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Conspiracy theory
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The theological paranoia driving conspiracy theory among Christians

There are moral and political consequences to conspiracy theories, especially among Christians. Jared Stacy probes the theological paranoia that underpins many of them.

Jared holds a Theological Ethics PhD from the University of Aberdeen. His research focuses conspiracy theory, politics, and evangelicalism.

a group of protestors holding placards walk down a city street.
A QAnon placard held aloft at the 2020 Stand Up X Rally in London.
Ehimetalor Akhere Unuabona on Unsplash.

From the very beginning, the church has contended with a conspiracy theory about its central claim – that Jesus rose from the dead.  Philosopher MRX Dentith says a conspiracy theory can be any interpretation of an event which cites a conspiracy as a chief cause. Of course, it’s more complex than this. Conspiracy theories today have moral and political consequences. They also carry social stigma. But, at least in this limited way, you can see how Christianity and conspiracy theory have always related to one another.  

The church’s earliest witness to the resurrection emerged alongside a counter-narrative that claimed his disciples stole the body. In other words, a conspiracy theory. Gospel writer Matthew explains how the chief priests paid off the Roman guards, who were keeping an eye on the tomb of Jesus, with a story. The story seemed legitimate because people trusted the authority of the priesthood. This proved to be a potent connection. Some 40-70 years later, Matthew tells his readers, “so they took the money and did as they were directed; and this story has been spread among the Jews to this day.”  This dynamic repays careful consideration as conspiracy theories take root in Christian communities today.  

Ceding the secular criticism 

It’s not hard to sympathize with those who are critical about a perceived link between a Christian imagination and a commitment to conspiracism which, in turn, breeds political extremism. Sociologically, research continues to confirm this link. But I’ve also heard it expressed like this. “If you actually believe that Jesus of Nazareth is the resurrected Son of God” some say, “then why wouldn’t you also believe there’s a pedophilia ring operating out of a Washington D.C. pizza parlor?”  

In this criticism, the resurrection of Jesus is implicated as being just as irrational as the QAnon conspiracy theory. In this sense, Q, the originator of the eponymous conspiracy theory, and Christ seem to hang together in their delusions. Is there anything which can separate them?  Edgar Welch heard enough. He had just spent three days deep in the QAnon rabbit hole watching video after video. Now, he decided, was the time to act. Grabbing his AR-15, he drove to the DC pizza joint Q claimed (and he believed) was a front for a Democrat pedophilia ring. But he never found the pedophilia ring. The only thing he found was a four-year prison sentence.  

Taking the claims of Jesus seriously invites us to consider an empty tomb in place of a pizza parlor. But, unlike Welch, this isn’t a place to which we can drive. I think David Bentley Hart is right when he observes there is something “positively absurd” in balancing the “whole edifice of eternal truth” on a “fleeting temporal episode” that occurred over the course of one weekend in Jerusalem. And without the fantasy of a time machine, without the possiblity of pure historical reconstruction, we stand looking across this void, wondering what exactly to make of the scandalous possibility of an empty tomb. 

The church exists in this void. 

 The church, if it is anything, is a sustained witness over time to an event and its meaning. Both of these matter. The church continues to interpret an incredible event: Jewish women showed up that Easter morning expecting to find Jesus’ body, and didn’t. But this event, to which the church attests, that of an empty tomb, is nothing without its meaning. The historical record alone can’t provoke the crisis which invites us to consider Jesus as anything more than a Jewish itinerrant rabbi excecuted by Rome as an insurrectionist. But the church's witness exists to provoke this crisis. It’s the same crisis obscured in Matthew’s time, as he reminded his readers that many people still believed the narrative of the authorities. 

Like the earliest witness to the resurrection, it is faith in the risen Lord that constitutes and determines the church, not merely the fact of an empty tomb. Many want to disrupt conspiracy theory in the church on rational grounds, without realizing that the central claim of the church itself can’t completely rest on this plot of land. This is why I so appreciated Alistair McGrath article on this site about the place of the Creeds in fuelling the Christian imagination.  

The Christian faith can’t be judged solely in rational terms without ceasing to be faith. And so, Christians cannot cede the resurrection of Jesus to the standards of rationality or bare history. But they can admit the criticism of outsiders who note that the Christian imagination can get bound up in an extremism in which conspiracy theories play a significant part. This is a moral and theological problem. But it has a solution.  

Whether the Salem Witch Trials of the early Americas, or communist conspiracy theories of the Cold War, a theological imagination lent these claims a potency which allowed them to persist within Christian community. 

Many conspiracy theories find a home in Christian communities today because of a certain Christian view of the world, not despite it. I call this view “theological paranoia”. It’s not a clinical diagnosis but a descriptive characterization. It shows how Christians of all theological persuasions can become purveyors of political conspiracy theory. History tells us as much, and theology is bound up in this problem. Whether the Salem Witch Trials of the early Americas, or communist conspiracy theories of the Cold War, a theological imagination lent these claims a potency which allowed them to persist within Christian community. Perhaps the chief conspiracy of this Christian imagination is Satan’s war on the faithful in the world. It gives Satan too much power. But such is the imagination of theological paranoia.  

