Article
Culture
Freedom of Belief
Politics
5 min read

Asylum row pits Church against State

From Westminster to Weymouth, the church incurs the wrath of statesmen.

Steve is news director of Article 18, a human rights organisation documenting Christian persecution in Iran.

A man wearing a waist coats sits at a desk and ask a questions of a panel of people with their backs facing us.
Lee Anderson MP questions clergy.

To tune into yesterday’s Home Affairs Committee hearing on asylum-seekers was to witness the Church in the dock. 

The Church is “aiding and abetting” people-smugglers by being so welcoming to refugees, one committee member, MP Marco Longhi, claimed. 

There were audible groans when one of the three Church representatives put forward to defend such claims - Baptist Union spokesperson Steve Tinning - revealed that seven asylum-seekers from the Bibby Stockholm have been baptised since October.  

There were more groans when Mr Tinning claimed each of the baptisms had involved individuals whose conversions had taken place before their arrival on these shores. 

“A likely story!” the groaner - I think it was the new Reform Party MP, Lee Anderson - seemed to wish to say. 

The “hostile environment” facing asylum-seekers was referenced several times by the Church of England's Bishop Guli Francis Dehqani, and “hostile” would certainly describe the reception she received. 

On the other hand, there was celebration for the “bravery” of the “whistleblowing” former Church of England minister, Rev Matthew Firth, who told The Telegraph recently about the alleged “conveyor belt” of asylum-seekers being baptised after falsely claiming to have converted to Christianity. 

One committee member, MP Tim Loughton, suggested Rev Firth might be appointed to a prospective working group on the issue.  

There was no such invitation for the other Church representatives. 

It seemed in this particular hearing that to speak for asylum-seekers was very much to swim against the prevailing tide. 

There perhaps could be no clearer illustration of this than when Mr Longhi flatly accused the Church of England of “working in the opposite direction” to the government’s efforts to deter immigrants from arriving on our shores.  

While the Home Office minister tasked with responding to this accusation did not specifically charge the Church of this sin, he did caution them to “think very carefully” about how the work that they do “can be portrayed by those that are facilitating these terrible [Channel] crossings”. 

There can be little doubt that the comments of senior figures, including MPs, have contributed to such threats. 

Dame Diana Johnson, who chaired the meeting, paid tribute to the churches “supporting some of the most vulnerable people in our country”, but such tributes were not forthcoming from the other committee members. Quite the contrary. 

Dame Johnson also thanked Mr Tinning for highlighting the “sadness and fear” of church members in Weymouth who have been insulted and threatened since the stories of asylum-seekers converting in their church were publicised. 

Mr Tinning said the church had received an email saying: “You need shutting down, and the backlash from this will be huge. The truth is, you know you’re lying and cheating our system. Treacherous to taxpaying people! Brace yourself!” 

“This church is now fearing the backlash because of language used,” Mr Tinning said, “about whether taxpayers are being ‘scammed’, or others saying that ‘you attend Mass once a week for a few months and bingo, you're signed off by a member of the clergy’. It's just not true. And it's doing damage to the communities that are desperately trying to serve the poor and vulnerable in their areas.” 

Dame Johnson said it was “quite disturbing” to hear the Weymouth church had been targeted. But again, this was to swim against the prevailing tide.  

There was an eagerness to celebrate the “bravery” of Reverend Firth - this was mentioned by several committee members - to stand up against the powerful Church, while the bravery of regular church members to stand up for refugees seemed to be overlooked. 

All of which leads one to wonder which is braver: to stand up against the Church, or to stand up against the State? And which is more powerful?  

“The Church of England has come down on you like the Spanish Inquisition!” MP Tim Loughton suggested to Rev Firth.  

And when Rev Firth reported being told that “people might try to get you” for speaking out, he received understandable sympathy.  

But might it have been even more courageous for the other committee members to have joined Dame Johnson in also speaking out on behalf of church members like those in Weymouth who have been threatened simply for daring to assist asylum-seekers. 

And there can be little doubt that the comments of senior figures, including MPs, have contributed to such threats. 

Another element in the background of the hearing was Suella Braverman’s contribution, in absentia, by having recently claimed - in another widely read piece in The Telegraph - that churches around the country were “facilitating industrial-scale bogus asylum claims”. 

The Home Office Minister, Tom Pursglove, was asked several times whether there was any evidence for this claim, the short answer to which appeared to be no.  

“You’ll have to ask her,” was his repeated response.  

But as Mr Tinning mentioned in his closing remarks, words are important, and what stood out most from the hearing was that the general consensus among MPs, it would appear, is that those who speak out against asylum-seekers and the Church are to be welcomed - perhaps simply because they are working with, and not against the government. 

