Review
America
Culture
Feminism
Film & TV
6 min read

White Lotus understands a lot - but not Christianity

Here’s what the girl squad storyline gets right and wrong.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Three woman dining in a luxury hotel in Thailand, turn and look to the camera.
Kate, Jacylin, Laurie.
HBO.

I really rate The White Lotus.  

This multi-award-winning show is one of the smartest around. It’s almost like a modern myth. The specificity of the premise alone is incredibly satisfying: White Lotus is the name of an international chain of high-end resorts, a luxurious touchstone for the rich, the famous, and the dodgy. Season one took viewers to Hawaii, season two jetted us off to Italy, and this year we find ourselves welcomed to Thailand. 

Each new series has a new location, a new cast and a new set of intelligent storylines. the only thing that ties the three series together is the omnipresence of the White Lotus hotel. Oh, and the presence of murder. Each series opens by telling its viewers that one person that we’re about to meet will die – it just takes us eight episodes to find out who.  

I’m convinced that Mike White, the writer and director, must be one of the most perceptive people on the planet. I wouldn’t be surprised if, before he entails on writing another series, he just sits and watches the world. He endeavours to notice, endeavours to understand. I say this because he seems to discern the way people work: the way they love, the way they hate, the way they rest, the way they hide. And then he turns it up to eleven when crafting his characters.  

Honestly, if Mike White hadn’t mastered the art of noticing, White Lotus wouldn’t work. But he pays attention to people; deep, intense and curious attention. That’s the magic sauce, I’m sure of it.  

In the latest episode (episode three of season three, as it stands), there’s a scene that caught me by surprise. Its perceptiveness stopped me in my tracks.  

Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?

We’ve been introduced to three friends: we have Kate (Leslie Bibb), Jaclyn (Michelle Monaghan) and Laurie (Carrie Coon). They’ve been friends since school, but now in their forties, life has taken them in different directions. Kate lives in Texas with her picture-perfect family. Jaclyn is a newly married and semi-famous TV star, living and working in LA.  And Laurie is a divorcee, working hard and raising her daughter in New York City. They’ve come to Thailand (at the invitation and expense of Jaclyn) to re-connect and make some new memories.  

But it’s not that easy.  

Each woman is caught in a tussle of loving and loathing who the other two have become, they celebrate each other’s ‘successes’ and instinctively compete with them in equal measure. It’s masterfully done. As deeply as they want to be good friends to each other, perhaps for old time’s sake, this trio is not a safe one to be in.  

One evening, after Laurie has had an ‘energy healing’ session, Jaclyn mentions that she can get on board with spiritual practices a whole lot easier than she can get on board with ‘religion’ – Christianity, she states, is made for men. She can’t seem to find herself, or any other empowered women, within the biblical story. And so, she finds herself gravitating to ‘witchy’ alternatives.  

I’m a woman, a pretty ‘feminist’ one at that. I’m also, first and foremost, a Christian. And so, I think I have the right to say that this is incredibly perceptive of Mike White. I have this conversation time and time again: people wondering why a woman, one who believes in the social, economic, political and spiritual equality of the sexes, would ever hitch their wagon to the Christian tradition. Honestly, sometimes I feel like a unicorn.  

Yet, when the ‘Christian’ church was first bubbling up (we’re talking first century) it had the reputation of being a religion for women and slaves. Everywhere it travelled - city by city, village by village - women (of every socio-economic background) flocked to the Christian community in dramatic numbers. It changed the cultural landscape. Jesus, the Galilean saviour that these communities couldn’t stop talking about, kept company with women in a history-making way and they were determined to do likewise. Now, what I can’t deny is all of the patriarchy that has been thrown into the mix since. To pretend it’s not there would be silly of me.  

So, I hear you, Jaclyn. But I’ve gone straight to the source (Jesus) and I’ve hit upon a disconnect between the story I believe/the saviour I believe in, and the way it/he has been used against my gender – so I’ve stubbornly chosen to ignore the latter. I’ve never let it drive me away. I find my whole self (my gender included) forcefully loved by the God I know, endlessly drawn into his company, convinced by his assertion that he made me – fearfully and wonderfully. 

Oh Jaclyn, they can try to tell me that Christianity isn’t for me, but I ain’t budging.   

