Article
Belief
Culture
Film & TV
Identity
5 min read

Wednesday works wonders bringing the outsiders in

Tim Burton’s echoes of C.S. Lewis

Lauren Westwood works in faith engagement communications for The Salvation Army.

Wednesday Adams scowls while Enid smiles.
Wednesday and Enid.

There’s something delightfully ironic about the mainstream success of Wednesday – Netflix’s Addams Family spin-off directed by Tim Burton. With its whimsy gothic aesthetic, star-studded cast and viral TikTok dance to boot, the first season was a highly bingeable hit in 2022. This summer, the split-release of season two scored over 50 million streams in its first five days. But beyond its cult-like reception lies something deeper: a collective reckoning with identity, acceptance and the desire to belong. 

Jenna Ortega’s Wednesday Addams is an outsider among outsiders. Upon returning to Nevermore Academy – a supernatural boarding school meant to be a haven for ‘freaks, monsters and outcasts’ – she finds herself more alienated than ever. Don’t feel sorry for her: she’s difficult, destructive and I’m not sure I’d want to share a dorm with her (or her pet disembodied hand, Thing.) But that’s why we love her so much. 

Wednesday ‘taps into that sense of not quite fitting in that everyone has,’ praised Marina Hyde on her The Rest is Entertainment podcast. ‘We all feel like we’re the kind of excluded weird mad kid from Burbank, as he [Burton] was growing up.’ 

C.S. Lewis termed the phenomena of not quite fitting in as the ‘Inner Ring’ – the unwritten systems of belonging that permeate all areas of life, from early youth into old age. It can neither be fully defined nor totally avoided. Lewis suggests that all people, at some point or another, experience this ‘desire to be inside the local Ring and the terror of being left outside.’ Ultimately, he warns, this pursuit of surface-level or self-furthering belonging ‘will break your hearts unless you break it.’ 

Lewis, one of Christianity’s most profound cultural influencers, was stirring a deeper call among his fellows Christians: to remember that the gospel is not just good news for those sitting comfortably in the pews – it’s good news for those outside. It’s good news for those searching for belonging in a world that prizes conformity and feasts on exclusivity. 

Tim Burton’s genius lies in his ability to reach out, subverting the mainstream and dismantling the Inner Ring, seemingly with ease. Everyone’s an outsider, so no one is an outsider. As in Edward Scissorhands or Jack Skellington from The Nightmare before Christmas, Burton’s decision to not only tolerate but to celebrate the outcast bridges the gap between the socially excluded and socially accepted. 

The sense of belonging that Burton creates doesn’t feel twee, manufactured or forced. It isn’t the sort of embrace that comes under strait-laced conditions, either. He cultivates spaces where the strange, the sad and the misunderstood become protagonists, empowered to tell their own story. He boldly platforms that which is different, unwilling to conform or compromise. Even the visual language of his work is distinct and unashamed, and his trademark scribbled twists and turns that creep into set designs, costumes and title sequences. 

In Wednesday, this contrast is emphasised by a window that is half-spiderweb, half-kaleidoscope, dividing the room that Wednesday shares with Enid, the optimistic and bubbly roommate. They’re an extreme black-cat, golden-retriever pairing who have little in common, except for feeling that they don’t fit in. 

Their desire for belonging and acceptance looks different. Enid cares very much about how others view her, whereas Wednesday’s cold defiance masks her vulnerability to be seen, known and accepted. This symbolic shared space, and the friendship that is imposed upon Wednesday by Enid, signals a deeper truth: belonging is not found in sameness, but in recognising what connects us and how we can honour one another in spite and because of our differences. 

The subversive nature of Burton’s imagined universe holds a dim mirror to the liberating reality of God’s Kingdom.

While Burton elevates the outsider, his worlds often remain solitary and cut-off. But the Church, at its best, offers not just visibility but the embrace of fellowship. Jesus consistently chose people on the margins – lepers, tax collectors, women – and invite them into relationship. The gospel accounts for him taking less efficient travelling routes seemingly to encounter the lonely, the sick and the despised, to share news of their belonging to God, whose love for them was so strong that he would dwell not only among them, but within them through his Spirit. 

