Article
Culture
Politics
4 min read

Shall the tyrants win?

Understanding Navalny's death.

Michael Bird is Deputy Principal at Ridley College in Melbourne, Australia. 

Flowers and notes of condolence for Alexander Navalny lie in a pile.
Commemorations of Alexei Navalny, Berlin.
Nikita Pishchugin on Unsplash.

Russian Opposition leader Alexei Navalny was murdered in prison. Precisely how he died, we do not know. But many have wondered whether his death signals the end of organized opposition to Putin’s regime in Moscow. 

Navalny was famous as an anti-corruption and pro-democracy activist. He survived a Novichok poisoning attempt in 2020, then, after recuperating in Germany, decided to return to Russia a short time later. Once back in Russia, he was soon arrested, sentenced to 19 years in a penal colony inside the Arctic Circle, and then – as we now know – murdered. 

The torrid history of Russia as an empire and the violence of Putin’s regime against its own people make one wonder if any democratic and liberal resistance is futile. 

On hearing of the death of Navalny, I watched the documentary about his life’s work, how despite harassment, murder attempts, and imprisonments, he tried to bring freedom and democracy to Russia. This was always going to be an uphill battle since Russia or parts thereof have been a dictatorship since the defeat of the Tatars in 1480. Moscow. Its Russian lands have been ruled by the Tsardom of Russia (1547), the Russian Empire (1721), the Union of Soviet Socialist Republics (1922), and the Russian Federation (1991). Despite a brief flirtation with democracy in the 1990s, Russia returned to its de facto state as a military dictatorship when Putin took power in a bloodless coup in 2000. Since then, whether as prime minister or president, Putin has increasingly locked Russia under his iron grip and become increasingly hostile towards the west and western notions of liberalism.  

Putin’s regime is known for its brutality, from the Salisbury poisonings against Sergei and Yulia Skripal back in 2018, to the gunning down of Russian defector Maxim Kuzminov in Spain a few days after Navalny’s death.  

The torrid history of Russia as an empire and the violence of Putin’s regime against its own people make you wonder if any democratic and liberal resistance is futile. 

As King Theoden in the Lord of the Rings says when his people faced annihilation by an army of Orcs, “So much death, what can men do against such reckless hate?” 

God’s promise of the believer’s resurrection is not pious longing, but a political doctrine.

But Navalny had an answer, it was to tell the truth, even if that cost him, even to the point of being willing to lay down his life for others. These things came directly from Navalny's Christian faith. 

Navalny, during his show trial in 2021, stated:  

“The fact is that I am a Christian, which usually sets me up as an example for constant ridicule in the Anti-Corruption Foundation, because mostly our people are atheists, and I was once quite a militant atheist myself,” Navalny said, “but now I am a believer, and that helps me a lot in my activities because everything becomes much, much easier.” 

Navalny claimed that he was especially motivated by the words of Jesus: “Blessed are those who hunger and thirst for righteousness, for they will be satisfied”. 

Death is the tyrant’s ultimate weapon to terrorize, to force people to suffer in silence, to make them accept enslavement and despotism as normal and unchangeable. But the promise of resurrection means that God intends to undo whatever the tyrant does. The worst of evil is no match for resurrection. The goodness of God’s power and the power of God’s goodness always defeats death. God’s promise of resurrection is not pious longing, but a political doctrine, the hope for creation to be renewed, powers to be reconciled, and all things to be put to rights. 

Faith in God’s life-giving power is our defiance against evil powers, “against the leaders, against the authorities, against the powers that rule the world in this dark age, against the wicked spiritual elements in the heavenly places”, as St Paul writes. And defiance is contagious. 

When evil men hunger for power, Christians are called to thirst for righteousness, as Navalny did.  

