Article
Culture
Music
Taylor Swift
6 min read

Taylor’s truth: how superstar authenticity appeals

As Taylor Swift fans took over his town, Nathan Betts contemplates the truth at the heart of the superstar’s appeal.

Nathan is a speaker and writer on topics related to faith, life and God. He lives near Seattle, Washington. His writing is featured frequently in The Seattle Times. nathanbetts.com

Taylor Swift wears a long yellow dress and signs with an outstretched arm against a backdrop of woods and a close up her singing beside it.
Taylor Swift performing on the Eras Tour.
Paolo V, CC BY 2.0, via Wikimedia Commons.

If you have been paying any attention to Taylor Swift’s most recent tour, you will know why the last several months have been termed The Summer of Taylor Swift. The artist has traveled across America, boosting economies en route, and filling stadiums with contagious happiness.  

I hadn’t realized the enormous impact Swift had made on entire cities until I was walking downtown Seattle earlier this summer for a Mariners baseball game. While walking from my car to the stadium I encountered an endless sea of Taylor Swift fans waiting outside the stadium in the early afternoon for her show that would begin that evening. I had heard about Taylor Swift before, had listened to her music, but seeing what I saw that day told me something more profound about her and something about us as human beings.  

But what I saw on the downtown streets of Seattle leading up to Taylor Swift’s concert was different. 

In recent history, we have seen different artists such as The Rolling Stones and AC/DC elicit strange (and frankly awkward) adulation where people throw their clothes onto the stage. U2 concerts have been hailed as a religious experience in which stadiums become cathedrals. And more recently, Justin Bieber gave many “Bieber Fever.”  

But what I saw on the downtown streets of Seattle leading up to Taylor Swift’s concert was different. I’ve been trying to pinpoint what it was exactly that struck me that day. People of all ages packed into surrounding streets in Taylor Swift attire, countless groups lustily singing her songs, cars and vans marked up with Taylor Swift song lyrics. There was a unity, a togetherness and distinct humanity to it all. The feeling was more akin to a spiritual revival than merely a big stadium concert rolling into town. 

I remember coming back home that evening and texting friends to see what they made of it. My question was: “What is it about Taylor Swift that has enabled her to connect with so many?” The answers I received all struck the same notes: A Taylor Swift concert was the best they had ever experienced. But more than the concert, it’s the vibe, the pure joy and happiness that you experience with everyone at the concert. There is something about her that makes people feel happy. And although she is a stratospheric star, she has deliberately made a point of seeming like the girl next store. People think and feel that she is their friend. She is relatable.  

If you are a Taylor Swift fan, you already know this. But as these thoughts about Taylor Swift rumbled through my brain for weeks after that experience, they took on a greater meaning during a lunch meeting I had with a friend back from college for the summer. Midway through our time together he asked me, “How do you deal with people who are fake?” The pensive look on my face revealed that I wasn’t exactly sure what he was asking, so he sharpened the question: “How do you deal with people who are hypocrites?”  

I now understood what he was getting at. He gave a few examples of friends and leaders around him who had acted in hypocritical ways. He saw through it.  Although he had moved on from those relationships, the jagged edges of hypocrisy still dug into him. They hurt. My friend was asking me how or if it’s even possible to trust in people who let you down.  

The truth is, I’ve lost count of the conversations I’ve had with people who have asked or expressed the same question. And yet, when my friend asked me this question, I wasn’t sure what to say. 

I offered just one thought: “What if the antidote to hypocrisy is the real thing? As in, what if the medicine for the disingenuous and fake is seeing a life that is genuine and real—a person who is true, honest, who lives a life of integrity? 

And in Taylor Swift, we’ve found a companion who knows the struggle of life and invites us to join her. 

This is where my mind came back to Taylor Swift and why it is that millions of us feel a real connection to her. The answer is nuanced, to be sure, but I wonder if part of it has to do with the fact that when we see or hear Taylor Swift, we experience a person who comes across as real. Perhaps more than in recent memory, we as a society have a low tolerance for BS. Yet, despite our abhorrence for the fake, our attraction to the real and authentic has grown just as strongly.  

Enter Taylor Swift. Among other qualities, Swift is not a fake. Isobel Jones, a cradle Swiftie, recently explained this to me:  

‘Taylor Swift isn’t fake because we’ve known her since she was 14, she gave all of herself to us, in her songs, in her interactions with fans, sending her coat to a fan who loved it (During the RED era; Swift would have been 22ish). She’s one of the first Tumblr gen artists who has consistently connected with fans and grown up with them, proving her consistency.’ 

We can relate to the words in Swift’s songs. Her lyrics of sadness, anger, hope, and grace connect with us. She touches the human spirit, not necessarily because we’ve been through the exact same kind of struggles, but because we are all human beings trying to figure out how to cope with hard things in life, own up to our shadows and weaknesses and still engage our journey in life. And in Taylor Swift, we’ve found a companion who knows the struggle of life and invites us to join her.  

