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Re-enchanting
1 min read

Re-enchanting podcast launches

The Re-enchanting is Seen & Unseen's new podcast series. It explores how Christianity can re-enchant culture, politics, the arts, the sciences, history, and so much more.

Nick is the senior editor of Seen & Unseen.

Three people sit around a table recording in front of microphones, one gestures with their hand
Podcast hosts Belle Tindall and Justin Brierley listen to Graham Tomlin.

The Re-enchanting podcast sees hosts, Justin Brierley and Belle Tindall, talk with guests about how Christianity can re-enchant culture, politics, the arts, the sciences, history, and so much more.

Despite the increasingly scientific and secular age we live in, many people are still searching for a bigger story to live by. The podcast features a mix of guests - both with and without faith - and explore how those who have tired of modern materialism are the ones seeking to 're-enchant' the world. This podcast is about tracing their journey and work.

Series one features conversations with the likes of Tom Holland, Louise Perry, Francis Spufford, Sally Phillips and Marilynne Robinson.  

Hosted by Belle Tindall and Justin Brierley, it's recorded for Seen & Unseen at Lambeth Palace Library, home of the Centre for Cultural Witness.

Learn more about Re-Eenchanting

Watch the co-hosts of Re-enchanting introduce the podcast.

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Seen & Unseen Aloud
1 min read

A wild Belle, Sarah Mullally and 'defending our girls'.

New episode: listen to articles by Jonathan Evens, George Pitcher, and Belle Tindall.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A protester hold a blue flare towards the camera
An asylum hotel protester, Epping.

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About this episode

In this episode, Jonathan Evens takes us to Union Chapel where Natalie Bergman's soul-soaked set turned personal tragedy into communal celebration. George Pitcher evokes historical precedent for why Sarah Mullally’s appointment as Archbishop of Canterbury is about more than just breaking the stained-glass ceiling. And Belle Tindall passionately suggests that “Defending our girls” is less about safety, more about scapegoating (please be aware of potentially triggering content in this last article).