Explainer
Creed
Time
4 min read

Real time

One Sunday time warped. Oliver Wright explores the conception of real time.

After 15 years as a lawyer in London, Oliver is currently doing a DPhil at the University of Oxford.

A sundial on a wall casts a small shadow on a painted list of numbers and symbols
The western sundial in the courtyard of the New Town Hall in Brno.
Kirk, CC BY-SA 3.0, via Wikimedia Commons

“Time’s going really slowly today!” 

“Golly – where’s that week gone?” 

“It felt like time stood still for a moment…” 

“Sorry, I lost track of the time.”

These expressions are common enough to be cliché. I’ve used each of them in the last few weeks. But do they actually make any sense? We all know that time is in seconds, minutes, days, weeks… very reliable, very constant, very scientific. We all know that time doesn’t stand still – how can it?! We know that, don’t we?  

But us modern, scientific cultures can often forget how recent these regimental patterns are. Of course, people and cultures have been measuring time for millennia – Ancient Egyptian sundials, early Medieval monks needing to fit in seven services a day. But time, even in those examples, always said more than just ‘keeping time’… a sundial was especially meaningful in a world where it usually shone every day, and was itself held up as a God; for life in a monastery, worship was the time-keeping device, worship was the rhythm of life.  

Time, and particularly our experience of it, doesn’t easily track onto our clocks. We are constantly experiencing time quickly, slowly, forgetfully, meaningfully. Could there be another account of time, not one governed by the Greenwich Meridian, which is – somehow – more real?  

The Ancient people of Israel were some of the first to realise that there is more to life than clock-watching. It’s hard for us to imagine how revolutionary the idea of a Sabbath is. But when it became the norm for the Jews to observe the Sabbath every seventh day – to keep it holy – this wasn’t just about being religious. This was about justice and the avoidance of exploitation. In a world where slaves and workers in the field were expected to work every single day, the idea that there should be rest and restoration said something distinctive both about the nature of work, and about the nature of what it is to be human. And it also said something distinctive about hope.  

For Christians, hope and the Sabbath are forever now held together in the story of Jesus’ resurrection – the very first Easter day. There’s much that could be said about this. But for our little topic of time, it’s quite explosive. The people of Israel had believed (we think) that death would be defeated by the return of God to his people at the end of time. But here was God – in the flesh – defeating death… and time is still marching on! What are we to make of this?  

Something of the end has come in the middle. Time is now warped.

 

Well, one of many things is that, when Christians confess their belief that ‘on the third day Jesus Christ rose again from the dead’, they are saying that something of God’s ultimate future, his promise one day to be with us forever, what the Sabbath had always pointed towards like a signpost, had now happened once and for all. Something of the end has come in the middle. Time is now warped.  

One of the first signs of this ‘warping’, was another day off. The early Christians by and large slotted into the ongoing Jewish observance of Sabbath. But then – treating it as the start of their week – they observed a second day off, a day of feasting and celebrating, and marching through the towns waving banners. The Lord’s day. Resurrection day. Day one – starting all over again, starting afresh, making something new out of the old.  

A second sign was this. Time held a new power – a new potency if you like. It wasn’t that the days had somehow changed duration, or our lifespans were altered. No – Christians think that there is a new expectancy in the air. They are to live, Paul writes, as if the fixtures which hold them to this world now no longer hold the same power. ‘Time is contracted’ he goes on (not ‘shortened’ as it’s sometimes translated) – ready to pounce like a cat.  

The third sign follows from the second. The Christian experience of time is constantly pulling backwards and forwards. In celebrations and worship, Christians look back and recite God’s mighty deeds from the past. In reciting them in the present, they re-present them. But the point of ‘re-presenting’ these mighty acts was not just to bring comfort to the present; it also reinvigorated hope for the future. Christians – as the Creed goes on – ‘look for his coming again’. The experience of time for a Christian (or, even, a philosophy of history) is not governed by a flat-line Hegelian aufhebung – that every day, every hour succeeds its predecessor. Instead, the past and the future works on the present in a constant swell of recall and expectation.  

