Interview
Belief
Creed
5 min read

Water from the well: a moment with Rowan Williams on Nicaea

A chance encounter with the former Archbishop led to a profound reflection

Hal is a theologian and writer based in London.

Students sit on the grass in front of a fountain.
Pontifical University garden.
Pontifical University.

The gardens of the Pontifical University of Saint Thomas Aquinas near to the Vatican are a place of quiet reason, where the mind is trained to seek the fundamental truths of existence. But on a sweltering day approaching summer, the temperature was 31 degrees, and reason had given way to a more immediate need: a glass of water. 

It was by the water-cooler, tucked behind a shade-giving tree, that I found him: Lord Rowan Williams of Oystermouth, the former Archbishop of Canterbury, a man whose theological depth is matched only by a palpable, gentle presence. Perhaps it was the heat, or a moment of recklessness, but I asked him for an interview. To my delight, he agreed. 

The following day, we met. His recent keynote address, ‘Nicaea, the New Creation, and the Body of Christ,’ had laid the groundwork. What followed was not a simple Q&A, but a deep, meandering conversation—a drawing from the well of a tradition that is both ancient and startlingly immediate. 

The grammar of divinity 

How do you prepare to speak on a Council with 1,700 years of commentary? For Williams, the entry point is not the what, but the why. 

“I started by asking - what was the question Nicaea was trying to answer?” he began. “This is the question Nicaea was trying to resolve: How do we say, at the same time, that Jesus really is the embodiment of the eternalism of God… and that he genuinely opens up for us a new relationship with the Father?” 

This is what Williams calls the “deep grammar” of the Council—a phrase he embraces with enthusiasm. The Creed, he suggests, sketches a grammar for divinity itself. It asserts a belief in one God, “but the kind of oneness that God is, is a oneness that's always fertile or productive.” 

This productive, self-giving life—kenosis—is not just who God is, but the kind of life we are called to participate in. “God is always reflecting itself in word and spirit… boiling over into creation - that's what God is!... a life that is both self-giving (kenotic) and productive… a life that brings others alive.” 

The saints, in their radical openness to this “kenotic presence,” become conduits of this new creation. “Rather mysterious things happen,” Williams notes, “when you allow the act of God to go through you.” 

The magnetic quiver 

But how do we, in our everyday lives, tune into this deep grammar? Williams points not to the esoteric, but to the ordinary acts of faith that structure our existence. 

“We’re called on, first of all, to wake up to the fact that in our ordinary lives we're in fact all the time making acts of faith - the faith that what I say to you and what you say to me can be more or less understood... the faith that human commitment and love are significant and worth investing in.” 

This trust, this “connectedness,” is a slow “peeling open of human identity to its depths.” It is a universal experience, a “magnetic needle” in creation that “quivers northwards... quivers Godwards. We can't quite keep it quiet.” 

He offers a wry, characteristically British illustration: “one of the great mysteries in British society is that British people are much nicer than the Daily Mail thinks they are!” 

This inherent pull, this quiver, is what the doctrines of the Creed are meant to protect and describe. The dense, pub-unfriendly language of “consubstantial with the Father” is not an abstract puzzle but a map of a reality we are already, however faintly, experiencing. “The Holy Spirit draws us into the flow of life,” Williams says. “The Creed keeps us aware of it… it's the shape and form we’re growing into.” 

The breath of the Spirit 

This brings us to the ancient rift of the filioque clause—the Western addition to the Creed stating the Spirit proceeds from the Father “and the Son.” Is it a fatal block to unity or a matter of semantics? 

For Williams, the scriptural reality is paramount. “Jesus says to his disciples I will send you the Holy Spirit who proceeds from the Father. Jesus is saying - you will be receiving a gift from me, which is given me by the Father, to give to you.” 

The key, he suggests, is in the tangible action: in John’s Gospel, the resurrected Jesus breathes on his disciples. “Jesus brings the Spirit into action, into full tangible action in human history.” The Spirit proceeds through the Son into the world. At this point, theology reaches its limit. “I’m quite happy to grin feebly and shrug my shoulders...I dunno!” he laughs. “What matters is that the energy of new life and vision is given.” 

And this energy, he insists, “goes with the grain of our humanity.” One can almost imagine a divine sigh: “For Heaven’s sake... just wake up to what you are.” 

