Review
Culture
Music
Resurrection
Romance
Taylor Swift
6 min read

Taylor Swift proves Mr Bennet right

Romanticism: ruining lives since 1800. And we love it.

Belle is the staff writer at Seen & Unseen and co-host of its Re-enchanting podcast.

Hand-written poetry on a page
Memo: to JA from TS.
@taylorswift Instagr

In Pride and Prejudice, Mr Bennet has a conversation with his favourite daughter, Lizzy, about her older sister’s heartbreak. He says,  

‘Your sister is crossed in love, I find. I congratulate her. Next to being married, a girl likes to be crossed a little in love now and then. It is something to think of, and it gives her a sort of distinction among her companions.’ 

It’s one of those lines, genius as it is, that I would hate were it not written by Jane Austen. But it was, so I don’t. I do, however, like to think that his words are outdated. His thoughts, an artefact. That such a notion may have been true when women were unable to have any kind of aspirations that transcended romantic (and not-so-romantic) attachments, but we’re definitely over that now. I sit smugly in the knowledge that Mr Bennet’s words are a jibe that I can affectionately roll my eyes at; witty, yet redundant.  

At least, that’s what I did think. Now, annoyingly, I’m not so sure. What changed my mind? Well, Taylor Swift’s latest album dropped. And now I think that Austen, as usual, was onto something. 

The Tortured Poets Department has broken more records than I can count, many of which were broken before it was even released. Love it or hate it (I happen to be in the love it camp), Taylor is going to make it pretty darn hard for you to ignore it. Housed within this juggernaut of an album are thirty-one songs that seek to remind us that it’s better to have loved and lost, than to have never loved at all. Thirty-one songs that offer a masterclass in melodrama. Thirty-one songs that prove Mr Bennet right.  

Somewhere along the line, have we been taught that tragedy is a signifier that our love is some kind of epic thing that is happening in the universe? 

Here’s the theory, the premise, the pop-culture context you need to understand this album’s intentions: ‘The Tortured Poets Department’ was/is a WhatsApp group that Swift’s past-love, Joe Alwyn, was/is a part of. And so, this album is their story; it’s the story of their relationship crumbling, their hearts breaking, their understanding of one another disintegrating. Whether the lyrics are filled with fact or fiction, it doesn’t really matter. We’re soaking it up - every reference, every hint, every clue. These tortured poets have captivated us.  

Agony, tragedy, ecstasy, torment, regret: that’s the currency this album deals in. Heartbreak, I suppose. This record-shattering album is about heartbreak. And it got me thinking, why are we so obsessed with love hurting? Why are Romeo and Juliet something to aspire to? Why is tragedy some kind of signifier of ‘real’ love? Why, as Mr Bennet says, do we like being ‘crossed in love now and then’

The key lyric that holds the first song on Taylor’s album together sums it up pretty well, as Taylor melodramatically declares – ‘I love you, it’s ruining my life’.  

Firstly - no it’s not, Taylor. You’re Taylor Swift, a life less ruined no-one could find. But secondly, why is that tumultuous kind of love something to idolise? I’m genuinely wondering. Because, admittedly, I’m as guilty of this as anyone.  

Maybe it’s a way in which we feel as though we’re living a meaningful story, it’s our main-character-syndrome rearing its head. Somewhere along the line, have we been taught that tragedy is a signifier that our love is some kind of epic thing that is happening in the universe? That our relationship is re-arranging the cosmos somehow? That this pain is so powerful, stories will be told of it? Afterall, many of the greatest love stories end in agony, do they not? Would we care about Titanic’s Jack and Rose, La La Land’s Mia and Sebastian, or Fleetwood Mac’s Stevie and Lindsay had they lived happily ever after? Perhaps not. If a beige life is to be avoided at all costs, the torture of heartbreak is, I suppose, a particularly vibrant shade.  

Taylor’s whole album is an ode to Romanticism: its lyrics are dramatic, beautiful, grand and religious. 

Or perhaps it’s a sensation thing, akin to our obsession with jumping out of airplanes or walking over hot coals. Maybe we just want to feel. And according to most psychologists, heartbreak is one of the most powerful and emotive experiences one could face – a plane could not get high enough, nor coals hot enough, to compete. The science behind it is fascinating. I truly had no idea.  

Which leads me onto my second question – why don’t we care for the science of it?  