Putin is not the only brutal dictator on the scene. There is the communist leader Xi Jinping (China), the socialist dictator Nicholas Maduro (Venezuela), the military council led by Min Aung Hlaing (Myanmar), the Shia theocrat Ali Khamenei (Iran), or the kleptocracy of Manasseh Sogavare (Solomon Islands). Then there is the danger of Christian Nationalism that also looms in the winds of Hungary and the USA. Yet the Christian faith teaches us that every Caesar, Tsar, King, General, and President who sets themselves up as an invincible and infallible icon of power will see their icon smashed eventually. Like the statue of Ozymandias in Shelley’s poem, irrespective of what depths of horror despots attain, not matter how much they self-aggrandize, their reign will one day be no more than a “shattered visage” at the feet of Jesus. 

This is the truth that Jesus spoke to Pilate, what Paul said to Herod Agrippa II, and what courageous Christians like Navalny say today.

In the face of tyranny and terror, what is to be done? We can cherish Navalny’s memory, pray for his work to continue. But above all, we take solace in the fact that Jesus says, “Here on earth you will have many trials and sorrows. But take heart, because I have overcome the world”. 

That is not a dream or a distant hope, it’s a promise, a promise we make good with  prayers, protests, energy, and efforts to build for the kingdom of Christ, to prepare the earth for the day when tyrants, terror, and tears are no more. By doing such things, we in effect erect a billboard saying, “The powers will be pacified, the lost will be found, the darkness will be cured by light, the world’s injustices will be undone, and God’s love will reign supreme.” 

In other words, a time is coming, and now is already burgeoning like a breaking dawn, when Navalny’s thirst for righteousness will be more than satisfied. 

  

Michael Bird is Deputy Principal at Ridley College in Melbourne, Australia. Together with N.T. Wright he is the author of Jesus and the Powers: Christian Political Witness in an Age of Totalitarian Terror and Dysfunctional Democracy published by SPCK and Zondervan. 

Review
Culture
Film & TV
Leading
6 min read

Great storytelling elevates this Star Trek hero to messiah status

Before Captain Kirk, came a compelling commander

Giles Gough is a writer and creative who hosts the God in Film podcast.

Captain Pike of Star Trek.
The other captain.

Last month saw the release of the third season of Star Trek: Strange New Worlds, the prequel series that follows the crew of the USS Enterprise before one James T. Kirk took the captain’s chair. Not only does the show have the heady mix of fun and serious subject matter, it also has something quite rare for Star Trek; a messiah figure. 

Ever since its first airing in 1966, Star Trek has presented a utopian view of the future. The show’s creator, Gene Roddenberry created a world where humanity had grown up and had moved past its petty squabbles. In Roddenberry’s twenty-third century, prejudices around race, class or sex were non-existent. There were, however, some groups that could not get a look in. One topic that got very little representation was sexuality, the other was religion.  

Representation of differing sexualities would become something that Star Trek would eventually excel at depicting. Religion, however, has not fared quite so well. Star Trek’s staunchly secular universe is clearly a reflection of Gene’s views. What is interesting though, is the way that in a franchise so resistant to even the idea of God, is how concepts related to him seem to seep into the storytelling. The use of a Messiah figure, specifically a character who sacrifices their life to save others is hardly new in Star Trek. At least two captains come to mind. But there is something particularly novel about Captain Christopher Pike.  

For those who are in need of a bit of trivia, Pike, not Kirk, was the first captain of the Enterprise to be depicted. In an unaired pilot, Captain Pike is portrayed by matinee idol, Jeffrey Hunter. This captain is seasoned, world weary, and very serious. Perhaps a little too serious as the network at the time didn’t like the show in that form. They did however, take the unconventional step of ordering a second pilot, which was lighter, and more colourful in tone. Reports differ wildly as to whether Hunter quit or was fired, but one way or another, he did not return to reprise the role of Captain Pike when the show went to series. Instead, the character of Pike was replaced with James T. Kirk, played by a young William Shatner.  