The culture of the early church was informed by Jesus’ example, and their meetings were a mosaic of cultural, ethnic and social diversity, brimming with unlikely partnerships and clashes of custom. Paul reaffirmed the concept that all are ‘one in Jesus Christ’ in his letter to the church in Galatia, declaring that ‘there is neither Jew nor Gentile, neither slave nor free, nor is there male and female.’ This is not a call to erasure, but to radical inclusion. Rather than everyone being an outsider, as in Burton’s world, everyone is an insider in the Kingdom of God. 

Perhaps it isn’t about whether Tim Burton or the Church has done more for outsiders, outliers and outcasts, but to invite personal challenge: Am I willing to get used to different? To disturb my norms, routines and expectations in the name of mutual inconvenience? To embrace a little mess and chaos for the sake of greater unity? 

The subversive nature of Burton’s imagined universe holds a dim mirror to the liberating reality of God’s Kingdom, where the last are first, the poor receive a rich inheritance, and the margins become the centre. Where Burton’s audience may find solace in shared strangeness, the gospel offers something greater: a home not built on similarities and commonalities, but on divine welcome and spacious grace. And an unlimited set of keys to welcome others to their room, too. 

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Column
Belief
Christmas culture
Creed
7 min read

Why the incarnation adds up for me

There’s much more to it than maths and linguistics.
An abstract image of red and gold fluid shapes akin to stained glass, seem to depict a face and an upstretched hand.
Jr Korpa on Unsplash.

I’m rubbish at maths.  

This hasn’t actually held me back all that much in life because I’m a theologian and biblical scholar by profession; I basically train vicars for a living. Being bad at maths means I fit in well in the Church because – I don’t know if you’ve noticed – Christianity is rubbish at maths too.  

We go to school and we’re taught things like one plus one plus one equals three. We then go to Church and we’re told one Father plus one Son plus one Holy Spirit now somehow equals one God.  

And the rubbish maths doesn’t stop there.  

The Church also says that Jesus is God incarnate: that He is 100 per cent God and 100 per cent human. Even I know that this isn’t how percentages work.  

But what does it mean to say that Jesus is 100 per cent God and 100 per cent human? More importantly: why should you care? What difference does this make to you?  

What is the incarnation? 

If you’ve ever had chilli con carne, you might know this literally means ‘chilli with meat’; ‘carne’ means ‘meat’. And the ‘carne’ in ‘incarnation’ is exactly the same: it means ‘meat’ or ‘flesh’.  

So, we can think of ‘incarnation’ as ‘enfleshment’, or ‘taking on flesh’, or ‘becoming flesh and blood’. This is what we mean when we talk about ‘incarnation’: that someone or something has become flesh and blood.  

In the Bible we read that, while Jesus “existed in the form of God … He emptied Himself, taking the form of a servant, assuming human likeness.” 

And this is where the maths of the whole enterprise starts to get tricky.  

The Bible does not claim that Jesus stops being God when He is human, or that He is somehow ‘less God’ in some way. Nor does it say that Jesus is anything less than completely human.  

The word translated as ‘form’ in English – the ‘form’ of God, and the ‘form of a human servant’ – is morphē in Greek (the language the New Testament was written in). It’s where we get English words like ‘morph’. The animated character Morph is a little clay man who changes his form – his shape – at will. The Mighty, Morphing Power Rangers are people who change their form to become superheroes.  

Something like this happens to Jesus in the Gospels, too, when Jesus’ face begins to shine like the sun and his clothes become unnaturally white. Most English translations say that Jesus is ‘transfigured’.  

I don’t know about you, but that’s not a word I often use; things are very rarely ‘transfigured’ in my life.  

The Greek word underlying this is metamorpheō, where we get English words like ‘metamorphosis’ from. Hopefully you can see that morph (the word for ‘form’) in the middle of the word metamorpheō. And whenever a Greek word has meta- at the start of it – like in metamorpheō. It’s to do with change.  

Here, then, Jesus is literally trans-form-ed. Jesus, while in human form, is now revealed in His divine form.  

