Explainer
Creed
Time
4 min read

Real time

One Sunday time warped. Oliver Wright explores the conception of real time.

After 15 years as a lawyer in London, Oliver is currently doing a DPhil at the University of Oxford.

A sundial on a wall casts a small shadow on a painted list of numbers and symbols
The western sundial in the courtyard of the New Town Hall in Brno.
Kirk, CC BY-SA 3.0, via Wikimedia Commons

“Time’s going really slowly today!” 

“Golly – where’s that week gone?” 

“It felt like time stood still for a moment…” 

“Sorry, I lost track of the time.”

These expressions are common enough to be cliché. I’ve used each of them in the last few weeks. But do they actually make any sense? We all know that time is in seconds, minutes, days, weeks… very reliable, very constant, very scientific. We all know that time doesn’t stand still – how can it?! We know that, don’t we?  

But us modern, scientific cultures can often forget how recent these regimental patterns are. Of course, people and cultures have been measuring time for millennia – Ancient Egyptian sundials, early Medieval monks needing to fit in seven services a day. But time, even in those examples, always said more than just ‘keeping time’… a sundial was especially meaningful in a world where it usually shone every day, and was itself held up as a God; for life in a monastery, worship was the time-keeping device, worship was the rhythm of life.  

Time, and particularly our experience of it, doesn’t easily track onto our clocks. We are constantly experiencing time quickly, slowly, forgetfully, meaningfully. Could there be another account of time, not one governed by the Greenwich Meridian, which is – somehow – more real?  

The Ancient people of Israel were some of the first to realise that there is more to life than clock-watching. It’s hard for us to imagine how revolutionary the idea of a Sabbath is. But when it became the norm for the Jews to observe the Sabbath every seventh day – to keep it holy – this wasn’t just about being religious. This was about justice and the avoidance of exploitation. In a world where slaves and workers in the field were expected to work every single day, the idea that there should be rest and restoration said something distinctive both about the nature of work, and about the nature of what it is to be human. And it also said something distinctive about hope.  

For Christians, hope and the Sabbath are forever now held together in the story of Jesus’ resurrection – the very first Easter day. There’s much that could be said about this. But for our little topic of time, it’s quite explosive. The people of Israel had believed (we think) that death would be defeated by the return of God to his people at the end of time. But here was God – in the flesh – defeating death… and time is still marching on! What are we to make of this?  

Something of the end has come in the middle. Time is now warped.

 

Well, one of many things is that, when Christians confess their belief that ‘on the third day Jesus Christ rose again from the dead’, they are saying that something of God’s ultimate future, his promise one day to be with us forever, what the Sabbath had always pointed towards like a signpost, had now happened once and for all. Something of the end has come in the middle. Time is now warped.  

One of the first signs of this ‘warping’, was another day off. The early Christians by and large slotted into the ongoing Jewish observance of Sabbath. But then – treating it as the start of their week – they observed a second day off, a day of feasting and celebrating, and marching through the towns waving banners. The Lord’s day. Resurrection day. Day one – starting all over again, starting afresh, making something new out of the old.  

A second sign was this. Time held a new power – a new potency if you like. It wasn’t that the days had somehow changed duration, or our lifespans were altered. No – Christians think that there is a new expectancy in the air. They are to live, Paul writes, as if the fixtures which hold them to this world now no longer hold the same power. ‘Time is contracted’ he goes on (not ‘shortened’ as it’s sometimes translated) – ready to pounce like a cat.  

The third sign follows from the second. The Christian experience of time is constantly pulling backwards and forwards. In celebrations and worship, Christians look back and recite God’s mighty deeds from the past. In reciting them in the present, they re-present them. But the point of ‘re-presenting’ these mighty acts was not just to bring comfort to the present; it also reinvigorated hope for the future. Christians – as the Creed goes on – ‘look for his coming again’. The experience of time for a Christian (or, even, a philosophy of history) is not governed by a flat-line Hegelian aufhebung – that every day, every hour succeeds its predecessor. Instead, the past and the future works on the present in a constant swell of recall and expectation.  

Christians see their lives held by God’s time. They’re not a clock-watching, ‘progress-reliant’ people. In the resurrection, Christians believe that God has changed the way we view time once and for all. On that, all their hope is founded.  

That’s real time.  

Essay
Art
Culture
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Time
5 min read

Symbols in culture – the interface between the Seen and the Unseen

Open your eyes.

Theodore is author of the historical fiction series The Wanderer Chronicles.

an all seeing eye hovers above a renaissance style picture of the supper at Emmaus.
Pontormo, via Wikimedia Commons.

As December gives way to January, we become conscious of time rolling on from one year into the next.  