The dinner conversation moves on, Kate hits back – she tells her buddies that she, in fact, goes to her Texan church every Sunday and finds it ‘very moving’. Jaclyn and Laurie, both wide-eyed, sympathetically state that it must be hard to be around people who voted for Trump. And then it becomes obvious, to those in the scene and those of us watching it, that Kate herself voted for Trump.  

It’s an emotionally intelligent watch: two women feeling viscerally betrayed by their friend for voting in such a ‘self-defeating’ way. And the friend on the other side, betrayed that they would think of her so differently as a result of her well-intentioned political leaning.  

I live in the UK, and so I was taken aback that these women were able to draw such a confident line between A and B – between Christianity and one particular political party. Because of the perceptive nature of Mike White (as evidenced by the lines that came before these ones), I trust that this is somewhat accurate. It may not be the truth (I’m sure not every Texan Christian voted one way), but it’s certainly a perceived truth.   

It intrigued but mostly troubled me. It made me wonder what the meaning of ‘Christian’ is becoming, or perhaps has already become – people holding the cross in one hand and a political party in another, claiming that to love one is to love the other. Are we really known as people who are wanting a messiah in the White House, a Saviour in the Senate? Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?  

To Jaclyn, Laurie, Kate, and all those you represent – I’m sorry if we haven’t done the best job at representing ourselves, or Jesus, to you.  

To Mike White – watch us a little longer, watch a little deeper. We Christians are neither a patriarchal nor political tribe; don’t squeeze us into the boxes that we’re pretending we fit in. That’s our bad. There’s more to us than that. You have my word. 

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Article
Books
Culture
Original sin
Trust
6 min read

When the penny drops, on the Salt Path or a London street

Being taken in unleashes dark, unpalatable emotions

Susan is a writer specialising in visual arts and contributes to Art Quarterly, The Tablet, Church Times and Discover Britain.

A painting show Adam and Eve wide-eyed after the fall.
Paradise Lost, Emil Nolde, 1921.
Nolde Foundation Seebüll.

Doubts about the honesty of The Salt Path, Raynor Winn’s memoir of walking the Southwest coastal path with her ill husband Moth, have raged in the past weeks. Investigations revealing the duo’s real names, financial history and the medical unlikelihood of the reversals in Moth’s degenerative condition, as presented in the book, provoked thousands of readers to express anger and disappointment at being duped. But being taken in and learning from it is part of being human: a lesson in how to trust more wisely, rather than not trusting at all 

Last summer I was scam mugged on my local high street. Passing a frail pensioner pulling loose notes from his pocket, I picked up his fallen tenners and returned them. Six steps later, a woman shrieking I’d thieved her “granddad’s” money grabbed my arm. Cue a few minutes of struggling and shouting, before I got away, bruised and humiliated, but still gripping my bag. Vowed afterwards to always walk on by if I saw someone needing help on London’s streets, as it could be a set up. 
But this detachment didn’t last. Being a goodish Samaritan is hardwired, even on the capital’s occasionally mean streets. We want to support and connect with our brothers and sisters. Withdrawal from our fellow citizens makes us more unsafe, not less. As Kaya Comer-Schwartz, London’s Deputy Mayor for Policing and Crime, said: “The safety of our town centres is more than just policing – it's about building stronger, more connected communities where everyone feels secure.” 

Certainly, a police officer would have been a welcome sight while tussling with my would-be conwoman. But I was grateful to the handful of people who stopped, as they would be my witnesses if the assailant went full mugger, in frustration that the ploy for me to open my bag had gone awry.  

Memoirs also entreat us to bear witness, explaining the betrayal felt by some of the Salt Path’s two million readers who invested emotion and empathy in its uplifting tale of a hard -done -by couple finding solace in nature. Identifying with the memoir’s midlife, everyman duo and believing a long trek through the Southwest is a silver bullet for homelessness, financial woes and degenerative medical conditions, does not make the Salt Path’s former fans saps, it makes them beautifully human.  

