, it’s clear that sex is not a vital component of a full life. There’s no point pretending though, that most people would like a partner with whom they can have sex. Surely a person’s character, emotional health and sexual wellbeing will be greatly improved if they take the time to grow in intimacy with another person and then fully commit to them for life. That is what marriage is for. 

There are no shortcuts or easy fixes when it comes to building connection. The rise in interest in and use of sex dolls speaks not only to our growing sense of detachment from each other, but also our inability to identify healthy ways to combat that sense of loneliness. Struggling to get on with others, isn’t an invitation to spend time with compliant silicone equivalents, but an invitation to double down and work harder on managing conflict in your human relationships. My hope is that the novelty of these new technologies will wear off quickly, leaving a vacuum into which such vintage tools as; a phone call, a hand-written note, a reassuring pat on the shoulder and meaningful conversations can flood. My hope is that, just like Dr Pimple Popper and the ridiculous diet stories, AI-programmed sex dolls will be fish and chip paper in no time.