Conspiracy theories become plausible in Christian communities where theological paranoia has been constructed upstream. This happens in a few ways. One way is seeing the conflict between the kingdoms of Christ and Satan underlying every argument, every distressing event. Another way is through uninterrogated institutional commitments, like the carousel of “threats” to the church. 

In the US context for example, white evangelicals (the tradition I grew up in) now make up one of the largest religious demographic segments when analyzing belief in QAnon. Q is the self-given title to an anonymous user who posted cryptic messages on an online forum. Q claims (among other things) that there is a pedophilia ring operating at the highest levels of the Democratic Party and the global elites. Soon, according to Q, a “great storm” will come to wipe away these elites. This is the world of Q: battle between good and evil with Donald Trump as the hero. These political contests all largely conform to the theological imagination that is prominent in white evangelical churches, which we have inherited and innovated, in which we see the church’s task not as witness, but as warrior. 

We seek certainty through developing alternative perspectives which keep our world controlled and comfortable.

This is theological paranoia, manifest. It is an imagination which forms people into this view of the world, and informs the practice of politics. It is a “split” world characterized by combat between Satan and Christ. Theologically, it’s as if Christ was given a tour of hell rather than bursting its gates. In theological paranoia, the resurrection of Jesus Christ functions merely as the ultimate “alternative take”. This is potent in digital ‘infostructure’ which produces information on a scale with which we have yet to grapple. Instead, we seek certainty through developing alternative perspectives which keep our world controlled and comfortable. Theological paranoia forms Christians who understand themselves as possessors of truth rather than humble participants in it. 

Theology against theory 

Despite all this, however, I think a richer Christian imagination can dispel and disrupt the theological paranoia which fuels the conspiracy theories in Christian communities. Where would we start this work of dismantling and divestment? I believe it starts fundamentally with how we think of God’s relation to creation, the universe and to us as human beings and some of us as Christians.  Christians occupy the same place in this cosmos as non-Christians, we are not gifted with omniscience.   Instead, all are invited into the church, the place and people built up and marked by faith. Here we aren’t met with anxiety so much as mystery, with a person not an index of answers. It is as theologian Brian Brock says, “the only thing the church knows that the world doesn’t, is who sustains it.” This observation isn’t meant to recast the church against the world. Quite the opposite, it’s an invitation to common ground. One which divests Christians of the claim that our faith is gnosis, some sort of secret knowledge which sets us on a higher plane, with wider vistas, that legitimizes our suspicions of clandestine evil, and perhaps most significantly, our justification for authority in political matters. No, to believe God controls the world is a claim conditioned by hope, not a claim to possession of or special access to knowledge.   

 Let me be clear: conspiracy  does take place in our social and political world.  But knowledge of these clandestine events is not the special prerogative of Christians, nor are such conspiracies as truly pervasive as the theories claim. At least not in a way which justifies developing our moral imagination by their claims 

The Christian faith is not a “secret” Christians possess. Faith is not an omniscience that gives the ability to see behind closed doors or justify spurious claims. Rather, the church is a community whose wisdom is a scandal and whose meaning is a mystery. But this mystery is one which envelops the cosmos. This leads Christians to see the world not as paranoid people, a world “split” between opposing conspiratorial forces known by the names we give them, like sacred or secular, public or private, church or world.  Rather, we can see the world and the church together in the process of being reconciled to God.  

The possibility and hope for unity admittedly comes from different places for the non-Christian and the Christian. But I see no reason why either should give way to conspiratorial paranoia which seems to justify all manner of suspicion and accusation. This ought to be, but is often not, especially true among Christians. 

If the root of conspiracy theory is anxiety over hidden evil, the Christian faith is rooted in joy over God’s manifested goodness. Theology can foster conspiracy theories when it allows this anxiety to outweigh its witness to joy. And while conspiracism does breed extremism made only more potent when it trades on theological authority, I hold out for the possibility that good theology itself can also dismantle the theological paranoia which has so determined the embrace of conspiracy theory by the Christian community. 

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I’m not sure Christopher Nolan has actually read The Odyssey

The director has drunk the Kool-aid of modernity, and done so deeply
the head of a classical statue looks up amid embers around it.
The odyssey poster.
Universal Studios.

Greek myths are full of hubris. Full of it. I feel like ‘hubris’ isn’t a word you hear very often anymore. It means excessive pride or self-confidence that leads to a downfall, in case you were wondering. “Boris Johnson’s hubristic underestimation of the effects of ‘Partygate’ was the final nail in his political coffin,” we might say.  

In one myth, Icarus is imprisoned, but given wings held together by wax in aid of his escape. He is warned not to fly too close to the sun, because the heat will melt the wax. Guess what he does? Yep! Flies too close to the sun. The wings melt and he falls to his death. Hubris

Another myth tells the story of Prometheus. No, not the slightly underrated Alien prequel. (That’s right, I said underrated, but that’s another article for another day). Prometheus defies the Greek gods by stealing fire and giving it to humans. As punishment, Zeus ties Prometheus to a rock and has an eagle eat his liver, only for it to grow back overnight so the eagle can come back the next day and start again. Hubris. 

