Article
Creed
Time
4 min read

What would you do with one day more?

A leap year creates opportunities.

Jamie is Vicar of St Michael's Chester Square, London.

Looking straight down on someone sitting in an armchair working on a laptop. They are surrounded by clock numerals and hands on the floor.
Kevin Ku on Unsplash.

We're all going into extra time. If you've found yourself thinking, 'If only I had some more time', then this is the year for you. Congratulations. So how are you going to make the most of the extra day we're gifted? In a leap year, the 29th February square sits quietly there on the calendar, with little fanfare, unless you're one of the unfortunate souls to be celebrating your quadrennial birthday. But it's not just another Thursday. It's redemption time if you've ever flown east across the international date line and wondered where that day disappeared, never to return. 

When you think about extra time in football, the pressure is only heightened, the anticipation and trepidation palpable. Willy Wonka - no, not the recent foppish Timothée Chalamet, but Gene Wilder – famously got muddled when he feverishly announced, 'We have so much time, and so little to do!' Unlike Otis Redding, sittin' on the dock of the bay, wasting time, we have learnt to squeeze more and more into our days, making the most of the time. 

I'm not immune. I've recently begun using an AI app for scheduling meetings and tasks. This app promises to turbocharge my productivity by 137 per cent. Somehow it boasts, 'There are now 13 months in a year'. Of course, there's little way of measuring just how super-duper-extra-productive this is going to make me but so far, I still seem to only have seven days in my week. So, if we were to stop spinning on our hamster wheels of productivity for a moment, and take a look at time (given with this extra day we have the time to do so), how might we make the most of it? 

The essence of time must mean both its quality and its quantity. 

It's worth measuring not only how much time we have, but the quality of the time we have. We know how to measure time, but how do we measure this measure? Time is of the essence. But what is the essence of time? For Charles Dickens, the best of times and the worst of times went hand-in-hand. The apostle Paul warned the church in Ephesus to make the most of every opportunity, 'because the days are evil'. Is time neutral? Perhaps we should ask the women and children of Afghanistan after the Doha agreement was signed on the last 29th February, with ominous consequences. Every day has the capacity for good and evil, including in a leap year. And if the days are evil, then as we consider how we live, as the King James Version puts it, that we can 'redeem the time'. 

Then there's not only redeeming the time in terms of its quality, but also its quantity. Eventually, one day (quite some time away), HS2 will mean there's 32 minutes 'saved' for those travelling between Birmingham and London. And how many times have you said or heard recently that you've 'run out of time'? Our society treats time as a scarce commodity. There's regret over the time that we have wasted on an unworthy Netflix offering, on doom-scrolling, or that time in the post office queue we'll never get back. 

I recently went to a memorial service of a friend who died in her early 60s. It was not only a sober reminder that we don't know how much time we have, but also an inspiration to live like someone who made the most of her days, by helping others to make the most of their time. 

The essence of time must mean both its quality and its quantity. Richard Curtis' film About Time invites us into the relationship between a father and son who have the power to travel through time. While the lesson learnt is that we have the power to make the most of every day, the bulk of the film is really about the relationship. Any time he wants, the son can escape back to Cornwall and play table tennis or skim pebbles along the water with his dad. These experiences beyond his own linear timeline teach him how to live in his present reality. 

Christianity also invites us to live in the love between a Father and a Son, and from that place we keep time. Jesus spoke about eternal life: not only a quantity of life beyond death, but a quality of life that we can experience beginning today. Sure, we can't escape the reality of any of the worst times around us, but we can invite the best of times of eternity into today. Maybe our relationship with time is so fraught because we were made to live beyond time. 

The wristband on my watch recently fell apart. I suppose you could say I've been walking around without time on my hands. Time doesn't need to be elusive, slipping away from us. Time, just like the day, can be seized and grasped. King David wrote of God: 'my times are in your hands'. A leap year gives us a whole extra day of deadlines, potential ephemeral joys and sorrows. Perhaps putting our hope not in today, nor tomorrow, but into the hands of the maker of time is the greatest leap. 

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

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