Explainer
Creed
Faith
Justification by faith
6 min read

The Rest is Luther

Did 'The Rest is History' get Luther right? Graham Tomlin gives his verdict

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

Two podcast hosts in different rooms appear on a split screen talking to each other
Tom Holland and Dominic Sandbrook rank Luther's influence.

I have to confess, I don't listen to every episode of The Rest is History - does anyone do that with the astonishing volume of material they produce? Yet when I see something that interests me – 1970s Britain, the Lost Library of Alexandria, the Easter Rising of 1916, I’m in. So, when I saw they were doing a series on Martin Luther, I just had to listen.  

With much of what they cover - take the Lost Library of Alexandria for example - I wouldn’t really know whether they were telling the truth or not, having a passing interest and only a vague knowledge of the topic. Yet this one was different, because, without wanting to blow any trumpets, I do know a fair bit about Luther. I’ve written a doctorate, a biography and a couple of other books on him, lectured on Luther at Oxford University for many years, and spent a lot of time in libraries, poring over his commentaries and treatises, wading my way through dense books by German scholars picking apart the most minute aspects of his theology. 

 Very often when you hear something on the TV or radio that you know something about, you realise the journalists are winging it. They get away with it because no-one knows any better. So, I wondered this time, would I see through the boys on the podcast, and realise they were winging it too?  

They made the Reformation sound and feel the dramatic and earth-shaking movement that it was. 

Well, my admiration for Dominic Sandbrook and Tom Holland went up massively. It was brilliant. I once asked Tom whether they had an army of researchers doing their work for them and he told me they didn’t - they read most of the stuff themselves.  So, to have them do five episodes on a topic that is not necessarily their specialist subject and get pretty much all of the story not just right, but really interesting, is quite an achievement. They made the Reformation sound and feel the dramatic and earth-shaking movement that it was.  

They normally recount history with a good dose of humour, drama and colour. That is taken for granted. They know how to tell a good story. However, they also really know their stuff. Tom led the way, and I must say, told the story with a level of detail, accuracy and sympathy that was quite remarkable. They clearly enjoyed it too – they loved his earthiness, his preoccupation with the devil and excrement that is so distinctively Luther. 

Martin Luther, as they said at the end, was no saint. He was a man of extremes. He could inspire devoted loyalty from his friends, and fury from his enemies in equal measure. He was never dull. He always said his besetting sin was anger – he claimed to write best when he was furious. That explains the vituperative language, the skill at invective, his genius for insults. He said terrible things about the peasants and even worse things about the Jews. Yet he also launched a movement that brought fresh dignity and purpose to countless people across Europe and beyond – he can be said to have touched the lives of the one billion Protestants in the world today. He literally changed the world. And Tom and Dominic helped us understand why. 

Definitely a nine out of ten.  

But why not ten? 

Well, I did have one small quibble. Luther was portrayed as someone who struggled to know that God loved him. So far, so good. His great breakthrough was described by the excellent Tom Holland as “a personal experience of God”, whereby Luther found “a feeling of being washed in the love of God.” Luther’s new discovery was that “If God loves you, you exist in a state of grace… which is a feeling that Christ is present in you, in your secretmost heart, and the certainty of that grace gives you a peace of conscience.”  

Now there is something of that in Luther, and it was close, but it’s not quite the way he would have put it.  

Luther is really not that interested in experiences of God. In fact, he distrusts them. in 1521, a group of prophets arrived in Wittenberg from a small town called Zwickau claiming experiences of God, but Luther was having none of it. He asked about their experience – but not whether they had experienced the love of God, but whether they had experienced his absence. Had they experienced what Luther called Anfechtung – the experience of feeling God is against you, when you struggle with temptation, are driven to despair, when God doesn’t answer your prayers, and when all you know is your own shame, sin, and disgrace? What do you do then?  

And that’s why the Bible was important to him – as an existential anchor when the storms of life hit. 

The reason he asked about this was that such experiences so often are the things that help bring faith to birth, because they press the question of who you listen to, or trust, in such times – your own feelings of inadequacy and shame? Or God’s word that tells you something different? 

Luther found peace of conscience, not in a mystical experience of the love of God, but in hearing again and again the Word which God had spoken to the human race in Jesus Christ. Against all the odds, and despite his frequent experience of God’s absence rather than his presence, he recalled that God had sent his Son, as a pledge once and for all, that God’s heart was full of love and kindness. In sending Christ, God had given himself (or technical language, his ‘righteousness’) to us in Christ, and the only fitting response, was simply to believe and trust that this is true, whereby that ‘righteousness’ becomes ours, and we are, to use Luther's language, 'justified'. Christians are therefore, in Luther’s classic and paradoxical phrase, ‘both righteous and sinful’ at the same time.

This was indeed profoundly emotional for him. It brought a flood of joy and relief. Yet that joy was the result of faith in faith in the Word, which was the main thing. The emotions followed faith, not the other way round. 

He once put it like this: “God achieves his purposes through suffering, pain and anxiety. Yet of course these are not the things in which you expect to find God. As a result, most people do not recognise this as God’s work, because they expect God only to be revealed in glory, grandeur and splendour. The way God works confounds human expectations and so, faith is needed to see past the appearance of things to their true reality.” 

This was the doctrine of justification by faith – not trying to be extra religious or having ecstatic experiences of God but simply betting your life on the notion that Jesus is God’s great gift to the world, a gift that tells us he is, despite everything that may point in the other direction, full of love and goodness – and not just to the human race in general, but to you, to me. And that’s why the Bible was so important to Luther – as an existential anchor when the storms of life hit. 