Why, when it comes to explaining what we’re feeling, do we declare our ‘heart to be broken’ as opposed to ‘the right side our brain is experiencing a deeply distressing emotional sensation following a shattering of an emotional attachment, triggering feelings of loss and inadequacy’? 

Interesting, isn’t it? How that second definition somehow feels less true. Maybe we have Romanticism to blame for that - the poets, philosophers and writers who shunned reasonable, practical, scientific language in favour of the tragic, the grand, and the sublime. Taylor’s whole album is an ode to Romanticism: its lyrics are dramatic, beautiful, grand and religious.  

In her song, Guilty as Sin, Taylor writes –  

What if I roll the stone away? They’re gonna crucify me anyway. What if the way you hold me is holy… I choose you and me, religiously.’ 

Yes, she’s comparing her crush on a man to the crucifixion of the Son of God. If this isn’t over the top, I don’t know what is. In many ways, this album knows it’s being silly, over-dramatic and naïve. But it also knows that to be those things is to be as honest as possible. It is shunning human-sized explanations of heartbreak, and is instead desperately searching for the deepest, highest, grandest language it can find - because that kind of language just feels truer. And I find it pretty fascinating that such language still has Jesus all over it.  

All of it has got me thinking, we don’t really want everything controlled, measured and understood, do we? We don’t really want to be the most powerful thing we know. I think that’s a myth. A convincing one, I grant you. But one that has cracks in it. Romanticism is one such crack. School of Life says this about the Romantics, ‘Romantics don’t believe in God, but they go in search of the emotions one might find around religion’. Awe. Transcendence. Our own small-ness in the face of something great – that kind of thing.  

They don’t believe in God, but they crave him. Interesting.  

I think maybe that’s (at least partly) why we want our love stories, the good and the bad, to engulf us, to be something we must succumb to, to be written in the stars – predating our awareness of it and transcending our control over it. We think, at least to an extent, that love and heartbreak, they happen to us. They’re a sacred hand that we have been dealt and must grapple with. This is Romanticism - and apparently it hasn’t gone anywhere, Taylor Swift and her band of tortured poets have just proved it.  

Perhaps Mr Bennet was right after all; perhaps we do have an odd thing about heartbreak. But hey, don’t blame women. Blame the Romantics and that God-shaped hole within them… and within us too, apparently.  

Article
Culture
Digital
Economics
Psychology
6 min read

Do you believe in a coin called hope?

From fiat to faith: the rise of crypto evangelism
 An image show a braclet that has a bitcoin symbol beside a cross, a crescent and a Star of David.

“The bridge from chaos to hope.” This was the rather grandiose language used on social media platform X last summer by one prolific tweeter boasting 4.4 million followers. What they were describing, however, was not a religion or philosophy, nor a social movement or political party, nor a breakthrough in medical technology or a self-help technique. Rather, financier Michael Saylor was talking about the world's biggest cryptocurrency, bitcoin. 

Saylor’s profile on X declares that “#Bitcoin is hope.com”. That website contains, among other things, video clips of Saylor talking about how “bitcoin is the manifest destiny for the United States of America”, “bitcoin is economic immortality”, “bitcoin is forever money” and so forth. 

Saylor is in fact just one - albeit a particularly successful one (his net wealth stands at around $10 billion, according to Forbes) - of a number of vocal crypto advocates, trying to explain the huge, transformational impact on society that the cryptocurrency will supposedly have. Their precise arguments can vary, but are often along the following lines: the fiat money system is broken due to manipulation by governments and central banks - for instance through money printing - leaving control of the money supply in the hands of a small group of the rich, while the purchasing power of the general public is eroded; in contrast, bitcoin is incorruptible, not controlled by the government, available to everyone and finite in supply. 

A common thread running through some of the writings and talks of a number of these bitcoin enthusiasts is a quasi-religious language, used to convey bitcoin’s importance. 

Hope.com, for instance, includes a research paper on “The bitcoin reformation”. Its author writes: “It wasn’t until I studied the era around the Protestant Reformation that I felt I’d found a potential blueprint of sufficient scope” to describe what is happening with bitcoin. 

Particularly vocal crypto proponents are known as bitcoin evangelists, while some crypto investors will talk of fellow “bitcoin believers”. They can even drink their coffee from a ‘bitcoin salvation’ mug) (which depicts two winged cherubs holding the cryptocurrency). Non-believing sceptics are termed “no-coiners”. 

