Podcast
Culture
Development
Justice
Re-enchanting
1 min read

Sabina Alkire: re-enchanting the human faces behind poverty

Professor Sabina Alkire talks about how we can re-enchant our capacity for justice and compassion in tackling global poverty

Nick is the senior editor of Seen & Unseen.

a woman sits at a table, with a mic in front of her, talking and holding her hands out in front of her.

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Professor Sabina Alkire directs the Oxford Poverty and Human Development Initiative at the University of Oxford. Sabina has been involved in developing methods of measuring multidimensional poverty and her work is used to address development issues in countries around the world.

Sabina is ordained in the Anglican Church. Belle and Justin explore how her Christian faith maps onto her work in engaging poverty and development and how we can re-enchant our capacity for justice and compassion in tackling global poverty.

Read more about Sabina's academic work.

There’s more to life than the world we can see. Re-Enchanting is a podcast from Seen & Unseen recorded at Lambeth Palace Library, the home of the Centre for Cultural Witness. Justin Brierley and Belle Tindall engage faith and spirituality with leading figures in science, history, politics, art and education. Can our culture be re-enchanted by the vision of Christianity?

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Podcast
Podcasts
Seen & Unseen Aloud
1 min read

A wild Belle, Sarah Mullally and 'defending our girls'.

New episode: listen to articles by Jonathan Evens, George Pitcher, and Belle Tindall.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A protester hold a blue flare towards the camera
An asylum hotel protester, Epping.

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About this episode

In this episode, Jonathan Evens takes us to Union Chapel where Natalie Bergman's soul-soaked set turned personal tragedy into communal celebration. George Pitcher evokes historical precedent for why Sarah Mullally’s appointment as Archbishop of Canterbury is about more than just breaking the stained-glass ceiling. And Belle Tindall passionately suggests that “Defending our girls” is less about safety, more about scapegoating (please be aware of potentially triggering content in this last article).