Perhaps it's little wonder, then, that churches who do stand up for refugees - which in the current climate would appear to be standing up against the State - incur the wrath of statesmen.  

The question for the general public to decide is which is more harmful: the desire of the Church to speak up for asylum-seekers, even if some may be found to be bogus, or the desire of the State to stop them arriving at all costs. 

 

Watch the full Home Affairs Committee hearing on Parliamentlive.tv.

Review
Culture
Film & TV
Romance
8 min read

Meet our top 5 rom coms for Valentine's Day

Love is the core of every truly good sweeping story.
A couple sit at a table in a diner talking intensely.
Castle Rocl.

1. The Apartment

Billy Wilder’s directorial tour-de-force is a timeless classic – proof for the sceptical that black-and-white films lose nothing in their monotone. Comedy legend Jack Lemmon plays C.C. "Bud" Baxter, an office worker who desperately seeks preferment. He impresses his superiors by allowing them to use his Upper West Side apartment to entertain their mistresses away from the gaze of their wives. He is also desperately seeking love, in the person of elevator operator Fran Kubelik. The only problem is that she is spoken for – she is the mistress of the big boss. Baxter juggles his ‘apartment schedule’, the disapproval of his neighbours, and his sorrow at seeing Fran slip away. 

The script is the perfect combination of laughs and smiles. The performances are excellent, especially Lemmon’s balletic physical comedy (the spaghetti strained through a tennis racket scene stays with me like an old friend). The message is important: love hurts. The film resonates just as much now, in our world of HR and workplace boundaries, as it did then. Baxter, and ESPECIALLY Fran, are victims of those with power; except they don’t use violence or coercion to exert their control, they use the promise of acceptance, of love. Love is not a trifling emotion, as some of the most vapid frippery of Valentine’s Day may suggest, but the deepest motivation a human being can have – look at what Jesus does out of love. It is a dangerous thing when treated as instrumental and disposable, and can yield terrible and tragic results if abused. Thankfully, The Apartment ends on a note of hope and expectation…but it really has you on the edge-of-your-seat up until the end, and gives you and new appreciation for the sanctity of romance and love.  

2. Notting Hill

We had to have a Richard Curtis pic – I’m a patriot after all! Naturally Four Weddings is excluded because of that one…appalling…unforgivable line…OF COURSE ANDIE MACDOWELL NOTICED THAT IT WAS RAINING! 

Anyway. Notting Hill is such a lovely and gentle film. Hugh Grant is effortless as divorced and timid bookseller William Thacker. His life is comfortable yet a little empty, with his only real company being his unspeakable lodger Spike – Rhys Ifans in a career-defining role. His life is turned upside-down when Hollywood superstar Anna Scott (Julia Roberts) enters his shop, leaves, and then has him spill orange juice all down her front. Romance develops between the two but is continually stalled by the very different worlds they inhabit: Thacker lives a quiet life in Notting Hill, and Scott is a globe-trotting paparazzi-magnet who cannot seem to keep any aspect of her stage-managed life private. I won’t go into anymore of the plot, as you’ll know it even if you haven’t seen the film…it’s a National Treasure by now. 

The wonderful message of this film, other than London property prices were ludicrously generous back in the day, is that love is a feeling and a force that can cross any boundaries. This is a modern-day quasi-Romeo and Juliet: two people from seemingly incompatible worlds allowing their love to break down barriers and overcome obstacles…except here we have a happy ending! Love is the greatest leveller this world knows (there is no Jew nor Greek, slave nor free, man nor woman) – it is the equaliser of the human experience and fount of understanding, empathy, and mercy. 

3. Knocked Up

I’m afraid we move to less elevated fare and instead begin the descent into puerility. One can expect nothing less from director Judd Apatow, who has made his name by combining the compulsory schmaltz of a rom com with the sweary gross-out humour of our less-civilised age. Nevertheless, this film has real merit.  

Katherine Heigl is Allison Scott, an ambitious reporter for an entertainment news channel. She goes out to celebrate her well-earned promotion, has a little (or a lot-tle) too much to drink, and ends up having a one-night stand with aspiring internet celebrity pornographer Ben Stone (Seth Rogen). Their dalliance leads to the inevitable – pregnancy. Allison finds herself in the invidious position of having dinner with Ben, to inform him of her maternal state, only to realise that she finds him repulsive. He is everything she isn’t: she is ambitious, organised, and stable, while his greatest achievement is a collection of bongs and a potential website detailing moments of on-screen nudity. They are chalk-and-cheese…and yet they both decide to try and make their lives compatible to raise their child together. 

