Podcast
America
Culture
Grace
Race
Re-enchanting
1 min read

Re-enchanting... race, grace and being black in America

Esau McCaulley talks about growing up in Alabama, the racial divides of the past and present in the USA, what difference it makes to read the Bible through the lens of African-American experience.

Nick is the senior editor of Seen & Unseen.

A man talks to a camera with his hands together palms up and his finger interlaced.
Esau McCaulley on the Re-enchanting podcast.

Esau McCaulley is an author, public theologian and associate professor of New Testament at Wheaton College. His book 'Reading While Black: African American Biblical Interpretation as an Exercise in Hope' won numerous awards. His new memoir 'How far to the Promised Land', draws on his life and experiences to question what the American dream looks like for African-Americans.

Justin and Belle talk to Esau about growing up in Alabama, the racial divides of the past and present in the USA, what difference it makes to read the Bible through the lens of African-American experience and whether the Christian vision of reality can re-enchant the conversation on race?

There’s more to life than the world we can see. Re-Enchanting is a podcast from Seen & Unseen recorded at Lambeth Palace Library, the home of the Centre for Cultural Witness. Justin Brierley and Belle Tindall engage faith and spirituality with leading figures in science, history, politics, art and education. Can our culture be re-enchanted by the vision of Christianity?

Podcast
Podcasts
Seen & Unseen Aloud
1 min read

A wild Belle, Sarah Mullally and 'defending our girls'.

New episode: listen to articles by Jonathan Evens, George Pitcher, and Belle Tindall.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A protester hold a blue flare towards the camera
An asylum hotel protester, Epping.

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About this episode

In this episode, Jonathan Evens takes us to Union Chapel where Natalie Bergman's soul-soaked set turned personal tragedy into communal celebration. George Pitcher evokes historical precedent for why Sarah Mullally’s appointment as Archbishop of Canterbury is about more than just breaking the stained-glass ceiling. And Belle Tindall passionately suggests that “Defending our girls” is less about safety, more about scapegoating (please be aware of potentially triggering content in this last article).