He finds the perfect image in the parable of the Prodigal Son, who, in the depths of his exile, “came to himself.” It is a “paradigm moment” of das Ereignis—a Heideggerian concept for an event of appropriating, of “coming into one’s own.” “There is a self to come to,” Williams affirms, “and a home to go to.” 

A unity already given 

Will the divided churches ever find structural unity? At times, he admits, we seem to be drifting further apart. But Williams’ focus is on a deeper, prior reality. 

“It helps to be aware that there's a unity given already. We're not quite sure how to embody it. We're not quite sure how to organise it. But there's something there.” 

Finally, reflecting on the Council itself, he dismisses any notion of Nicaea as a merely political project for a fractious empire, though Constantine’s desire for harmony was a factor. He paints a visceral picture of the attending bishops, as described by Eusebius: men with missing hands, gouged eyes, and the scars of persecution. When Constantine greeted them, “he kneels down and kisses their wounds.” 

“They're not just purple cassocked prelates sitting in armchairs! Their faith has been through the fire!” 

This is the well from which this Creed was drawn. It is a creed of the persecuted, a truth forged in fire. A truth, as Williams learned from Pakistani Christians this year who heard the story of Nicaea and simply said, “we know about that,” that is known in the bones before it is understood in the mind. It is the water that waits, cool and deep, for any who come thirsty. 

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Snippet
Creed
Fun & play
Music
2 min read

The nuns leaning into the serious business of fun

The beats breaking down barriers

Jamie is Vicar of St Michael's Chester Square, London.

Two nuns with a band rap on stage
Sister Marizele and Sister Marisa.

Summer is for letting your hair down and water pistols. But in an age where we're super-soaked with content online, how did a couple of nuns in Brazil emerge through the saturation? As Sister Marizele sang and beatboxed, Sister Marisa danced on a Brazilian Catholic television show. They've now recorded their song, 'Vocation'. 

Even though their online content was more about vocation than vacation, it's attracted huge numbers. “Why did something so simple and spontaneous take on such a huge scale?” asked Sister Marizele, “Because the Holy Spirit wants to touch people’s hearts.” “But besides the Holy Spirit,” she told the New York Times, “there’s also the algorithm.” 

The algorithm's clearly helped. One of the nuns' colleagues came back from vacation to keep the content going online. Instead of only a handful of prospective nuns per year, they had over 50 women get in touch in a matter of days to ask about embarking on the life of a nun ahead. The nuns believe that God wants to draw young people to church in a country where church attendance has dropped off a cliff. Perhaps they should seek advice from Whoopi Goldberg, who has given them her blessing as a 'real-life ‘Sister Act’.  

They aren't the only ones. Father David Michael is an American Catholic priest on Instagram (sometimes breakdancing) with 1.2 million followers who combines an uncompromising message with a sophisticated understanding of the need to hook people in the first three seconds of a video. This all doesn't paint the the staid picture of the church we expect. The iconoclastic act of beatboxing on TV isn't just breaking down beats, but the image of religion as being fun-averse.  

Perhaps there's more to fun than meets the eye. We might misconceive fun as shallow, frivolous and lacking in depth. But you can be both a nun, and fun. Maybe it's not just a case of unexpected possibility, but actually intrinsic to those with vocations in faith. 

Yesterday I returned from a crematorium in the front passenger seat of the empty hearse. The driver, along with hilarious stories of funerals gone wrong, also told me about losing his own child ten years ago. 'They say time's a great healer. But it isn't. You don't get over it. You learn to cope with not getting over it.' Those who have suffered and still carry unimaginable pain can know what it is to laugh. 

It's a similar depth of fun from the nuns that can speak into pain. Far from a gimmick, their skills haven't just been breaking down beats, but barriers. According to Sister Marizele, they've been "an instrument to become closer and break down barriers" with young women at drug and alcohol rehabilitation centres, where they otherwise had little to connect over. 

It might seem an odd segue, but it's striking that Jesus' first miracle was turning water into wine at a wedding party. The sheer abundance of the wine signifies the abundance of what's possible when nuns lean into fun: restoration and community for addicts, purpose for people considering their calling, and – simply – joy. Joy for countless millions around the world watching on. Joy, as CS Lewis said, is the serious business of heaven.