This then presented the show with a problem. The production company had an entire episode’s worth of footage costing $645,000 (around $6.5m today) that was unusable in its current state. The novel solution to this problem was to write a framing story where Spock mysteriously commandeers the Enterprise and kidnaps now Fleet Captain Pike. When Spock turns himself in for court martial, he presents video footage in his defence. Footage which just so happens to be selected shots from the unaired pilot. There was just one problem with this. Jeffrey Hunter was unavailable for filming, so they had to cast another actor in the role. As the episodes would show Jeffrey Hunter’s Pike on screen, it would make the recasting look obvious. So actor Sean Kenney was slathered in burns makeup, put in a restrictive wheelchair and only able to communicate through a series of beeps, with Roddenberry writing in an explanation of how Captain Pike had been seriously injured in an explosion on a ship saving some cadets, and was now suffering from ‘locked in syndrome’. 

When Star Trek: Discovery’s second season came around, they chose to include characters such as Captain Pike (now played by Anson Mount) and Spock (Ethan Peck) to serve as a backdoor pilot for Star Trek: Strange New Worlds. Rather than steering clear of the convoluted backstory, they leaned into it, having a confident, able-bodied Pike receive a premonition of his own terrible fate. He is told at the time that he can escape if he gives up, but if he goes ahead in completing the mission, it will seal his fate. In that moment, Pike rallies himself by saying: 

“You’re a Starfleet Captain, you believe in service, sacrifice, compassion and love. No, I'm not going to abandon the things that make me who I am because the future…it contains an ending I hadn't foreseen for myself”. 

Discovery simply had too much plot in it to resolve Pike’s story satisfactorily, so when Strange New Worlds launched, it gave Pike the chance to fully unpack his trauma.  

The first episode of Strange New Worlds sees Captain Pike considering retirement from Starfleet. After all you can’t have an accident in space if you never go on a spaceship right? However, he’s drawn back into captaining the Enterprise in order to rescue his first officer, Una, who is trapped on a primitive planet. After saving her, Pike resumes command of the Enterprise. Una is aware of Pike’s vision of the future, and is desperate to dissuade him of walking into a situation that will leave him so disfigured. At which point, Pike tells her he knows the names of all the cadets he saves on that day.  “Stay the course, save their lives” he tells her.  

In the season one finale of the show, Pike meets a young boy, Maat, who is eager to join Starfleet, and Pike realises he is one of the cadets that he is unable to save. He is about to write a letter to the boy, trying to tell him about his future, when a future version of himself arrives. Throughout the course of the episode, Pike learns that if he avoids his fate and stays in command of the Enterprise, he will inadvertently start a war with the Romulans that will result in Spock’s death.  “Every time we change the path, he dies” his future self tells him. This furthers Pike’s resolve to stay the course.  

When viewed through this particular lens, Captain Pike’s story in Strange New Worlds is in effect, one long extended Garden of Gethsemane scene. In both cases we see a man, fully aware of the impact his sacrifice will have for the future, but at the same time, still feeling nervous, scared, and wanting to reject the bad hand he’s been dealt. But in both cases, both Jesus and Captain Pike recommit themselves to their mission and their fate. There are no shortage of heroes in sci-fi/fantasy, who sacrifice themselves in the heat of the moment. But a character who has multiple chances for escape, one who has time to consider the torturous weight of his own destiny, and still decides to go through with it? This elevates the character from a simple ‘hero’ to a ‘messiah figure’.   

As a result of this, watching Strange New Worlds has now taken on an experience similar to watching The Chosen, the multi-season show centred around Jesus and his disciples. Both shows have an effortlessly charismatic central character who leads those around them with grace and humility, and the more you fall in love with these characters, the more you’re reminded that something absolutely horrendous is going to happen to them. Whilst we know it must happen, it still makes us anxious at the thought of going through it.  

Over thirty years since Gene Roddenberry’s death, it’s hard to tell what he would have thought about the evolution of one of the first characters he wrote for Star Trek. On the one hand he might have rejected it out of hand for its parallels with the story of Jesus, a religion he disdained. Or he might just love it for what it is; really, really good storytelling. 

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