Article
Belief
Creed
4 min read

Why news of the ‘Quiet Revival’ needs taking with a pinch of salt

When Christianity becomes cool, it has a tendency to lose its soul.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

An ancient salt shaker sits next to a pile of crushed rock salt.
Out of the salt shaker.
Jonathan Tame on Unsplash.

Mark Twain, that purveyor of slanted wisdom, was wary of data. "Figures often beguile me," he wrote, "particularly when I have the arranging of them myself; in which case the remark attributed to Disraeli would often apply with justice and force: 'There are three kinds of lies: lies, damned lies, and statistics.'" 

Now whether Disraeli ever said this is a moot point. The quotation has been attributed to figures as various as Walther Bagehot, Arthur Balfour and the Duke of Wellington. Either way it has gone down in history as expressing a certain strand of suspicion when it comes to statistical analysis of the future. 

This phrase came to mind this past week when reading The Quiet Revival, a study conducted by the Bible Society that suggests that the long story of church decline in England and Wales is over. It claims that church attendance has risen by 50 per cent over the last six years and particularly young adult men are increasingly turning to the Church, especially to the Roman Catholic and Pentecostal versions of it. 

The report been hailed and celebrated by Christian commentators, perhaps in a spirit of relief, thankful for some good news against the background of months of dreary and gloomy news of resigning Archbishops, looming splits in the church over sexuality and the ongoing seemingly inevitable process of decline. 

Now I don't for a moment mean to doubt the results of the survey. Or to get all Scrooge-like at the findings. For those of us who have been part of the church for years it is indeed welcome news and a cause for some cautious optimism. It always lifts the spirits a little to feel that others see what you see, and you're not whistling in the dark when it comes to continuing to believe. ‘Revival’ is perhaps too ambitious a word to use right now. It would need a lot more hard evidence from bigger surveys and more observable results to deserve such a designation. But there do seem to be straws blowing in the wind, perhaps the first signs of a refreshing breeze which might yet sweep away some of the shadows of sceptical unbelief. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. 

Yet forgive me if I take all this with a pinch of salt. The popularity of Christianity has always waxed and waned throughout the last two thousand years. There are times when it has been the flavour of the month - or the century - such as when it started to become the official religion of the Roman Empire 300 years or so after the time of Jesus. Yet popularity brings its dangers. When Christianity becomes cool, it has a tendency to lose its soul, its radical nature diluted by the flocks of people drawn to the cross as a kind of fashion accessory. At other times it has dwindled to a few hardy souls braving it out, like the eleven fearful disciples huddling together in Jerusalem, looking for an escape route after the execution of Jesus, or the tough, rugged Christians who carried on praying during years of persecution, often paying for their faith with their lives.  

Christianity’s claims to truth are not dependent on a referendum. For us Christians, our faith remains true whether or not people believe it. The fact that more people may be going to church now than a few years ago doesn't make the Christian faith any more or less true. I've never taken the predictions of the church's demise too seriously. Which is why I'm not one for putting out the bunting when the predictions go the other way.  

This why it seems to me that, like Mark Twain, believers in Jesus ought also to be a little sceptical of statistics. Numerical projections and probability theory have their uses in trying to spot social trends, but they don't have much bearing on questions of truth. After all, statistical analysis of what tends to happen to dead people would never have predicted the Resurrection. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. It centres on an event where the eternal became temporal, where God entered into human history in the shape of a Galilean rabbi. It therefore transcends time and space, opinion polls and surveys. It gives a confidence rooted not in the swinging mood of public opinion, up one minute and down the next, but instead something lasting, permanent and reliable.  

So be glad, if you want, at the prospect of a coming renewed wave of faith. But don’t be fooled into thinking this proves anything. As Jesus once said: “Do not rejoice at this, that the spirits submit to you, but rejoice that your names are written in heaven.” 

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Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

Celebrate our 2nd birthday!

Since Spring 2023, our readers have enjoyed over 1,000 articles. All for free. 
This is made possible through the generosity of our amazing community of supporters.

If you enjoy Seen & Unseen, would you consider making a gift towards our work?

Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin
Editor-in-Chief