Tom and Dominic did a fantastic job in their series on Luther. I really recommend you listen to it – you won’t regret it. Only remember, Luther relied more on faith in the Word of God than the fleeting feelings of his heart:

“Faith is a living, bold trust in God’s grace, so certain of God’s favour that it would risk death a thousand times trusting in it. Such confidence and knowledge of God's grace makes you happy, joyful and bold.”  

Watch

The Rest is History on YouTube. Martin Luther: The Man Who Changed The World, Part 1.

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Belief
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5 min read

Waiting for George: why I am yearning for an ending in Game of Thrones

Why does it matter so much that the series is unfinished?

James is a writer of sit coms for TV and radio.

Two people sit at a table strewen with old books lit by candle light.
Looking for the next chapter.
HBO.

Should you start something if you can’t be sure it’s going to finish? More specifically, should I read A Dance with Dragons by George RR Martin? It’s book five in the Game of Thrones series. The author is 76. Fans have been waiting fourteen years for book six, The Winds of Winter. And many are doubting the book will ever arrive, let alone book seven, A Dream of Spring. If current trends continue, HS2 will be completed faster than the Game of Thrones book series. 

There are plenty of other reasons not to read A Dance with Dragons. I’ve seen the adaptation for HBO which hit our screens in 2011. The plots have been already spoiled. I already know what’s going to happen. 

Yet over the last couple of years, I’ve read the first four books in the series and enjoyed them. A Storm of Swords, the third book in the series, was stunning, even though the plot had been thoroughly spoiled. I already knew about the Red Wedding, and the fate of King Joffrey and what happened to Jamie Lannister’s hand. Nonetheless, A Storm of Swords was enthralling and relentless. Just when I thought my jaw could not drop any further, it would drop again. The fact that A Dance with Dragons has already been on TV is not a consideration. 

A stronger reason against reading A Dance with Dragons is this: book four in the series, A Feast for Crows is, frankly, for the birds. Following on from the scintillating Storm of Swords, George RR Martin decided to focus on all of the least interesting characters who wander around Westeros desperately seeking a plot. But A Dance with Dragons, I’m told, returns to the best characters, like Tyrion Lannister, Varys and John Snow. What’s not to like? 

Here’s what: I end up being captivated by the world of Westeros all over again and left in the lurch. It could happen. In fact, I would expect it to happen. I might find myself primed and ready for the sixth book in the series, The Winds of Winter, which may never come. It’s been fourteen years. Say it comes next year. Book seven may takes another five. He’ll be 82. He might not make it. Heck, I’ll be 56. I might not make it! 

George RR Martin is aware of this fan fury. He often refers to it in interviews or on his blog. In 2019 he wrote: 

“…if I don’t have THE WINDS OF WINTER in hand when I arrive in New Zealand for worldcon, you have here my formal written permission to imprison me in a small cabin on White Island, overlooking that lake of sulfuric acid, until I’m done.” 

The lake has been prepared, George. You’ll need to do better than ‘direwolves ate my homework.’ Martin explains he’s been working on related projects which now includes opening a pub called Milk of the Poppy. He doesn’t work the bar or change the barrels but fans now suspect that Martin is avoiding finishing the books on purpose. Why? 

Some say he knows he can’t finish the book because he’s an existentialist. After all, he wrote the books to show the sprawling messiness of the real world by using the anarchy of the Seven Kingdoms of Westeros. For George RR Martin, life is not full of heroes and villains like Gandalf and Saruman. He has a point. The most interesting characters in Lord of the Rings are Gollum and Boromir. 

Game of Thrones is an intentionally complex mess of compromise and chaos. There are no good guys, except John Snow. And there are no real villains except King Joffrey. And Cersei, Melisandre, Little Finger, The Mountain and, wow, that’s already quite a long list, isn’t it? 

The moral complexity was highlighted by the end of the TV series, which had to invent its own finale, as none was provided by the author. Many fans were appalled at the last series, outraged that the resolution was jarringly neat. Others were just happy there was an ending – which made that first group of fans even angrier. 

Here’s the real question. Why does it matter? So the series is unfinished. Big deal. 

You know what else is unfinished? Your life. And the lives of everyone around us. We live with not knowing how our story will end. We are finite beings. We are born. We live with the limitations. 

And then the biggest limitation of all hits us: death. So why not just enjoy the moment? If we enjoyed the characters and the stories, what’s the problem? Storm of Swords was incredible. Maybe A Dance with Dragons will be brilliant too. Can’t I just enjoy that and move on? 

No. We yearn for an ending. Life is not one perpetual cliffhanger. Let us not confuse limited knowledge with suspense. The fact is that we are eternal beings. The Lord has set eternity in our hearts. Even the characters of Westeros believe in something beyond themselves – although all the talk of the old gods and the new is entirely unconvincing. I don’t really believe they believe in those gods. 

But they do believe in something outside of themselves. In Game of Thrones, a few good men are prepared to die with honour. Some awful men die in agony. Others are wrestling with doing the right thing when all around seem not to care. Some characters are yearning for home; some vindication; others love and acceptance. 

Our desire for an ending merely matches the desires of the characters that George RR Martin has created. They are so lifelike precisely because they believe in providence, fate, destiny or some divine standard to which they are held to account. In that, George RR Martin has made characters in God’s image, not his own.  

What I do know is this: my favourite character in Game of Thrones, Tyrion Lannister, would read A Dance with Dragons, curious to know what happens next. And that’s good enough for me. I’m in. 

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Graham Tomlin
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