Article
America
Conspiracy theory
Culture
Politics
6 min read

When America presses in on you

A returning American feels the heat generated by contesting ‘realities'.

Jared holds a Theological Ethics PhD from the University of Aberdeen. His research focuses conspiracy theory, politics, and evangelicalism.

A runner passes a church and a flag in an America suburb, under billowing clouds.
Nick Jones/Midjourney.ai.

There’s a man. Running. My eyes snap into focus. Time slows - I catch his pace. Then, my eyes start widening. An odd feeling. Being forced into it. Seconds stretched out into minutes. Taking in more, looking for more, looking down that sidewalk, on a street corner in New Jersey. 

Before? I was sitting there. In the backseat of my Uber. Winding our way through New Jersey. And I’m sitting there, tired, mindlessly scrolling my phone until that moment. He’s there running.  

And I see him. T-shirt. Running shorts. And I’m sitting. And—a nervous flash—he’s running. Why?  

And my eyes adjust, widening, scanning, checking detail, and I’m almost seized. My mind shaking itself, coming online, no more automation. My consciousness catches up: “you’re in America,” I tell myself. 

Right. I’m not in Scotland. And that man is running. Here in New Jersey. In America. And I’m talking back to myself in this silent car. I’m watching him run. I’m asking why am I slowing this down? And—it flashes—“running from what?” 

And I catch up to myself. To what I was trying to say, that people in America run from shooters, too. A wave crashing, sitting in the back of the Uber, and look. Now I’m really looking. Not forced. But naming. There’s other pedestrians passing him, walking. Slowing. On the other side of the street— no fast movement. No screaming. No pops. 

I start breathing. I didn’t know I stopped. He’s out jogging. The automated safety check ends. The tranquility of tyranny resumes. I’m sitting in the back of an Uber. I make a note. Be more alert at the train station.  

— 

People ask me how the relocation back to America has been. And I don’t know what to tell them. There’s a wide gap between the visceral sense of it all pressing in on you, and more common—but also abstract—analysis.  

The experience of coming back has been oddly particular. I lived in Scotland for three years, and most of it was spent studying America. From that distance, the broad strokes of American life, the larger trajectories and dangers of our shared political decisions and religious extremism, well, they’re a bit clearer. 

But coming back, America presses in on you. And the only way of talking about that, maybe, is specificity. Kerouac was always good at articulating this. His America wasn’t the rise of the military industrial complex in the 50s. It was the road, the gas station on the way from Denver, it was jazz, the dim doorways of San Francisco bars. I’m thinking of Kerouac, but also Langston Hughes. Poets and artists who in their own time, held a mirror up to America, helped us move from the “I” to the “we” as Steinbeck said. 

We’re all asking a version of “what’s wrong in America?” (And, do keep asking.) But to ask that question often assumes the broadest strokes, the ones that are most clear from a distance. Which means they are, in one at the same time, the most abstract.  

These realities are everywhere, and no where. They are the air we breathe. They appear to the privileged as “logical” and to the powerless as “inevitable.” 

Asking after democracy, after the election, and the increasingly nebulous “the church” — I’m convinced that answering “what’s wrong in America?” in the biggest of terms is leading me to (wrongly) believe that responsibility lies among the gargantuan free-floating concepts which we use to narrate our world. As if solving the “crisis of democracy” is a conceptual problem. When in reality, it is concrete, and involves more than coalition building or political activism.  

Why more? Because the choices Americans have made over the last 10 years originate from imaginations which limits the scope and scale of what is possible. This is what I mean by “America presses in on you.” 

Coming back to America has made this clear. I’m more aware than ever that we can produce good answers and generate compelling analysis about America without ever asking in what way these answers or analysis are sharp enough, concrete enough to puncture the bubbles of social reality in which people choose to live and in some cases are forced to live. 

These realities are everywhere, and no where. They are the air we breathe. They appear to the privileged as “logical” and to the powerless as “inevitable.” They press in on us all in their own way. 