The moment is often marked by that most famous image of the New Year: the Roman god Janus standing sentinel at the threshold; two-faced, gazing back into the past, but also forwards into the future.  

The double-faced god is a striking symbol to depict this interface of time. But we also often find symbols at another important interface: the place where the Seen meets the Unseen. 

Symbols have always existed at this touch-point - between the spiritual and the material. We might even say between heaven and earth. Symbols possess a power which goes beyond the strictly rational. They are more than their constituent parts. 

In the moment when Jesus effectively instituted the church, he tells his disciple Peter: “Behold, I give you the keys to the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed in heaven.” Here, Jesus not only uses symbolic language with his image of the key, he also assigns Peter (and so the church) a divinely-appointed role: to stand there at this threshold between the seen and the unseen, and to have an effect. 

The mission then, to occupy and influence this frontier between both realms, is significant. It’s worth considering – especially at this liminal time of year - what a culture’s symbols say about its direction of travel. What are the symbols that saturate our conscious and unconscious world? What effect are they intended to have by their creators? What influence do they actually have in the seen and unseen? 

Our culture is saturated with symbols that were always meant to exert influence in the unseen. Some consciously; other maybe less so. 

The notion that symbols act on reality is not a merely Christian concept. Far from it. In many cultures, the origins of written communication have often been interwoven with both mystery and magic. The futhark, for example – the basis of the Old Norse runic alphabet in Scandinavia – developed directly out of shamanistic practices. In a word: witchcraft. Certain symbols were graven into material objects in order to have a specific effect. A rune for protection carved into the haft of a warrior’s axe; a rune for fertility on a woman’s comb or belt. Symbols to curse; symbols to bless. All intended to manipulate the reality around them. Effectively they acted as a kind of spell. 

Roll the wheel of history forward a bit and we see the cross itself became a powerful symbol across the developing civilizations of the world, especially in Europe. Making the sign of the cross became synonymous with an invocation of God’s blessing or else protection against some evil. An outcome all the more extraordinary when one considers the origin of its use – a shameful incident of execution, standing on a lonely hill. 

Similarly, the Crescent represents one of the great symbols of history, often in antagonism with the Cross. Think of the symbolic reversals still visible in the architecture of some parts of Spain. When the Iberian peninsula fell to Moorish conquest in the early eight century, the cross was torn down, all symbols of Christian faith effaced, only to return eight centuries later with the Reconquista. Today, you can see still the Cross surmounted on clearly Moorish architecture, a visible sign of those historic conflicts. 

Such warring symbols of unseen spiritual realities are hardly consigned to the history books. Witness perhaps the most live example playing out all across the cities of Europe. The Star of David opposed and disdained by those waving black, green, red and white flags. 

Nor is the clash of symbols simply a matter between the great religions of the world. The rainbow flag represents a certain positioning within the realm of the unseen wherever it is planted. In other contexts, our culture is saturated with symbols that were always meant to exert influence in the unseen. Some consciously; other maybe less so.  

Apple’s ‘apple’ is not just an apple. It is an apple with a bite taken out of it. Elsewhere, symbolic representations of devil horns proliferate – to be expected on heavy metal t-shirts and album covers; perhaps less so throughout myriad children’s TV shows and movies across our streaming channels. Yet they are there.  

The ‘One-Eye’ symbol has been associated variously with freemasonry, Luciferanism, Satanism and the occult. It appears in anything from pop videos to movie posters to political protest logos (“Just Stop Oil” anyone?). Even a ubiquitous pose-for-camera for celebrity photo-shoots. Once you clock it, you’d amazed how prevalent this symbol is across our culture.  

Does it signify anything? Or nothing at all? 

You have to assume that the creators of such symbols don’t include them by accident. Some are hidden in plain sight; others are brazen and bold. Either way, they are meant to be there. But why? 

Symbols have always been used in the casting of spells. These days, we give so much head space to the consumption of culture, myriad symbols flashing in and out of our consciousness as we scroll ever onward, have we any idea what spells we are subjecting ourselves to – irrespective of whether we believe they are effective or not? 

Against such murkiness, perhaps this season of Christmas rolling into the New Year is a good time to consider what some might consider the ultimate symbol appearing in our reality of the Seen: the Incarnation.  

In a way, Christ identified himself as the visible interface between the seen and the unseen when he said: Whoever has seen me has seen the Father.  

And yet, the Incarnation also transcends the mere symbolic. Yes, Christ points to an unseen reality, but he is also the ‘thing’ itself. He is both Seen and Unseen in one. Not a symbol pointing to something else, but the thing to which all symbols ultimately point: the central reality in the universe where God and creation meet. 

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