Christians see their lives held by God’s time. They’re not a clock-watching, ‘progress-reliant’ people. In the resurrection, Christians believe that God has changed the way we view time once and for all. On that, all their hope is founded.  

That’s real time.  

Article
Creed
Death & life
Weirdness
3 min read

Why we project ourselves on Lazarus

Lean into the weird around the ‘unreveal'd’.

Jamie is Vicar of St Michael's Chester Square, London.

A Vincen Van Gogh painting of Lazarus rising from his bed as his astonished sisters lean toward him.
The Raising of Lazarus (after Rembrandt).
Vincent van Gogh, CC BY 4.0, via Wikimedia Commons

Tennyson's poem In Memoriam contains a section about the man Jesus famously raised from the dead, Lazarus, and in it he writes: 

Behold a man raised up by Christ! 

The rest remaineth unreveal'd 

He told it not; or something seal'd 

The lips of that Evangelist 

That evangelist, St John, writes precious little about Lazarus himself. Lazarus is supposedly the main character in the story, but we see far more about his sisters Mary, and Martha, and most of all, Jesus himself. But because Lazarus is a largely anonymous figure, intriguing all sorts of people like Tennyson, we can project ourselves onto him. He emerges from the tomb with graveclothes, and it seems we don't fully see him, but we see ourselves on those graveclothes. His endless capacity to capture something of the human condition is evidenced by appearing in Moby Dick, Crime and Punishment, and Mark Twain writes about him, right through to Nick Cave and David Bowie, with a song written when he was terminally ill. 

It's definitely an account that falls into the 'weird' category. Not only does Jesus raise someone from the grave, but at first his response to Lazarus' grieving sisters seems inexplicable. Regardless, Lazarus is perhaps a good match for us because of our own fears of death. 

It's also why the words of comfort that Jesus offers Martha after Lazarus' death are used in Christian funerals. As a priest, as I process in with the coffin, I read: 

'I am the resurrection and the life. The one who believes in me will live, even though they die; and whoever lives by believing in me will never die.’ 

Just as these words were a great comfort to Martha, these words are a huge comfort to people as they come to the funerals of their loved ones. 

But just like Lazarus isn't actually the main character in this story, at someone's funeral, they are also not the main character in the story. They've died. Funerals aren't just for dead people. Funerals are for the people coming to the funeral. Because Jesus doesn't just say, 'whoever lives by believing in me will never die.' He doesn't just leave that there hanging in the air. He explicitly asks Martha the question: 'Do you believe this?' We are confronted with the same question, non-rhetorically. 

Jesus is asking us to believe something quite extraordinary about the nature of life that is worth considering in the assisted dying debate: that resurrection is not pie-in-the-sky, but a quality and quantity of spiritual life that can begin today, only interrupted by physical death and the bodily resurrection. As someone who lives with disability said to me recently about the debate on assisted dying, 'I'm interested in assisted living'. We could all do with a little assistance. 

Bizarrely, Jesus identifies himself as the resurrection and the life. And so even more intriguing than placing ourselves in the tomb of Lazarus, can be placing ourselves in the death and resurrection of Jesus. The anguish, desperation, exasperation of the sisters toward Jesus (helpful for us to recognise our own ability, and need, to grieve honestly) is met with not only grand declarations about Jesus' divinity, but demonstration of his humanity. Twice in this sequence we see Jesus deeply moved and troubled, most pithily and famously encapsulated in the shortest verse in the Bible: 'Jesus wept.'  

His emotion here, much more raw in the Greek, is appropriate not only to Lazarus' death, but also his own death that is about to come on the cross. Amidst the compassion that drives people to different conclusions in ethical debates, it is worth us considering an even deeper compassion that drove Jesus to raise Lazarus and to go to the cross. 

Although there is much in our lives and in faith which is mystery and 'unreveal'd' as Tennyson would say, our own inability to control our own lives and deaths is met by Jesus in all his humanity and divinity. 

All great artists lean into - rather than avoid - the weird. They also seek to honestly address the human condition in all its suffering, mortality and hope. No wonder so many over the centuries have projected themselves and their characters onto Lazarus as his grave clothes unravel. 

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