Greek myths are full of hubris. Full of it. 

And so, this is why I find the new poster for Christopher Nolan’s upcoming adaptation of Greek epic The Odyssey so … bizarre. But then I’ve been nervous about Nolan’s adaptation since it was announced. Nolan is a wonderful filmmaker, but he’s also deeply naturalistic in the messages he conveys. By this, I mean that all his films suggest that nature – the physical, material world of atoms and things – is all there is. Even when he has opportunity to explore themes of the mystical, or magical, or the supernatural, he only does so when a purely ‘natural’ explanation for such things is possible.  

For example, in The Prestige (and HUGE spoilers for the film here: it’s incredible, please watch it if you haven’t), Nolan tells the story of two rival magicians, played by Hugh Jackman and Christian Bale. Robert Angier (Jackman) is trying to work out Alfred Borden’s (Bale) teleportation trick. The secret? (Seriously: big, big spoilers here). Science. Nikola Tesla has invented a device that can clone someone but send the clone to a different location. The trick – the mysterious MacGuffin at the film’s heart – has a natural, scientific explanation. Magic isn’t real and you’re a fool if you think otherwise. 

Perhaps this is also why Nolan directed the wonderful Dark Knight trilogy. After all, Batman’s superpower is just wealth: it’s entirely naturalistic, with nothing that can’t fit into a scientific way of understanding the world. Or we could point towards the science fiction that underwrites Inception, Interstellar, and Tenet. For a filmmaker so gifted at tension and intrigue, he has surprisingly little truck with mystique, mystery, and the divine. But this is a problem when it comes to The Odyssey. A huge problem.  

Let’s return to that poster I mentioned earlier. It shows the head of a classical Greek statue, flames ember underneath it. The caption? Defy the Gods. And it’s at this point I start to wonder if Nolan has actually read The Odyssey. Because The Odyssey takes questions of divinity and their authority very, very seriously. Like many Greek myths and poems, the message of The Odyssey isn’t ‘defy the Gods’. No: it’s ‘trying to defy the gods is an unbelievably stupid, futile, and dangerous thing to do’. Nolan would seemingly have us raze Mount Olympus to the ground.  

Look, all we have is a poster so far. Nolan might prove me wrong. But we shouldn’t be surprised if Nolan reworks The Odyssey in such a way that ‘defy the Gods’ becomes its central message. Because Nolan is a quintessentially modern filmmaker.  

In a 1965 book called Freud and Philosophy, French philosopher Paul Ricœur described the modern period as dominated by a climate of suspicion or scepticism. Within this ‘climate of thought’, the straightforward understandings of things are actually deceptive, instead hiding hidden, deeper, and ‘truer’ meanings. He described Sigmund Freud, Friedrich Nietzsche, and Karl Mark as the ‘masters of suspicion.’ And so the world around us is to be approached suspiciously, to uncover the ‘truer’ meanings about our subconscious (so Freud), our false, religiously imposed morals (so Nietzsche), or our exploitative economic systems (so Marx). 

Each of Ricœur’s ‘masters of suspicion’ might be mapped on to one of the villains in Nolan’s Dark Knight trilogy. Liam Neeson is Ra’s al Ghul, a Freud-like figure who helps Bruce Wayne navigate the psychological effects of his parents’ murders in childhood. Heath Ledger’s mesmeric Joker is Nietzsche’s stand-in, exposing our misguided systems and structures of ethics, tethered to a religious framework we no longer hold to. Tom Hardy’s Bane is Marx, freeing Gotham’s proletariat from the economic structures that oppress them so. 

It's not a perfect fit, but I think there’s more than enough evidence to say that Nolan has drunk the Kool-aid of modernity, and he has drunk so very deeply. And this would be fine – absolutely fine – if he wasn’t planning to adapt The Odyssey. Because, as a quintessentially modern filmmaker, Nolan’s work emerges out of and celebrates a culture wherein ‘defy the gods’ is a slogan that can only be heard as heroic, courageous, and noble, rather than dumb and futile, as The Odyssey would stress to us. 

Defying divinity is not heroic. The Odyssey knows this and knows it well. Defying the gods never ends well for humans stupid enough to try in Homer’s work. Our modern sensibilities encourage us to be suspicious of institutionalised power, especially when that power takes a religious shape. We are predisposed to imagine that invocations of the divine are nothing more than thinly-veiled power-grabs. And sometimes they are. But The Odyssey is right to say that divinity itself is not to be trifled with. Renounce your creator at your peril. 

Like all his other films, Nolan’s The Odyssey is likely to be tense, wrought, and cinematographically immaculate. But also like his other films, I worry it will be deeply naturalistic in the way it handles the inescapably divine and supernatural elements present in Homer’s epic. The Odyssey has an important message for our increasingly hubristic society. I just worry that Nolan’s not the man to convey it as it deserves. 

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