In some cases, they dull our senses. We say, “as long as our Amazon deliveries continue, as long as the streaming services work.” In some cases, they don’t just press in on us, but press down and perpetuate injustice. As Dietrich Bonhoeffer asked, “where are the responsible ones?” 

The visceral shock of return is ongoing. And it hits me in strange ways, on Uber rides and in worship. American life is everywhere and I’m seeing it with different eyes.

Do I care about democratic machinery? Yes. Am I concerned about whether or not the church is, in fact, the church, and not a gear in a partisan machine? Yes. But I’m increasingly convinced that responsible living in the American situation becomes most clear, most evident as we consider the large in terms of the small. 

Responsibility emerges with attention paid to the concrete and intimate. January 6 is the subject of my dissertation. But before that, in the months leading up to January 6, I was a pastor just 40 miles from DC. For me, January 6 was a local event. That particularity, that specificity, is a window into a concrete responsibility.  

And now, back in this same community, I found myself distracted in a church this weekend. The man in front of me raised his hands in worship, revealing a revolver hanging on his belt. What America is this? But also, what Christianity is this? 

The visceral shock of return is ongoing. And it hits me in strange ways, on Uber rides and in worship. American life is everywhere and I’m seeing it with different eyes. And I wonder what it will take to break the spell of our most cherished illusions, of a certain type of freedom — one that tells us it is Christian to raise our hand in surrender to a god who we say is loving enough to save the world, but seemingly not strong enough to deliver us from our evil. 

In the end, perhaps it’s best to say that it’s been proof of a good ruining. After all, we’ve experienced nothing short of a conversion, a move closer towards peace, towards hope, that unsettles all our strategies of security and comfort underwritten by violence and oppression. This is the kingdom of Heaven. Something Jesus announced that continues to unsettle and disrupt the likes of T.S. Eliot who put it well in Journey of the Magi

We returned to our places, these 

Kingdoms, 

But no longer at ease here, in the old 

        dispensation, 

With an alien people clutching their gods 

I should be glad of another death. 

Review
America
Culture
Feminism
Film & TV
6 min read

White Lotus understands a lot - but not Christianity

Here’s what the girl squad storyline gets right and wrong.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Three woman dining in a luxury hotel in Thailand, turn and look to the camera.
Kate, Jacylin, Laurie.
HBO.

I really rate The White Lotus.  

This multi-award-winning show is one of the smartest around. It’s almost like a modern myth. The specificity of the premise alone is incredibly satisfying: White Lotus is the name of an international chain of high-end resorts, a luxurious touchstone for the rich, the famous, and the dodgy. Season one took viewers to Hawaii, season two jetted us off to Italy, and this year we find ourselves welcomed to Thailand. 

Each new series has a new location, a new cast and a new set of intelligent storylines. the only thing that ties the three series together is the omnipresence of the White Lotus hotel. Oh, and the presence of murder. Each series opens by telling its viewers that one person that we’re about to meet will die – it just takes us eight episodes to find out who.  

I’m convinced that Mike White, the writer and director, must be one of the most perceptive people on the planet. I wouldn’t be surprised if, before he entails on writing another series, he just sits and watches the world. He endeavours to notice, endeavours to understand. I say this because he seems to discern the way people work: the way they love, the way they hate, the way they rest, the way they hide. And then he turns it up to eleven when crafting his characters.  

Honestly, if Mike White hadn’t mastered the art of noticing, White Lotus wouldn’t work. But he pays attention to people; deep, intense and curious attention. That’s the magic sauce, I’m sure of it.  

In the latest episode (episode three of season three, as it stands), there’s a scene that caught me by surprise. Its perceptiveness stopped me in my tracks.  

Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?

We’ve been introduced to three friends: we have Kate (Leslie Bibb), Jaclyn (Michelle Monaghan) and Laurie (Carrie Coon). They’ve been friends since school, but now in their forties, life has taken them in different directions. Kate lives in Texas with her picture-perfect family. Jaclyn is a newly married and semi-famous TV star, living and working in LA.  And Laurie is a divorcee, working hard and raising her daughter in New York City. They’ve come to Thailand (at the invitation and expense of Jaclyn) to re-connect and make some new memories.  