It's not a clever film, and the laughs are all guilty guffaws at over-the-top toilet humour, but it does have heart. It is the story of two people who don’t find love in a glance across a crowded room, or through a shared interest, but through a shared struggle. It is the story of two people who learn through difficulty, pain, and self-sacrifice what it means to live for another; even if that other person is yet to be born. At the centre of this film – after digging through tranches of (apparently hilarious) excrement – is the message that love is not instantaneous or easy, but something that is worked towards and maintained through giving up one’s own wants and pleasures for the good of another. I wonder which two-thousand-year-old story embodies this theme? 

4. The Princess Bride

The phrase ‘cult-classic’ might as well have been invented to describe this film. It is a mad-cap tale incorporating piracy, palace intrigue, and a giant. I…I…I can’t even try to give a plot synopsis. It goes all over the place, as if it where story-boarded by an over-imaginative seven-year-old who’s been given a surfeit of sugar (sorry William Goldman). The humour, essential for the ‘com’ to the ‘rom’, is more-often-than-not accidental, but humour there is in spades. Its silly, and its sweet, and its certifiable…but it works. 

What puts The Princess Bride in my Top 5 is the epic sweep of the film. I’m pretty certain it didn’t intend to be a rom com, but I count it as one, and so it is the only rom com that manages to also be a mythopoetic tale. Perhaps Shrek is in the same league…but I can’t forgive the sequels and the overuse of Eddie Murphy. The Princess Bride is a wonderful reminder that love is a great, epic, poetic, mythic, legendary force in the world. Love has started and ended wars, it has rewritten the tablet of history over and over again, and is not a ‘story’ that can be confined to a ‘meet-cute’ between two unreasonably attractive people in a New York coffee shop – it is the very language of reality, and so is the lens through which we must view not only ourselves and our immediate loved ones, but the whole of the universe and the whole of human history. Love is the core of every truly good sweeping story – especially that story that begins with the loving creation of heaven and earth, their salvation in the love of the Cross, and their reconstitution as the New Heaven and New Earth where love of God is the primary vocation of all. 

AAAAAND…it starts and ends with Peter Falk as a grandfather lovingly telling this story to his sick grandson…the heart melts… 

5. When Harry Met Sally…

In the kingdom of rom-coms Nora Ephron is the Empress to whom all others bow, and this is her greatest conquest! When Harry Met Sally… is epic in its sweep, but in a very different way to The Princess Bride. It is epic in that it is a love story that takes over a decade to play out. Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) meet by chance in 1977. Serendipity is at work: he is dating her best friend, and so, as a matter of convenience, the two share a car to journey from Chicago to New York. As in many rom coms their personalities couldn’t be more different, and although they share chemistry, Sally chafes at Harry’s confident assertion that men and women cannot be friends. The journey ends unhappily, and the two have no intention of every meeting again. 

Five years pass and the pair find themselves on the same flight. Serendipity strike again when Harry learns that Sally is dating his neighbour. The chemistry is sparking reactions, but when Harry suggests they become friends Sally declines, citing his previous assertion about male/female friendship. 

Another five years pass – and so a serendipitous meeting is in the diary – and there is a chance meeting in a bookshop. Both are now single and have faced the sting of love lost. They strike up a friendship. The friendship matures and deepens, and those around them can see that they are falling in love, yet their determination to be friends leads them to have romantic attachments to other people. This falls apart after a night of high-emotion and comfort turns into amorous passion. Their friendship is seemingly ruined, and both miserably start to live like without the other. 

UNTIL… 

On New Year’s Eve 1988 Harry realises that he cannot be whole or happy without Sally and runs to find her at a party, to declare his love for her in the greatest speech in rom-com history! The cinema cheers! What makes When Harry Met Sally… dear to my heart is that seeming serendipity I keep mentioning, because it teaches us a vital lesson about love. There is no true chance, no true serendipity in love. Love is the very glue that binds all creation together. The Scriptures, the great mystics of the faith, the very person of Jesus Christ, teach us that God is love and that this love is all and is in all. There is no coincidence in love – love really is what makes the world go round. In the end, just as Harry and Sally seemed destined to be together, we are destined to be united with God in love. 

I started this list a little sceptical and burnt-out with the romance of Valentine’s Day. Having reengaged with these five films I am revivified and reconverted to the great name of love. Love drives us, heals us, and ultimately embraces us in eternity. What a wonderful legacy for St Valentine to have.

Join with us - Behind the Seen

Seen & Unseen is free for everyone and is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Alongside other benefits (book discounts etc.), you’ll receive an extra fortnightly email from me sharing what I’m reading and my reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief