Re-enchanting... history and the coronation - Tom Holland

In this third episode of Re-enchanting, Belle and Justin talk with Tom Holland about all things history and, or course, the coronation.

Nick Jones

Nick is the senior editor of Seen & Unseen.

A man sits at a table speaking into a microphone but looks into the distance. Behind him, through the window and beyond a wall is Big Ben

Tom Holland recording the podcast at Lambeth Palace Library.

Re-enchanting episodes

Can the secular West outlive its Christian past? Will the coronation remind us of our Christian inheritance? Tom Holland is a historian and author who co-hosts the popular podcast The Rest Is History. His best-selling book Dominion charted how the Christian revolution shaped the West's moral instincts. He chats with Belle Tindall and Justin Brierley about why modern secularists are still swimming in Christian waters, and why he has personally become enchanted by the 'greatest story ever told'.

There’s more to life than the world we can see. Re-Enchanting is a podcast from Seen & Unseen recorded at Lambeth Palace Library, the home of the Centre for Cultural Witness. Justin Brierley and Belle Tindall engage faith and spirituality with leading figures in science, history, politics, art and education. Can our culture be re-enchanted by the vision of Christianity?

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Seen & Unseen Aloud

20 October 2025

1 min read

A wild Belle, Sarah Mullally and 'defending our girls'.

New episode: listen to articles by Jonathan Evens, George Pitcher, and Belle Tindall.

Natalie Garrett

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A protester hold a blue flare towards the camera

An asylum hotel protester, Epping.

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About this episode

In this episode, Jonathan Evens takes us to Union Chapel where Natalie Bergman's soul-soaked set turned personal tragedy into communal celebration. George Pitcher evokes historical precedent for why Sarah Mullally’s appointment as Archbishop of Canterbury is about more than just breaking the stained-glass ceiling. And Belle Tindall passionately suggests that “Defending our girls” is less about safety, more about scapegoating (please be aware of potentially triggering content in this last article).