It’s not that Jesus becomes God in this moment, or that he stops being human. Rather, Jesus is revealed in the transfiguration – in his metamorphosis – to be, and to have always been, fully God and fully human. 

And so, when the Church celebrates the incarnation at Christmas, it celebrates God’s perfect eternal Son becoming embodied – taking on human flesh and a human body – in the person of Jesus.  

This is not the life of independence, autonomy, and self-sufficiency I am so often encouraged to cultivate by the world around me. It’s a life of needing other people

Okay, at this point, you might be thinking: “That’s lovely, but who cares?”  

Well, the Church’s claim that Jesus is 100 per cent God and 100 per vent human is deeply important for every one of us. Without it, we’re scuppered. In particular, the incarnation matters for at least four reasons. 

First, the incarnation means we really do see God when we see Jesus. Jesus is fully God. In Jesus, “the fullness of God was pleased to dwell,” to use the Bible’s language. In other words, then, there is no God hidden behind Jesus. 

Jesus makes it genuinely possible to know God; if Jesus was anything less than fully God, then we would only know a diluted, watered down version of God through Him.  

Second, without the incarnation there can be no rescuing of humanity, or of the world around us.  

You don’t have to look very far to see the worst of humanity. All too often it feels as though those in power are exactly the last people we would want to wield it. Whether you’d call yourself a Christian or not, I think we can all agree that things need fixing.  

The Church claims Jesus came to fix things.  

Being fully God and fully human, Jesus acts as our representative to God, and God’s representative to us. He overcomes any difference between God and the world, and restores it to the glorious state in which God intended it to be. 

But this act of fixing – of setting things right, of restoration, of transformation – is only possible for someone fully God and fully human. Only the incarnation makes it possible for us and the world around us to be put right. 

Third, because Jesus is fully human, His life shows us what it means to live well.  

Jesus is the most ‘human’ human who has ever human-ed. He is a human cranked up to eleven. Jesus’ life is what it looks like to live the perfect human life. He does not imitate our humanity; we imitate His. We are not the norm for what humanity looks like; He is.  

But Jesus’ life does not look like my idea of perfect. Jesus’ perfect human life involved complete and utter dependency on other people.  

As a baby, Jesus’ mum and dad cleaned up his poo and His sick; Mary probably breastfed Him. As a child, Jesus relied on other people to be educated. As a man, Jesus had no home: His dad probably now dead and His mum convinced he’d gone mad, He relied on other people for shelter, for clothes, and for food.  

This is not the life of independence, autonomy, and self-sufficiency I am so often encouraged to cultivate by the world around me. It’s a life of needing other people.  

The incarnation then, shows us what it does – and does not – mean to live well. 

Fourth, and finally, the incarnation means that none of the awful things that we do to each other and are done to us by others define our value, our worth, or our humanity. 

Jesus was a victim of sexual abuse.  

Some people are very resistant to this idea. I wonder if there are misguided notions of shame at play here: as though this would somehow make Jesus less human, or less God, or less saviour.  

Again, Jesus has other ideas.  

All four of the Gospels tell us that Jesus was stripped naked as part of His torture and death at the hands of the Romans. And we know from historical records that this is what the Romans did to those they crucified: they stripped them and they tortured them nakedly and in public, as an act of very deliberate humiliation and degradation.  

The radical claim of Jesus’ life – of the incarnation – is that this does not make Him less-than-human in any way.  

No, remember: Jesus is more human than anyone who’s ever lived. He is the norm for what it means to be human, not us. Nor does it make Him less God, or less of a saviour. Jesus’ perfect life tells victims of abuse that their lives are not tarnished, or diminished, or downgraded through the actions of others.  

The incarnation, then, is God’s decisive act to show the world, once and for all, that He is for us – that He is for you, and for me. So much so, that God has chosen to become entirely like us, that we might become more like Him.  

In the incarnation, God decisively declares the goodness of humanity by freely choosing to become fully human. To be human, then, is not to be someone or something that God flees from. Rather, God loves humanity so much – He loves you so much – that He has decided He cannot be without you, and He cannot be Himself without becoming like you.

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