In our age of loneliness and disintegrating relational bonds, I believe the message of Taylor Swift transcends her concerts and songs. She carries a message for us, a reminder of what we need as human beings. Truth, integrity, authenticity. We don’t necessarily expect people to be perfect, but we need an honesty in our relationships about who people really are, whether that is the good or the bad. Just please, whatever you do, don’t be a hypocrite. 

Wounds from hypocrisy can be hard to recover from. As a person of faith, I have experienced first-hand and have heard myriad stories of hypocrisy in the church. There is indeed much to be disheartened by in our world, and far-too-often within church walls. But in my more sober-minded moments when I am looking for lasting and healing solutions, I encounter a balm for my pain when I focus on the core and centre of the Christian faith.  

At its heart, Christianity goes beyond offering merely propositional prescriptions for the pain that paralyses us. Instead, hope is offered supremely in and through the person of Jesus Christ, God-in-flesh. Within Christ is a truth that rolls throughout the whole of sacred Scripture. It is the beautiful message that there is a God who can be trusted. We can trust him because he is real, he lived in our world of pain and hypocrisy, and he conquered its power. We might carry scars for the rest of our lives, but Christ’s life tells us that there will come a point, before we die or after, when he will heal the deepest of our wounds. He can be trusted, not because he makes everything in life work out the way we want it to, or because we will never experience pain, but because in Christ, we’ve found the one who knows the way through it.  

There’s also a challenge here for those who follow Christ and it is simply to reflect his character of truth, love, and beauty in how we live thereby opening up a world into which people actually want to inhabit.  

Recovering from being hurt by hypocrisy can be a long and hard road to travel. A recent conversation with a friend reminded me of how difficult that is while my experience of Seattle bubbling with Taylor Swift happiness provided a signpost of hope. And behind all of this I am made to wonder, more than I can ever recall, whether faith in Jesus Christ can help steer us in the right direction, if we are willing to engage who he was and the life into which he invites us.  

 

Review
Books
Culture
Re-enchanting
6 min read

Re-enchanting… reading lists

As a Re-enchanting series ends, here's our guests and staff book picks.

Tom Rippon is Assistant Editor at Roots for Churches, an ecumenical charity.

A pile of books on a bedside table.
Jodie Cook on Unsplash.

Inside a book, we find ‘a world that reflects our own, but isn’t this world’, at least that’s what David Bennett had to say when he appeared on our Re-enchanting podcast earlier this year, and given the power of books to transport us beyond the everyday, what better way to start each episode than with the question, ‘what are you reading?’ 

Many of our guests are self-confessed bookworms and admit to having several books on the go at once, dipping in and out according to their mood and the time of day, and a sizeable number profess a love of audiobooks.  So, after a blitz of the Seen & Unseen back-catalogue – accompanied by many sidetracks into our guests’ ponderings with Belle Tindall and Justin Brierley – here’s what’s on the Re-enchanting reading list. 

Chapter one: by way of introduction 

At first glance, it would seem that our guests are a serious bunch, because the Re-enchanting book list is dominated by non-fiction. Works on the intersection of science, religion and society are clear front-runners, ranging from R.H. Tawney’s Religion and the Rise of Capitalism (Francis Spufford’s pick) to Charles Foster’s The Selfless Gene (Paul Kingsnorth), but more general works also abound. An interest in re-enchantment clearly involves careful study of the everyday from cradle – Jonathan Haidt’s The Anxious Generation (Sarah Irving-Stonebreaker) – to grave, for example, Stephen and Cynthia Covey’s father-daughter collaboration, Live Life in Crescendo, Your Most Important Work is Always Ahead of You (Michael Hastings). Some encouraging words at a time when questions about ageing and illness are on the national agenda. 

Chapter two: heading (east) into deeper waters 

As a podcast that invites its guests onto the roof of Lambeth Palace Library, it will come as no surprise that our guests’ picks also feature a selection of books on theology and spirituality. Nick Spencer recommends Prophecy and Discernment by Walter Moberly, whilst Brooklyn pastor Rasool Berry brings us back down to earth with Sam Alberry’s What God Has to Say About Our Bodies: Why the Gospel is Good News for Our Physical Selves.   

Many guests, however, seem to be directing our attention eastwards towards the spirituality of Orthodox Christianity; their picks include classics such as Michael Kozlov and Arsenius Troyepolsky’s The Way of the Pilgrim (Martin Shaw); and The Art of Prayer by Hegumen Khariton (Molly Worthen); as well as a newer work by the twentieth-century saint, Porphyrios of Kafsokalyvia, Wounded by Love (Paul Kingsnorth). But this road of literary spirituality doesn’t stop in Eastern Europe, it keeps going until our arrival in Nepal via the memoirs and meditations of Tenzin Palmo in Cave in the Snow: A Western Woman’s Quest for Enlightenment (Sabina Alkira). Stories of global faith for a globalised world indeed.  

