Podcast
Books
Culture
Re-enchanting
S&U interviews
1 min read

Re-enchanting... reading and writing

"We are culture making creatures", says Francis Spufford, on the latest episode of Re-enchanting - Seen & Unseen's new podcast series.

Nick is the senior editor of Seen & Unseen.

A man sits and speaks into a microphone beside him on a table, while gesturing with his hand. Behind, Big Ben is on the skyline.
Francis Spufford interviewed at Lambeth Palace Library.
Seen & Unseen

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"Showcasing Spufford's gift for the old-fashioned alchemy of creating flesh-and-blood characters we care about deeply."

Anthony Cummins
The Literary Review

About this episode

This episode of Re-enchanting sits down with Francis Spufford, the author of Golden Hill and Light Perpetual.

Ranging from what books he is is reading at the moment, the podcast covers Spufford's journey into writing and the nature of disenchantment, as well as whether "Christianity belongs in some quiet corner of the human zoo."  

It then moves on to explore the nature or re-enchanting, why it is what humans do, and and how our culture rewards it.

About the podcast series

The Re-enchanting podcast sees hosts, Justin Brierley and Belle Tindall, talk with guests about how Christianity can re-enchant culture, politics, the arts, the sciences, history, and so much more.

Despite the increasingly scientific and secular age we live in, many people are still searching for a bigger story to live by. The podcast features a mix of guests - both with and without faith - and explore how those who have tired of modern materialism are the ones seeking to 're-enchant' the world. This podcast is about tracing their journey and work.

Series one features conversations with the likes of Tom Holland, Louise Perry, Francis Spufford, Sally Phillips and Marilynne Robinson.  

Hosted by Belle Tindall and Justin Brierley, it's recorded for Seen & Unseen at Lambeth Palace Library, home of the Centre for Cultural Witness.

Snippet
Christmas culture
Culture
Film & TV
2 min read

Home Alone reminds me of another kid

Home for the holidays hints at much, much more.

Jamie is Vicar of St Michael's Chester Square, London.

A child lies under a bed, resting his chin on his hands, contemplating.

Is he just a very naughty boy? That's certainly the impression we get – the only impression – of Jesus in between infancy and adulthood in the Bible. Precious little is written about the precocious boy Jesus beyond his birth (shepherds, magi, lobsters and all). But there are similarities with Kevin McAllister from Home Alone with Luke's account of Jesus in the temple at twelve years' old. 

Admittedly, there were no sticky bandits, nor John Williams soundtrack, but spare a thought for Jesus' parents leaving their son behind at a time of festival. When returning from Jerusalem for the Feast of Passover, as they did every year, they realise they have misplaced the Messiah. Oops! Imagine Mary screaming her son's name, and the inconvenient three-day trek to work out where he was. They eventually find him in the temple, and slightly exasperated they ask him why he was there. He was obedient to them (worth mentioning) and left for home. 

But his answer to that question reveals Jesus' understanding of home, when the idea of being 'home for the holidays' can be a contested one for us. He replied, 'Didn't you know I had to be in my Father's house', or 'about my Father's business.' This is really strong. Quite the chutzpah. Not just that he’s twelve years old speaking to his parents, but nobody would refer to God as ‘my Father’. It is out of this place, or more appropriately this relationship, where Jesus would '[grow] in wisdom and stature, and in favour with God and man.’  

Home is where we can be ourselves, but also let our guard down, ask questions, and have the confidence to go out into the world, secure in who we are. And with this being the only insight of a growing Jesus, learning, studying, asking questions, perhaps there's also insight for how we can grow as people, what we understand home to be, and how we might relate to God. In many ways Jesus' adult life would be nomadic, but his sense of home wasn't about geography but a relationship with his Father where he could be free to be inquisitive.  

Unlike Macaulay Culkin, our lasting impression of Jesus might not be as a boy. And the festival that bears his own name has become a time to engage with our roots, and to look to the future. But, perhaps even more than we'd realise, the boy Jesus hints to us that there's no place like home for the holidays.

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