Explainer
Belief
Creed
9 min read

What does the word ‘God’ mean anyway?

After asking why belief matters, Barnabas Aspray turns to transcendence as a way of defining God. The second in a series exploring the Nicene Creed.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A cloud-dappled s blue sky is viewed through a large circular opening, from below.
The view from a modern cave.
Shelter on Unsplash.

God’ is one of those words we think we understand, but many of us really don’t. Both believers and unbelievers often fall prey to a misguided idea of what the writers of the Nicene Creed meant by the word ‘God’.  

Consider this description of God as an example: 

God is an immensely powerful spiritual being, more powerful than anyone else in the Universe. He is invisible; he lives in heaven, but he can also be everywhere at once. He created the world a long time ago, and sometimes intervenes in the world today to perform miracles or answer prayers. His arch-enemy is another powerful spirit called Satan, but God is more powerful than Satan and will one day defeat him. 

Almost everything about the above paragraph is either misleading or false from a traditional Christian point of view, yet it is not far off from the way many people today think about God. If we want to come up with a better definition, we need to understand, first that there are different kinds of reality, and second, that God belongs to his own unique kind of reality. Let’s use analogies to make each of these points.  

God is like the number 2  

Let’s have a look and a laugh at this XKCD webcomic.

A cartoon strip of a maths teacher explaining a proof.

What makes this comic funny is that the maths teacher is confusing two types of reality: 

  1. Physical, contingent realities whose existence is contingent (might or might not have existed), that exist in a particular place and time, and that can be destroyed. 

  1. Non-physical, non-contingent realities whose existence is necessary (cannot not exist), that are not in space or time at all, and that cannot be destroyed. 

The maths teacher is treating a number as if it had the first kind of reality when in fact it has the second. It doesn’t make sense to ‘find and destroy’ a number. If the number 2 ceased to exist, what would 1+1 then be equal to? What would it mean if you saw more than 1 but less than 3 objects together, or would that no longer happen? Numbers are not the kind of things that you can remove, leaving the rest of the Universe unchanged. They are part of the fabric of reality, and we can’t really conceive a Universe without them.  

Now, when we’re talking about God, this is the crucial thing to understand: the kind of reality that God has is more like the reality of numbers than the reality of physical objects. Like numbers, God is intrinsic to the way reality works. Like numbers, God can’t be located anywhere, yet without his presence reality would not make any sense. Like numbers, God can’t be seen, only represented through signs and symbols.

Compared to God, we are like two-dimensional beings 

Let me introduce you to Flatty. 

A line drawing of a flat round bug with six legs and two eyes.

Flatty is an entirely two-dimensional creature, living in a two-dimensional world called Flatland. In this world, there is no up and down, only left, right, forward, and backward. There are no spheres, only circles. There are no cubes, only squares. If I draw a square around flatty, it imprisons him. He cannot go over it or under it, because there is no such thing as ‘over’ or ‘under’ in Flatland. If I draw an object in front of Flatty, it looks to him as if it appeared out of nowhere. 

Now, imagine you could talk to Flatty. Your voice would seem to be coming from nowhere, since he can’t see anything in three dimensions. How could you persuade him that you exist and he’s not going crazy? Perhaps you could press your finger on the surface of flatland. The fingerprint would appear like a strange oval shape, but that would only be the tiniest hint of what you look like. You could try to explain that you’re above him, but the word ‘above’ is meaningless for him so he would not understand. 

Suppose Flatty was persuaded that you existed. How could he prove to other flatties that you existed? He has no words to describe you with except the ones you’ve given him, which have no meaning in a two-dimensional Universe. He can’t point to you, and he can’t offer any evidence. All evidence he might have would be two-dimensional, which misses the kind of reality he wants to prove.  

Now the point of this analogy is that we are like Flatty in relation to God. We lack the language to describe God because his reality is so much greater than ours that our minds are not equipped to conceive or describe it. God can speak to us – he can even make strange appearances in the physical world sometimes, but those appearances only convey the tiniest hint of who he is.  

This is what the Christian tradition has always meant when it says that God is ‘transcendent’. The word ‘transcendence’ is an attempt to give a name to something we have no concept of and no ability to fully comprehend: the idea that there is a reality beyond the three-dimensional reality that we can see and experience, and that God inhabits that reality. 

Let’s return to the misleading definition of God we quoted above and correct some of the points: 

  • It is true to say that God is invisible, but this is not an accident, as if God could have been visible. It’s part of the very nature of God that he cannot be seen, because the only things that can be seen are things that belong to the three-dimensional world. (If you think about it, numbers can’t really be ‘seen’ either. The way we write the number 2 is just as symbol to represent something that has no visible form. Even if we see two objects together, we are not seeing the number 2 itself, merely an instance of its use in one particular place and time.)   