Chapter three: story of my life 

It is said that the best stories are the real ones and our guests apparently agree: biographies and memoirs pop up repeatedly throughout their picks. Sticking with the theme of spiritual journeys, our guests are reading works which recount journeys away from faith communities, such as Megan Phelps-Roper’s Unfollow (Glen Scrivener), as well as ones deeper into faith. One of the most striking of these is James Pennington’s nineteenth-century abolitionist pamphlet Two Years Absence (Esau McCaulley). Pennington was a self-taught pastor who left his church community following his re-enfranchisement to study theology at Princeton. His pamphlet was adapted from a sermon given to prepare his congregation for the journey which would take him deeper into his faith, but away from the community in which he lived it out. Many stories begin with a ‘setting out’ only to ‘return home’ in the closing pages, and perhaps this structure bears a closer resemblance to real life than it may initially appear? 

Venturing away from the spiritual, but remaining in the political vein, perhaps the most frequently mentioned book so far has to be Rory Stewart’s memoir Politics on the Edge, himself a Re-enchanting guest way back in series 2. Alternatively, readers who have had their fill of politics may wish to try the memoirs of polar explorer Robert Bartlett, as recommended by Molly Worthen, or, to take a leaf from Milton Jones, the equally fascinating and no-less-hair-raising Windswept and Interesting: My Autobiography by Billy Connolly. 

So far, fiction has not featured much amongst our guests’ recommendations, but tentative favourite would be the Pulitzer prize-winning novel by Barbara Kingsolver, Demon Copperhead.  Set in present-day Appalachia and inspired by Charles Dickens’ David Copperfield, Demon Copperhead touches on the poverty and struggles of America’s left-behind communities, who today find themselves worlds away from the glitz of global politics, yet wielding a political influence that extends far beyond their own borders. 

Chapter four: A whole new world or the world reimagined? 

In the instances when fiction has appeared in our guests’ bed stands, it seems that they have a taste for fantasy and science fiction.  The favourite by far here is C. S. Lewis, with several guests reminiscing of their experience of reading Narnia, but for Jack Palmer-Wright the experience of rereading The Lion, the Witch and the Wardrobe took special significance this year as he introduced it to his five-year-old for the first time. Adult readers looking to relive the experience of discovering Lewis for the first time should check out Lewis’ lesser-known Space Trilogy, particularly That Hideous Strength: A Modern Fairytale for Grown-Ups, recommended by Holly Ordway as a prophetic tale for today’s world.  

Other stalwarts of the fantasy genre also made an appearance, such as J. R. R. Tolkien and J. K. Rowling, but perhaps the most surprising recommendation to come out of Re-enchanting would be Margaret Cavendish’s The Blazing World (Frank Skinner). Published in 1666 and considered to be perhaps the first science-fiction novel, The Blazing World is set in a parallel world with fantastical technologies reached via the North Pole. The characters, including Cavendish herself, criss-cross between worlds as the novel moves through its three sections, ‘Romancical’, ‘Philosophical’ and ‘Fantastical’, exploring questions of social organisation, governance, and whether it is really possible to create a new religion complete with a fully fledged religious literature. Given the ongoing conversations about the place of religion in the twenty-first century, perhaps it’s time for Cavendish to make a comeback. 

Chapter five: what next? 

Stories are made of words but they are also made of silences, and these narrative gaps are just as key to getting a story to take flight as the most well-chosen, well-balanced phrase.  The biggest gap in our Re-enchanting reading list is poetry.  Books about poets – the Romantics, Seamus Heaney, to name a couple - have made an appearance, but we have yet to receive a straightforward poetry recommendation from any of our guests.  So, should you feel the need to fill this gap, here’s a few from us for anyone looking for something to dip into over the coming year. 

  • Sara Teasdale  
  • Mary Oliver 
  • Gerard Manley Hopkins  
  • Jackie Kay 
  • Jalāl al-Dīn Muhammad Rūmī 
  • Victor Hugo 

Happy reading and see you in 2025 for more Re-enchanting. 

2024 staff picks

And here’s the picks from the rest of the Seen & Unseen editorial team. 

Graham Tomlin, editor-in-chief 

  • Sally Rooney: Normal People
  • Jessie Childs: The Siege of Loyalty House: A New History of the English Civil War

Belle Tindall, staff writer 

  • Selina Stone: Tarry Awhile .
  • Sally Rooney: Intermezzo.  
    Frank C. Laubach: Letters from a Modern Mystic.   

Nick Jones, senior editor 

  • Jon Fosse: A Shining
  • Mary Millar: Jane Haining – A Life of Love and Courage
  • Peter Ross: Steeple Chasing

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