Raynor and Moth’s unmasking as Sally and, still remarkably healthy, Tim Walker, who lost their Welsh farmhouse following accusations of embezzlement against Sally and owned a property in France when claiming to be homeless, has lifted the lid on the publishing industry’s hunger for real life stories, with morally simple, feelgood narrative arcs. Bonus points if the tale includes a “nature cure”, where nature is not just a balm for grief and pain, but somehow vanquishes it altogether. Fact checking takes a lower priority than shaping a story into a series of emotional hot button scenes, with a neat, satisfying ending. And publishers may be guilty of their own sleight-of-hand by incentivising booksellers to personally recommend to customers a list of predetermined titles, creating the aura of ‘word of mouth’ hits. 

Mean Girls’ great line “Jealous much?” captures journalists’ enthusiasm, mine included, for the Salt Path scandal. How can bestseller success pass over writers with have spent decades crafting phrases like popular orange vegetable to avoid writing carrot twice, yet shine on Raynor/ Sally’s repetitive, clunky prose? ”We lost. Lost the case. Lost the house.” Her dizzying ascent from unknown debut non-fiction author, with only a piece in the Big Issue to her name, to a book deal with Penguin, seems to other writers a mystery as great as anything in her trekking tale. 

Feeling deceived unleashes these dark, unpalatable emotions such as envy and desire for revenge. I long nourished fantasies of catching the scammers in action and deflecting their next victim by shouting “Look! Granddad’s dropping his money again,” before handily nearby forces of law and order brought them to book. Even if you lose little materially from a con, the loss of dignity and sense of agency from becoming a mark, a manipulated, dehumanised bit player in another’s exploitive narrative, takes time to get over.  

Popular accounts of online romance fraud feel designed to give audiences a sense of superiority, ‘I’d see that coming a mile off’, over the victims, reinforcing their sense of shame. Yet evidently with many thousands being lured by romance fraud, the perpetrators use effective psychological coercion techniques. Omniscient superiority needs to be replaced with empathy and support for fleeced, broken-hearted victims. 

Grifters are part of life, but their reductive, empathy-free, world view does not have to be. As singer Nick Cave’s counsels, cynicism is not the answer: "Cynicism is not a neutral position — and although it asks almost nothing of us, it is highly infectious and unbelievably destructive. In my view, it is the most common and easy of evils.”  

Religious origin stories, including the Garden of Eden, contain an element of falling for a trick. Eve does the serpent’s bidding, and she and Adam are banished from paradise. “So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life.” Emil Nolde’s painting Paradise Lost, 1921, catches perfectly the moment the penny drops with Adam and Eve on the consequences of falling for the serpent. Yet by the following chapter of Genesis they start a family, moving on with life with new insight. 

To never confront disappointment would be to remain as an infant, without the opportunities to grow and develop as adults. 

In the Good Samaritan, one of the best-known parables, Jesus transforms the categorising question ‘who is my neighbour?’ into the universal quest of ‘how can I be a better neighbour’? Our bonds with our communities, a sense of shared humanity are the best, possibly the only defence, against those who would mislead us or do us harm. 

Celebrated American journalist Ira Glass said: “Great stories happen to those who can tell them.” Published in 2018, The Salt Path’s direct, film-like scenes of survival against the odds and against the elements, would have resonated with all the people who saw their security and lifestyle nosedive after the 2008 financial crash, never to recover. Suspending disbelief, Raynor and Moth’s 620-mile wild camping trek, represented a symbolic railing against a heartless economic system. 

My experience of the penny dropping a fraction too late to escape the scammers, has made me revise my self image as a streetwise Londoner. On my way to pick up holiday money that afternoon, my head was full of travel plans rather than focused on the here and now, a tendency I must curb.  

If my assailant was writing her memoir I like to think our scrap would be the opening chapter, where she is at a crossroads of having to mug somebody in broad daylight, with a small, attentive audience, or rethink her street hustling career. Dressed in a fake leather biker jacket on a hot summer day - the smell lingers in my olfactory memory - her outfit was possibly an homage to Catherine Zeta Jones’ catsuit in Entrapment. As we know from all the TV series on con artists, looking the part is key. 

 Finding out the reality of her life since I broke free of her grip 11 months ago would not be hard, as she is now stationed outside Premier Foods by the tube station, in much scruffier clothes, asking for a pound for water. This sideways, or probably downwards move, in the street economy appears to be working out for her, and the peace of the neighbourhood. 

Despite having lived in small rural communities for decades, throughout all The Salt Path controversy, nobody has come forward to say the Winns / Walkers were good neighbours. Setting this right could be their next adventure and next bestseller. 

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