But it’s not that easy.  

Each woman is caught in a tussle of loving and loathing who the other two have become, they celebrate each other’s ‘successes’ and instinctively compete with them in equal measure. It’s masterfully done. As deeply as they want to be good friends to each other, perhaps for old time’s sake, this trio is not a safe one to be in.  

One evening, after Laurie has had an ‘energy healing’ session, Jaclyn mentions that she can get on board with spiritual practices a whole lot easier than she can get on board with ‘religion’ – Christianity, she states, is made for men. She can’t seem to find herself, or any other empowered women, within the biblical story. And so, she finds herself gravitating to ‘witchy’ alternatives.  

I’m a woman, a pretty ‘feminist’ one at that. I’m also, first and foremost, a Christian. And so, I think I have the right to say that this is incredibly perceptive of Mike White. I have this conversation time and time again: people wondering why a woman, one who believes in the social, economic, political and spiritual equality of the sexes, would ever hitch their wagon to the Christian tradition. Honestly, sometimes I feel like a unicorn.  

Yet, when the ‘Christian’ church was first bubbling up (we’re talking first century) it had the reputation of being a religion for women and slaves. Everywhere it travelled - city by city, village by village - women (of every socio-economic background) flocked to the Christian community in dramatic numbers. It changed the cultural landscape. Jesus, the Galilean saviour that these communities couldn’t stop talking about, kept company with women in a history-making way and they were determined to do likewise. Now, what I can’t deny is all of the patriarchy that has been thrown into the mix since. To pretend it’s not there would be silly of me.  

So, I hear you, Jaclyn. But I’ve gone straight to the source (Jesus) and I’ve hit upon a disconnect between the story I believe/the saviour I believe in, and the way it/he has been used against my gender – so I’ve stubbornly chosen to ignore the latter. I’ve never let it drive me away. I find my whole self (my gender included) forcefully loved by the God I know, endlessly drawn into his company, convinced by his assertion that he made me – fearfully and wonderfully. 

Oh Jaclyn, they can try to tell me that Christianity isn’t for me, but I ain’t budging.   

The dinner conversation moves on, Kate hits back – she tells her buddies that she, in fact, goes to her Texan church every Sunday and finds it ‘very moving’. Jaclyn and Laurie, both wide-eyed, sympathetically state that it must be hard to be around people who voted for Trump. And then it becomes obvious, to those in the scene and those of us watching it, that Kate herself voted for Trump.  

It’s an emotionally intelligent watch: two women feeling viscerally betrayed by their friend for voting in such a ‘self-defeating’ way. And the friend on the other side, betrayed that they would think of her so differently as a result of her well-intentioned political leaning.  

I live in the UK, and so I was taken aback that these women were able to draw such a confident line between A and B – between Christianity and one particular political party. Because of the perceptive nature of Mike White (as evidenced by the lines that came before these ones), I trust that this is somewhat accurate. It may not be the truth (I’m sure not every Texan Christian voted one way), but it’s certainly a perceived truth.   

It intrigued but mostly troubled me. It made me wonder what the meaning of ‘Christian’ is becoming, or perhaps has already become – people holding the cross in one hand and a political party in another, claiming that to love one is to love the other. Are we really known as people who are wanting a messiah in the White House, a Saviour in the Senate? Is Mike White over simplifying this, or is he saying what he’s seeing? That people have reduced the greatest, deepest, largest and truest story ever told to an association with red or blue?  

To Jaclyn, Laurie, Kate, and all those you represent – I’m sorry if we haven’t done the best job at representing ourselves, or Jesus, to you.  

To Mike White – watch us a little longer, watch a little deeper. We Christians are neither a patriarchal nor political tribe; don’t squeeze us into the boxes that we’re pretending we fit in. That’s our bad. There’s more to us than that. You have my word. 

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