Early bitcoin adopter Roger Ver - who has been indicted on fraud and tax charges, which he says are false - is known by the nickname “bitcoin Jesus”. One non-profit decentralised community is named Bitcoin God. 

The precise mix of irony and sincerity being used in such examples is of course debatable and will vary. Nevertheless, among the most fervent crypto investors there appears to be an earnest belief in the transforming power of bitcoin. 

But there may be additional reasons why some of the most fervent proponents instinctively reach for such language. 

“There’s a link with forms of transhumanism - the idea that we’re in the middle of an upgrade of humanity.” 

Dr Roger Bretherton, a clinical psychologist and Seen & Unseen contributor, argues there are elements of tribalism and “the psychology of identity” in some of the most cultic aspects of the crypto world. He sees some similarities there with “old 60s cults of people believing UFOs were going to land in their backyard”, talking about crypto as a cult rather than crypto as a currency.

“People overlap their identity [with a particular movement]. They're saying ‘that's me, that's who I am,’” he said. 

“In periods of uncertainty we seek to find certainty in our groups. We're in an individualistic society.” 

Use of religious language also points to a belief that bitcoin/crypto/blockchain will bring about some form of a radical global change less on the scale of an incremental technological development, and more akin to a transformational religious experience. 

“There's an element of faith and an eschatology attached to crypto: 'this is the new thing that will change the world,'” said Bretherton. 

“There’s a link with forms of transhumanism - the idea that we’re in the middle of an upgrade of humanity - the kingdom of tech is coming. It feels like crypto becomes part of the same narrative. The key question is whether our future lies in technology and power, or in love.” 

For such fervent bitcoin proponents, attempts to rubbish their beliefs are often futile. Indeed, trying to do so may only serve to strengthen the believer’s resolve that they are right. 

“There's a cognitive dissonance,” said Bretherton. “The more ridicule you've had to go through, the more you've given up, the more social difficulty you've gone through - particularly if you've given up a career to pursue crypto - then the stronger your belief. It's the sunk cost fallacy.” 

So far, bitcoin believers have proved the doubters wrong. The price of the coin has gone from less than $20,000 in the wake of the collapse of crypto exchange FTX in late 2022 to around $118,000 at the time of writing. Saylor has turned MicroStrategy (now known as Strategy) - the company of which he was CEO in 2020 when he decided to use it to buy and hoard bitcoin - into a $110bn market cap firm that has spawned many copycats.  

But what importance bitcoin eventually assumes in society is still very much an open question. It has not yet become a form of payment for our morning coffee or for buying a house, and maybe it never will. Whether it can really function as “digital gold”, a hedge against inflation or “a bank in cyberspace” (as Saylor calls it) is debatable. But it has already made huge strides, soaring to a market price well above what most people would ever have imagined. In July, US Congress passed a landmark bill regulating stablecoins - a type of cryptocurrency pegged typically to the dollar - in what is being seen as a huge step forward for the industry. 

Nevertheless, it seems likely that some of the wilder claims made about bitcoin may not come to pass. What happens if true believers are left disappointed? 

Bretherton says such belief systems have to subtly change their “metanarrative” as and when they do not deliver on initial promises. 

“It can't make predictions that can be shown to be false,” he said. “If crypto doesn't deliver its promises in the future, it has to find another way that's softer but which lasts. So it either collapses or it finds a way to become more nuanced."  

Whatever importance bitcoin eventually assumes in society, our desire to put our faith in it - or in anything else - reveals something deeper about our human nature. 

In the Bible, the book of Ecclesiastes explores humankind’s attempts to find meaning in human lives without God. The main character tries career, pleasure and wealth. But ultimately, they find that these things are just “meaningless”, “vapour” or “chasing after the wind”. 

That search for meaning, for the eternal, is inbuilt in our character. As the book’s author puts it: God has “set eternity in the human heart”.  

We are not designed merely to be born, to live and then to die. Instead, each one of us has been created with an inherent desire to know if there is something eternal out there, and to find out whether we can be part of that story. Crypto cannot offer us that salvation. The only thing or person who can, the author of Ecclesiastes would argue, is the One who put that desire in us in the first place.  

Support Seen & Unseen

Since Spring 2023, our readers have enjoyed over 1,500 articles. All for free. 
This is made possible through the generosity of our amazing community of supporters.

If you enjoy Seen & Unseen, would you consider making a gift towards our work?
 
Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin
Editor-in-Chief