  • God does not ‘live’ in heaven as if he were an object that could be located somewhere. ‘Heaven’ is itself a name for the transcendent reality that we cannot fully conceive (this is more obvious in the biblical languages, and in French, German, and Spanish, where the word for ‘heaven’ and the word for ‘sky’ are the same, yet nobody is confused and thinks you’re talking about the sky). When we say that God is in heaven, we mean that God’s reality is more tangible and present there than it is here on earth, although that will not always be the case.  

The other misleading aspects of that initial quotation will be addressed in the next article on the doctrine of creation. 

Why this is not apologetics 

None of this counts as an argument for the existence of God, even if it makes a difference to how such arguments would go. The above should not be taken as evidence that God exists, but as providing a definition of God that we need before any productive argument can begin. The reason so many atheists and theists seem to be talking past each other is that they so often start with different definitions of God without realising it. David Bentley Hart puts it this way: 

The most pervasive error one encounters in contemporary arguments about belief in God … is the habit of conceiving of God simply as some very large object or agency within the universe, or perhaps alongside the universe, a being among other beings, who differs from all other beings in magnitude, power, and duration, but not ontologically. 

One example of this mistake is what Richard Dawkins says in the following: 

I have found it an amusing strategy, when asked whether I am an atheist, to point out that the questioner is also an atheist when considering Zeus, Apollo, Amon Ra, Mithras, Baal, Thor, Wotan, the Golden Calf and the Flying Spaghetti Monster. I just go one god further. 

Dawkins has cleverly turned the tables, making it look as if all the religions disagreed with each other, when in fact most of them agree against atheism on the question of God, and only disagree much further down the line. It is as if someone were to count English accents as different languages, and then propose making Flemish the international language because more people speak it than any of the varieties of English. 

More specifically, Dawkins’ mistake is to confuse capital ‘G’ God and lowercase ‘g’ gods which is not the plural of ‘God’ in any major religion. Lowercase ‘gods’, whether they exist or not, still live inside the Universe and are part of it like you and me. The Bible itself, even though it is a monotheistic book, uses the term ‘gods’ in this way (see e.g., Psalm 82, 86, 98).  

FAQs 

Is this really a biblical conception of God? Why are there so few Bible quotes in this article? 

The point of this article is to explain what the writers of the Nicene Creed meant when they used the word ‘God’. They believed that their conception of God was derived from the Bible and accurately reflected the biblical view. Their conception of God has come to be called ‘Classical Theism’, which is the mainstream position taken by the majority of theologians and denominations throughout Christian history. In recent years, some academic theologians called ‘open theists’ have argued that Classical Theism did not come from the Bible but from ancient Greek philosophy, and is therefore not properly Christian. If they are correct, it means that they have understood the Bible better than almost every theologian in the first fifteen centuries of the Church, including the writers of the Nicene Creed. Their argument has not been accepted by most churches and denominations, and it depends on a not-universally agreed understanding of how Christians ought to interpret the Bible. To explain why I think the Bible supports Classical Theism would be to write a completely different, and much longer, article. There are many resources already out there that show how the classical conception of God is not only derived from the Bible, but rejects a lot of Greek philosophy in favour of the Bible. If you are interested in this debate, you might consider the following resources to start with: Paul Tyson, Returning to Reality: Christian Platonism for Our Times (Wipf & Stock, 2014); Andrew Davison, Participation in God: A Study in Christian Doctrine and Metaphysics (CUP, 2019); Simon Oliver, Creation: A Guide for the Perplexed (Bloomsbury, 2017); Paul L. Gavrilyuk, The Suffering of the Impassible God (OUP, 2004). 

What about Jesus? Doesn’t this conception of God leave out the most central Christian tenet, that Jesus is God?  

To say that ‘Jesus is God’ has no meaning unless you first have a definition of God that the word ‘Jesus’ can apply to. That is why the Bible starts by building up a conception of God in the Old Testament, before revealing in the New Testament that this same God came among us in the person of Jesus. That’s why it’s misleading to say (as some Christians do) ‘If you want to know what God is like, look at Jesus’. It’s true at the level of God’s character, but not at the level of God’s nature. If you are interested in this question, I would suggest reading Rowan Williams, Christ the Heart of Creation (Bloomsbury, 2018). 

This definition of God makes him seem impersonal. Doesn’t Christianity teach that God is personal? 

It’s true that God has chosen to relate to us as one person relates to another, and in that sense we can call God ‘personal’. But we must be careful of letting that idea run away with itself, until we imagine God to be like a human being, only bigger and more powerful. This is called the mistake of anthropomorphising God. If you’re interested in avoiding anthropomorphic conceptions of God, I would suggest starting with David Bentley Hart, The Experience of God: Being, Consciousness, Bliss (Yale University Press, 2014). 

 

 

Review
Belief
Culture
Music
Race
5 min read

Annie Caldwell: “My family is my band”

A force of nature voice that comes from the soul.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A family group stand and sit for a photo.
Family album.
The Caldwells.

They say that good things come to those who wait. Annie Caldwell is someone who has experienced the truth of that proverb.  

The album she and her siblings (known as the Staples Jr. Singers) made and paid for themselves in 1975 sold only a few hundred copies but, when reissued in 2022, was received as a stone-cold classic and led to the recording of a second album 49 years after the first. Now, her other group, Annie and the Caldwells, have released their major label debut to rave reviews, 30 years after they first began performing. 

Annie Brown was 11 when the Staples Jr. Singers was formed in honour of Pops and Mavis Staples of the famed Chicago soul-gospel group, The Staples Singers. The siblings gained popularity at churches and functions throughout the American South and Midwest, being mentored by Mississippi greats like Lee Williams and Spiritual QCs. 

Back then, the South was desegregated on paper but not always in practice. Their parents found refuge and support in the church against the backdrop of an unwelcoming town (and nation), while the children found refuge and a greater purpose in life in the music. They were influenced by what they saw - the backlash after desegregation, Civil Rights - and wrote music with messages of community and social justice. “All the songs we were singing about,” said Annie’s brother Edward Brown, “We were going through it.” 

The Staples Jr. Singers got to make a single record together, one which, because of its rarity, became coveted by gospel soul collectors: When Do We Get Paid. They paid for the record themselves and pressed a few hundred copies, selling most of them on their front lawn to their neighbours. On its re-release in 2022, The Guardian called their socially conscious gospel album “Powerful,” and UNCUT said that it was “music that deserves your attention.” 

As a result, the Staples Jr. Singers finally had their time in the sun, including multiple European tours. Annie spoke then about being able to “do many things that we didn’t get the chance to do in the beginning of life … Because the time and money wasn’t there. It all came late, being in our sixties now—but it looks like it’s just beginning, you know? Life is just beginning for us.” She concluded that: “God has blessed us and opened up doors that we couldn’t even see,” and said that, “If I can help just one person, I know that I’m not singing in vain.” 

They play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. 

One warm evening in October 2023, the family gathered in a single-room church in West Point, Mississippi, called The Message Center to record their second album Searching. There, across the street from Annie’s house, they played songs they had written nearly fifty years before and did so together with four generations of their musical family. The original three Staples Jr. Singers, Edward, R.C., and Annie, were joined by some of the new vanguard: Edward’s son Troy on backing vocals, R.C.’s son Gary on bass, and R.C.’s grandson Jaylin on drums. “It was good to be able to go back,” said Annie, “and look back over our life. Some of the same songs that we had sung, those songs have a new meaning to me.” 

“The process was very easy,” said producer Ahmed Gallab, who performs as the artist Sinkane. “There’s nothing like a family bond/band. It was so special to watch how locked into each other everyone was. You can hear and feel that on this record.” He concluded: “I feel like I was able to witness part of this family’s continued story and legacy in real time. That was a very special thing to witness.” 

Annie and the Caldwells is also a family band, being led by Annie and her husband of the last fifty years Willie Joe Caldwell, Sr. (who plays guitar). Annie says, “My family is my band”: she is backed by their daughters Deborah Caldwell Moore and Anjessica Caldwell and goddaughter Toni Rivers; their eldest son Willie Jr. Caldwell is on the bass and youngest son Abel Aquirius Caldwell is on the drums. 

Annie traces the genesis of the band back to the moment she heard her daughters sing at a talent show: “They were really good. I said, ‘Let me get those girls before the devil gets them!’ Because I was raised up in gospel, so I think you should use what the Lord gave you for good. I decided to raise them with the values my father taught me – singing for the Lord.” 

They generally play on weekends, so for their day jobs Willie Jr. drives a forklift, Abel Aquirius drives hospital patients, Anjessica works in customer care for an insurance company, Toni is an elementary school teacher, and Deborah does hair. Annie runs a clothing store on Main Street called Caldwell Fashions, which has been a beloved staple for women dressing for COGIC (Church Of God In Christ ) convocations and anniversaries since the 1980s.  

Prior to the latest album, they released two albums under Ecko, a renowned soul and gospel label from Memphis. Influenced by The Gap Band, Chaka Kahn, and Bootsy Collins, they play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. Their music embodies the full power of gospel – the very kind The Message Center, where the family regularly performs, experiences on a weekly basis. The Message Center is also where Joe plays guitar every other Sunday, and where his father used to be a deacon.  

Like Searching, Can’t Lose My (Soul) was also recorded at The Message Center and produced by Gallab. He has said of the recording session: “Hearing Annie’s voice for the first time was like witnessing something rare. Like you’re in the presence of a force of nature that’s been here long before you. It’s visceral, almost like it’s coming from her soul. You can feel every part of her life, every little piece of her journey, in each note she hits. It’s pure talent: no effort, no pretense, just real and raw.” 

In his five-star review of the album for The Guardian, Alexis Petridis wrote: “These are great, powerful, moving songs, made all the more potent by the fact that they’re recorded live, without an audience, in a church …  their message is ultimately one of hope. You don’t need to share the Caldwells’ faith to find something powerful and inspiring in that, particularly given the current climate, which can easily incline you towards hopelessness …”